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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Art techniques & materials > General
COLORING FOR ADULTS GETS A NAUTICAL TWIST WITH THIS COLLECTION OF
WHIMSICAL MANDALAS Relax, focus, reach a higher state of
mindfulness, and simply enjoy yourself as you artistically fill in
the intricate shapes. Coloring Ocean Mandalas offers you an
imaginative array of underwater images, including: * Whales *
Mermaids * Sea Turtles * Sea Horses * Dolphins * Sea Urchins *
Jellyfish
Anton Raphael Mengs (1728-1779) wurde zu seinen Lebzeiten von
Johann Joachim Winckelmann mit Raffael verglichen. Auch der in Rom
stationierte spanische Diplomat Jose Nicolas Azara sah in Mengs den
Wiederhersteller der bereits verfallenen Kunste. Sein Ruhm wahrte
jedoch nicht lange. Nach Mengs' Tod keimte Kritik an seinem Koennen
auf; Mengs und sein Werk gerieten in Vergessenheit. Diese Arbeit
befasst sich mit der Fragestellung, wie ein Kunstler und sein
OEuvre so kontrar beurteilt werden konnten. Auch untersucht sie
unter Einbeziehung seines spanischen Schaffens die stilistische
Entwicklung von Mengs' gesamtem Werk. Sein Einfluss auf die
spanische Kunst und seine spanischen Mitarbeiter wie Schuler steht
ebenfalls im Mittelpunkt dieser Untersuchung.
An illustrated, comprehensive guide to botanical painting written
by the Society of Botanical Artists. In this new book the Society
of Botanical Artists provides a comprehensive guide to the
different styles and methods of botanical painting, harvesting the
talent of both Members and Distance Learning Diploma Course
students around the world, past and present. Botanical Painting
features techniques and materials for all levels and demonstrates
how these skills can be used to develop your own expertise. There
are chapters on drawing with graphite and metal point, coloured
pencil, body and watercolour in plant portraiture and illustration
as well as 'The Mixed Bunch'. The inclusion of the historic methods
used for egg tempera and metal point, as well as the technique
required for working on vellum, makes this a valuable source of
advice on subjects not readily available elsewhere. An
inspirational gallery of paintings at the end of the book provides
a guided walk around an SBA exhibition. The book is beautifully
illustrated throughout, with comprehensive critiques on the
artworks and step-by-step demonstrations. It will be an invaluable
and inspirational addition to the library of the more experienced
botanical painter.
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