In the early 1990s, false reports of Iraqi soldiers in Kuwait allowing premature infants to die by removing them from their incubators helped to justify the Persian Gulf War, just as spurious reports of weapons of mass destruction later undergirded support for the Iraq War in 2003. In The Discourse of Propaganda, John Oddo examines these and other such cases to show how successful wartime propaganda functions as a discursive process. Oddo argues that propaganda is more than just misleading rhetoric generated by one person or group; it is an elaborate process that relies on recontextualization, ideally on a massive scale, to keep it alive and effective. In a series of case studies, he analyzes both textual and visual rhetoric as well as the social and material conditions that allow them to circulate, tracing how instances of propaganda are constructed, performed, and repeated in diverse contexts, such as speeches, news reports, and popular, everyday discourse. By revealing the agents, (inter)texts, and cultural practices involved in propaganda campaigns, The Discourse of Propaganda shines much-needed light on the topic and challenges its readers to consider the complicated processes that allow propaganda to flourish. This book will appeal not only to scholars of rhetoric and propaganda but also to those interested in unfolding the machinations motivating America's recent military interventions.

The wars since 9/11, both in Iraq and Afghanistan, have generated frustration and an increasing sense of failure in the West. Much of the blame has been attributed to poor strategy. In both the United States and the United Kingdom, public enquiries and defence think tanks have detected a lack of consistent direction, of effective communication, and of governmental coordination. In this important book, Sir Hew Strachan, one of the world's leading military historians, reveals how these failures resulted from a fundamental misreading and misapplication of strategy itself. He argues that the wars since 2001 have not in reality been as 'new' as has been widely assumed and that we need to adopt a more historical approach to contemporary strategy in order to identify what is really changing in how we wage war. If war is to fulfil the aims of policy, then we need first to understand war.

This book provides an overview of NATO and other Allied air power in the lengthy campaign to secure democracy in Afghanistan and destroy Taliban and other Islamic extremist terror forces in the combat zone. It contains a mix of explanatory text, diagrams and stunning action colour photography. Tim Ripley has had access to all NATO air bases in the area and brings an unprecedented degree of detail and accuracy to the book.

The almost universally accepted explanation for the Iraq War is very clear and consistent - the US decision to attack Saddam Hussein's regime on March 19, 2003 was a product of the ideological agenda, misguided priorities, intentional deceptions and grand strategies of President George W. Bush and prominent 'neoconservatives' and 'unilateralists' on his national security team. Despite the widespread appeal of this version of history, Frank P. Harvey argues that it remains an unsubstantiated assertion and an underdeveloped argument without a logical foundation. His book aims to provide a historically grounded account of the events and strategies which pushed the US-UK coalition towards war. The analysis is based on both factual and counterfactual evidence, combines causal mechanisms derived from multiple levels of analysis and ultimately confirms the role of path dependence and momentum as a much stronger explanation for the sequence of decisions that led to war.

The prohibition of the use of force is one of the most crucial elements of the international legal order. Our understanding of that rule was both advanced and challenged during the period commencing with the termination of the Iran-Iraq war and the invasion of Kuwait, and concluding with the invasion and occupation of Iraq. The initial phase was characterized by hopes for a functioning collective security system administered by the United Nations as part of a New World Order. The liberation of Kuwait, in particular, was seen by some as a powerful vindication of the prohibition of the use of force and of the UN Security Council. However, the operation was not really conducted in accordance with the requirements for collective security established in the UN Charter. In a second phase, an international coalition launched a humanitarian intervention operation, first in the north of Iraq, and subsequently in the south. That episode is often seen as the fountainhead of the post-Cold War claim to a new legal justification for the use of force in circumstances of grave humanitarian emergency-a claim subsequent challenged during the armed action concerning Kosovo. There then followed repeated uses of force against Iraq in the context of the international campaign to remove its present or future weapons of mass destruction potential. Finally, the episode reached its controversial zenith with the full scale invasion of Iraq led by the US and the UK in 2003. This book analyzes these developments, and their impact on the rule prohibiting force in international relations, in a comprehensive and accessible way. It is the first to draw upon classified materials released by the UK Chilcot inquiry shedding light on the decision to go to war in 2003 and the role played by international law in that context.

For more than a decade, the United States has been fighting wars so far from the public eye as to risk being forgotten, the struggles and sacrifices of its volunteer soldiers almost ignored. Photographer and writer Ashley Gilbertson has been working to prevent that. His dramatic photographs of the Iraq war for the New York Times and his book Whiskey Tango Foxtrot took readers into the mayhem of Baghdad, Ramadi, Samarra, and Fallujah. But with Bedrooms of the Fallen, Gilbertson reminds us that the wars in Afghanistan and Iraq have also reached deep into homes far from the noise of battle, down quiet streets and country roads-the homes of family and friends who bear their grief out of view. The book's wide-format black-and-white images depict the bedrooms of forty fallen soldiers-the equivalent of a single platoon-from the United States, Canada, and several European nations. Left intact by families of the deceased, the bedrooms are a heartbreaking reminder of lives cut short: we see high school diplomas and pictures from prom, sports medals and souvenirs, and markers of the idealism that carried them to war, like images of the Twin Towers and Osama Bin Laden. A moving essay by Gilbertson describes his encounters with the families who preserve these private memorials to their loved ones and shares what he has learned from them about war and loss. Bedrooms of the Fallen is a masterpiece of documentary photography and an unforgettable reckoning with the human cost of war.

Ever since its foundation in 2002, the Guantanamo Bay Detention Facility has become the symbol for many people around the world of all that is wrong with the 'war on terror'. Secretive, inhumane, and illegal by most international standards, it has been seen by many as a testament to American hubris in the post-9/11 era. Yet until now no one has written about the most revealing part of the story - the prison's first 100 days. It was during this time that a group of career military men and women tried to uphold the traditional military codes of honour and justice that informed their training in the face of a far more ruthless, less rule-bound, civilian leadership in the Pentagon. They were defeated. This book tells their story for the first time. It is a tale of how individual officers on the ground at Guantanamo, along with their direct superiors, struggled with their assignment from Washington, only to be unwittingly co-opted into the Pentagon's plan to turn the prison into an interrogation facility operating at the margins of the law and beyond.

In the tradition of his Silent Night and Pearl Harbor Christmas , historian Stanley Weintraub presents another gripping narrative of a wartime Christmas season- the epic story of the 1950 holiday season in Korea, when American troops faced extreme cold, a determined enemy, and long odds. A Military Book Club main selection

Colonel Pat Proctor's long overdue critique of the Army's preparation and outlook in the all-volunteer era focuses on a national security issue that continues to vex in the twenty-first century: Has the Army lost its ability to win strategically by focusing on fighting conventional battles against peer enemies? Or can it adapt to deal with the greater complexity of counterinsurgent and information-age warfare? In this blunt critique of the senior leadership of the U.S. Army, Proctor contends that after the fall of the Soviet Union, the U.S. Army stubbornly refused to reshape itself in response to the new strategic reality, a decision that saw it struggle through one low-intensity conflict after another-some inconclusive, some tragic-in the 1980s and 1990s, and leaving it largely unprepared when it found itself engaged-seemingly forever-in wars in Afghanistan and Iraq. The first book-length study to connect the failures of these wars to America's disastrous performance in the war on terror, Proctor's work serves as an attempt to convince Army leaders to avoid repeating the same mistakes.

A timely lesson in the perils of nation-building and a sobering reminder of the limits of military power from the Costa Award winning author of The Volunteer. In its earliest days, the American-led war in Afghanistan appeared to be a triumph - a 'good war' in comparison to the debacle in Iraq. It has since turned into one of the longest and most expensive wars in recent history. The story of how this good war went so bad may well turn out to be a defining tragedy of the twenty-first century - yet, as acclaimed war correspondent Jack Fairweather explains, it should also give us reason to hope for an outcome grounded in Afghan reality. In The Good War, Fairweather provides the first full narrative history of the war in Afghanistan, from the 2001 invasion to the 2014 withdrawal. Drawing on hundreds of interviews, previously unpublished archives, and months of experience living and reporting in Afghanistan, Fairweather traces the course of the conflict from its inception after 9/11 to the drawdown in 2014. In the process, he explores the righteous intentions and astounding hubris that caused the West's strategy in Afghanistan to flounder, refuting the long-held notion that the war could have been won with more troops and cash. Fairweather argues that only by accepting the limitations in Afghanistan - from the presence of the Taliban to the ubiquity of poppy production to the country's inherent unsuitability for rapid, Western-style development - can we help to restore peace in this shattered land. The Good War leads readers from the White House Situation Room to Afghan military outposts, from warlords' palaces to insurgents' dens, to explain how the US and its British allies might have salvaged the Afghan campaign - and how we must rethink other 'good' wars in the future.

Owen W. Gilman Jr. stresses the US experience of war in the twenty-first century and argues that wherever and whenever there is war, there will be imaginative responses to it, especially the recent wars in Afghanistan and Iraq. Since the trauma of September 11, the experience of Americans at war has been rendered honestly and fully in a wide range of texts--creative nonfiction and journalism, film, poetry, and fiction. These responses, Gilman contends, have packed a lot of power and measure up even to World War II's literature and film. Like few other books, Gilman's volume studies these new texts-- among them Kevin Powers's debut novel The Yellow Birds and Phil Klay's short stories Redeployment, along with the films The Hurt Locker, American Sniper, and Billy Lynn's Long Halftime Walk. For perspective, Gilman also looks at some touchstones from the Vietnam War. Compared to a few of the big Vietnam books and films, this new material has mostly been read and watched by small audiences and generated less discussion. Gilman exposes the circumstances in American culture currently preventing literature and film of our recent wars from making a significant impact. He contends that Americans' inclination to demand distraction limits learning from these compelling responses to war in the past decade. According to Gilman, where there should be clarity and depth of knowledge, we instead face misunderstanding and the anguish endured by veterans betrayed by war and our lack of understanding.

Nine men. 2,000 enemies. No back-up. No air support. No rescue. No chance... First in - the official motto of one of the British Army's smallest and most secretive units, 16 Air Assault Brigade's Pathfinder Platoon. Unofficially, they are the bastard son of the SAS. And, like their counterparts in Hereford, the job of the Pathfinders is to operate unseen and undetected deep behind enemy lines. When British forces were deployed to Iraq in 2003, Captain David Blakeley was given command of a reconnaissance mission of such critical importance that it could change the course of the war. It's the story of nine men, operating alone and unsupported, 50 miles ahead of a US Recon Marine advance and heading straight into a hornets' nest, teeming with thousands of heavily armed enemy forces. This is the first account of that extraordinary mission - abandoned by coalition command, left with no option but to fight their way out of the enemy's backyard. And it provides a gripping insight into the Pathfinders themselves, a shadowy unit, just 45 men strong, that plies its trade from the skies. Trained to parachute into enemy territory far beyond the forward edge of battle - freefalling from high altitude breathing bottled oxygen and employing the latest skydiving technology - the PF are unique. Because of new rules introduced since the publication of BRAVO TWO ZERO, there have been no first-hand accounts of British Special Forces waging modern-day warfare for nearly a decade. And no member of the Pathfinders has ever told their story before. Until now. PATHFINDER is the only first-hand account of a UKSF mission to emerge for nearly a generation. And it could be the last.

In 2010, the Army created Cultural Support Teams, a secret pilot program to insert women alongside Special Operations soldiers battling in Afghanistan. The Army reasoned that women could play a unique role on Special Ops teams: accompanying their male colleagues on raids and, while those soldiers were searching for insurgents, questioning the mothers, sisters, daughters and wives living at the compound. Their presence had a calming effect on enemy households, but more importantly, the CSTs were able to search adult women for weapons and gather crucial intelligence. They could build relationships-woman to woman-in ways that male soldiers in an Islamic country never could. In Ashley's War, Gayle Tzemach Lemmon uses on-the-ground reporting and a finely tuned understanding of the complexities of war to tell the story of CST-2, a unit of women hand-picked from the Army to serve in this highly specialized and challenging role. The pioneers of CST-2 proved for the first time, at least to some grizzled Special Operations soldiers, that women might be physically and mentally tough enough to become one of them. The price of this professional acceptance came in personal loss and social isolation: the only people who really understand the women of CST-2 are each other. At the center of this story is a friendship cemented by "Glee," video games, and the shared perils and seductive powers of up-close combat. At the heart of the team is the tale of a beloved and effective soldier, Ashley White. Much as she did in her bestselling The Dressmaker of Khair Khana, Lemmon transports readers to a world they previously had no idea existed: a community of women called to fulfill the military's mission to "win hearts and minds" and bound together by danger, valor, and determination. Ashley's War is a gripping combat narrative and a moving story of friendship-a book that will change the way readers think about war and the meaning of service.

'Gripping ... A terrific action narrative' Max Hastings 'Reads like a Tom Clancy thriller, yet every word is true ... This is modern warfare close-up and raw' Andrew Roberts Bestselling and Orwell Prize-winning author Toby Harnden tells the gripping and incredible story of the six-day battle that began the War in Afghanistan and how it set the scene for twenty years of conflict. The West is in shock. Al-Qaeda has struck the US on 9/11 and thousands are dead. Within weeks, UK Special Forces enter the fray in Afghanistan alongside the CIA's Team Alpha and US troops. Victory is swift, but fragile. Hundreds of jihadists surrender and two operatives from Team Alpha enter Qala-i Jangi - the 'Fort of War' - to interrogate them. The prisoners revolt, one CIA man falls, and the other is trapped inside the fort. Seven members of the SBS - elite British Special Forces - volunteer for the rescue force and race into danger and the unknown. The six-day battle that follows proves to be one of the bloodiest of the Afghanistan war as the SBS and their American comrades face an enemy determined to die in the mud citadel. Superbly researched, First Casualty is based on unprecedented access to the CIA, SBS, and US Special Forces. Orwell Prize-winning author Toby Harnden recounts the gripping story of that first battle in Afghanistan and how the haunting foretelling it contained - unreliable allies, ethnic rivalries, suicide attacks, and errant bombs - was ignored, fueling the twenty-year conflict to come.

In this instant New York Times bestseller, the celebrated author of Make Your Bed shares amazing adventure stories from his career as a Navy SEAL and commander of America's Special Operations Forces. Admiral William H. McRaven is a part of American military history, having been involved in some of the most famous missions in recent memory, including the capture of Saddam Hussein, the rescue of Captain Richard Phillips, and the raid to kill Osama bin Laden. Sea Stories begins in 1960 at the American Officers' Club in France, where Allied officers and their wives gathered to have drinks and tell stories about their adventures during World War II -- the place where a young Bill McRaven learned the value of a good story. Sea Stories is an unforgettable look back on one man's incredible life, from childhood days sneaking into high-security military sites to a day job of hunting terrorists and rescuing hostages. Action-packed, inspiring, and full of thrilling stories from life in the special operations world, Sea Stories is a remarkable memoir from one of America's most accomplished leaders.

From the author of The Perfect Storm, a gripping book about Sebastian Junger's almost fatal year with the 2nd battalion of the American Army. For 15 months, Sebastian Junger accompanied a single platoon of thirty men from the celebrated 2nd battalion of the U.S. Army, as they fought their way through a remote valley in Eastern Afghanistan. Over the course of five trips, Junger was in more firefights than he could count, men he knew were killed or wounded, and he himself was almost killed. His relationship with these soldiers grew so close that they considered him part of the platoon, and he enjoyed an access and a candidness that few, if any, journalists ever attain. But this is more than just a book about Afghanistan or the 'War on Terror'; it is a book about the universal truth of all men, in all wars. Junger set out to answer what he thought of as the 'hand grenade question': why would a man throw himself on a hand grenade to save other men he has probably known for only a few months? The answer is elusive but profound, and goes to the heart of what it means not just to be a soldier, but to be human. 'War' is a narrative about combat: the fear of dying, the trauma of killing and the love between platoon-mates who would rather die than let each other down. Gripping, honest, intense, it explores the neurological, psychological and social elements of combat, and the incredible bonds that form between these small groups of men.

The indistinct status of the Zainichi has meant that, since the late 1940s, two ethnic Korean associations, the Chongryun (pro-North) and the Mindan (pro-South) have been vying for political loyalty from the Zainichi, with both groups initially opposing their assimilation in Japan. Unlike the Korean diasporas living in Russia, China or the US, the Zainichi have become sharply divided along political lines as a result. Myung Ja Kim examines Japan's changing national policies towards the Zainichi in order to understand why this group has not been fully integrated into Japan. Through the prism of this ethnically Korean community, the book reveals the dynamics of alliances and alignments in East Asia, including the rise of China as an economic superpower, the security threat posed by North Korea and the diminishing alliance between Japan and the US. Taking a post-war historical perspective, the research reveals why the Zainichi are vital to Japan's state policy revisionist aims to increase its power internationally and how they were used to increase the country's geopolitical leverage.With a focus on International Relations, this book provides an important analysis of the mechanisms that lie behind nation-building policy, showing the conditions controlling a host state's treatment of diasporic groups.