This is the first book in the UK or the US to set on record the recent cultural phenomenon of the use of certain dog breeds - both legal and illegal - to 'convey status' to their owners. Such dogs are easily visible on social housing estates and provide acquired authority, respect, power and control. However, they are increasingly linked to urban street gangs as 'weapon dogs' and present a danger to the general public. Local and statutory authorities are now seeking to address the issue through action plans and interventions. Written in a fresh, engaging and accessible style, this unique book contextualises the phenomenon in terms of sociology, criminology and public policy. It makes essential reading for academics and policy makers in criminology and criminal justice and those working with animal rights/animal welfare groups.

An exploration of the various ways animals and their relations to humans have been depicted throughout the ages. This volume delves into the realm between representative images and real animals. It is a historical inquiry into human interaction with the animals we eat, pamper, experiment on, and imagine, as they have been variously domesticated, slaughtered, loved, studied, and made into icons of human invention. Common assumptions and experiences with animals have entered into the functioning and conceptualizing of life, yet these are historically and culturally contingent. The essays in this volume unveil the ways in which human-animal relationships reveal the interhuman structures of the cultures in which they are formed. By using animals as a lens, they refocus our awareness of the ways in which humans have allotted resources, gathered knowledge, and structured families. The treatment of animals is often a guide to the treatment of people within a society, while the perceived 'stewardship' of humans over animals has helped shape the broader environment that both human and nonhuman animals share. The authors tackle their subject from a variety of levels -- popular, scientific, and economic. The essays explore the vast borderland between human ideas and physical nature regarding animal representation. Contributors include Richard W. Burkhardt, Jr., Jonathan Burt, Ken C. Erickson, Katherine C. Grier, Richard C. Hoffmann, Andrew C. Isenberg, JacquelineMilliet, John Solomon Otto, Karen A. Rader, Harriet Ritvo, Nigel Rothfels, Kenneth J. Shapiro, and Edward I. Steinhart. Mary Henninger-Voss is an Associate of the Shelby Cullom Davis Center for Historical Studies, Princeton University.

As Julie Urbanik vividly illustrates, non-human animals are central to our daily human lives. We eat them, wear them, live with them, work them, experiment on them, try to save them, spoil them, abuse them, fight them, hunt them, buy and sell them, love them, and hate them. Placing Animals is the first book to bring together the historical development of the field of animal geography with a comprehensive survey of how geographers study animals today. Urbanik provides readers with a thorough understanding of the relationship between animal geography and the larger animal studies project, an appreciation of the many geographies of human-animal interactions around the world, and insight into how animal geography is both challenging and contributing to the major fields of human and nature-society geography. Through the theme of the role of place in shaping where and why human-animal interactions occur, the chapters in turn explore the history of animal geography and our distinctive relationships in the home, on farms, in the context of labor, in the wider culture, and in the wild.

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on "what" zoos do, few people consider "how" they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.
"Zooland" begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.
Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. "Zooland" takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

Wild animals form an integral component of the human leisure experience. They are a significant part of the leisure industry and are economically valuable entities. However, as sentient beings, animals also have rights and welfare needs, and, like humans, may also have their own leisure desires and requirements. This collection provides an in-depth analysis of the rights and welfare of humans and wild animals as the two relate to one another within the sphere of leisure studies. It examines a wide array of animals, such as wolves, elephants, dolphins and apes, in a diverse range of leisure settings in international locations, from captive wild animals in zoos, hunting, swimming with dolphins and animals used as educators and for tourist entertainment. This book provides a forum for future considerations of wild animals and leisure and a voice for animal welfarist agendas that seek to improve the conditions under which wild animals interact with and are engaged with by humans.

As Julie Urbanik vividly illustrates, non-human animals are central to our daily human lives. We eat them, wear them, live with them, work them, experiment on them, try to save them, spoil them, abuse them, fight them, hunt them, buy and sell them, love them, and hate them. Placing Animals is the first book to bring together the historical development of the field of animal geography with a comprehensive survey of how geographers study animals today. Urbanik provides readers with a thorough understanding of the relationship between animal geography and the larger animal studies project, an appreciation of the many geographies of human-animal interactions around the world, and insight into how animal geography is both challenging and contributing to the major fields of human and nature-society geography. Through the theme of the role of place in shaping where and why human-animal interactions occur, the chapters in turn explore the history of animal geography and our distinctive relationships in the home, on farms, in the context of labor, in the wider culture, and in the wild.

While it is generally accepted that animal welfare matters morally, it is less clear how to morally evaluate the ending of an animal's life. It seems to matter for the animal whether it experiences pain or pleasure, or enjoyment or suffering. But does it also matter for the animal whether it lives or dies? Is a longer life better for an animal than a shorter life? If so, under what conditions is this so, and why is this the case? Is it better for an animal to live rather than never to be born at all? The Ethics of Killing Animals addresses these value-theoretical questions about animal life, death and welfare. It also discusses whether and how answers to these questions are relevant for our moral duties towards animals. Is killing animals ever morally acceptable and, if so, under what conditions? Do animals have moral rights, such as the right to life and should they be accorded legal rights? How should our moral duties towards animals inform our individual behavior and policy-making? This volume presents a collection of contributions from major thinkers in ethics and animal welfare, with a special focus on the moral evaluation of killing animals.

Animals are everywhere. They inhabit our forests, our fields, our imaginations, our dreams, and our stories. Making appearances in advertisements, television programs, movies, books, Internet memes, and art, symbolic animals do tremendous work for us selling goods, services, and ideas, as well as acting as stand-ins for our interests and ideas. Yet, does knowing animals only symbolically impact their lived experiences? Seeing Species: Re-presentations of Animals in Media & Popular Culture examines the use of animals in media, tracking species from appearances in rock art and picture books to contemporary portrayals in television programs and movies. Primary questions explored include: Where does thinking of other beings in a detached, impersonal, and objectified way come from? Do the mass media contribute to this distancing? When did humans first think about animals as other others? Main themes include examining the persistence of the human-animal divide, parallels in the treatment of otherized human beings and animals, and the role of media in either liberating or limiting real animals. This book brings together sociological, psychological, historical, cultural, and environmental ways of thinking about nonhuman animals and our relationships with them. In particular, ecopsychological thinking locates and identifies the connections between how we re-present animals and the impact on their lived experiences in terms of distancing, generating a false sense of intimacy, and stereotyping. Re-presentations of animals are discussed in terms of the role the media do or do not play in perpetuating status quo beliefs about them and their relationship with humans. This includes theories and methods such as phenomenology, semiotics, textual analysis, and pragmatism, with the goal of unpacking re-presentations of animals in order to learn not only what they say about human beings but also how we regard members of other species.

Choice Outstanding Academic Title, 2008 The Renaissance was an extraordinary period of change in the West, fuelled by changing cultural formations, shifting empires, the growth in exploration, and developments in science and technology. A Cultural History of Animals in the Renaissance presents a broad overview of the changing role of animals in the economy, culture and thinking of the period. Covering the period 1400 to 1600, the volume explores a wide range of topics: the symbolic role of birds in early modern writing; hunting rites and animal rights; the domestication of animals; the popularity of performing animals; the development of illustrated works of natural history; changing philosophical views of animal nature; and artistic practice in the visual representation of animals. As with all the volumes in the illustrated Cultural History of Animals, this volume presents an overview of the period and continues with essays on the position of animals in contemporary Symbolism, Hunting, Domestication, Sports and Entertainment, Science, Philosophy, and Art. Volume 3 in the Cultural History of Animals edited by Linda Kalof and Brigitte Resl

"In this brilliant study of cloned wild life, Carrie Friese adds a whole new dimension to the study of reproduction, illustrating vividly and persuasively how social and biological reproduction are inextricably bound together, and why this matters."--Sarah Franklin, author of Dolly Mixtures: the Remaking of Genealogy The natural world is marked by an ever-increasing loss of varied habitats, a growing number of species extinctions, and a full range of new kinds of dilemmas posed by global warming. At the same time, humans are also working to actively shape this natural world through contemporary bioscience and biotechnology. In Cloning Wild Life, Carrie Friese posits that cloned endangered animals in zoos sit at the apex of these two trends, as humans seek a scientific solution to environmental crisis. Often fraught with controversy, cloning technologies, Friese argues, significantly affect our conceptualizations of and engagements with wildlife and nature. By studying animals at different locations, Friese explores the human practices surrounding the cloning of endangered animals. She visits zoos--the San Diego Zoological Park, the Audubon Center in New Orleans, and the Zoological Society of London--to see cloning and related practices in action, as well as attending academic and medical conferences and interviewing scientists, conservationists, and zookeepers involved in cloning. Ultimately, she concludes that the act of recalibrating nature through science is what most disturbs us about cloning animals in captivity, revealing that debates over cloning become, in the end, a site of political struggle between different human groups. Moreover, Friese explores the implications of the social role that animals at the zoo play in the first place--how they are viewed, consumed, and used by humans for our own needs. A unique study uniting sociology and the study of science and technology, Cloning Wild Life demonstrates just how much bioscience reproduces and changes our ideas about the meaning of life itself. Carrie Friese is Lecturer in Sociology at the London School of Economics and Political Science.

This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

Reading Slaughter: Abattoir Fictions, Space, and Empathy in Late Modernity examines literary depictions of slaughterhouses from the development of the industrial abattoir in the late nineteenth century to today. The book focuses on how increasing and ongoing isolation and concealment of slaughter from the surrounding society affects readings and depictions of slaughter and abattoirs in literature, and on the degree to which depictions of animals being slaughtered creates an avenue for empathic reactions in the reader or the opportunity for reflections on human-animal relations. Through chapters on abattoir fictions in relation to narrative empathy, anthropomorphism, urban spaces, rural spaces, human identities and horror fiction, Sune Borkfelt contributes to debates in literary animal studies, human-animal studies and beyond.

R.M. Hare was one of the most important ethical theorists of the 20th century, and one of his graduate students, Peter Singer, became famous for his writings on animals and personhood. Singer now says that he endorses Hare's "two-level utilitarianism," and he has invoked the theory's distinction between "critical thinking" and thinking in terms of "intuitive level rules" in response to certain objections to his conclusions on several issues. Hare, however, never published a systematic treatment of how his theory applies to issues in animal ethics, and he avoided the concept of "personhood." Gary Varner here fills this gap by defending the moral legitimacy of distinguishing among "persons," "near-persons," and "the merely sentient" within Harean two-level utilitarianism. He explores the implications of this distinction by applying the resulting ethical system to our treatment of animals, and shows how the results contrast with the more abolitionist conclusions reached by Singer on the same issues. In the process, he presents a new philosophical defense of two-level utilitarianism and its metaethical foundation (universal prescriptivism), and he significantly expands Hare's account of how "intuitive level rules" function in moral thinking, based on recent empirical research. The book also draws heavily on empirical research on consciousness and cognition in non-human animals as a way of approaching the question of which animals, if any, are "persons," or at least "near-persons. Philosophers, including those interested in utilitarianism in general or Hare in particular, as well as others interested in animal ethics or the debate over personhood, will find Varner's argument of great interest. "Professor Varner's earlier work, In Nature's Interests, is a very fine book. It has achieved a high level of respect from those working in the field, and is often seen as having set a new standard of debate in environmental ethics. That means that a new book by Professor Varner will be received with considerable interest. Varner draws on extensive recent empirical research regarding the degree to which animals are self-conscious and uses this information as the basis for the most serious discussion I have yet seen of whether any nonhuman animals can be considered 'persons'. There is, to my knowledge, no other book that goes into these issues anywhere near as deeply, in the context of assessing their significance for the normative issues of the wrongness of taking life, or other issues relating to ethical decision-making regarding our treatment of animals and some humans. I have no doubt that this book will, like In Nature's Interests, be seen as making an important contribution to the topics it covers." - Peter Singer, University Center for Human Values, Princeton University

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on "what" zoos do, few people consider "how" they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.
"Zooland" begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.
Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. "Zooland" takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

This is the first book in the UK or US to set on record the recent cultural phenomenon of the use of certain dog breeds - both legal and illegal - to 'convey status' upon their owners. Such dogs are easily visible on social housing estates throughout the UK and in projects in the USA and provide acquired authority, respect, power and control. However they are increasingly linked to urban street gangs as 'Weapon Dogs' and present a danger to the ordinary public especially those using parks and open spaces with increased injuries being presented at UK hospitals. Though initially slow to react, local and statutory authorities are now seeking to address the issue through action plans and interventions. Written in a fresh, engaging and accessible style, this unique book contextualizes the phenomenon in terms of sociology, criminology and public policy. It considers a complex mix of urban and social deprivation, social control of public space and the influence of contemporary media imagery and 'gangsta' culture. It will make essential reading for academics and policy makers in criminology and criminal justice and those working with animal rights/animal welfare groups.

Mahlangeni, the Tsonga word for "meeting place", is one of the most remote ranger stations in the Kruger National Park. Far from everywhere, this isolated corner of the wilderness was home for eleven years to Kobie Kruger, wife of the ranger in charge of the station, and their their three daughters.

Running a household and raising a family in a place where leopards, elephants, snakes and the like are your only neighbours, where you have no telephone, and where a trip to town means first crossing a river full of hippos and crocodiles, is hardly a straightforward business. But Kobie Kruger tackled each problem with undaunted pragmatism and an energy that gives new meaning to word resourceful.

Meet the inspirational animals who went from being rescued to becoming rescuer in these incredible true stories You'll read all about... Constantine and Crystal, the guinea pigs who gave a bullied girl with autism a reason to smile Alex, the tiger who inspired a homeless drug addict to get her life back on track Angel, the horse who helped her owner to lose weight and regain her confidence Daniel, the duck who was rescued from a food market and succeeded in soothing his owner's PTSD ... as well as many other animal heroes who came to their owner's aid - whether it was helping them to recover from mental illness, relationship breakdown or bereavement. These remarkable creatures all repaid the love and appreciation that their human companions displayed in caring for them. Let these uplifting stories warm your heart, and show you that adopted animals can heal our pain and transform our lives.

Gender and Sexuality in Critical Animal Studies explores nonhuman animals' experiences of gender, physiological sex, and sexuality while in nature and captivity. The contributors in this collection analyze nonhuman oppression issues, such as reproductive freedom, deconstructing dichotomous thinking, and promoting animal liberation within and beyond the academy. The scholar-activists featured in this collection investigate injustice in news stories, literature, and other media that shape human perceptions and treatment toward nonhumans. Each chapter confronts notions of gender, physiological sex, or sexuality as construction by applying literary theory, cultural studies, disability studies, queer studies, ecocriticism, and more to promote justice and equity for nonhuman animals.

'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times

After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change.

And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . .

Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.

Choice Outstanding Academic Title, 2008 Human culture is now more dangerous to nonhuman animals than ever before. The destruction of natural habitats and the killing of animals for food, science, medicine or trophy - sometimes to the point of extinction - is the stuff of newspaper headlines. We live in a time when the idea of an animal's habitat has almost become irrelevant, except as a historical curiosity, yet also in a time when the public and philosophical acknowledgement of animal rights and environmental ethics is on the rise. Animals are enmeshed in human culture simply because people are so interested in them. Animals remain central to our sense of the natural world. Our pets are often seen as our closest companions through life. At the same time, the last century has seen the use of animals in scientific experimentation and the major changes in industrial-scale animal farming. Never has the relationship between human and non-human animals been more hotly contested. As with all the volumes in the illustrated Cultural History of Animals, this volume presents an overview of the period and continues with essays on the position of animals in contemporary Symbolism, Hunting, Domestication, Sports and Entertainment, Science, Philosophy, and Art. Volume 6 in the Cultural History of Animals edited by Linda Kalof and Brigitte Resl

Animal Minds, Animal Souls, Animal Rights explores the thinking of philosophers and theologians about controversies concerning animal consciousness and animal rights. The book presents Bernard Lonergan's theory about consciousness and the operations of the mind-a theory about two types of knowing and desiring: one shared by humans and animals, and the other, which depends on the activity of asking questions, possessed by humans alone. The author tests this theory against present-day research with apes, and examines religious claims, historical and current, about animals. Animal Minds, Animal Souls, Animal Rights concludes by laying a philosophical and theological foundation for a contemporary ethic in which humans are obligated to exercise intelligent stewardship and ensure the compassionate treatment of animals.

Mary Midgley is one of the most important moral philosophers working today. Over the last thirty years, her writings have informed debates concerning animals, the environment and evolutionary theory. The invited essays in this volume offer critical reflections upon Midgley's work and further developments of her ideas. The contributors include many of the leading commentators on her work, including distinguished figures from the disciplines of philosophy, biology, and ethology. The range of topics includes the moral status of animals, the concept of wickedness, science and mythology, Midgley's relationship to modern moral philosophy, and her relationship with Iris Murdoch. It also includes the first full bibliography of Midgley's writings. The volume is the first major study of its kind and brings together contributions from the many disciplines which Midgley's work has influenced. It provides a clear account of the themes and significance of her work and its implications for ongoing debates about our understanding of our place within the world.