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Books > Humanities > Religion & beliefs > General > Philosophy of religion > General
Why is the philosopher Hegel returning as a potent force in
contemporary thinking? Why, after a long period when Hegel and his
dialectics of history have seemed less compelling than they were
for previous generations of philosophers, is study of Hegel again
becoming important? Fashionable contemporary theorists like Francis
Fukuyama and Slavoj Zizek, as well as radical theologians like
Thomas Altizer, have all recently been influenced by Hegel, the
philosopher whose philosophy now seems somehow perennial- or, to
borrow an idea from Nietzsche-eternally returning. Exploring this
revival via the notion of 'negation' in Hegelian thought, and
relating such negativity to sophisticated ideas about art and
artistic creation, Andrew W. Hass argues that the notion of
Hegelian negation moves us into an expansive territory where art,
religion and philosophy may all be radically conceived and broken
open into new forms of philosophical expression. The implications
of such a revived Hegelian philosophy are, the author argues, vast
and current. Hegel thereby becomes the philosopher par excellence
who can address vital issues in politics, economics, war and
violence, leading to a new form of globalised ethics. Hass makes a
bold and original contribution to religion, philosophy, art and the
history of ideas.
World's fairs contributed mightily to defining a relationship
between religion and the wider world of human culture. Even at the
base level of popular culture found on the midways of the earliest
international expositions--where Victorian ladies gawked at
displays of non-Western, "primitive" life--the concept of religion
as an independent field of study began to take hold in public
consciousness. The World's Parliament of Religions at the Chicago
exposition of 1893 did as much as any other single event to
introduce the idea that religion could be viewed as simply one
concern among many within the rapidly diversifying modern
lifestyle.
A chronicle of the emergence and development of religion as a
field of intellectual inquiry, Exhibiting Religion: Colonialism and
Spectacle at International Expositions, 1851-1893 is an extensive
survey of world's fairs from the inaugural Great Exhibition in
London to the Chicago Columbian Exposition and World's Parliament
of Religions. As the first broad gatherings of people from across
the world, these events were pivotal as forums in which the central
elements of a field of religion came into contact with one
another.
John Burris argues that comparative religion was the focal point
for early attempts at comparative culture and that both were
defined more by the intercultural politics and material exchanges
of colonialism than by the spirit of objective intellectual
inquiry. Equally a work of American and British religious history
and a cultural history of the emerging field of religion, this book
offers definitive theoretical insights into the discipline of
religious studies in its early formation.
Protestant theology and culture are known for a reserved, at times
skeptical, attitude to the use of art and aesthetic forms of
expression in a religious context. In Transcendence and
Sensoriness, this attitude is analysed and discussed both
theoretically and through case studies considered in a broad
theological and philosophical framework of religious aesthetics.
Nordic scholars of theology, philosophy, art, music, and
architecture, discuss questions of transcendence, the human senses,
and the arts in order to challenge established perspectives within
the aesthetics of religion and theology.
An accessible and engaging introduction to the philosophy of
religion.
Written with verve and clarity by a leading philosopher and
contributor to the field
Places key issues and debates in the philosophy of religion in
their historical contexts, highlighting the conditions that led to
the development of the field
Addresses the core topics, among them the the existence of God, the
problem of evil, death and the afterlife, and the problem of
religious diversity
Rich with argument, yet never obtrusive
Forms part of the "Fundamentals of Philosophy" series, in which
renowned scholars explore the fundamental issues and core problems
in the major sub-disciplines of philosophy
The Bible and its Rewritings examines some of the most beautiful and intriguing scenes from the Old and New Testament such as the encounter between Abraham and God, and Jesus and Mary Magdalene. The author also investigates the direct or indirect Re-Scriptures of these by writers like Thomas Mann, Chaucer, Shakespeare, T. S. Eliot, Faulkner, Tournier, Joseph Roth, as well as by ancient exegesis, catacomb frescoes, and church paintings.
This book offers the first comparative evaluation of Alain Badiou
and Jean-Luc Marion, two of the most important philosophers at work
today."Badiou, Marion and St Paul" addresses the difficult question
of whether it is possible to coherently think the notion of grace
strictly in terms of immanence. The book develops a model for the
thought of an immanent grace that avoids the traps of both
obscurantism (the invocation of a wholly ineffably or transcendent
ground for grace) and banality (the reduction of grace to nothing
more than a variation of the established order).The conceptual
resources needed for the development of such a model are gathered
from sustained and original readings of St Paul's letter to the
Romans, Jean-Luc Marion's "Being Given" and Alain Badiou's "Being
and Event". As each thinker is taken up, their unique contributions
to the model are elaborated and their positions are coordinated
with each of the others in order to render a comparative evaluation
of their strengths and weaknesses possible. The result of this
triangulation is the emergence of a common conceptual strategy that
simultaneously opens surprisingly direct paths into the heart of
each of their disparate projects and, more importantly, a viable
route to the thought of a genuinely immanent grace.
The first publication of Beverley Clack and Brian R. Clack's
exciting and innovative introduction to the philosophy of religion
has been of enormous value to students, as well as providing a bold
and refreshing alternative to the standard analytic approaches to
the subject. This second edition retains the accessibility which
made it popular for both teachers and students, while furthering
its distinctive argument that emphasises the human dimension of
religion.
The text has been fully revised and updated. The traditional
emphasis on the arguments for the existence of God is reflected in
a newly extended and reworked investigation into natural theology.
Recent developments in the subject are also reflected in updated
chapters, and, in a move that highlights the originality of the
authors' approach, they offer a critical engagement with current
world events. An entirely new concluding chapter interrogates the
connection between religion and terror, and demonstrates how
philosophy of religion might be conducted under the terrible shadow
of 9/11.
This new edition of The Philosophy of Religion will continue to be
essential reading for all students and practitioners of the
subject.
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On Diaspora
(Hardcover)
Daniel Colucciello Barber
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R923
R792
Discovery Miles 7 920
Save R131 (14%)
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Ships in 18 - 22 working days
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The brilliant and ground-breaking mimetic theory of the
French-American theorist Rene Girard (1923-2015)has gained
wide-ranging recognition, yet its development has received less
attention. This volume presents the important
correspondence-conducted in French and as yet unpublished, let
alone translated into English-between Girard and his major
theological interlocutor Raymund Schwager SJ (1935-2004). It
presents the personal relationship between two great thinkers that
led to the development of a significant break-through in the
humanities. In particular it reveals the theological development of
Girard's thought in dialogue with Schwager, who was concerned to
assist Girard in areas where he had little expertise and had
encountered major criticism, such as the theological application of
sacrifice. These issues in particular had placed major barriers to
Girard's acceptance in theological circles. These letters reveal
how Girard, with Schwager's help, entered the mainstream of
theological debate.
A collection of essays by experts in the field, exploring how
nature works at every level to produce more complex and highly
organized objects, systems, and organisms from much simpler
components, and how our increasing understanding of this universal
phenomenon of emergence can lead us to a deeper and richer
appreciation of who we are as human beings and of our relationship
to God. Several chapters introduce the key philosophical ideas
about reductionism and emergence, while others explore the
fascinating world of emergent phenomena in physics, biology, and
the neurosciences. Finally there are contributions probing the
meaning and significance of these findings for our general
description of the world and ourselves in relation to God, from
philosophy and theology. The collection as a whole will extend the
mutual creative interaction among the sciences, philosophy, and
theology.
In The Phenomenology of Religious Belief, the renowned philosopher
Michael J. Shapiro investigates how art - and in particular
literature and film - can impact upon both traditional
interpretations and critical studies of religious beliefs and
experiences. In doing so, he examines the work of prolific and
award-winning writers such as Toni Morrison, Philip K. Dick and
Robert Coover. By placing their work in conjunction with critical
analyses of media by the likes of Ingmar Bergman and Pier Paolo
Pasolini and combining it with the work of groundbreaking thinkers
such as George Canguilhem, Giorgio Agamben and Slavoj Zizek,
Shapiro takes a truly interdisciplinary approach to the question of
how life should be lived. His assessment of phenomenological
subjectivity also leads him to question the nature of political
theology and extend the criticism of Pauline theology.
His name is David Riley, a man challenged by his dream, his
ambition and even his faith. In his efforts to provide a service to
his clients, he finds himself in a place where being different
means being suspect. His colleagues call him a fool. His family and
friends say he has too much compassion for a nation of people who
don't give his practice much respect and the woman he loves
supports him the least when he needs her the most. Something
terrible is about to happen to him. He finds himself in dire
circumstances as his world starts coming apart at the seams.
Circumstances that threaten to ruin everything he's worked for and
stands for. Can a man have compassion or is the price too high? Can
a man live by faith alone? The gripping yet inspiring story author
Norton Helton tells in All Things Are Possible asks these questions
and explores the dim side of the legal practice. Norton Helton's
first novel signals the emergence of an exciting new writer. All
Things Are Possible is among the first contemporary novels that go
inside the legal practice- where having compassion and faith means
being different.
This title offers a critique of rationalism in contemporary
American thought by recovering a lost tradition of intimacy in the
writings of Thoreau, Bugbee, James, Arendt, Dickinson, Fuller,
Wilshire and Cavell. "The Loss of Intimacy in American Thought"
focuses on a number of American philosophers whose work overlaps
the religious and the literary. Henry David Thoreau, Henry Bugbee,
Hannah Arendt, Bruce Wilshire and Stanley Cavell are included, as
well as Henry James, whose novels are treated as presenting an
implicit moral philosophy. The chapters are linked by a concern for
lost intimacy with the natural world and others. The early Marx
would see this as the alienations in industrial societies of
persons from nature, from the processes of work, from each other,
and from themselves. Weber might call it the disenchantment of the
world. In any case, it is a condition that forms a focus of concern
for Thoreau, Bugbee, Arendt, Cavell and Wilshire as well as writers
such Henry James, Dickinson and Margaret Fuller. These writers hold
out a hope for closing the gaps that sustain alienations of
multiple sorts and Mooney brings them into critical discourse with
the secularised and constricted rationalism of contemporary
analytic philosophy. The latter exalts 'objectivity' and encourages
the approach that one should adopt a third person view on
everything, dividing the world into rigid binary oppositions:
self/other; mind/matter; human/animal; religious/secular;
fact/value; rational/irrational; and, enlightened/indigenous. By
contrast, each of the thinkers that Mooney discusses see writing as
a way of saving the object of attention from neglect or misplaced
appropriation, outright attack, or occlusion. His aim is to
recognise the importance of non-argumentative forms of address in
these American thinkers. The method he employs is analysis of
particular texts and passages that exhibit a generous, often poetic
or lyrical discernment of worth in the world. It is not meant to be
an exhaustive treatment of any one thinker or theme, but a set of
case studies, as it were, or a set of particular explorations, each
self-sufficient yet resonating with its companion pieces. Mooney's
objective is to spark interest in those who are ready to recover
Thoreau and Emerson and Bugbee for the sort of American tradition
that Cavell has sought to discover and rejuvenate; the tradition,
as Mooney puts it, of 'American Intimates'.
If you're a Dan Brown fan, you'll want to read, The Secret Behind
the Cross and Crucifix. Author Nwaocha Ogechukwu has written an
easy to read, enlightening and academically sound book regarding
the symbolism and meaning of the cross in relation to religion.
Ogechukwu gives historical accounts of Christianity's cover up of
what the cross truly is: a satanic symbol. "For centuries after
Christ, the church and other religions that use cruciform symbols
have misrepresented the physical nature of Christ's death with a
satanic symbol (cross), and a pagan idol (corpus). This secret has
been concealed by the church for centuries after Christ."
Ogechukwu's research leads to a stunning conclusion as it explores
to understand the real nature of Christ's death, religion's role in
the symbolism, and to release humankind from the "painful knowledge
bondage" of cruciform propaganda. Nwaocha Ogechukwu is a graduate
of medical science, member of the Royal Institute of Philosophy,
and a researcher in philosophy, religion, history, and psychology.
Nominated as "One of the Great Minds of the 21st Century," by the
American Biographical Institute, Mr. Ogechukwu lives in Nigeria.
The Secret Behind the Cross and Crucifix is his second novel. He is
currently working on his third book and fourth books.
F.W.J. Schelling (1775-1854) stands alongside J.G. Fichte and
G.W.F. Hegel as one of the great philosophers of the German
idealist tradition. The Schelling Reader introduces students to
Schelling's philosophy by guiding them through the first ever
English-language anthology of his key texts-an anthology which
showcases the vast array of his interests and concerns
(metaphysics, epistemology, philosophy of nature, ethics,
aesthetics, philosophy of religion and mythology, and political
philosophy). The reader includes the most important passages from
all of Schelling's major works as well as lesser-known yet
illuminating lectures and essays, revealing a philosopher
rigorously and boldly grappling with some of the most difficult
philosophical problems for over six decades, and constantly
modifying and correcting his earlier thought in light of new
insights. Schelling's evolving philosophies have often presented
formidable challenges to the teaching of his thought. For the first
time, The Schelling Reader arranges readings from his work
thematically, so as to bring to the fore the basic continuity in
his trajectory, as well as the varied ways he tackles perennial
problems. Each of the twelve chapters includes sustained readings
that span the whole of Schelling's career, along with explanatory
notes and an editorial introduction that introduces the main
themes, arguments, and questions at stake in the text. The Editors'
Introduction to the volume as a whole also provides important
details on the context of Schelling's life and work to help
students effectively engage with the material.
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