A wonderful South African resource, still as fresh and absorbing as when it was first written. Perfectly scripted, and with Gcina Mhlophe's sure instinct for stagecraft, it recounts the very personal story of Zandile, who is snatched away from her grandmother's loving care and taken to live with her matriarchal family in rural Transkei.

Moving, funny and convincing, full of Zandile's shrewd, youthful insights, the play offers an illuminating window into the 1960s world that it depicts, with its issues of white dominance, rural hardship and black female repression.

Have You Seen Zandile? is already an established favorite in performance circles, and is fast becoming a South African classic.

(Applause Books). The complete scripts to two of Larry Gelbart's most popular and powerful political satires. Review of Mastergate: "If George Orwell were a gag writer, he could have written Mastergate. Larry Gelbart's scathingly funny takeoff on the Iran-Contra hearings is a spiky cactus flower in the desert of American political theatre." Jack Kroll, Newsweek . Review of Power Failure: "There is in his broad etching all the ethical outrage of an Arthur Miller kvetching. And, oh, so much more fun " Carolyn Clay, The Boston Phoenix .

This anthology gathers together recent work by the finest and most controversial contemporary American women dramatists. Collectively, this magnificent seven seeks to break the mold of the well-wrought psychological play and its rigid emphasis on realisticsocio-political drama. Includes: Occupational Hazard (Rosalyn Drexler) * Us (Karen Malpede) * What of the Night? (Maria Irene Forne) * Birth and After Birth (Tina Howe) * and more.

J. M. Synge was one of the key dramatists in the flourishing world of Irish literature at the turn of the century. This volume offers all of Synge's published plays, which range from racy comedy to stark tragedy, all sharing a memorable lyricism. The introduction to this new, definitive edition of Synge's plays sets them--and his other work--in the context of the Irish literary movement, with special attention to his role as one of the founders of the Abbey Theatre and his work alongside W. B. Yeats and Lady Gregory. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with a scholarly introduction and detailed annotation. Riders to the Sea; The Shadow of the Glen; The Tinker's Wedding; The Well of the Saints; The Playboy of the Western World; Deirdre of the Sorrows;This book is intended for students of Irish Literature (especially drama).

Sophiatown was the ‘Chicago of South Africa’, a vibrant community that produced not only gangsters and shebeen queens but leading journalists, writers, musicians and politicians, and gave urban African culture its rhythm and style. This play, based on the life history of Sophiatown, opened at the Market Theatre in Johannesburg in February 1986 to great acclaim. The play won the AA Life Vita Award for Playwright of the Year 1985/86. This new edition of the play includes an introduction which sets the work in its historical context.

All the farces of Russia's greatest dramatist are rendered here in the classic lively translations which audiences and scholars alike applaud on the stage and in the classroom. The blustering, stuttering eloquence of Chekhov's unlikely heroes has endured to shape the voice of contemporary theatre. This volume presents seven minor masterpieces: Harmfulness of Tobacco, Swan Song, The Brute, Marriage Proposal, Summer in the Country, A Wedding, The Celebration.

Collects for the first time major lesbian plays from controversial cultural perspectives spanning more than a generation of work in varied theatrical styles representing an amazing gamut of lesbian politics from all over America. Includes: The Quintessential Image (Jane Chambers) * The Postcard (Gloria Joyce Dickler) * A Lady and a Woman (Shirlene Holmes) * Nasty Rumors and Final Remarks (Susan Miller) * Desdemona (Paula Vogel) * and more!

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story " With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and a child share a last loving waltz; a cynical, disabled gangster learns humanity from a committed social worker, and a young girl finds her missing father and her role in the political struggle. This collection of stage plays, one radio play and a cinepoem, captures the essence of Zakes Mda’s method as a dramatist- a slow but intimate process of revelation (on the part of the characters). It is an artistic cooperation of the most pleasurable kind.

In this, the first anthology to focus exclusively on the lives of black South African women, the work of both emerging playwrights and national and international award-winners are represented. Plays by Maishe Maponya appear alongside the work of notable emerging writers, including Lueen Conning, Ismail Mahommed, Thulani Mtshali, Muthal Naidoo and Magi Williams. The collection consists of six full-length and four one-act plays as well as editorial introductions, interviews with the playwrights, photographers, artistic statements and production histories. Written during and after the apartheid era, the plays present a variety of approaches and theatrical styles, from solo performances to collective creations. An array of women's and men's voices are represented, dramatising diverse issues such as women's rights, racial identity, displacement from home, the struggle to keep families together, violence against women and education in the old and new South Africa.

This multi-ethnic volume of five plays looks at the many problems facing South Africa. The stories include Anthony Akerman's "Somewhere on the Border", an anti-war play dealing with the invasion of Angola; "The Hungry Earth" by Maishe Maponya, which dramatises black disabilities and the will to liberation; Susan Pam's "Curl Up and Dye", a story about five women in a hair salon who find the divisions of apartheid stronger than their common interests; Paul Slabolepsky's "Over the Hill" which uses sporting metaphor to anatomize the white middle class and "Just Like Home", a mediation on exile.

Klima, a celebrated jazz trumpeter, receives a phone call announcing that a young nurse with whom he spent a brief night at a fertility spa is pregnant. She has decided he is the father. And so begins a comedy which, during five madcap days, unfolds with ever-increasing speed. Klima's beautiful, jealous wife, the nurse's equally jealous boyfriend, a fanatical gynaecologist, a rich American, at once Don Juan and saint, and an elderly political prisoner who, just before his emigration, is holding a farewell party at the spa are all drawn into this black comedy, as in A Midsummer Night's Dream. As usual, Milan Kundera poses serious questions with a blasphemous lightness which makes us understand that the modern world has taken away our right to tragedy.

Winner of the 2004 Pulitzer Prize for Drama
From the Obie Award-winning author of "Quills" comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, "Chicago Sun-Times").

Lorca's Blood Wedding is a classic of twentieth-century theatre. The story is based on a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses it to investigate the subjects which fascinated him: desire, repression, ritual, and the constraints and commitments of the rural Spanish community in which the play is rooted. Ted Hughes's version stays close in spirit and letter to the original Spanish. With marvellous directness, he fuses Lorca's vision to his own, and the result is a powerful poetic text which captures all the violence and pathos of the play for an English-speaking audience.

Lyssa Dent Hughes is the privileged, well-educated daughter of a Republican senator. She is the wife of a professor and the owner of a lovely house in Georgetown. She is also the president's nominee for Surgeon General. When the media discovers that once, long ago, she failed to respond for jury duty, this relatively minor misstep is portrayed as a serious moral lapse. A good friend uses the incident to make a point, scarcely thinking of the implications, and Lyssa must suffer the consequences. From that moment on, Lyssa Dent Hughes sits helplessly as the press investigates her family and friends, shattering her privacy, her career, and her world. Wendy Wasserstein's trenchant humor and sizzling dialogue combine with biting political commentary to produce a masterful, and topical, drama.

The greatest love poetry in the English language provides the springboard for master playwrights' never-before-published works about the triumphs and tragedies of the heart.

The sonnets and plays in Loves' Fire are the seeds and fruit of an extraordinary project: seven sonnets by Shakespeare, newly envisioned for the stage, in one-act plays by seven brilliantly gifted contemporary playwrights.

Shakespeare's sonnets of romantic and sexual love are timeless, for they are not bound to any particular setting or to either sex. These seven plays, each paired with the sonnet that inspired it, are startling not only in the variety of their mood, content, and setting, but also in their unusual interpretation. For example, Wendy Wasserstein's version of Sonnet 94 is a one-act play set in the Hamptons, where a well-to-do couple is getting ready for a society benefit; Eric Bogosian creates a story of sexual jealousy and obsessiveness from Sonnet 118; and composer William Finn has transformed Sonnet 102 into a song about an artist attempting to paint his lover -- and failing.These seven new works, commissioned and produced by the Acting Company, will be performed in June. Brought together in this slender volume with the sonnets, they form a unique tribute to Shakespeare -- a rich and marvelously entertaining celebration of the modern playwrights' adoration of the Bard.

Mark and Stevie's relaxing Saturday afternoon grinds to a halt when two door-to-door salesmen make their way into the house with a sales pitch that becomes increasingly relentless as the day progresses.

From novelist and screenwriter Roddy Doyle come these two colorful plays. both set in the North Dublin suburb of Barrytown. In Brownbread, three young men kidnap a bishop but soon come to realize--when the U.S. Marines invade--that their brilliant adventure is nothing more than a colossal mistake. War is set at the Hiker's Rest, a pub where two trivia addicts meet every month to answer questions posed by Denis trhe quizmaster who hates wrong answers and shoots to kill. These earthy, exuberant works show why The New York Times Book Review says Doyle's "versatility and brio...may shock the neighbors, but...you can't take your eyes off him."

In Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide--if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive.

In Incident at Vichy, Arthur Miller re-creates Dante's hell inside the gaping pit that is our history and populates it with sinners whose crimes are all the more fearful because they are so recognizable.

"One of the most important plays of our time . . . Incident at Vichy returns the theater to greatness." --The New York Times

Often called the most autobiographical of Arthur Miller's plays, After the Fall probes deeply into the psyche of Quentin, a man who ruthlessly revisits his past to explain the catastrophe that is his life. His journey backward takes him through a troubled upbringing, the bitter death of his mother, and a series of failed relationships.