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Books > Humanities > Religion & beliefs > Christianity > Christian liturgy, prayerbooks & hymnals > General
***NOW AVAILABLE IN PAPERBACK*** Feasting on the Word is one of the most popular lectionary commentary series in use today. This is the first in a new series of daily devotionals that draws from the wealth of writing in the commentaries to present inspirational reflections, responses, and prayers for each day of the lectionary year. Each day of the week contains Scripture passages for the coming Sunday from the Revised Common Lectionary, excerpts from the commentaries for reflection, a response, and a prayer. Additional material is provided for each Sunday.
This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard's poetry, the gloss to Lamentations, and ritual representations or 'liturgical drama'. The two final chapters treat fourteenth-century uses and understandings of Boethius's De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions.
Edition of complex and important early liturgical work. The highly complex combined sacramentary and pontifical presented here, preserved as Paris, Bibliotheque nationale de France, lat. 12052, was apparently written to the order of Ratoldus, abbot of Corbie (d. 986), but in fact has along and complicated history. The sacramentary descends from a book compiled at Saint-Denis, later augmented with material relating to Dol (in Brittany) and Arras, while the pontifical, such as it is, descends in large part froma book drawn up for Oda, archbishop of Canterbury (941-58). Moreover, late-tenth and eleventh-century additions show that Corbie was merely the last link in a fascinating and sometimes puzzling chain. The work is thus of considerable importance to scholars and this edition, with introduction, will be warmly welcomed. Dr NICHOLAS ORCHARD is Deputy Slide Librarian at the Courtauld Institute of Art.
Dr. Fuchsia Pickett's life study of the Holy Spirit takes a fresh turn as she explores the outward evidence of an inward relationship. We will worship day and night with our whole hearts as we "walk in the Spirit" as a response to coming face to face with Jesus Christ, who is revealed to us by the Spirit. Students of the Bible and those responsible for worship will appreciate the depth of her teaching. Those who worship as an expression of joy will better understand what the Word promises for those who worship
The Divine Liturgy of Saint James is the eucharistic rite of the ancient Church of Jerusalem and the most ancient extant liturgy of the Eastern Church. In recent decades, the frequency of its use has increased throughout the Orthodox Church. This service book offers for the first time a parallel Church Slavonic-English text, suitable for use by clergy and servers. It also contains the Divine Liturgy of the Presanctified Gifts of the Holy Apostle James, which is rarely served today but has been preserved in part in a few Greek manuscripts and in full in several Georgian sources. An introduction by Dr Vitaly Permiakov, a specialist in the Jerusalem liturgy, presents the provenance and integrity of both ancient Liturgical services.
As parents hoping to raise godly children, we may understand the importance of regular family devotions. However, we may find it difficult to get our kids (or even ourselves) fully engaged. But what if devotions looked less like sitting in the living room listening to someone read and trying to pry answers out of reluctant kids and more like, say, electrocuting a pickle? Or converting a leaf blower into a toilet paper launcher? Or lighting toothpaste on fire? These hands-on, kinda dangerous, totally unforgettable object lessons (along with nearly fifty others) are not only more fun than other family devotions--they actually deliver the spiritual impact you desire for your kids. They'll even get dads and any too-cool-for-this-stuff teens jazzed about a weekly family devotional time. So put away the flannelgraph, get out the safety goggles, and start bringing the truths of Scripture to vivid life in your household. Just remember to change out of your Sunday clothes first.
Continuing the tradition of centuries, The Divine Office is the Catholic liturgy for morning prayer, prayer during the day, and evening prayer, for every day of the year. Volume Three of the Divine Office covers all the days of the year that are not covered in Volumes One and Two, and includes all the prayers, as well as readings. This edition comes in an attractive binding with ribbon marker. The Divine Office is the official text for the UK, Ireland, Australia, New Zealand, as well as various countries across Africa and Asia.
'This book, a classic guide to the celebration of the Church's ancient Gregorian Rite in the English-speaking world, will serve priests and seminarians of the twenty-first century--just as it served so many priests of the twentieth--in their pastoral mission, which now necessarily includes familiarity with and openness to the use of the older form of the sacred liturgy. I happily commend it to the clergy, seminarians and laity as a reliable tool for the preparation and celebration of the liturgical rites authoritatively granted by the Holy Father in Summorum Pontificum. 'I congratulate the distinguished liturgical scholar, Dr. Alcuin Reid, for his care and precision in ensuring that this revised edition conforms to the latest authoritative decisions with regard to these liturgical rites. As Pope Benedict XVI wrote in his letter which accompanied Summorum Pontificum: "In the history of the liturgy there is growth and progress, but no rupture." The Gregorian Rite is today a living liturgical rite which will continue its progress without losing any of its riches handed on in tradition. For as the Holy Father continued, "What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful. It behoves all of us to preserve the riches which have developed in the Church's faith and prayer, and to give them their proper place." May this book assist the Church of today and of tomorrow in realising Pope Benedict's vision.' Dario Cardinal Castrillon HoyosPresident, Pontifical Commission Ecclesia Dei This fifteenth edition, revised in the light of Pope Benedict XVI's reforms and expanded and corrected throughout, includes a new chapter on the music of solemn and sung Mass as well as clarifications of questions that have arisen in the light of recent experience. It gives descriptions of the rites of pontifical, solemn and low Mass, Vespers, the liturgical year including Holy Week, the sacraments, Benediction of the Blessed Sacrament, funerals, episcopal visitation and more.
In early medieval Europe, monasticism constituted a significant force in society because the prayers of the religious on behalf of others featured as powerful currency. The study of this phenomenon is at once full of potential and peril, rightly drawing attention to the wider social involvement of an otherwise exclusive group, but also describing a religious community in terms of its service provision. Previous scholarship has focused on the supply and demand of prayer within the medieval economy of power, patronage, and gift exchange. Intercessory Prayer and the Monastic Ideal in the Time of the Carolingian Reforms is the first volume to explain how this transactional dimension of prayer factored into monastic spirituality. Renie S. Choy uncovers the relationship between the intercessory function of monasteries and the ascetic concern for moral conversion in the minds of prominent religious leaders active between c. 750-820. Through sustained analysis of the devotional thought of Benedict of Aniane and contemporaneous religious reformers during the reigns of Charlemagne and Louis the Pious, Choy examines key topics in the study of Carolingian monasticism: liturgical organization and the intercessory performances of the Mass and the Divine Office, monastic theology, and relationships of prayer within monastic communities and with the world outside. Arguing that monastic leaders showed new interest on the intersection between the interiority of prayer and the functional world of social relationships, this study reveals the ascetic ideal undergirding the provision of intercessory prayer by monasteries.
Composed on the occasion of the poet's near-fatal bout with typhus in 1623, the Devotions contains the essential germ of John Donne's mature thought, embodied in obscurely structured verse/prose divisions. Because of its seeming digressiveness, critics have struggled to understand this most significant of Renaissance texts as a whole. Kate Gartner Frost, however, shows that the Devotions, which combines odd bits of natural history, personal life-data, quotations from scripture, and descriptions of unpleasant medical nostrums with personal religious outpourings, is a unified work belonging to the tradition of English devotional literature and spiritual autobiography from Augustine onward. Frost examines how Donne patterned his work on models and structures that allowed the blending of chronology, experience, anecdote, and insight into the fullness of extended metaphor reflecting the human condition. Donne's use of biblical typology is treated, as well as his adherence to a poetics rooted in pre-Copernican cosmology, which relies on underlying spatial structures. Finally, Frost reveals the actual numerological structures present in the Devotions and addresses the problem of discursive reading in relation to spatially organized premodern works. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts. In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes, sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation.
This book provides an introduction to current work and new directions in the study of medieval liturgy. It focuses primarily on so-called occasional rituals such as burial, church consecration, exorcism and excommunication rather than on the Mass and Office. Recent research on such rites challenges many established ideas, especially about the extent to which they differed from place to place and over time, and how the surviving evidence should be interpreted. These essays are designed to offer guidance about current thinking, especially for those who are new to the subject, want to know more about it, or wish to conduct research on liturgical topics. Bringing together scholars working in different disciplines (history, literature, architectural history, musicology and theology), time periods (from the ninth to the fifteenth centuries) and intellectual traditions, this collection demonstrates the great potential that liturgical evidence offers for understanding many aspects of the Middle Ages. It includes essays that discuss the practicalities of researching liturgical rituals; show through case studies the problems caused by over-reliance on modern editions; explore the range of sources for particular ceremonies and the sort of questions which can be asked of them; and go beyond the rites themselves to investigate how liturgy was practised and understood in the medieval period.
Composed on the occasion of the poet's near-fatal bout with typhus in 1623, the Devotions contains the essential germ of John Donne's mature thought, embodied in obscurely structured verse/prose divisions. Because of its seeming digressiveness, critics have struggled to understand this most significant of Renaissance texts as a whole. Kate Gartner Frost, however, shows that the Devotions, which combines odd bits of natural history, personal life-data, quotations from scripture, and descriptions of unpleasant medical nostrums with personal religious outpourings, is a unified work belonging to the tradition of English devotional literature and spiritual autobiography from Augustine onward. Frost examines how Donne patterned his work on models and structures that allowed the blending of chronology, experience, anecdote, and insight into the fullness of extended metaphor reflecting the human condition. Donne's use of biblical typology is treated, as well as his adherence to a poetics rooted in pre-Copernican cosmology, which relies on underlying spatial structures. Finally, Frost reveals the actual numerological structures present in the Devotions and addresses the problem of discursive reading in relation to spatially organized premodern works. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
With the twelve-volume series Feasting on the Word, Westminster John Knox Press offers one of the most extensive and well-respected resources for preaching on the market today. When complete, the twelve volumes will cover all of the Sundays in the three-year lectionary cycle, along with moveable occasions.The page layout is truly unique. For each lectionary text, preachers will find brief essaysA'aEURO"one each on the exegetical, theological, pastoral, and homiletical challenges of the text. Each volume will also contain an index of biblical passages so that nonlectionary preachers may make use of its contents. The printed volumes for Ordinary Time include the complementary stream during Year A, the complementary stream during the first half of Year B, the semicontinuous stream during the second half of Year B, and the semicontinuous stream during Year C. Beginning with the season after Pentecost in Year C, the alternate lections for Ordinary Time not in the print volumes will be available online at feastingontheword.net.
Pam Rhodes is best known as the familiar face of the BBC's Songs of Praise, and here she brings together her personal selection of carols, poems, Bible readings and other inspirational passages from a wide range of sources. As well as the usual old favourites - from Hark the Herald Angels Sing to the stories of the shepherds and the wise men visiting the baby Jesus - there are plenty of lighter moments, with excerpts from Gervase Phinn's memoirs and funny poems by modern writers. Alongside the items themselves Pam shares some of her own Christmas reminiscences and explores the resonance of the Christmas story for all our lives in her trademark inviting and heartwarming style. There is something here for everyone, from those wanting to enjoy dipping in for a taste of Christmas to those needing a sourcebook to inspire selections for Christmas services. Enjoy!
Companion volume to SS 5 and SS 17, completing the set
The authorized hymnal for the Episcopal Church with durable, beautiful, covered spiral binding especially created for music stands, organ, and piano music racks. This edition provides accompaniment for all hymns and service music and contains an appendix of additional service music. It comes in two volumes -- one of hymns and one of service music.
Central to every vampire story is the undead's need for human blood, but equally compelling is the human ingestion of vampire blood, which often creates a bond. This blood connection suggests two primal, natural desires: breastfeeding and communion with God through a blood covenant. This analysis of vampire stories explores the benefits of the bonding experiences of breastfeeding and Christian and vampire narratives, arguing that modern readers and viewers are drawn to this genre because of our innate fascination with the relationship between human and maker.
The 'Exeter Ordinale' is a huge ordinal issued by John de Grandisson, bishop of Exeter 1327-69], in 1337; it is edited on the basis of manuscripts that belonged to, and were annotated by, the bishop himself. The compilation marked an important point in medieval study of the liturgy, and the 'Legenda' liturgical readings for saints' days] which it contains are regarded as one of the most important sources for the study of English medieval hagiography, particularly for saints of English origin.
A three-year pattern of lectionary readings has come into widespread use over the past generation within many churches. Since its release in 1992 the three-year Revised Common Lectionary has had a significant influence ecumenically on worship and its preparation. Now the ecumenical consultation responsible for the Revised Common Lectionary is releasing a set of proposed prayers specifically designed for use with the calendar of readings in the RCL. The Consultation on Common Texts sought to prepare a truly ecumenical set of prayers that represent the full spectrum of Christian tradition in all its diverse richness.
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