As the United States withdraws its combat troops from Iraq and Afghanistan, politicians, foreign policy specialists, and the public are worrying about the consequences of leaving these two countries. Neither nation can be considered stable, and progress toward democracy in them--a principal aim of America and the West--is fragile at best. But, international relations scholar Mark N. Katz asks: Could ending both wars actually help the United States and its allies to overcome radical Islam in the long term?

Drawing lessons from the Cold War, Katz makes the case that rather than signaling the decline of American power and influence, removing military forces from Afghanistan and Iraq puts the U.S. in a better position to counter the forces of radical Islam and ultimately win the war on terror. He explains that since both wars will likely remain intractable, for Washington to remain heavily involved in either is counter-productive. Katz argues that looking to its Cold War experience would help the U.S. find better strategies for employing America's scarce resources to deal with its adversaries now. This means that, although leaving Afghanistan and Iraq may well appear to be a victory for America's opponents in the short term--as was the case when the U.S. withdrew from Indochina--the larger battle with militant Islam can be won only by refocusing foreign and military policy away from these two quagmires.

This sober, objective assessment of what went wrong in the U.S.-led wars in Afghanistan and Iraq and the ways the West can disentangle itself and still move forward draws striking parallels with the Cold War. Anyone concerned with the future of the War on Terror will find Katz's argument highly thought provoking.

Colonel Stuart Tootal is the first senior commander to provide an account of the fighting in Afghanistan. A gritty portrayal of unforgiving conflict, Danger Close captures the essence of combat, the risks involved and the aftermath. 3 PARA was the first unit into Helmand in 2006. Sent on a peace mission, it became engaged in a level of combat that has not been experienced by the British Army since the end of the Korean War. Undermanned and suffering from equipment shortages, 3 PARA fought doggedly to win the break in battle. Numerous gallantry decorations were awarded, but they were not without cost. On returning from Afghanistan, Tootal fought to get proper treatment for his wounded and feeling frustrated with the Government's treatment of its soldiers, he resigned from the Army. This is a dramatic, and often moving insight into the leadership of soldiers and the sharp end of war.

After leaving the US Navy SEAL Teams in Spring of 2017, Ephraim Mattos, age 24, flew to Iraq to join a small group of volunteer humanitarians known as the Free Burma Rangers, who were working on the frontlines of the war on ISIS. Until being shot by ISIS on a suicidal rescue mission, Mattos witnessed unexplainable acts of courage and sacrifice by the Free Burma Rangers who, while under heavy machine gun and mortar fire, assaulted across ISIS minefields, used themselves as human shields, and sprinted down ISIS infested streets-all to retrieve wounded civilians. In City of Death: Humanitarian Warriors In the Battle of Mosul, Mattos recounts in vivid detail what he saw and felt while he and the other Free Burma Rangers evacuated the wounded, conducted rescue missions, and at times fought shoulder-to-shoulder with the Iraqi Army against ISIS. Filled with raw and emotional detail of what it's like to come face-to-face with death, this is the harrowing and uplifting true story of a small group of men who laid down their lives to save the lives of the Iraqi people and who chose to live or die by the words, "Greater love hath no man than this, that a man lay down his life for his friends." As the co-Author of the #1 New York Times bestselling American Sniper, Scott McEwen has teamed up with Mattos to help create an unforgettable true story of an American warrior turned humanitarian forced to fight his way into and out of a Hell on Earth created by ISIS

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In "Women as Weapons of War," Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to "bare" arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

The inside story of today's Dambusters, 617 Squadron RAF, at war in Afghanistan. In May 1943, 617 Squadron RAF executed one of the most daring operations in military history as bombers mounted a raid against hydro-electric dams in Germany. 617 Squadron became a Second World War legend. Nearly 70 years later, in April 2011, a new generation of elite flyers, now flying supersonic Tornado GR4 bombers, was deployed to Afghanistan - their mission: to provide close air support to troops on the ground. Tim Bouquet was given unprecedented access to 617's pre-deployment training and blistering tour in Afghanistan. From dramatic air strikes to the life-and-death search for IEDs and low-flying shows of force designed to drive insurgents from civilian cover, he tracked every mission - and the skill, resilience, banter and exceptional airmanship that saw 617 through.

The Taliban are synonymous with the war in Afghanistan. Doughty, uncompromising fighters, they plant IEDs, deploy suicide bombers and wage guerrilla warfare. While much has been written about their military tactics, media strategy and harsh treatment of women, the cultural and sometimes less overtly political representation of their identity, the Taliban's other face, is often overlooked. Most Taliban fighters are Pashtuns, a people who cherish their vibrant poetic tradition, closely associated with that of song. The poems in this collection are meant to be recited and sung; and this is the manner in which they are enjoyed by the wider Pashtun public today. From audiotapes traded in secret in the bazaars of Kandahar, to mp3s exchanged via bluetooth in Kabul, to video files downloaded in Dubai and London, Taliban poetry has an appeal that transcends the insurgency. For the Taliban today, these poems, or ghazals, have a resonance back to the 1980s war against the Soviets, when similar rhetorical styles, poetic formulae and tricks with metre inspired mujahideen combatants and non-combatants alike. The poetry presented here includes 'classics' of the genre from the 1980s and 1990s as well as a selection from the odes and ghazals of today's conflict . Veering from nationalist paeans to dirges replete with religious symbolism, the poems are organised under four headings - - War, Pastoral, Religious and Love - - and cover many themes and styles. The political is intertwined with the aesthetic, the celebratory cry is never far from the funeral dirge and praise of martyrs lost. Two prefatory essays introduce the cultural and historical context of the poetry. The editors discuss its importance to the Pashtuns and highlight how poetic themes correspond to the past thirty years of war in Afghanistan. Faisal Devji comments on what the poetry reveals of the Taliban's emotional and ethical hinterland.

A The Spectator Book of the Year 2022 A New Statesman Book of the Year 2022 'An illuminating and riveting read' - Jonathan Dimbleby Jeremy Bowen, the International Editor of the BBC, has been covering the Middle East since 1989 and is uniquely placed to explain its complex past and its troubled present. In The Making of the Modern Middle East - in part based on his acclaimed podcast, 'Our Man in the Middle East' - Bowen takes us on a journey across the Middle East and through its history. He meets ordinary men and women on the front line, their leaders, whether brutal or benign, and he explores the power games that have so often wreaked devastation on civilian populations as those leaders, whatever their motives, jostle for political, religious and economic control. With his deep understanding of the political, cultural and religious differences between countries as diverse as Erdogan's Turkey, Assad's Syria and Netanyahu's Israel and his long experience of covering events in the region, Bowen offers readers a gripping and invaluable guide to the modern Middle East, how it came to be and what its future might hold.

War in Afghanistan will never be understood without getting to grips with the small places - the provinces, districts, and villages - where most of the fighting occurred, away from the cities, in hundreds of hamlets, valleys, and farms amid a vast landscape. Those small places and their people were the frontlines, and it is only there that we can truly find answers to the questions that lay at the heart of the war: why people supported the Taliban, whether intervention brought peace, whether a better outcome was ever possible. Garmser is a small place that has seen much violence; a single district within one of Afghanistan's 34 provinces. Its 150,000 people inhabit a fertile strip along the Helmand River no more than 6 miles wide and 45 miles long. Carter Malkasian spent years in Garmser district as the political officer for the US Department of State. He tells the history of thirty years of war, from 1979 to 2012, explaining how the Taliban movement formed in Garmser; how, after being routed in 2001, they re- turned stronger than ever in 2006; and how Afghans, British, and Americans fought with them between 2006 and 2012. He describes the lives of Afghans who endured and tried to build some kind of order out of war. While Americans and British came and went, they carried on, year after year, inhabitants of a small place.

Warlords are charismatic military leaders who exploit weak central authorities in order to gain control of sub-national areas. Notwithstanding their bad reputation, warlords have often participated in state formation. In Empires of Mud Giustozzi analyses the dynamics of warlordism in Afghanistan within the context of such debates. He approaches this complex task by first analysing aspects of the Afghan environment that might have been conductive to the fragmentation of central authority and the emergence of warlords and then accounts for the emergence of warlordism in the 1980s and subsequently. He accounts for the phenomenon from the 1980s to today, considering Afghanistan's two foremost warlords, Ismail Khan and Abdul Rashid Dostum, and their political, economic, and military systems of rule. Despite the intervention of Allied forces in 2001, both of these leaders continue to wield considerable power. The author also discusses Ahmad Shah Massoud, whose 'system' incorporated elements of rule not dissimilar from that of the warlords. Giustozzi reveals common themes in the emergence of warlordism, particularly the role of local military leaders and their gradual acquisition of 'class consciousness,' which over time evolves into a more sophisticated, state-like, or political party-like, structure.

The Mysteries of Haditha is a war story unlike any other. This riveting and hilarious memoir of M. C. Armstrong's journey into the Iraq War as an embedded journalist pulls no punches and lifts the veil on the lies we tell each other-and the ones we tell ourselves. This is a story about both the strong women in Armstrong's life and his road to true manhood. Armstrong's family was nearly ripped at the seams as he struggled to secure his embed with Navy SEALs in the Al Anbar Province in 2008. Armstrong's searingly honest narrative about his relationship with his father, his fiance, and his friend in the SEAL team takes the reader on a nosedive ride from a historically black college in the American South straight into Baghdad, the burn pits, and the desert beyond the mysterious Haditha dam. Honest and vulnerable, tender but fearless, The Mysteries of Haditha is an incredible coming-of-age story and a unique glimpse into the world of the war on terror.