A collection of classic Tori Amos songs, arranged for easy piano with full lyrics and chord symbols. Includes: Bliss * Cornflake Girl * Pretty Good Year * Silent All These Years * Winter * and more.

Featuring a foreword from legendary director Martin Scorcese,Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock. Assembled by associate producer Dale Bell, the oral history takes readers behind the scenes-and behind the camera-at the decade-defining event.

*** By the Sunday Times bestselling author of BOHEMIAN RHAPSODY *** From mod folk artist to flower power pixie elfin to the king of glam rockers, Marc Bolan was the ultimate chameleon. His far-reaching musical and stylistic influence is more relevant today than ever with hits such as 'Ride A White Swan', 'Children Of The Revolution', 'Get It On' and 'Hot Love' as fresh and exhilarating as when first released. At the peak of his popularity during his lifetime Bolan was outselling Jimi Hendrix and The Who, and yet relatively little is really known about the hypnotic, enigmatic 20th century boy turned 21st century icon. At last, in the 35th anniversary year of his tragic death, Marc Bolan represents the definite biography. Here rock biographer, Lesley-Ann Jones, paints a meticulous portrait of the T-Rex front man. From his childhood growing up in Hackney to his untimely death at the age of 29, Bolan's life was one of relentless experimentation and metamorphoses. Hallucinogenic drugs, wizardry and levitation, alcoholism, tax evasion and a spectacular fall from grace were to punctuate his short life, as he continued to strive to reinvent himself and his music over and over again. Lesley-Ann has been granted access to those who knew Bolan best, including his partner and the mother of his only son, Gloria Jones and his brother, Harry Feld.

In this long-awaited memoir, illustrated with over 100 never-before-seen photos from his personal collection, the groundbreaking record producer chronicles his struggles, his success, and the celebrated artists that made him a legend. Over the last twenty-five years, legendary music producer and record man LA Reid-the man behind artists such as Toni Braxton, Kanye West, Rihanna, TLC, Outkast, Mariah Carey, Pink, Justin Bieber, and Usher-has changed the music business forever. In addition to discovering some of the biggest pop stars on the planet, he has shaped some of the most memorable and unforgettable hits of the last two generations, creating an impressive legacy of talent discovery and hit records. Now, for the first time, he tells his story, taking fans on an intimate tour of his life, as he chronicles the fascinating journey from his small-town R&B roots in Cincinnati, Ohio, and his work as a drummer to his fame as a Grammy Award-winning music producer and his gig as a judge on the hit reality show, The X Factor. In Sing to Me, Reid goes behind the scenes of the music industry, charting his rise to fame and sharing stories of the countless artists he's met, nurtured, and molded into stars. With fascinating insight into the early days of artists as diverse as TLC, Usher, Pink, Kanye West, and Justin Bieber, his story offers a detailed look at what life was like for stars at the start of their meteoric rise and how he always seemed to know who would be the next big thing. What emerges is a captivating portrait from the inside of popular music evolution over the last three decades. Part music memoir, part business story of climbing to the top, this beautifully designed book, jam packed with photos, showcases Reid's trademark passion and ingenuity and introduces a multifaceted genius who continues to shape pop culture today.

(Guitar Recorded Versions). Guitar tab for 14 songs, plus photos from the MTV sessions. About a Girl * All Apologies * Come As You Are * Dumb * Jesus Doesn't Want Me for a Sunbeam * Lake of Fire * The Man Who Sold the World * Oh Me * On a Plain * Penny Royal Tea * Plateau * (New Wave) Polly * Something in the Way * Where Did You Sleep Last Night.

Growing up in Liverpool in the 1960s and '70s, when skinheads, football violence and fear of just about everything was the natural order of things, a young Will Sergeant found the emerging punk scene provided a shimmer of hope amongst a crumbling city still reeling from the destruction of the Second World War. From school-day horrors and mud flinging fun to nights at Liverpool's punk club, Eric's, Sergeant was fuelled by and thrived on music. It was this devotion that led to the birth of the Bunnymen, to the days when he and Ian McCulloch would muck around with reel-to-reel recordings of song ideas in the back parlour of his parents' council estate house, and to finding a community - friends, enemies and many in between - with those who would become post-punk royalty from the likes of Dead or Alive, Frankie Goes to Hollywood and the Teardrop Explodes to name a few. It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar,' 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s.

'In the beginning,' Billy Joel entertained Long Island locals, with The Hassles and Attila, prior to forging a solo career in 1971. One year later, the singer-songwriter-pianist captivated college students when 'Captain Jack' dominated the Philadelphia airwaves. 'And so, it goes...' Cold Spring Harbor was rife with barrelhouse piano and tear-stained balladry but with Turnstiles Joel realised his dream of forming a stellar band. The success of The Stranger led to sold-out arenas and 52nd Street honoured the heyday of American jazz, while The Nylon Curtain highlighted socio-economic inequities and wartime brotherhood. 1993's River of Dreams fused reggae and world music. Then, in the early 2000's, his celebration of classical works ushered in a sea change. Unquestionably, Billy's catalogue has thrived, despite constantly changing trends in the music industry. Over a fifty-plus year span, many of his relatable songs have become standards, covered by countless artists. The third best-selling solo artist in the U.S. has continued to attract multi-generational audiences across the planet, so if you're 'all in the mood for a melody,' read on. Billy Joel On Track contains behind-the-scenes stories and an analysis of Joel's extensive studio recordings, many of which became top 40 hits in the 1970s, 1980s and 1990s. ...

FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.

'Provocative and deadly accurate' - Time Out

Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female pop artists of all time.

Twenty years after her passing, she continues to fascinate and inspire. This completely revised and updated edition of Lucy O'Brien's classic biography has new photographs, a new introduction, fresh material and over 45 original interviews with close friends and people who worked with her, including Sir Tom Jones, Lulu, legendary arranger Ivor Raymonde, and the late, great Atlantic Records trio, Jerry Wexler, Tom Dowd and Arif Mardin, with whom she recorded her classic album Dusty In Memphis.

The book fully explores her life and legacy, from a troubled Home Counties childhood to 60s mod queen and solo star, to her struggles with addiction and mental health issues, to her status as an influential LGBT heroine and enduring pop icon.

John Lennon was a rock star, a school clown, a writer, a wit, an iconoclast, a sometime peace activist and finally an eccentric millionaire. He was also a Beatle - his plain-speaking and impudent rejection of authority catching, and eloquently articulating, the group's moment in history. Chronicling a famously troubled life, Being John Lennon analyses the contradictions in the singer-songwriter's creative and destructive personality. Drawing on many interviews and conversations with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, Ray Connolly unsparingly reassesses the chameleon nature of the perpetually dissatisfied star who just couldn't stop reinventing himself.

The Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory.

Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music-a hybrid of country music and rock-played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture. In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austin's progressive country music scene - by bringing the music and musicians brilliantly to life. This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or today's 'alt.country' movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.

When you read Buddha's messages, you will connect with the Buddha's energy to activate Buddha consciousness in your heart that you already have. That will shift your mind and soul and consciousness. Buddha's 108 messages can lead you to understand the following: - How to create real happiness in your life. - How to open your possibilities. - How to get through your time of difficulties or suffering. - Why karma was created in your life. - How to purify your past. - About spiritual world or the soul's secrets. - After life and death of humans and animals. - How to get help from heaven. Whenever you think, you are protected and guided by Buddha. Buddha is always staying with you. Buddha is in your heart.

Through the lens of popular music in and from Hong Kong, "Sonic Multiplicities" examines the material, ideological, and geopolitical implications of music production and consumption. Yiu Fai Chow and Jeroen de Kloet draw on rich empirical research and industry experience to trace the worldwide flow of popular culture and the people who produce and consume it. In doing so, the authors make a significant contribution to our understanding of the political and social roles such circulation plays in today's world--and in a city under cultural threat in a country whose prominence is on the rise. Just as important, they clear a new path for the study of popular music.

How can thoughtfully and intentionally listening to our world expand and inform our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self awareness, and calm in a work that is equal parts how-to guide and contemplative artist's workbook. Suarez's illustrated meditations follow in the artistic tradition of Yoko Ono's Grapefruit and the creations of the Fluxus group, but also offer a modern take on listening in a world that gets louder every day. Covering everything from the noise of everyday life to musical compositions, Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts to spark a sense of wonderment and appreciation for the intricacies of sound and the new perspectives it can bring to our daily creative worlds.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.

This volume gathers together twenty articles from among the best scholarly writing on rock music published in academic journals over the past two decades. These diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock, from those that address mainly the historical, sociological, cultural and technological factors that gave rise to this music, to those that focus primarily on analysis of the music itself. This collection of articles, some of which are now out of print or otherwise difficult to access, provides an overview of the current state of research in the field of rock music, and includes an introduction which contributes to the ongoing debate over the distinction (or lack thereof) between 'rock' and 'pop'.

From stars like Britney Spears and Mariah Carey to classic icons like Yoko Ono, female musicians have long been the target of double standards and toxic labels in the media and pop culture: liar, crazy, snake, diva, slut, b*tch. These words can hurt all of us. The popular expression "sticks and stones" is wildly wrong. And the wounds are everywhere. Lily Hirsch confronts the full range of this sexist labeling as well as the repercussions, concentrating on the experiences of Yoko Ono, Courtney Love, Britney Spears, FKA twigs, Taylor Swift, Kesha, Mariah Carey, and Ariana Grande, among many others. While men can make outrageous backstage demands, women like Carey are punished as "divas." A sign of supposed genius for men, "crazy" is a word of condemnation for many women-with legal ramifications in Spears' case. Hirsch dives into the world of these women, looking at their personal lives, relationships and breakups, music, media coverage, public reception, as well as the origins of these toxic labels and how they have caused serious damage. With this focus, the book reveals the inner workings of misogyny and invites us to think about these remarkable women on their own terms-showing us how women have fought back too, sometimes reclaiming these words and their own story through music.

Rich Cohen enters the Stones epic as a young journalist on the road with the band and quickly falls under their sway - privy to the jokes, the camaraderie, the bitchiness, the hard living. Inspired by a lifelong appreciation of the music that borders on obsession, Cohen's chronicle of the band is informed by the rigorous views of a kid who grew up on the music and for whom the Stones will always be the greatest rock 'n' roll band of all time. This is a non-fiction book that reads like a novel filled with the greatest musicians, agents and artists of the most indelible age in pop culture. It's a book only Rich, with his unique access, experience and love of the band could write.

What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.

Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory's typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.

No one knew Led Zeppelin like Richard Cole. The band's tour manager for more than a decade, Cole was there when they burst onto the music scene, achieved cult status, cut platinum records, and transformed popular music. Second only to the Beatles in sales for years, Led Zeppelin was rock's premier group. But unlike the boys from Liverpool, the excitement of this band"s music was matched by the fever pitch of their antics on and off the stage....

In hotel rooms and stadiums, in a customized private Boeing 707 jet and country estates, Richard Cole saw it all -- and here he tells it all in this close-up, down-and-dirty, no-holds-barred account that records the highs, the lows, and the occasional in-betweens. This revised edition brings fans up to date on the band members' lives and careers, which may be a little quieter now, but their songs remain the same.

Writing in Manchester in the years 1992-93, in a context in which the depression of social marginalisation was palliated by a culture of radical hedonism and belligerence, Noel Gallagher composed a series of songs that distilled the spirit of the age far better than the more usually celebrated Kurt Cobain. Gallagher's lyrics on Definitely Maybe offered a message of affirmation and hope that was couched in language of remarkable clarity and directness. As Gallagher would later put it, Cobain had everything, and was miserable about it. And we had fuck-all, and I still thought that getting up in the morning was the greatest fucking thing ever, because you didn't know where you'd end up at night. In an era in which deconstructive cynicism was threatening the very existence of the counterculture and the mainstream Left, Oasis offered a radical, anomalous vision of positivity. And the fact this was indisputably a working-class vision founded in solidarity and fraternity was incredibly important.To a post-Thatcherite Britain that had just undergone the most debilitating period of social upheaval in a century, Gallagher ventriloquised slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis everymen, Paul McGuigan, Paul Arthurs, and Tony McCarroll. The sheer elemental energy of Gallagher's idealism was breathtaking. Alex Niven charts the astonishing rise of Oasis in 1993 and 1994 and celebrates the life-affirming, communal force of songs such as Live Forever, Supersonic, and Cigarettes & Alcohol, and in doing so, he seeks to reposition Oasis in relation to their Britpop peers.

The Rosary and the Microphone explores U2 as a politically engaged band that manifests a particular brand of Christianity through the band's mediation in a global context and for a global audience. Through the primarily semiotic study of U2's various mediations, this book maps the band's strategies for negotiating its place in the world as a global band--and mediated brand--and as a proponent of a kind of cosmopolitanism, or global care. U2's brand is heavily informed by Bono's own personal religious formation. This religious viewpoint is expressed in a global concern--a Christian cosmopolitanism--that looks outward and draws others to do the same.