Driven by a passion for music, for excellence, and for fame, violin soloists are immersed from early childhood in high-pressure competitions, regular public appearances, and arduous daily practice. An in-depth study of nearly one hundred such children, Producing Excellence illuminates the process these young violinists undergo to become elite international soloists. A musician and a parent of a young violinist, sociologist Izabela Wagner offers an inside look at how her young subjects set out on the long road to becoming a soloist. The remarkable research she conducted - at rehearsals, lessons, and in other educational settings - enabled her to gain deep insight into what distinguishes these talented prodigies and their training. She notes, for instance, the importance of a family culture steeped in the values of the musical world. Indeed, more than half of these students come from a family of professional musicians and were raised in an atmosphere marked by the importance of instrumental practice, the vitality of music as a vocation, and especially the veneration of famous artists. Wagner also highlights the highly structured, rigorous training system of identifying, nurturing, and rewarding talent, even as she underscores the social, economic, and cultural factors that make success in this system possible. Offering an intimate portrait of the students, their parents, and their instructors, Producing Excellence sheds new light on the development of exceptional musical talent, as well as draw much larger conclusions as to ""producing prodigy"" in other competition-prone areas, such as sports, sciences, the professions, and other arts. Wagner's insights make this book valuable for academics interested in the study of occupations, and her clear, lively writing is perfect for general readers curious about the ins and outs of training to be a violin soloist.

Sustain Magazine is a magazine for luthiers (builders of stringed musical instruments).

Canada’s Prince Edward Island is home to one of the oldest and most vibrant fiddling traditions in North America. First established by Scottish immigrants in the late eighteenth century, it incorporated the influence of a later wave of Irish immigrants as well as the unique rhythmic sensibilities of the Acadian French, the Island’s first European inhabitants. In Couldn’t Have a Wedding without the Fiddler, renowned musician and folklorist Ken Perlman combines oral history, ethnography, and musical insight to present a captivating portrait of Prince Edward Island fiddling and its longstanding importance to community life. Couldn’t Have a Wedding without the Fiddler draws heavily on interviews conducted with 150 fiddlers and other “Islanders”—including singers, dancers, music instructors, community leaders, and event organizers—whose memories span decades. The book thus colorfully brings to life a time not so very long ago when virtually any occasion—a wedding, harvest, house warming, holiday, or the need to raise money for local institutions such as schools and churchs—was sufficient excuse to hold a dance, with the fiddle player at the center of the celebration. Perlman explores how fiddling skills and traditions were learned and passed down through the generations and how individual fiddlers honed their distinctive playing styles. He also examines the Island’s history and material culture, fiddlers’ values and attitudes, the role of radio and recordings, the fiddlers’ repertoire, fiddling contests, and the ebb and flow of the fiddling tradition, including efforts over the last few decades to keep the music alive in the face of modernization and the passing of “old-timers.” Rounding out the book is a rich array of photographs, musical examples, dance diagrams, and a discography. The inaugural volume in the Charles K. Wolfe American Music Series, Couldn’t Have a Wedding without the Fiddler is, in the words of series editor Ted Olson, “clearly among the more significant studies of a local North American music tradition to be published in recent years.”

This book shall provide you with the basis and the knowledge to build your own electric guitar. It has been created for beginners and for advanced practitioners, focusing on the essential. To build a guitar on your own, you should enjoy working with wood, sawing, sanding, refining, soldering, assembling and adjusting your masterwork.

This books for children ensemble. Six different songs playable together. These songs are Twinkle Twinkle Little Star, Lightly Row, Long Long Ago, Song of the Wind, Ode to Joy and Lullaby. Instruments are two violin, piano and violoncello. Enjoy

Guitalele belongs to new music instruments. So far very few sheets were written for this instrument. I decided to fill a gap in the market. You will find 15 known songs in the book. Each song is recorded twice, whether you have any more to play with. As the guitalele tuned A2 D3 G3 C4 E4 A4," the guitar with a capo on the fifth fret or Requinto can play from these notes. In the end I added double page with most used chords. The are in the book songs without text. Check out samples from book: http: //osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf Songs: Good King Wenceslas; Greensleeves; Home In That Rock; I Can't Feel at Home; I Saw Three Ships; Let Us Break Bread Together; London's Burning; Mary Had A Little Lamb; O Christmas Tree; Oh, My Darling Clementine; Peace Like A River; Silent Night; Ten Little Indians; The Streets of Laredo; The Three Ravens