Now a major motion picture directed by Clint Eastwood.

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him "The Legend"; meanwhile, the enemy feared him so much they named him al-Shaitan ("the devil") and placed a bounty on his head.

Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle's masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

Includes new material by Taya Kyle about the making of the American Sniper film.

In the decade following the first Gulf War, most observers regarded it as an exemplary effort by the international community to lawfully and forcefully hold a regional aggressor in check. Interpretations have changed with the times. The Gulf War led to the stationing of US troops in Saudi Arabia, an important contributing cause of the 9/11 attacks. The war also led to a long obsession with Saddam Hussein that culminated in a second, far longer, American-led war with Iraq. In Into the Desert, Jeffrey Engel has gathered an all-star cast of contributors to reevaluate the first Gulf War: Michael Gordon of the New York Times; Sir Lawrence Freedman, former foreign policy advisor to Tony Blair; Ambassador Ryan Crocker; Middle East specialist Shibley Telhami; and Richard Haass, President of the Council on Foreign Relations. Engel and his contributors examine the war's origins, the war itself, and its long-term impact on international relations. All told, Into the Desert offers an astute reassessment of one of the most momentous events in the last quarter century.

'A sprawling tale of love, family, duty, war, and displacement' Khaled Hosseini Correspondents by Tim Murphy is a powerful story about the legacy of immigration, the present-day world of refugeehood, the violence that America causes both abroad and at home, and the power of the individual and the family to bring good into a world that is often brutal. Spanning the breadth of the twentieth century and into the post-9/11 wars and their legacy, Correspondents is a powerful novel that centres on Rita Khoury, an Irish-Lebanese woman whose life and family history mirrors the story of modern America. Both sides of Rita's family came to the United States in the golden years of immigration, and in her home north of Boston Rita grows into a stubborn, perfectionist, and relentlessly bright young woman. She studies Arabic at university and moves to cosmopolitan Beirut to work as a journalist, and is then posted to Iraq after the American invasion in 2003. In Baghdad, Rita finds for the first time in her life that her safety depends on someone else, her talented interpreter Nabil al-Jumaili, an equally driven young man from a middle-class Baghdad family who is hiding a secret about his sexuality. As Nabil's identity threatens to put him in jeopardy and Rita's position becomes more precarious as the war intensifies, their worlds start to unravel, forcing them out of the country and into an uncertain future.

An incredible tale of one man's adversity and defiance, for readers of The Tattooist of Auschwitz. Horace Greasley escaped over 200 times from a notorious German prison camp to see the girl he loved. This is his incredible true story. A Sunday Times Bestseller - over 60,000 copies sold. Even in the most horrifying places on earth, hope still lingers in the darkness, waiting for the opportunity to take flight. When war was declared Horace Greasley was just twenty-years old. After seven weeks' training with the 2/5th Battalion, the Royal Leicestershire Regiment, Horace found himself facing the might of the German Army in a muddy field south of Cherbourg, in northern France, with just thirty rounds in his ammunition pouch. Horace's war didn't last long. . . On 25 May 1940 he was taken prisoner and so began the harrowing journey to a prisoner-of-war camp in Poland. Those who survived the gruelling ten-week march to the camp were left broken and exhausted, all chance of escape seemingly extinguished. But when Horace met Rosa, the daughter of one of his captors, his story changed; fate, it seemed, had thrown him a lifeline. Horace risked everything in order to steal out of the camp to see his love, bringing back supplies for his fellow prisoners. In doing so he offered hope to his comrades, and defiance to one of the most brutal regimes in history.

'My primary aim in writing this book is to demonstrate the importance of individual human beings in modern warfare. In the battle to drive the Iraqi army out of Kuwait, Coalition forces used every form of high-technology weapon available; yet in the end success depended on the performance of individuals, whether they were pilots, divers, tank drivers, mechanics, engineers, cooks, radio operators, infantrymen, nurses or officers of all ranks. It was these ordinary people who, at the end of the day, were going to put their lives on the line and risk their neck when their Government decided to go to war.' Gen. Sir Peter de la Billiere

How is foreign policy made in Iraq? Based on dozens of interviews with senior officials and politicians, this book provides a clear analysis of the development of domestic Iraqi politics since 2003. Zana Gulmohamad explains how the federal government of Iraq and Kurdistan Regional Government (KRG) have functioned and worked together since toppling Saddam to reveal in granular detail the complexity of their foreign policy making. The book shows that the ruling elites and political factions in Baghdad and in the capital of the Kurdistan Region, Erbil, create foreign policies according to their agendas. The formulation and implementation of the two governments' foreign policies is to a great extent uncoordinated. Yet Zana Gulmohamad places this incoherent model of foreign policy making in the context of the country's fragmented political and social context and explains how Iraq's neighbouring countries - Iran, Turkey, Saudi Arabia and Syria before the civil war - have each influenced its internal affairs. The book is the first study dedicated to the contemporary dynamics of the Iraqi state - outside the usual focus on the "great powers" - and it explains exactly how Iraqi foreign policy is managed alongside the country's economic and security interests.

OFFICIAL TIE-IN TO THE MAJOR MOTION PICTURE 12 STRONG, STARRING CHRIS HEMSWORTH On September 11th, 2001 the world watched in terror. On September 12th, 2001 they volunteered to fight. Twelve soldiers gave us a reason to hope. THE DECLASSIFIED TRUE STORY OF THE HORSE SOLDIERS. This is the dramatic account of a small band of Special Forces soldiers who entered Afghanistan immediately following September 11, 2001 and, riding to war on horses, defeated the Taliban. Outnumbered 40 to 1, they capture the strategic Afghan city of Mazar-e Sharif, and thereby effectively defeat the Taliban throughout the rest of the country. They are welcomed as liberators as they ride on horses into the city, the streets thronged with Afghans overjoyed that the Taliban have been kicked out. The soldiers rest easy, as they feel they have accomplished their mission. And then, the action takes a wholly unexpected turn. During a surrender of Taliban troops, the Horse Soldiers are ambushed by the would-be P.O.W.s and, still dangerously outnumbered, they must fight for their lives in the city's ancient fortress known as Qala-I Janghi, or the House of War . . . Praise for Doug Stanton:- 'A thrilling action ride of a book.' New York Times 'As gripping as the most intricately-plotted thriller.' Vince Flynn 'A riveting story of the brave and resourceful American warriors who rode into Afghanistan after 9/11 and waged war against Al Qaeda.' Tom Brokaw 'This reads like a cross between an old-fashioned Western and a modern spy thriller.' Parade Magazine 'Spellbinding...action-packed prose. The book reads more like a novel.' USA Today