Offering fans an extensive look at the artist's own words throughout the past four decades, Springsteen on Springsteen brings together Q&A-formatted articles, speeches, and features that incorporate significant interview material. No one is better qualified to talk about Springsteen than the man himself, and he's often as articulate and provocative in interviews and speeches as he is emotive on-stage and in recordings. While many rock artists seem to suffer through interviews, Springsteen has welcomed them as an opportunity to speak openly, thoughtfully, and in great detail about his music and life. This volume starts with his humble beginnings in 1973 as a struggling artist and follows him up to the present, as Springsteen has achieved almost unimaginable wealth and worldwide fame. Included are feature interviews with well-known media figures, including Charlie Rose, Ted Koppel, Brian Williams, Nick Hornby, and Ed Norton. Fans will also discover hidden gems from small and international outlets, in addition to radio and TV interviews that have not previously appeared in print. This collection is a must-have for any Springsteen fan.

THE ILLUSTRATED STORY OF SUN RECORDS AND THE 70 RECORDINGS THAT CHANGED THE WORLD Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. This is where Rock 'n Roll was born. Written by two of the most acclaimed music writers of our time, The Birth of Rock n' Roll: 70 Years of Sun Records looks at this history of this legendary label through the lens of 70 of its most iconic recordings. Accompanying the recordings is the label's origin story and a look at the mission of the label today, as well as fascinating dives into subjects such as the legendary Million Dollar Quartet, and how the song "Harper Valley, PTA" funded the purchase of the label. Featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.

Since his death in 1971, friends and band members have produced several biographies describing various aspects of Jim Morrison's life and career. Now James Riordan and Jerry Prochnicky examine with insightful clarity the entire story of Morrison's roots, his early family life, the intellectual foundations of his music, his wild days with The Doors, his private life, and the mystery that still surrounds his death.

In Break On Through, we see Morrison's angry relationship with his father and how a horrifying, deadly car accident Morrison witnessed as a small boy influenced his songs and poetry. We witness The Doors' exhilarating early days of struggle and the infamous Miami trial, where Morrison stood charged with obscenity. And here is the real story of Morrison's death in Paris, based on interviews with new sources who conclusively disprove the official finding of death by heart attack.

Break On Through is more than an insightful look at a rock legend whose cult following never stops growing. With dozens of rarely published photographs, this is the authoritative portrait of the man and his career.

'This band has no past' was the first line of the farcical biography printed on the inner sleeve of Cheap Trick's first album, but the band, of course, did have a past--a past that straddles two very different decades: from the tumult of the sixties to the anticlimax of the seventies, from the British Invasion to the record industry renaissance, with the band's debut album arriving in 1977, the year vinyl sales peaked. This Band Has No Past tells the story of a bar band from the Midwest--the best and weirdest bar band in the Midwest-- and how they doggedly pursued a most unlikely career in rock'n'roll. It traces every gnarly limb of the family tree of bands that culminated in Cheap Trick, then details how this unlikely foursome paid their dues--with interest--night after night, slogging it out everywhere from high schools to bars to bowling alleys to fans' back yards, before signing to Epic Records and releasing two brilliant albums six months apart. Drawing on more than eighty original interviews, This Band Has No Past is packed full of new insights and information that fans of the band will devour. How was the Cheap Trick logo created? How did the checkerboard pattern come to be associated with the band? When did Rick Nielsen start wearing a ballcap 24/7? Who caught their mom and dad rolling on the couch? What kind of beer did David Bowie drink? And when might characters like Chuck Berry, Frank Zappa, Don Johnson, Otis Redding, Eddie Munster, Kim Fowley, John Belushi, Jim Belushi, Elvis Presley, Leslie West, Groucho Marx, Robert F. Kennedy, Patti Smith, Andy Warhol, Lou Reed, The Coneheads, Tom Petty, Harvey Weinstein, Michael Mann, Linda Blair, Eddie Van Halen, Elvis Costello, Matt Dillon, and Pam Grier turn up? Read on and find out.

The definitive account of Jeff Beck's journey from his childhood in 1940s South London to the world-wide success of 2010's album Emotion and Commotion and beyond.Author Martin Power has talked to former Yardbirds members Chris Dreja and Jim McCarty as well as manager Simon Napier-Bell and fellow musicians including Max Middleton, Stanley Clarke, Simon Phillips, Jimmy Hall, Mo Foster, Doug Wimbish and many others. Supported by full album reviews, rare photographs and an up-to-date discography, Hot Wired Guitar is the most complete and comprehensive account of the life and times of Jeff Beck, the man who took the electric guitar and showed the world just what could be done with just six strings and 'one hell of an attitude'.

Liverpool Football Club, in stark contrast to its competitors, remains locally owned, not a conglomerate or media business. Unlike its main rivals, the Liverpool club has been loathe to pursue global markets for merchandizing - though it attracts a huge fandom around the world - and its ambitions remain resolutely fixed on footballing success. No football club has ever had such an extended period of dominance in the English game, nor extended that dominance to Europe so effectively.
Many of the current crop of top young players are locally born and are a central feature of the city's nightlife, as well as national icons in pop/football/youth culture. But there are fears that the Club's great days have now passed. At the height of its powers in the 1980s, Liverpool FC was the site of two catastrophic crowd disasters, which effectively transformed the sport and added to wounding perceptions about the city's alleged sentimentality, fatalism and irreversible decline. The legacy of the Heysel and Hillsborough tragedies continues to shape the self-image of the Club and those who support it. A seething rivalry with nearby corporate giant Manchester United is a constant reminder of football's new order.
Addressing all of these concerns, as well as Liverpool's global reputation as the home of the Beatles and the 'Mersey sound', this book takes an original approach to the study of football by examining its links with other important popular culture forms, especially pop music, but also television and youth styles. In particular, however, it looks at the very special meaning of football in Liverpool.

Many books have been written about Tin Pan Alley--the colloquial name assigned to popular music before the advent of rock 'n' roll--yet little is available about the individual songs defining this enormously significant style of American music. This encyclopedia of over 1,200 songs written from the middle of the 19th century through the 1950s provides information and commentary on the music embraced by the American public.

No other single volume contains as much information on the subject. Author Thomas Hischak provides an exhaustive yet highly readable guide to the songs, their periods, their styles, and their performers. His study explains in layman's language how this music survived over time, and how it came to play such an influential role in American popular culture. Ideal for researchers and browsers alike, this encyclopedia is a long overdue examination of an American musical institution.

These songs were not written for stage or screen, but for saloons, singalongs, dance orchestras, sheet music, piano player rolls, recordings, nightclubs, concerts, and radio broadcasts. They colored the fabric of American popular culture for centuries, from early American folk songs to Civil War melodies, 19th-century sentimental ballads, minstrel songs, ragtime, and jazz.

Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

From Sia to Elton John, Dusty Springfield to Little Richard, LGBT voices have changed the course of modern music. But in a world before they gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who came after? Pulling back the curtain on the colourful world that shaped our musical and cultural landscape, Darryl W. Bullock reveals the inspiring and often heartbreaking stories of internationally renowned stars, as well as lesser-known names, who have led the revolution from all corners of the globe. David Bowie Made Me Gay is a treasure trove of moving and provocative stories that emphasise the right to be heard and the need to keep up the fight for equality in the spotlight.

Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.

What is experimental music today? This book offers an up to date survey of this field for anyone with an interest, from seasoned practitioners to curious readers. This book takes the stance that experimental music is not a limited historical event, but is a proliferation of approaches to sound that reveals much about present-day experience. An experimental work is not identifiable by its sound alone, but by the nature of the questions it poses and its openness to the sounding event. Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Scientific, perceptual, or social phenomena become catalysts in the operation of the work. These practices are not presented according to a chronology, a set of techniques, or social groupings. Instead, they are organized according to the content areas that are their subjects, including resonance, harmony, objects, shapes, perception, language, interaction, sites, and histories. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have continued to develop over recent decades, expanding the scope of both musical practice and listening.

Remember Elvis is an all-encompassing, in-depth look at the life and career of a man whose popularity is unrivalled in the history of show business and who continues to attract millions of new fans each year. This groundbreaking book is brimming with rare interviews, insights and experiences. At the heart of this landmark project are over 200 interviews with many of Presley's most intimate associates, as well as some of the biggest names in the film and recording industries. Joe Esposito spent nearly twenty years as Elvis's confidant, close friend and road manager. Joe helps set the record straight about Presley's private life and career, dispelling the innumerable lies, half-truths and rumors that have evolved over the years.

From a skinny beach bum to a brawny headband-wearing blue-collar hero, through to an elder statesman of rock, Springsteen has been one of the most revered songwriters of his and succeeding generations for half a century. Throughout the decades, his anthemic tracks of personal and political strife have chronicled life in America, providing listeners with character-driven narratives that can be read as short stories of lives they live, lived, or have seen first-hand. After getting a recording contract with Columbia Records aged twenty-two, Springsteen wrote and recorded a string of critically acclaimed albums, including Born to Run, which brought him a wider audience, before becoming a superstar with the release of 1984's Born in the U.S.A. In the twenty-first century, Springsteen continues to release landmark albums such as The Rising and Wrecking Ball and, with the stalwart support of the E Street Band, still performs in sold-out stadiums worldwide, with concerts routinely lasting for over three hours. This volume explores Springsteen's discography in detail, examining his worldwide hits alongside his lesser-known but equally moving tracks.

From 1970 to 1973 Underground Press rock critic Rick McGrath interviewed, reviewed and photographed many of the musicians who visited or lived in Vancouver, British Columbia, for the alternate newspapers The Georgia Straight, The Grape and The Terminal City Express. In Straight Man Rick revisits those days of sex, drugs and rock'n'roll with interviews with the likes of Led Zeppelin (1971) Van Morrison (1971) Elton John (1971) Fleetwood Mac (1971) Jeremy Spencer's last interview Captain Beefheart (1971, 1973) Chicago (1970) Pentangle (1970) Mitch Ryder (1970) Kim Simmonds (1970) Gordon Lightfoot (1970) Luke Gibson (1972), Crowbar (1971 2X), Al Neil (1972) and Hall of Fame DJ Red Robinson (1972). Straight Man also includes articles of the Rolling Stones' movies Gimme Shelter and C**ksucker Blues, the complete Prisoner TV series and Sam Fuller's Shock Corridor Plus unpublished photographs of Bob Dylan and The Band, Van Morrison, Larry Coryell, Tim Buckley and The Tubes. Straight Man is a revealing, informative and fun trip back to the early formative years of many of today's Rock superstars."

Legendary recording artist Billie Eilish shares an intimate inside look at her life - both on and off the stage - in this stunning, photo-filled book.

Billie Eilish is a phenomenon. With distinctive visual flair and darkly poignant lyrics that are unparalleled among music icons of the 21st century, Billie is a musician who stands out from the crowd. Between her record-shattering, award-winning music and her uncompromising and unapologetic attitude, it's no surprise that her fanbase continues to grow by millions, month after month. She is that rare combination of both wildly popular and highly respected for her prodigious talent, a once-in-a-generation superstar.

Now in this stunning visual narrative journey through her life, she is ready to share more with her devoted audience for the first time, including hundreds of never-before-seen photos. This gorgeous book captures the essence of Billie inside and out, offering readers glimpses into her childhood, her life on tour, and more. A must-have for any fan.

Recommended for ages 14 and over.

Paul McCartney and John Lennon described him as the Beatles' "favorite group," and yet no figure in popular music is as much of a paradox as Harry Nilsson. A major celebrity at a time when stadium rock was in its infancy and huge concerts and festivals were becoming the norm, Nilsson's instrument was the studio, his stage the dubbing booth, his greatest technical triumphs were masterful examples of studio craft, and he studiously avoided live performance. He was a gifted composer of songs for a wide variety of performers, having created vivid flights of imagination for the Ronettes, the Yardbirds and the Monkees, yet Nilsson's own biggest hits were almost all written, ironically, by other composers and lyricists. He won two Grammies, had two top ten singles, and numerous album successes. Once described by his producer Richard Perry as "the finest white male singer on the planet," near the end of his life, his career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. His music remains prevalent today, through the 1995 tribute album For the Love of Harry: Everybody Sings Nilsson (featuring performances of Nilsson's hits by Ringo Starr, Stevie Nicks, Fred Schneider and others) and recent covers, such as Aimee Mann's recording of "One" (popularized as the main track on the Magnolia soundtrack) and Neko Case's arrangement of "Don't Forget Me" on her album, Middle Cyclone. In this first ever full-length biography of Nilsson, author Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence, and charts his gradual move into the spotlight as a talented songwriter. With interviews from Nilsson's friends, family and associates, and material drawn from an unfinished draft autobiography Nilsson was writing prior to his death, Shipton probes beneath the enigma and the paradox to discover the real Harry Nilsson, and thereby reveals one of the most creative talents in 20th century popular music.

On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. All in all, he is one of the most feted and most influential musical figures of the past forty years even though he himself has consistently downplayed his musical abilities, describing himself as a non-musician on more than one occasion. This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.

'So honest and pure as to count as a true rapture' JOAN DIDION 'A poetic masterpiece' JOHNNY DEPP 'Our St John of the Cross, a mystic full of compassion' EDMUND WHITE 'A roadmap to my life', from the National Book Award-winning author of Just Kids: an unforgettable odyssey of a legendary artist, told through the prism of cafes and haunts she has worked in around the world REVISED EDITION WITH FIVE THOUSAND WORDS OF BONUS MATERIAL AND NEW PHOTOGRAPHS M Train begins in the tiny Greenwich Village cafe where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, and across a landscape of creative aspirations and inspirations, we travel to Frida Kahlo's Casa Azul in Mexico; to a meeting of an Arctic explorer's society in Berlin; to a ramshackle seaside bungalow in New York's Far Rockaway that Smith acquires just before Hurricane Sandy hits; and to the graves of Genet, Plath, Rimbaud and Mishima. Woven throughout are reflections on the writer's craft and on artistic creation. Here, too, are singular memories of Smith's life in Michigan and the irremediable loss of her husband, Fred Sonic Smith. Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature and coffee. It is a powerful, deeply moving book by one of the most remarkable artists at work today.