Sex, death and nostalgia are among the impulses driving Beatles fandom: the metaphorical death of the Beatles after their break-up in 1970 has fueled the progressive nostalgia of fan conventions for 48 years; the death of John Lennon and George Harrison has added pathos and drama to the Beatles' story; Beatles Monthly predicated on the Beatles' good looks and the letters page was a forum for euphemistically expressed sexuality. The Beatles and Fandom is the first book to discuss these fan subcultures. It combines academic theory on fandom with compelling original research material to tell an alternative history of the Beatles phenomenon: a fans' history of the Beatles that runs concurrently with the popular story we all know.

They began as a little blues band in London, England, in 1967, named, rather bizarrely, after their tight rhythm section: Mick Fleetwood on drums and John McVie on bass. Fleetwood Mac. Fifty years later,they remain one of the biggest bands of all time - a position they have held since 1977 when, with the help of John's wife, Christine McVie, and two virtually unknown American musicians called Stevie Nicks and Lindsey Buckingham, they released an LP titled Rumours that went on to become the world's best-selling album. That, in itself, is a remarkable story. Now consider the highs and lows, the successes and failures, the personal turmoil, tragedy and heartbreak through which this band has journeyed over the last 50 years ... and the story of Fleetwood Mac becomes one of pure drama. The greatest ever rock 'n' roll soap opera. In this independent, lavishly illustrated publication, music writer and journalist Pete Chrisp reveals the true story of how, over the last 50 years, despite all of those confrontations, pinnacles and all-time lows ... the chain of Fleetwood Mac remains unbroken. Now fully updated to include features on Peter Green's Fleetwood Mac and all the musicans and members that have made the band one of the ebst selling of all time.

Rick Bucklers autobiography is the first from a member of The Jam, who some considered were the ultimate Mod band. Rick tells The Jam story from growing up in Woking and meeting fellow members Paul Weller and Bruce Foxton at school, through their formation in 1972 and tells of the band's early years before signing to Polydor records. He provides a year by year account of The Jam's progress whilst describing what it was like being a part of the music industry during the 70's and 80's and some of the characters who he met along the way including the Ramones, John Enwistle, Sid Vicious, Blondie, Boy George and Paul McCartney. Rick shares his own experiences and thoughts about what it was like to be in one of the UK's most successful bands who spent a great deal of time recording, performing and touring. Following The Jam's split in 1982, Rick gives a candid account of how he coped and his subsequent relationship with Paul and Bruce. All three members of The Jam stayed within the music industry and Rick takes the reader through his years in Time UK and various other bands up until forming From the Jam. A must read for any Jam fan.

Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god" someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses--theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep will examine Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia will look at all aspects of Bowie's career--musical recordings, live concerts, music videos, film performances, and television appearance--in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.

"Book of the Year." -- MOJO Magazine"Outstanding Book of the Year." --The Herald (Glasgow) A Best Book of the Year by NPR, Pitchfork, The Telegraph, and UncutA tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (Hilton Als), Rickie Lee Jones This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song. Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music. With candor and lyricism, the "Duchess of Coolsville" (Time) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee's stories are rich with the infamous characters of her early songs - "Chuck-E's in Love," "Weasel and the White Boys Cool," "Danny's All-Star Joint," and "Easy Money"-- but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold and tales of her fabled ancestors. In this tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired American pop culture for decades.

The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.

In the 1950s, Cleveland, Ohio was the number one music city in the world. It was in Cleveland that DJ Alan Freed first coined the term "rock and roll" and it was in Cleveland that the teenage Henry Niedzwiecki, aka The Ol'Doowopper, grew up with a ringside seat to the birth of rock and roll or doo-wop music. Growing Up Rocking is more than just a collection of photographs and artifacts that Niedzwiecki has taken and amassed over the decades; it is his life story told through rock and roll music. The author invites the reader to relive with him many of the pivotal rock and roll radio and television performances from the Fifties and Sixties; timeless moments that continue to define what we think of as rock music even today. Over the years the author has also interviewed and photographed many of the pivotal stars from the doo-wop and early rock and roll era. Those interviews and photographs are another aspect of what makes Growing Up Rocking such a compelling document of what it was like to be in the exact time and place that rock and roll music first set the world on fire. Now retired, Henry M. Niedzwiecki worked as a millwright for the Ford Motor Company. In addition to writing and photography, his other hobbies include collecting records, dancing, and writing letters to editors and congress. Publisher's website: http: //sbpra.com/HenryMNiedzwiecki

The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions.

Blackstar Theory takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.

We are what we listen to. That's the premise of this study of 100 songs that have shaped and defined the American experience, from the Colonial period to the present. Well-known music author James Perone looks at 100 songs that helped tell America's story. He examines why each song became a hit, what cultural and social values it embodies, what issues it touches upon, what audiences it attracted, and what made it such a definitive part of American history and popular culture. The chart-topping singles presented here crossed gender, age, race, and class lines to appeal to the mass American audience. The book discusses patriotic songs, minstrel music, and sacred songs and hymns as well as music in the broad categories of pop, rock, hip hop, jazz, country, and folk. An introduction provides an overview of the history and significant issues raised by the songs as a whole. Individual songs are then presented chronologically, based on when they were written. The revealing commentary for each "hit" is not only interesting and fun, but reveals what it was like to live in the United States at a particular time by unveiling the social, economic, and political issues-as well as the musical tastes-that made life what it was. Takes an entertaining approach to understanding the cultural tides in American history Covers a wide range of songs from the Colonial period through the present to depict political and social perspectives as represented in music Explores numerous subtopics related to the songs Engages and educates as it gives historical context and meaning to songs with which readers have long been familiar Uses a research-based approach to explore the historical and cultural background behind America's hits

This book explores the development of a range of cults of popular music as a response to changes in attitudes to meaning, spirituality and religion in society. At a time when fundamentalism is on the rise, traditional religions are in decline and postmodernity has challenged any system that claims to be all-defining, young people have left their traditional places of worship and set up their own, in clubs, at festivals and within music culture. "Pop Cults" investigates the ways in which popular music and its surrounding culture have become a primary site for the location of meaning, belief and identity. It provides an introduction to the history of the interactions of vernacular music and religion, and the role of music in religious culture. Rupert Till explores the cults of heavy metal, pop stars, club culture and virtual popular music worlds, investigating the sex, drug, local and death cults of the sacred popular, and their relationships with traditional religions. He concludes by discussing how and why popular music cultures have taken on many of the roles of traditional religions in contemporary society.

My Wingmen is a true account of my journey with angels. They entered my world during a period of inner reflection as I researched personal growth during a challenging life transition. The books I was drawn to came alive as I read about alternate realities and spiritual concepts. I witnessed these realities as my home became a stomping ground for angels and spirit guides, where I enjoyed their appearances and intervention. They showed me how to interpret and discern the lighter side of the earth realm, and they gave me examples of what clear expanded believing could accomplish.

As I began to openly talk about prayer, my psychic senses began to blossom. I was embraced by two angels, and they offered me healing along with their companionship. They have become my teachers, and they have helped me connect with truths beyond my wildest dreams. It was in expanded thought that I was able to grasp a world that is clearer to me now, as this present-day drama fades to black. I have opened my arms to an enlightened world, because where there is love, there is no room for fear. Meet my wingmen, Archangel Michael and Archangel Raphael.