An exhaustive monograph on the work of the multi-media, award winning artist Monica Bonvicini.

In over 140 superbly reproduced artworks, the artist Philip Hughes records eleven iconic walks across the length and breadth of Britain, from Allt Coire Pheiginn in Scotland to Zennor Head in Cornwall. Inspired and informed by maps, aerial photographs and electronic survey techniques, Hughes's clean, spacious artworks, with their arresting blocks of colour, make contemporary some of the most ancient and formidable landmarks of the British Isles. Hughes's artworks - often incorporating written notes, archaeological scans and contour maps - feature important heritage sites, including Neolithic settlements such as Maes Howe in Orkney, standing stones such as Stonehenge, the Three Peaks in Yorkshire, or places of particular mystery and beauty such as Silbury Hill, the oldest and tallest artificial mound in Europe. Notebook spreads contain exquisite drawings and paintings made on the spot and vivid extracts from Hughes's diaries and notes, help to evoke the mood and atmosphere of the awe-inspiring landscapes. Complete with an enlightening introduction by writer Kay Syrad and short prefaces to each of the sections by Hughes himself, this beautiful, reflective book will resonate with artists, walkers and anyone who shares a love of ancient sites in the landscape.

Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time.

Using materials like textile "shreds," cardboard boxes, LCD screens, chili pepper, tea, porcelain shards and wooden crates, Amsterdam based Chinese artist Ni Haifeng creates powerful, poetic installations that examine issues like cultural globalization. In this catalogue, he questions what defines cultural identity--what power art still has--in our globalized world.

Daniel Clowes (b. 1961) emerged from the "alternative comics" boom of the 1980s as one of the most significant cartoonists and most distinctive voices in the development of the graphic novel. His serialized "Eightball" comics, collected in such books as "David Boring," "Ice Haven," and "Like a Velvet Glove Cast in Iron," helped to set the standards of sophistication and complexity for the medium. The screenplay for "Ghost World," which Clowes co-adapted (with Terry Zwigoff) from his graphic novel of the same name, was nominated for an Academy Award.

Since his early, edgy "Lloyd Llewellyn" and "Eightball" comics, Clowes has developed along with the medium, from a satirical and sometimes vituperative surrealist to an unmatched observer of psychological and social subtleties. In this collection of interviews reaching from 1988 to 2009, the cartoonist discusses his earliest experiences reading superhero comics, his time at the Pratt Institute, his groundbreaking comics career, and his screenplays for "Ghost World" and "Art School Confidential." Several of these pieces are drawn from rare small-press or self-published zines, including Clowes's first published interview. He talks at length about the creative process, from the earliest traces of a story, to his technical approaches to layout, drawing, inking, lettering, and coloring. The volume concludes with a 2009 interview conducted specifically for this book.

The first major study of the neglected fiction works of the well-known revolutionary politician Kurt Eisner. This fascinating study analyzes the fiction (including the didactic political Marchen) of Kurt Eisner, who is best known as a revolutionary politician of the Wilhelminian and Weimar periods. Eisner's literary work has been little studied, even in the German Democratic Republic, where he was revered as a political martyr. This is the first major study of this neglected aspect of Eisner's production.

The name which predominates in the development of art throughout the twentieth century, and to which many of the revolutionary changes are ascribed, is that of Pablo Picasso (1881-1973). Not only was he one of the most influential artists, he was also one of the most versatile. This beautifully produced book surveys the whole range of his paintings, from the haunting works of the Blue Period, to the brute power of Les Demoiselles d'Avignon, the lyrical sweetness of his family portraits, the revolutionary developments of Cubism and the later manifold experimentations with form and colour. Roland Penrose's introductory essay on Picasso was first published in 1971, when the great master was still alive. Penrose was acclaimed in his own right as a painter, and his long friendship with Picasso gave him unique insight into his life and work. David Lomas has written a preface introducing us to the friendship between these two artists. He has also written notes to each full-page colour plate, discussing the picture in detail, making this a perfect introduction to the twentieth century's most famous artist.

This is the most comprehensive monograph to date on the Frank Auerbach (b. 1931), one of the preeminent artists of our age, widely admired for his vivid, impulsive depictions of the world around him. Often compared to Francis Bacon and Lucian Freud in terms of the revolutionary and powerful nature of his work, Auerbach s depictions of people and the urban landscapes near his London studio make him one of the greatest painters alive today. Spanning the length of his career from the 1950s to the present, this expanded edition includes 250 additional works bringing it up to date. In the back of the book there are small-scale chronological sequencing of full-colour reproductions, which depict nearly every painting made by the artist, from his student years up until this publication. At age 90, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality. The constant painter: a rare interview with Frank Auerbach A weighty monograph filled with photographs of his life s work, written by William Feaver, is published [and] underscore his position as a Grand Old Man of British Painting. --London Evening Standard This definitive account of Auerbach s work and life includes excellent large-scale reproductions of 200 paintings and an illustrated catalogue of some 1,000 more, lively, pertinent interpretations from Feaver, the artist s long-term friend, critical supporter and model, and engaging interviews and photographs. Financial Times As a painter s resource this book is invaluable. Notes from the Underground

Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe's name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe's achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe's stunning Sussex country house, Old Place, his 'Palace of Art'. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.

A deluxe art book showcasing Posuka Demizu's incredible artwork from the hit manga series. A beautiful hardcover art book featuring full-color art, sketches, comments, and a Q&A with Kaiu Shirai and Posuka Demizu about their popular manga series. Featuring Posuka Demizu's incredible artwork, as well as creator commentary and interviews, The Promised Neverland: Art Book World is a beautiful and haunting gaze into the art of one of today's most popular Shonen Jump manga series.

For Rene Magritte, painting was a form of thinking. Through paintings of ordinary objects rendered with illusionism, Magritte probed the limits of our perception-what we see and cannot see, the nature of representation-as a philosophical system for presenting ideas, and explored perspective as a method of visual argumentation. This book makes the claim that Magritte's painting is about vision and the act of viewing, of perception itself, and the process of how we see and experience things in the world, including paintings as things.

Michelangelo's (1475-1564) "Taddei Tondo," in the collection of the Royal Academy in London, offers a fascinating insight into the master's technical and experimental skill. Joshua Reynolds, the Academy's first president, considered that Michelangelo represented everything that an artist should aspire to, combining technical brilliance with sublime poetical imagination, and the Tondo shows this in scintillating relief. Expertly researched and written by the renowned Renaissance art historian Alison Cole, this book moves through the life of the "Tondo," from Michelangelo's rivalry with Leonardo to the marble's arrival at the Royal Academy and its use in the RA Schools. Finishing with a fresh look at the Tondo's role in revealing Michelangelo's technical experimentalism, Cole explores the importance of finish and what constitutes a finished work of art. Lavishly illustrated and including new photos of the Tondo, this is an enriching exploration of a lesser-known side of the great Renaissance master's work.

Robert Capa is one of four new titles published this September in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Hailed by The Times as 'finely produced', the books are printed to the highest standards. Each one contains some sixty full-page reproductions, together with a critical introduction and a full bibliography.

The intimate memoirs of one of the most acclaimed and controversial artists of her generation. Here I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. I never dreamt it would be like this. 'Frequently affecting...intriguing, almost incantatory' Telegraph Tracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind. 'As spare and poignant as one of Emin's line drawings' Marie Claire

First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough's prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations. From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns, sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker. Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough's achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.

John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In this new volume, Castagno has collected more than 1,100 signatures and monograms of Jewish artists, as well as signatures of artists whose work reflects Jewish themes. In addition to the standard signature entries found in Castagno's other books, this volume features additional biographical information, providing a more complete profile of the artist and his or her work. All artists are listed with the most updated information on nationality, birth and/or death dates. The entries direct the researcher to many biographical and bibliographical sources not found on web site searches, and many of the resources offer additional references. Several individual listings provide gallery referrals and catalog auction dates, which can be used to buy or sell a particular artist's work. The use of Jewish Artists: Signatures and Monograms provides the researcher a reference tool not duplicated elsewhere: one that will save many hours of research.

The Short Story of Women Artists tells the full history - from the breakthroughs that women have made in pushing for parity with male artists, to the important contributions made to otherwise male-dominated artistic movements, and the forgotten and obscured artists who are now being rediscovered and reassessed. Accessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of the full achievements that female artists have made.

Georg Simmel (1858-1918), was a German sociologist of high regard who was in league with Emile Durkheim and Max Weber. Though his most famous work is The Philosophy of Money, first published in 1916 in German, Rembrandt is one of Simmel's most important works. Answering such questions as 'What do we see in a work of art?' and 'What do Rembrandt's portraits tell us about human nature?' this study offers insights not only into art, but also into larger questions on culture, symbols and human relations. Previously, Rembrandt had never been translated into English, and now there are no other titles on art by Simmel in English available. For fans of Simmel and Rembrandt alike, this unique book offers a fresh understanding of their work.