This comprehensive reference guide provides: 1,300+ chords in treble and bass clef notation; 42 chord qualities with multiple voicings for most chords; keyboard diagrams for each chord; and music theory info to aid in chord construction. A must for every piano player!

No band in recent history has divided listeners' opinions as much as Radiohead. Are they the Beatles of the twenty-first century, or is their music just pretentious, overly melancholic, and sometimes boring? Musician, pop-culture critic, and playwright Dan Caffrey wasn't always a Radiohead fan, but that all changed one Chicago winter, when he suddenly found their album In Rainbows to be a welcome source of sonic warmth. An extension of Caffrey's deep but often cautious love for the band, Radiohead FAQ presents a fittingly sideways look at what he's dubbed "the world’s most famous cult band."

Inside these pages, readers will find the essentials of the Radiohead story—along with deep dives into seldom explored topics, from the humor surrounding the band's music to the numerous hip-hop artists who have sampled their songs. Each chapter is devoted to a band member plus their producer and "sixth member" Nigel Godrich, revealing comprehensive biographical details about each person. The end result is a book custom made for casual Radiohead fans and obsessives alike—filled with little known facts, new ways of looking at their music, and, like any music book worth its salt, maddening opinions.

Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the "mainstream" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been considered alternative to one group may be perceived as mainstream to another. Incorporating a wide range of popular music texts, genres, scenes, practices and technologies from the United Kingdom, North America, Australia and New Zealand, the authors theoretically challenge and augment our understanding of how the mainstream is understood and functions in the overlapping worlds of popular music production, consumption and scholarship. Spanning the local and the global, the historic and contemporary, the iconic and the everyday, the book covers a broad range of genres, from punk to grunge to hip-hop, while also considering popular music through other mediums, including mash-ups and the music of everyday work life. Redefining Mainstream Popular Music provides readers with an innovative and nuanced perspective of what it means to be mainstream.

In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture - Hendrix burning his guitar at Monterey - has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff's photographic career. Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar. In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician.

Without doubt Ian Gillan is one of the greatest and most enduring rock singers of all time. From his early career in sixties pop band Episode Six, through to Deep Purple, as well as a brief period with Black Sabbath, he has continued to surprise and delight millions of fans around the world. Forays into unchartered territory, such as his role in the original Jesus Christ Superstar, as well as a variety of solo projects, including the jazz inspired Ian Gillan Band have proven that time and again, Ian Gillan is more than just the lead singer with Deep Purple. This publication plots his career from the early sixties through to the present day in a visual timeline that charts his extraordinary and colourful career. Digging deep into the archives we have managed to pull together a vast array of photos and imagery, much of which has never been seen before. This includes many previously unpublished photos from his days with Episode Six and beyond. Off stage and backstage photos from his early career, through to Deep Purple and his solo projects are all included, alongside on-stage photos capturing Ian doing what he does best. A Visual Biography also includes many rare items of memorabilia, including a full itinerary from the Ian Gillan Band's 1977 Japanese tour, plus posters and cuttings that help to document over fifty years as one of rock's most iconic frontmen.

This anthology to accompany Gateways to Understanding Music is comprised of musical "texts." These broadly defined texts-primarily musical scores-facilitate the integration of score study and music theory into the ethno/musicology curriculum, a necessary focus in the training of the professional musician. As posed by the textbook, the last question in each modular "gateway" is "Where do I go from here?" This resource provides one more opportunity to go beyond the textbook to examine music scores and texts in even greater depth. This anthology is a combination of primary sources for study: musical scores and music transcriptions, along with a few primary source documents and musical exercises.

Joe Flannery has been described as the 'Secret Beatle', and as the business associate and partner of Brian Epstein, he became an integral part of The Beatles' management team during their rise to fame in the early 1960s.Standing in the Wings is Flannery's account of this fascinating era, which included the controversial dismissal of Pete Best from the group (nothing to do with London, but matters back in Liverpool), Brian Epstein's fragility, and the importance of the Star Club in Hamburg. This book is not simply a biography, as it also considers issues to do with sexuality in 1950s Liverpool, the vagaries of the music business at that time and the hazards of personal management in the 'swinging sixties'. At its heart, Standing in the Wings provides an in-depth look at Flannery's personal and professional relationship with Epstein and his close links with the Fab Four. Shortly before John Lennon's murder in 1980, it was Flannery who was one of the last people in the UK to talk to the great man. Indeed, Flannery remains one of the few 'Beatle people' in Liverpool to have the respect of the surviving Beatles, and this is reflected in this timely and revealing book.

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music. Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skillfully navigates Runga's creative work over three decades to illuminate some of the key stages of her career. The book offers comprehension of the performer's rise to stardom, musical style, accolades, and performance achievements. Blending popular music studies with media analysis, the book is the first to offer a detailed study of Runga's creativity, and a close-up study of her debut and critically acclaimed album.

Welcome to 1985! Live Aid feeds the world, Marty McFly goes Back To The Future, and fifteen year old Richard Cosgrove makes a discovery that changes his life forever - rock music! Plunging headlong into a world of tight trousers, big riffs and bigger hair, the author takes us on a funny, informative and at times poignant journey through the eighties rock scene and his quest to become a guitar hero himself. Along the way he sees landmark early tours by some of the biggest names in rock, falls foul of US border guards at Niagara Falls, narrowly avoids death in a Leicestershire field, and gets caught up in a full scale riot at Rock City. Part memoir, part social history, I Was A Teenage Rock Fan also recounts the impact of rock music on society as a whole, from the advent of AIDS to the rise of MTV, via Hollywood, the dastardly PMRC and even an Australian soap opera. So grab a beer and tune up your air guitar because this tale goes up to eleven!

Jerry Lee Lewis has lived an extraordinary life. He gave rock and roll its devil's edge with hit records like 'Great Balls of Fire'. His incendiary shows caused riots and boycotts. He ran a decade-long marathon of drugs, drinking, and women, and married his thirteen-year-old second cousin, the third of seven wives. He also nearly met his maker, at least twice. He survived it all to be hailed as one of the greatest music icons. For the very first time, he reveals the truth behind the Last Man Standing of the rock-and-roll era.

Roger Daltrey is the voice of a generation. That generation was the first to rebel, to step out of the shadows of the Second World War... to invent the concept of the teenager. This is the story from his birth at the height of the Blitz, through tempestuous school days to his expulsion, age 15, for various crimes and misdemeanours within a strict school system. Thanks to Mr Kibblewhite, his authoritarian headmaster, it could all have ended there. The life of a factory worker beckoned. But then came rock and roll. He made his first guitar from factory off-cuts. He formed a band. The band became The Who - Maximum R&B - and, by luck and by sheer bloody-mindedness, Roger Daltrey became the frontman of one of the biggest rock bands on the planet. This is the story of My Generation, Tommy and Quadrophenia, of smashed guitars, exploding drums, cars in swimming pools, fights, arrests and redecorated hotel rooms. But it is also the story of how that post-war generation redefined the rules of youth. Out of that, the modern music industry was born - and it wasn't an easy birth. Money, drugs and youthful exuberance were a dangerous mix. This is as much a story of survival as it is of success. Four years in the making, this is the first time Roger Daltrey has told his story. It is not just his own hilarious and frank account of more than 50 wild years on the road. It is the definitive story of The Who and of the sweeping revolution that was British rock 'n' roll.

A Treatise on Possibility: Perspectives on Humanity Hereafter by Rou Reynolds is a companion guide to the critically acclaimed sixth Enter Shikari album Nothing Is True & Everything Is Possible. Human possibility. If we get our act together, our long-term potential is virtually infinite. And infinitely beautiful. But currently humanity is being guided not by wisdom, cooperation and self-reflection but by archaic systems and false assumptions. There are warning signs everywhere: ecological destruction, mental health crises and obscene levels of inequality. At a time when quite literally Nothing Is True & Everything Is Possible, Rou Reynolds has gone in deep, head first, exploring the predicaments of modernity. Using his lyrics to navigate the complicated web of problems, he arrives on the other side with his Treatise on Possibility. Hard-hitting and thought provoking, this is a unique perspective on humanity as we approach a point of great change.

Celebrating Rock's 60th Birthday. From the formation of the Rolling Stones and the heyday of the British Invasion to the spawning of the Reading Festival, this book explores the music history of the London clubs that were the engine rooms for British rock n roll. Many of the now legendary British rock bands honed their skills and developed their stage acts performing on the London club circuit at venues such as The Ealing Club, The Crawdaddy Club, The Marquee, The 100 Club, The Half Moon, the Ricky Tick, The Bull's Head and the infamous Eel Pie Island Hotel. We revisit the days when Eric Clapton was God and Rock ruled the world. Play it Loud! Why is 2022 'Rock's Diamond Year'? On March 17th 1962, Alexis Korner and Cyril Davies started the EALING BLUES CLUB. The first UK gig devoted to 'electric blues music'. Musicologists agree that this event was the catalyst that would define British Rock music. The Ealing Blues Club sparked a musical revolution that grew further at Twickenham's Eel Pie Island and Richmond's Crawdaddy Club, 3 venues that were vital in the careers of: The Rolling Stones, The Yardbirds / Eric Clapton, The Who, Cream and many more. Elsewhere in 1962 there were rumblings of a cultural shift with The Beatles, Dusty Springfield, The Animals, Marshall Amplification and many others setting the tone for what became the UK's most significant cultural export... Rock & Pop Music. 60 years on from 1962 and 'ROCK'S DIAMOND YEAR' will celebrate the UK's unique contribution to what has become a global music form. The initiative is led by The Ealing Club Community Interest Company' set up to champion West London music heritage while inspiring new music opportunity for the future.

For a century and more, the idea of democracy has fuelled musicians' imaginations. Seeking to go beyond music's proven capacity to contribute to specific political causes, musicians have explored how aspects of their practice embody democratic principles. This may involve adopting particular approaches to compositional material, performance practice, relationships to audiences, or modes of dissemination and distribution. Finding Democracy in Music is the first study to offer a wide-ranging investigation of ways in which democracy may thus be found in music. A guiding theme of the volume is that this takes place in a plurality of ways, depending upon the perspective taken to music's manifold relationships, and the idea of democracy being entertained. Contributing authors explore various genres including orchestral composition, jazz, the post-war avant-garde, online performance, and contemporary popular music, as well as employing a wide array of theoretical, archival, and ethnographic methodologies. Particular attention is given to the contested nature of democracy as a category, and the gaps that frequently arise between utopian aspiration and reality. In so doing, the volume interrogates a key way in which music helps to articulate and shape our social lives and our politics.

Patti Smith is one of pop culture's true originals. The 1975 release of her debut album Horses signalled the start of a career full of passionate commitment, abrupt gear changes and unlikely collaborations which continues to flourish well into the 21st century.Nick Johnstone, respected music journalist and long time fan, unravels the story of the girl from Chicago who mixed poetry, underground theatre, jazz and rock, and who played a key role in shaping the New York punk scene of the mid-Seventies. From the home town experimental poems through street performance in Paris to high times in New York's Chelsea Hotel, from the quiet years in suburban Detroit with husband Fred 'Sonic' to her ascension to iconic status, the Patti Smith story is full of unexpected twists and turns. Nick Johnstone makes fascinating sense of a complex creative and produces a compelling insight into the life and times of a woman who has always refused to compromise. Arthur Rimbaud, Robert Mapplethorpe, Sam Shepherd and Bruce Springsteen are just a few who have become associated with the Patti Smith legend. She has toured with Bob Dylan, opened for the New York Dolls and duetted on record with R.E.M., written songs for movies and still produces albums off arresting originality.

Billy Bragg is one of Britain's most distinctive and accomplished songwriters, whose work has articulated the passions, both personal and political, of Britain during the past five decades. A Lover Sings contains over seventy of his best-known lyrics, selected and annotated by the author. 'Sexuality', 'A New England', 'Levi Stubbs' Tears' - these are unadorned, poetic songs that skilfully interweave everyday observation with much broader concerns: of fairness and outrage, of generosity and love. A Lover Sings reveals a unique sensibility: principled and proudly of the Left, funny, forthright and tender. It is a remarkable collection.

SIMON & GARFUNKEL is a definitive account of Paul Simon and Art Garfunkel's career together. With unique material and exclusive interviews with fellow musicians, promoters and friends, acclaimed author Spencer Leigh has written a compelling biography of some of the world's biggest musical stars. With remarkable stories about the duo on every page, the book not only charts their rise to success and the years of their fame, but analyses the personalities of the two men and the ups and downs of their often fraught relationship.

Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums and countless acid trips later, it was over: the Elevators' pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts and forced psychiatric imprisonments. In their short existence, however, the group succeeded in blowing the lid off the budding musical underground, logging early salvos in the counter-cultural struggle against state authorities, and turning their deeply hallucinogenic take on jug-band garage rock into a new American institution called psychedelic music. Before the hippies, before the punks, there were the 13th Floor Elevators: an unlikely crew of outcast weirdo geniuses who changed culture

'Honest and moving' Independent on Sunday Freddie Mercury was a rock superstar like no other. Recently the focus of the Academy Award-winning film Bohemian Rhapsody, he generated over GBP1 billion worth of sales in a career spanning two decades. But for all his riches, Mercury could not buy the thing he sought most: the love of one particular man. Jim Hutton was a modest gentleman's barber when the two met in 1983. After many fiery false starts, they became lasting lovers. From the moment they lived together, wherever Mercury went, Hutton went too. And whoever Mercury met, Hutton met too - from Phil Collins to Elton John, David Bowie to the other members of Queen. They laughed together, fought together and, in Mercury's final years, they often cried together. Freddie Mercury was forty-five when he died from AIDS in Hutton's arms. No one can tell the story of the last few years of Mercury's private life - the ecstasies and the agonies - more accurately or honestly than Jim Hutton.

The life's work of two of British music's most unique and timeless artists, with an introduction by Jarvis Cocker. Whenever an aspiring musician asks me about songwriting I point them towards Robert and Alfie. Their work is so unusual, so perceptive, so playful and so grown-up. I don't think there's anyone to compare. If you want songs that touch your mind as well as your heart, these are the best. Wide distribution of this book could improve the state of music dramatically. - Brian Eno *** Selected and arranged by the authors themselves, and featuring an introduction by Jarvis Cocker, Side by Side presents the lyrics, poems, writings and drawings of innovative musician Robert Wyatt and his creative partner, English painter and songwriter Alfie Benge. As a founding member of influential English rock bands Soft Machine and Matching Mole, and with a solo career which has lasted for over forty years and seen him collaborate with a diverse range of artists including Bjork, Brian Eno, Carla Bley, Paul Weller and David Gilmour, his own music remains unclassifiably personal. Alfie Benge is a visual artist, songwriter and pioneering music manager, having managed Robert's career for fifty years. She is also married to Robert. Since 1982 they have collaborated on many of Robert's most well-known songs. This unique volume celebrates one of the most enduring creative partnerships of the last half-century.

Using the framework of Edward Said's Orientalism, this work examines how Western rock and pop artists-particularly during the age of album rock from the 1970s through the 1990s-perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.