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Books > Humanities > History > Asian / Middle Eastern history > From 1900 > Postwar, from 1945 > General
In 1969, several young men met on a rainy night in Kabul to form an
Islamist student group. Their aim was laid out in a simple
typewritten statement: to halt the spread of Soviet and American
influence in Afghanistan. They went on to change the world. 'Night
Letters' tells the extraordinary story of the group's most
notorious member, Gulbuddin Hekmatyar, and the guerrilla
organisation he came to lead, Hizb-e Islami. By the late 1980s,
tens of thousands were drawn to Hekmatyar's vision of a radical
Islamic state that would sow unrest from Kashmir to Jerusalem. His
doctrine of violent global jihad culminated in 9/11 and the birth
of ISIS, yet he never achieved his dream of ruling Afghanistan. The
peace deal he signed with Kabul in 2016 was yet another
controversial twist in an astonishing life. Sands and Qazizai delve
into the secret history of Hekmatyar and Hizb-e Islami: their wars
against Russian and American troops, and their bloody and bitter
feuds with domestic enemies. Based on hundreds of exclusive
interviews carried out across the region and beyond, this is the
definitive account of the most important, yet poorly understood,
international Islamist movement of the last fifty years.
Volume 2 takes up the account after Iraq withdrew from Khuzestan
and is based upon material from both sides, from US Intelligence
data, British Government documents and secret Iraqi files. Iraq's
withdrawal exposed the great southern city of Basra to Iranian
attack but it was shielded by fortifications based upon a huge
anti-tank ditch, the so-called Fish Lake, which the Iranians tried
to storm in the summer of 1982. This bloody failure left Tehran in
a position where prestige prevented a withdrawal into Iran but the
armed forces lacked the resources to bring the conflict to a
favourable conclusion. During the next four years the Iranians
tried to outflank the Fish Lake defences initially through the
marshes in the north and finally through an attack on the Fao
Peninsula which increased national prestige but was a strategic
failure and paved the way for Iraq's massive victories in 1988.
This followed a series of successful defensive battles in which the
Iranians were driven back with great loss. This account describes
the battles in greater detail than before and, by examining them,
provides unique insights and ends many of the myths which are
repeated in many other accounts of this conflict.
With the planned withdrawal of US troops from Iraq and Afghanistan,
the longest conflicts in our nation's history were supposed to end.
Yet we remain at war against expanding terrorist movements, and our
security forces have had to continually adapt to a nihilistic foe
that operates in the shadows.The result of fifteen years of
reporting, Twilight Warriors is the untold story of the tight-knit
brotherhood that changed the way America fights. James Kitfield
reveals how brilliant innovators in the US military, Special
Forces, and the intelligence and law enforcement communities forged
close operational bonds in the crucibles of Iraq and Afghanistan,
breaking down institutional barriers to create a relentless,
intelligence-driven style of operations. At the forefront of this
profound shift were Stanley McChrystal and his interagency team at
Joint Special Operations Command, the pioneers behind a hybrid
method of warfighting: find, fix, finish, exploit, and analyze.
Other key figures include Michael Flynn, the visionary who
redefined the intelligence gathering mission the FBI's Brian
McCauley, who used serial-killer profilers to track suicide bombers
in Afghanistan and the Delta Force commander Scott Miller,
responsible for making team players out of the US military's most
elite and secretive counterterrorism units. The result of their
collaborations is a globe-spanning network that is elegant in its
simplicity and terrifying in its lethality. As Kitfield argues,
this style of operations represents our best hope for defending the
nation in an age of asymmetric warfare. Twilight Warriors is an
unprecedented account of the American way of war,and the
iconoclasts who have brought it into the twenty-first century.
In the tradition of his Silent Night and Pearl Harbor Christmas ,
historian Stanley Weintraub presents another gripping narrative of
a wartime Christmas season- the epic story of the 1950 holiday
season in Korea, when American troops faced extreme cold, a
determined enemy, and long odds. A Military Book Club main
selection
Under the blazing Iraqi sun in the summer of 2007, Shannon Meehan,
a lieutenant in the U.S. Army, ordered a strike that would take the
lives of innocent Iraqi civilians. He thought he was doing the
right thing. He thought he was protecting his men. He thought that
he would only kill the enemy, but in the ruins of the strike, he
discovers his mistake and uncovers a tragedy.
For most of his deployment in Iraq, Lt. Meehan felt that he had
been made for a life in the military. A tank commander, he worked
in the violent Diyala Province, successfully fighting the
insurgency by various Sunni and Shia factions. He was celebrated by
his senior officers and decorated with medals. But when the U.S.
surge to retake Iraq in 2006 and 2007 finally pushed into Baqubah,
a town virtually entirely controlled by al Qaida, Meehan would make
the decision that would change his life. This is the true story of
one soldier's attempt to reconcile what he has done with what he
felt he had to do. Stark and devastating, it recounts first-hand
the reality of a new type of warfare that remains largely unspoken
and forgotten on the frontlines of Iraq.
Since the publication of The Rifles Are There in 2005, which dealt
with the 1st and 2nd Battalions Royal Ulster Rifles in the Second
World War, it was felt by many that a follow up volume dealing with
the Korean conflict was overdue. A limited yet competent history
had been produced in 1953 by the then Adjutant Captain Hugh Hamill,
although this has been long out of print. A New Battlefield follows
the Battalion as it prepares for the first major conflict fought by
Britain since the defeat of the Japanese in 1945. During the summer
of 1950 the Battalion was stationed at Sobraon Barracks in
Colchester and was in the process of being issued with desert kit
for a tour of duty at Khartoum in the Sudan and its numbers were
just under four hundred men. For service in Korea these numbers had
to be drastically increased and drafts of volunteers and reservists
were brought in from various sources. Consequently this 'Irish'
Battalion contained men from the Lancastrian Brigade, Welsh
Brigade, Mercian Brigade, the Light Infantry and other Battalions
of the Irish Brigade. The Irish Brigade also reinforced other
regiments, the Royal Inniskilling Fusiliers sending two officers
and fifty 'other ranks' to the King's (Liverpool) Regiment. Despite
their varied backgrounds all ranks soon coalesced into a
professional unit that took the campaign in its stride. From winter
temperatures that dropped well below 40f to a summer heat that rose
to 105f with a humidity to match these men survived all and dealt
with a brave and tenacious enemy. The Battalion sailed for Korea in
October 1950 and fought its first major action in January 1951 at
Chaegunghyon, or as it was known to the Rifles, 'Happy Valley'.
Here, for the first time they faced an enemy that often literally
fought to the death, despite overwhelming firepower, bombing and
widespread use of napalm. Three months later, on the banks of the
Imjin River, the Rifles, in conjunction with the remainder of 29
Brigade, faced an army that came in such numbers that running out
of ammunition before the enemy ran out of men became a reality.
Besides numerous photographs there are also appendices including
Honours and Awards, Operation 'Spitfire', an Order of Battle for 29
Brigade, and a Nominal Roll, which includes casualties.
Owen W. Gilman Jr. stresses the US experience of war in the
twenty-first century and argues that wherever and whenever there is
war, there will be imaginative responses to it, especially the
recent wars in Afghanistan and Iraq. Since the trauma of September
11, the experience of Americans at war has been rendered honestly
and fully in a wide range of texts--creative nonfiction and
journalism, film, poetry, and fiction. These responses, Gilman
contends, have packed a lot of power and measure up even to World
War II's literature and film. Like few other books, Gilman's volume
studies these new texts-- among them Kevin Powers's debut novel The
Yellow Birds and Phil Klay's short stories Redeployment, along with
the films The Hurt Locker, American Sniper, and Billy Lynn's Long
Halftime Walk. For perspective, Gilman also looks at some
touchstones from the Vietnam War. Compared to a few of the big
Vietnam books and films, this new material has mostly been read and
watched by small audiences and generated less discussion. Gilman
exposes the circumstances in American culture currently preventing
literature and film of our recent wars from making a significant
impact. He contends that Americans' inclination to demand
distraction limits learning from these compelling responses to war
in the past decade. According to Gilman, where there should be
clarity and depth of knowledge, we instead face misunderstanding
and the anguish endured by veterans betrayed by war and our lack of
understanding.
The indistinct status of the Zainichi has meant that, since the
late 1940s, two ethnic Korean associations, the Chongryun
(pro-North) and the Mindan (pro-South) have been vying for
political loyalty from the Zainichi, with both groups initially
opposing their assimilation in Japan. Unlike the Korean diasporas
living in Russia, China or the US, the Zainichi have become sharply
divided along political lines as a result. Myung Ja Kim examines
Japan's changing national policies towards the Zainichi in order to
understand why this group has not been fully integrated into Japan.
Through the prism of this ethnically Korean community, the book
reveals the dynamics of alliances and alignments in East Asia,
including the rise of China as an economic superpower, the security
threat posed by North Korea and the diminishing alliance between
Japan and the US. Taking a post-war historical perspective, the
research reveals why the Zainichi are vital to Japan's state policy
revisionist aims to increase its power internationally and how they
were used to increase the country's geopolitical leverage.With a
focus on International Relations, this book provides an important
analysis of the mechanisms that lie behind nation-building policy,
showing the conditions controlling a host state's treatment of
diasporic groups.
In this instant New York Times bestseller, the celebrated author of
Make Your Bed shares amazing adventure stories from his career as a
Navy SEAL and commander of America's Special Operations Forces.
Admiral William H. McRaven is a part of American military history,
having been involved in some of the most famous missions in recent
memory, including the capture of Saddam Hussein, the rescue of
Captain Richard Phillips, and the raid to kill Osama bin Laden. Sea
Stories begins in 1960 at the American Officers' Club in France,
where Allied officers and their wives gathered to have drinks and
tell stories about their adventures during World War II -- the
place where a young Bill McRaven learned the value of a good story.
Sea Stories is an unforgettable look back on one man's incredible
life, from childhood days sneaking into high-security military
sites to a day job of hunting terrorists and rescuing hostages.
Action-packed, inspiring, and full of thrilling stories from life
in the special operations world, Sea Stories is a remarkable memoir
from one of America's most accomplished leaders.
Journalists began to call the Korean War "the Forgotten War" even
before it ended. Without a doubt, the most neglected story of this
already-neglected war is that of African Americans who served just
two years after Harry S. Truman ordered the desegregation of the
military. Twice Forgotten draws on oral histories of Black Korean
War veterans to recover the story of their contributions to the
fight, the reality that the military& desegregated in fits and
starts, and how veterans' service fits into the long history of the
Black freedom struggle. This collection of seventy oral histories,
drawn from across the country, features interviews conducted by the
author and his colleagues for their 2003 American Radio Works
documentary, Korea: The Unfinished War, which examines the conflict
as experienced by the approximately 600,000 Black men and women who
served. It also includes narratives from other sources, including
the Library of Congress's visionary Veterans History Project. In
their own voices, soldiers and sailors and flyers tell the story of
what it meant, how it felt, and what it cost them to fight for the
freedom abroad that was too often denied them at home.
The Taliban are synonymous with the war in Afghanistan. Doughty,
uncompromising fighters, they plant IEDs, deploy suicide bombers
and wage guerrilla warfare. While much has been written about their
military tactics, media strategy and harsh treatment of women, the
cultural and sometimes less overtly political representation of
their identity, the Taliban's other face, is often overlooked. Most
Taliban fighters are Pashtuns, a people who cherish their vibrant
poetic tradition, closely associated with that of song. The poems
in this collection are meant to be recited and sung; and this is
the manner in which they are enjoyed by the wider Pashtun public
today. From audiotapes traded in secret in the bazaars of Kandahar,
to mp3s exchanged via bluetooth in Kabul, to video files downloaded
in Dubai and London, Taliban poetry has an appeal that transcends
the insurgency. For the Taliban today, these poems, or ghazals,
have a resonance back to the 1980s war against the Soviets, when
similar rhetorical styles, poetic formulae and tricks with metre
inspired mujahideen combatants and non-combatants alike. The poetry
presented here includes 'classics' of the genre from the 1980s and
1990s as well as a selection from the odes and ghazals of today's
conflict . Veering from nationalist paeans to dirges replete with
religious symbolism, the poems are organised under four headings -
- War, Pastoral, Religious and Love - - and cover many themes and
styles. The political is intertwined with the aesthetic, the
celebratory cry is never far from the funeral dirge and praise of
martyrs lost. Two prefatory essays introduce the cultural and
historical context of the poetry. The editors discuss its
importance to the Pashtuns and highlight how poetic themes
correspond to the past thirty years of war in Afghanistan. Faisal
Devji comments on what the poetry reveals of the Taliban's
emotional and ethical hinterland.
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