Interspecies Interactions surveys the rapidly developing field of human-animal relations from the late medieval and early modern eras through to the mid-Victorian period. By viewing animals as authentic and autonomous historical agents who had a real impact on the world around them, this book concentrates on an under-examined but crucial aspect of the human-animal relationship: interaction. Each chapter provides scholarly debate on the methods and challenges of the study of interspecies interactions, and together they offer an insight into the part that humans and animals have played in shaping each other's lives, as well as encouraging reflection on the directions that human-animal relations may yet take. Beginning with an exploration of Samuel Pepys' often emotional relationships with the many animals that he knew, the chapters cover a wide range of domestic, working, and wild animals and include case studies on carnival animals, cattle, dogs, horses, apes, snakes, sharks, and invertebrates. These case studies of human-animal interactions are further brought to life through visual representation, by the inclusion of over 20 images within the book. From 'sleeve cats' to lion fights, Interspecies Interactions encompasses a broad spectrum of relationships between humans and animals. Covering topics such as use, emotion, cognition, empire, status, and performance across several centuries and continents, it is essential reading for all students and scholars of historical animal studies.

This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.

The scientific, political, and industrial revolutions of the Romantic period transformed the status of humans and redefined the concept of species. This book examines literary representations of human and non-human animality in British Romanticism. The book's novel approach focuses on the role of aesthetic taste in the Romantic understanding of the animal. Concentrating on the discourses of the sublime, the beautiful, and the ugly, Heymans argues that the Romantics' aesthetic views of animality influenced-and were influenced by-their moral, scientific, political, and theological judgment. The study reveals how feelings of environmental alienation and disgust played a positive moral role in animal rights poetry, why ugliness presented such a major problem for Romantic-period scientists and theologians, and how, in political writings, the violent yet awe-inspiring power of exotic species came to symbolize the beauty and terror of the French Revolution. Linking the works of Wordsworth, Blake, Coleridge, Byron, the Shelleys, Erasmus Darwin, and William Paley to the theories of Immanuel Kant and Edmund Burke, this book brings an original perspective to the fields of ecocriticism, animal studies, and literature and science studies.

Typically, the legal investigation of nonhuman life, and of animal life in particular, is conducted through the discourse of animal rights. Within this discourse, legal rights are extended to certain nonhuman animals through the same liberal framework that has afforded human rights before it. Animals, Biopolitics, Law envisions the possibility of lively legalities that move beyond the humanist perspective. Drawing on an array of expertise-from law, geography, and anthropology, through animal studies and posthumanism, to science and technology studies-this interdisciplinary collection asks what, in legal terms, it means to be human and nonhuman, what it means to govern and to be governed, and what are the ethical and political concerns that emerge in the project of governing not only human but also more-than-human life.

Bringing together new perspectives in childhood studies and animal studies, this book is the first collection to critically address the manifold alignments and frequent co-constitutions of children and pets in our families, our cultures, and our societies. The cultural politics of power shaping relationships between children, pets, and adults inform the wide range of essays included in this collection, as they explore issues such as protection, discipline, mastery, wildness, play, and domestication. The volume use the frequent social and cultural intersections between children and pets as an opportunity to analyze institutions that create pet and child subjectivity, from education and training to putting children and pets on display for entertainment purposes. Essays analyze legal discourses, visual culture, literature for children and adults, migration narratives, magazines for children, music, and language socialization to discuss how notions of nationalism, race, gender, heteronormativity, and speciesism shape cultural constructions of children and pets. Examining childhood and pethood in America, Europe, Asia, and the Pacific, this collection shows how discourses linking children and pets are pervasive and work across cultures. By presenting innovative approaches to the child and the pet, the book brings to light alternative paths toward understanding these figures, leading to new openings and questions about kinship, agency, and the power of care that so often shapes our relationships with children and animals. This will be an important volume for scholars of animal studies, childhood studies, children's literature, cultural studies, political theory, education, art history, and sociology.

How Animals Help Students Learn summarizes what we know about the impact of animals in education and synthesizes the thinking of prominent leaders in research and practice. It's a much-needed resource for mental-health and education professionals interested in incorporating animals in school-based environments, one that evaluates the efficacy of existing programs and helps move the field toward evidence-based practice. Experts from around the world provide concrete examples of how animals have been successfully incorporated into classroom settings to achieve the highest level of benefit while also ensuring the health and welfare of the students and animals involved.

The RSPB's Book of the Season The distinctive white-tailed sea eagle was driven to extinction in Britain more than 200 years ago, but this immense predator is making a return to our skies, thanks to Roy Dennis, an ornithologist, conservationist and arguably the driving force behind the UK's reintroduction agenda. Roy was instrumental in returning the Osprey, red kite and golden eagle to the British Isles, but the road to reintroduction isn't an easy one. In what will surely be the seminal book on British reintroductions, Roy details the painstaking process of returning the Goldeneye to Scotland, one duckling at a time, the die-hard determination needed to make a dazzling success of the red kite reintroduction and the leap of faith we will all need to make to accept sharing our forests and skies with large carnivores again. He also illustrates all that we have to gain by restoring our ecosystems to balance. Filled with a lifetime's worth of stories from the front lines of conservation, Reintroduction offers an eye-opening insight into the complexities of reintroducing extinct animals to Britain. It's also an intimate portrait of these apex predators and a reminder of why we need them.

The Animal Ethics Reader is an acclaimed anthology containing both classic and contemporary readings, making it ideal for anyone coming to the subject for the first time. It provides a thorough introduction to the central topics, controversies and ethical dilemmas surrounding the treatment of animals, covering a wide range of contemporary issues, such as animal activism, genetic engineering, and environmental ethics. The extracts are arranged thematically under the following clear headings: Theories of Animal Ethics Nonhuman Animal Experiences Primates and Cetaceans Animals for Food Animal Experimentation Animals and Biotechnology Ethics and Wildlife Zoos and Aquariums Animal Companions Animal Law and Animal Activism Readings from leading experts in the field including Peter Singer, Bernard E. Rollin and Jane Goodall are featured, as well as selections from Tom Regan, Jane Goodall, Donald Griffin, Temple Grandin, Ben A. Minteer, Christine Korsgaard and Mark Rowlands. Classic extracts are well balanced with contemporary selections, helping to present the latest developments in the field. This revised and updated Third Edition includes 31 new readings on a range of subjects, including animal rights, captive chimpanzees, industrial farm animal production, genetic engineering, keeping cetaceans in captivity, animal cruelty, and animal activism. The Third Edition also is printed with a slightly larger page format and in an easier-to-read typeface. Featuring contextualizing introductions by the editors, study questions and further reading suggestions as the end of each chapter, this will be essential reading for any student taking a course in the subject. With a new foreword by Bernard E. Rollin.

A train stops on the tracks in the middle of the night and a lone woman steps out, following a call from deep in the forest. In these six richly imagined short stories, Andrea Lundgren explores a liminal space where the town meets the wilderness and human consciousness meets something more animalistic. From foxes to blue whales to angels, the creatures that roam through these stories spark a desire for something more in their human counterparts: a longing for transformation. Whether dealing with familial tensions, romantic troubles, or a crisis of faith, their human anguish is explored with psychological depth and poetic insight in the earthy, evocative world of Lundgren's northern borderlands.

The Intersectionality of Critical Animal, Disability, and Environmental Studies: Toward Eco-ability, Justice, and Liberation is an interdisciplinary collection of theoretical writings on the intersectional liberation of nonhuman animals, the environment, and those with disabilities. As animal consumption raises health concerns and global warming causes massive environmental destruction, this book interweaves these issues and more. This important cutting-edge book lends to the rapidly growing movement of eco-ability, a scholarly field and activist movement influenced by environmental studies, disability studies, and critical animal studies, similar to other intersectional fields and movements such as eco-feminism, environmental justice, food justice, and decolonization. Contributors to this book are in the fields of education, philosophy, sociology, criminology, rhetoric, theology, anthropology, and English. If you are interested in social justice, inclusion, environmental protection, disability rights, and animal advocacy this is a must read book.

We're in an era of ever increasing attention to animal rights, and activism around the issue is growing more widespread and prominent. In this volume, Jonas Lindblom and Kerstin Jacobsson use the animal rights movement in Sweden to offer the first analysis of social movements through the lens of Emile Durkheim's sociology of morality. By positing social movements as essentially a moral phenomenon-and morality itself as a social fact-the book complements more structural, cultural, or strategic action-based approaches, even as it also demonstrates the continuing value of classical sociological approaches to understanding contemporary society.

Human-animal co-existence is central to a politics of life, how we order societies, and to debates about who 'we' humans think 'we' are. In other words, our ways of understanding and ordering human-animal relations have economic and political implications and affect peoples' everyday lives. By bringing together historically-oriented approaches and contemporary ethnographies which engage with science and technology studies (STS), this book reflects the multi-sited, multi-species, multi-logic and multiple ways in which lives are and have been assembled, disassembled, practised and possibly policed and politicized. Instead of asking only how control and knowledge are and have been extended over life, the chapters in this book also look at what happens when control fails, at practices which defy orders, escape detection, fail to produce or only loosely hang together. In doing so the book problematises and extends the Foucauldian notion of biopolitics that has been such a central analytical concept in studies of human-animal relations and provides a unique resource of cases and theoretical refinements regarding the ways in which we live together with more than human others .

Even before the publication of his seminal Animal Liberation in 1975, Peter Singer, one of the greatest moral philosophers of our time, unflinchingly challenged the ethics of eating animals. Now, in Why Vegan?, Singer brings together the most consequential essays of his career to make this devastating case against our failure to confront what we are doing to animals, to public health, and to our planet. From his 1973 manifesto for Animal Liberation to his personal account of becoming a vegetarian in "The Oxford Vegetarians" and to investigating the impact of meat on global warming, Singer traces the historical arc of the animal rights, vegetarian, and vegan movements from their embryonic days to today, when climate change and global pandemics threaten the very existence of humans and animals alike. In his introduction and in "The Two Dark Sides of COVID-19," cowritten with Paola Cavalieri, Singer excoriates the appalling health hazards of Chinese wet markets-where thousands of animals endure almost endless brutality and suffering-but also reminds westerners that they cannot blame China alone without also acknowledging the perils of our own factory farms, where unimaginably overcrowded sheds create the ideal environment for viruses to mutate and multiply. Spanning more than five decades of writing on the systemic mistreatment of animals, Why Vegan? features a topical new introduction, along with nine other essays, including: * "An Ethical Way of Treating Chickens?," which opens our eyes to the lives of the birds who end up on so many plates-and to the lives of their parents; * "If Fish Could Scream," an essay exposing the utter indifference of commercial fishing practices to the experiences of the sentient beings they scoop from the oceans in such unimaginably vast numbers; * "The Case for Going Vegan," in which Singer assembles his most powerful case for boycotting the animal production industry; * And most recently, in the introduction to this book and in "The Two Dark Sides of COVID-19," Singer points to a new reason for avoiding meat: the role eating animals has played, and will play, in pandemics past, present, and future. Written in Singer's pellucid prose, Why Vegan? asserts that human tyranny over animals is a wrong comparable to racism and sexism. The book ultimately becomes an urgent call to reframe our lives in order to redeem ourselves and alter the calamitous trajectory of our imperiled planet.

She has to be OK, I pleaded silently to myself. She has to be. 'We've alerted the RNLI and they're sending a lifeboat out.' 'The RNLI?' I said, surprised. 'They do that?' Saved from the Waves is a heart-warming collection of first-hand accounts from RNLI volunteers of the myriad dangers they face during each mission to save beloved pets, wildlife and livestock. This remarkable book shines a light on the bravery of the volunteers, and the necessity of these rescues - not only to save animals at risk of drowning, but to prevent people putting themselves in danger when trying to save a cherished furry friend. Each mission requires courage, determination and an unrelenting commitment to helping those in danger. Each day brings a new challenge for the extraordinary volunteer crews who are the lifeblood of the RNLI.

Choice Outstanding Academic Title, 2008 Animals had a ubiquitous and central presence in the ancient world. A Cultural History of Animals In Antiquity presents an extraordinarily broad assessment of animal cultures from 2500 BC to 1000 AD, describing how animals were an intrinsic part of the spiritual life of ancient society, how they were hunted, domesticated and used for entertainment, and the roles animals played in ancient science and philosophy. Since much of what we know about animals in antiquity is gleaned from the images left by our ancestors, the book presents a wealth of illustrations. Seminal ancient narratives about animals - including works from Aristotle, Plutarch, Ovid and Pliny the Elder - are also drawn upon to illustrate contemporary ideas about and attitudes towards animals. As with all the volumes in the illustrated Cultural History of Animals, this volume presents an overview of the period and continues with essays on the position of animals in contemporary Symbolism, Hunting, Domestication, Sports and Entertainment, Science, Philosophy, and Art Volume 1 in the Cultural History of Animals edited by Linda Kalof and Brigitte Resl

Animals and Society uses a variety of historical sources and a coherent social theory to tell the story of the invention of animal rights. It moves from incidents like the medieval execution of pigs to a discussion of the politics and strategies of modern rights organisations. The book also presents radical interpretations of nineteenth-century animal welfare laws, and the accounts of the Noble Savage. The insights generated by social science are always at the core of the discussion and the author daws on the work of Michel Foucault, Norbert Elias, Claude Levi-Strauss and Mary Douglas. This wide-ranging and accessible book provides a fascinating account of the relations between humans and animals. It raises far-reaching questions about the philosophy, history and politics of animal rights.

A delightful treasure trove of tips on how to hold animals without hurting them. Should you hold a mouse by its tail? A grasshopper by its leg? A butterfly by its wing? How do you pick up a prickly hedgehog? A slithering snake? A hissing cat? Most of us don't have nearly enough experience of being around animals. We feel a bit apprehensive when it comes to touching them. Maybe we're scared we'll hurt them, or that they'll hurt us. That is a huge shame, because connecting with animals is a magical life skill that can make you feel at peace and aligned with nature. Luckily, animal photographer and former zookeeper Toshimitsu Matsuhashi is here to give you advice and show you the very best way to care for the animals in our lives, from beetles to hamsters and from chickens to dogs. Fully illustrated with fascinating information (did you know that you should go for the smaller rather than the bigger horn when you pick up a stag beetle?), How To Hold Animals leaves no stone unturned and teaches us all how to be kind to the animals around us.

This book aims to put the speciesism debate and the treatment of non-human animals on the agenda of critical media studies and to put media studies on the agenda of animal ethics researchers. Contributors examine the convergence of media and animal ethics from theoretical, philosophical, discursive, social constructionist, and political economic perspectives. The book is divided into three sections: foundations, representation, and responsibility, outlining the different disciplinary approaches' application to media studies and covering how non-human animals, and the relationship between humans and non-humans, are represented by the mass media, concluding with suggestions for how the media, as a major producer of cultural norms and values related to non-human animals and how we treat them, might improve such representations.

Since the early nineteenth century, numerous campaigns have denounced the mistreatment of animals. This book compares the British and French histories of the animal-protection movement to retrace its origins and impact up to the present day. As Christophe Traini shows, the struggle for animal rights - inextricably linked to the rise of philanthropy and established long before the birth of the ecology movement - developed out of several important social and political processes, including changes in sensibilities and socially approved emotions, new definitions of what constitutes legitimate violence, and the influence of religious beliefs. Originally published as La cause animale. Essai de sociologie historique (1820-1980), 2011 (c)Presses Universitaires de France

From eye-witness accounts of elephants apparently mourning the death of family members to an experiment that showed that hungry rhesus monkeys would not take food if doing so gave another monkey an electric shock, there is much evidence of animals displaying what seem to be moral feelings. But despite such suggestive evidence, philosophers steadfastly deny that animals can act morally, and for reasons that virtually everyone has found convincing.
In Can Animals be Moral?, philosopher Mark Rowlands examines the reasoning of philosophers and scientists on this question--ranging from Aristotle and Kant to Hume and Darwin--and reveals that their arguments fall far short of compelling. The basic argument against moral behavior in animals is that humans have capabilities that animals lack. We can reflect on our motivations, formulate abstract principles that allow that allow us to judge right from wrong. For an actor to be moral, he or she must be able scrutinize their motivations and actions. No animal can do these things--no animal is moral. Rowland naturally agrees that humans possess a moral consciousness that no animal can rival, but he argues that it is not necessary for an individual to have the ability to reflect on his or her motives to be moral. Animals can't do all that we can do, but they can act on the basis of some moral reasons--basic moral reasons involving concern for others. And when they do this, they are doing just what we do when we act on the basis of these reasons: They are acting morally.

For much of our history, legal scholars focused predominantly on the law's implications for human beings, while ignoring how the law influences animal welfare. Since the 1970s, however, there has been a steep increase in animal advocates' use of the courts. Animal law has blossomed into a vibrant academic discipline, with a rich literature that examines how the law affects animal welfare and the ability of humans to advocate on behalf of nonhuman animals. But most animal law literature tends to be doctrinally-based or normative. There has been little empirical study of the outcomes of animal law cases and there has been very little attention paid to the political influences of these outcomes. This book fills the gap in animal law literature. This is the first empirically-based analysis of animal law that emphasizes the political forces that shape animal law outcomes.

For much of our history, legal scholars focused predominantly on the law's implications for human beings, while ignoring how the law influences animal welfare. Since the 1970s, however, there has been a steep increase in animal advocates' use of the courts. Animal law has blossomed into a vibrant academic discipline, with a rich literature that examines how the law affects animal welfare and the ability of humans to advocate on behalf of nonhuman animals. But most animal law literature tends to be doctrinally-based or normative. There has been little empirical study of the outcomes of animal law cases and there has been very little attention paid to the political influences of these outcomes. This book fills the gap in animal law literature. This is the first empirically-based analysis of animal law that emphasizes the political forces that shape animal law outcomes.

For thousands of years, in the myths and folktales of people around the world, animals have spoken in human tongues. Western and non-Western literary and folkloric traditions are filled with both speaking animals, some of whom even narrate or write their own autobiographies. Animals speak, famously, in children's stories and in cartoons and films, and today, social networking sites and blogs are both sites in which animals-primarily pets-write about their daily lives and interests. Speaking for Animals is a compilation of chapters written from a variety of disciplines that attempts to get a handle on this cross cultural and longstanding tradition of animal speaking and writing. It looks at speaking animals in literature, religious texts, poetry, social networking sites, comic books, and in animal welfare materials and even library catalogs, and addresses not just the "whys" of speaking animals, but the implications, for the animals and for ourselves.

This is a detailed investigation into the nature of Nebuchadnezzar's animalising affliction in Daniel 4 and the degree to which he is depicted as actually becoming an animal. PeterAtkins examines two predominant lines of interpretation: either Nebuchadnezzar undergoes a physical metamorphosis of some kind into an animal form; or diverse other readings that specifically preclude or deny an animal transformation of the king. By providing an extensive study of these interpretative opinions, alongside innovative assessments of ancient Mesopotamian divine-human-animal boundaries, Atkins ultimately demonstrates how neither of these traditional interpretations best reflect the narrative events. While there have been numerous metamorphic interpretations of Daniel 4, these are largely reliant upon later developments within the textual tradition and are not present in the earliest edition of Nebuchadnezzar's animalising affliction. Atkins' study displays that when Daniel 4 is read in the context of Mesopotamian texts, which appear to conceive of the human-animal boundary as being indicated primarily in relation to possession or lack of the divine characteristic of wisdom, the affliction represents a far more significant categorical change from human to animal than has hitherto been identified.