Owen W. Gilman Jr. stresses the US experience of war in the twenty-first century and argues that wherever and whenever there is war, there will be imaginative responses to it, especially the recent wars in Afghanistan and Iraq. Since the trauma of September 11, the experience of Americans at war has been rendered honestly and fully in a wide range of texts--creative nonfiction and journalism, film, poetry, and fiction. These responses, Gilman contends, have packed a lot of power and measure up even to World War II's literature and film. Like few other books, Gilman's volume studies these new texts-- among them Kevin Powers's debut novel The Yellow Birds and Phil Klay's short stories Redeployment, along with the films The Hurt Locker, American Sniper, and Billy Lynn's Long Halftime Walk. For perspective, Gilman also looks at some touchstones from the Vietnam War. Compared to a few of the big Vietnam books and films, this new material has mostly been read and watched by small audiences and generated less discussion. Gilman exposes the circumstances in American culture currently preventing literature and film of our recent wars from making a significant impact. He contends that Americans' inclination to demand distraction limits learning from these compelling responses to war in the past decade. According to Gilman, where there should be clarity and depth of knowledge, we instead face misunderstanding and the anguish endured by veterans betrayed by war and our lack of understanding.

The indistinct status of the Zainichi has meant that, since the late 1940s, two ethnic Korean associations, the Chongryun (pro-North) and the Mindan (pro-South) have been vying for political loyalty from the Zainichi, with both groups initially opposing their assimilation in Japan. Unlike the Korean diasporas living in Russia, China or the US, the Zainichi have become sharply divided along political lines as a result. Myung Ja Kim examines Japan's changing national policies towards the Zainichi in order to understand why this group has not been fully integrated into Japan. Through the prism of this ethnically Korean community, the book reveals the dynamics of alliances and alignments in East Asia, including the rise of China as an economic superpower, the security threat posed by North Korea and the diminishing alliance between Japan and the US. Taking a post-war historical perspective, the research reveals why the Zainichi are vital to Japan's state policy revisionist aims to increase its power internationally and how they were used to increase the country's geopolitical leverage.With a focus on International Relations, this book provides an important analysis of the mechanisms that lie behind nation-building policy, showing the conditions controlling a host state's treatment of diasporic groups.

In this follow-up to the extremely successful Losing Small Wars, Frank Ledwidge analyses the cost - both financial and human - of Britain's involvement in the Afghanistan war. With the aid of interviews, on-the-ground research and countless Freedom of Information requests, he pieces together the enormous burden the Afghan intervention has placed on the shoulders of British soldiers and their families, UK taxpayers and - by far the greatest sufferers - Afghan civilians. Amongst other issues, he highlights the soldiers left horribly maimed, UK funds poured into the corrupt black hole that is the Afghan government, refugees driven out of Helmand province into disease-ridden camps, and the long-term damage to the international reputation of the UK military. Ledwidge argues that the only true beneficiaries of the conflict are development consultants, Afghan drugs kingpins and international arms companies. This is both an extraordinary piece of investigative journalism and a heart-breaking account of military adventurism gone horribly wrong. A new afterword brings the analysis up to date.

In this instant New York Times bestseller, the celebrated author of Make Your Bed shares amazing adventure stories from his career as a Navy SEAL and commander of America's Special Operations Forces. Admiral William H. McRaven is a part of American military history, having been involved in some of the most famous missions in recent memory, including the capture of Saddam Hussein, the rescue of Captain Richard Phillips, and the raid to kill Osama bin Laden. Sea Stories begins in 1960 at the American Officers' Club in France, where Allied officers and their wives gathered to have drinks and tell stories about their adventures during World War II -- the place where a young Bill McRaven learned the value of a good story. Sea Stories is an unforgettable look back on one man's incredible life, from childhood days sneaking into high-security military sites to a day job of hunting terrorists and rescuing hostages. Action-packed, inspiring, and full of thrilling stories from life in the special operations world, Sea Stories is a remarkable memoir from one of America's most accomplished leaders.

'My fingers close around the trigger. I pause for a split second to think about the bullets I am about to spray across the ground. After today, I'll no longer be the new girl.' Captain Charlotte Madison is blonde, beautiful and flies Apache helicopters for a living. She has completed two tours of duty in Afghanistan and is currently fighting on the frontline in her third. DRESSED TO KILL shows us what life is like for a girl in a resolutely male-dominated environment. But she isn't just a woman in a man's world, she's a woman women aspire to be - glamorous as well as brave, and beating the men at their own game. Only a tiny percentage of people can multi-task to the extreme level the aircraft demands, and most airmen who try to qualify as an Apache pilot fail. Full of the exciting, adrenaline-filled action that has made other military memoirs so successful, DRESSED TO KILL is also unique. A highly intelligent and brilliant young woman, Charlotte is Britain's first female Apache pilot, and the first British female pilot to kill in an Apache. We have, quite simply, never seen the landscape of 21st-century frontline conflict from a perspective like hers. DRESSED TO KILL will appeal to anyone interested in current affairs, but it will also speak to a whole generation of young women who will relate to 27-year-old Charlotte in a way they never imagined possible.

As the United States withdraws its combat troops from Iraq and Afghanistan, politicians, foreign policy specialists, and the public are worrying about the consequences of leaving these two countries. Neither nation can be considered stable, and progress toward democracy in them--a principal aim of America and the West--is fragile at best. But, international relations scholar Mark N. Katz asks: Could ending both wars actually help the United States and its allies to overcome radical Islam in the long term?

Drawing lessons from the Cold War, Katz makes the case that rather than signaling the decline of American power and influence, removing military forces from Afghanistan and Iraq puts the U.S. in a better position to counter the forces of radical Islam and ultimately win the war on terror. He explains that since both wars will likely remain intractable, for Washington to remain heavily involved in either is counter-productive. Katz argues that looking to its Cold War experience would help the U.S. find better strategies for employing America's scarce resources to deal with its adversaries now. This means that, although leaving Afghanistan and Iraq may well appear to be a victory for America's opponents in the short term--as was the case when the U.S. withdrew from Indochina--the larger battle with militant Islam can be won only by refocusing foreign and military policy away from these two quagmires.

This sober, objective assessment of what went wrong in the U.S.-led wars in Afghanistan and Iraq and the ways the West can disentangle itself and still move forward draws striking parallels with the Cold War. Anyone concerned with the future of the War on Terror will find Katz's argument highly thought provoking.

Colonel Stuart Tootal is the first senior commander to provide an account of the fighting in Afghanistan. A gritty portrayal of unforgiving conflict, Danger Close captures the essence of combat, the risks involved and the aftermath. 3 PARA was the first unit into Helmand in 2006. Sent on a peace mission, it became engaged in a level of combat that has not been experienced by the British Army since the end of the Korean War. Undermanned and suffering from equipment shortages, 3 PARA fought doggedly to win the break in battle. Numerous gallantry decorations were awarded, but they were not without cost. On returning from Afghanistan, Tootal fought to get proper treatment for his wounded and feeling frustrated with the Government's treatment of its soldiers, he resigned from the Army. This is a dramatic, and often moving insight into the leadership of soldiers and the sharp end of war.

The shocking, true story of a soldier gone rogue, and the court martial case that divided America. This is the full story of Eddie Gallagher, a US recruit who was inspired to serve his nation, who became addicted to combat, and whose need to prove himself among his fellow soldiers pushed him to extremes. His actions during a combat deployment to Mosul would divide his platoon, then the SEALs, the Navy, the armed forces, the government, and even the American public, when the President intervened in his trial. Alpha is an examination of how culture within the military has evolved since 9/11. In an endless war without major victories, the media has instead celebrated achievements of SEAL missions - such as the killing of Osama Bin Laden, the rescuing of Captain Phillips, and the survival of Marcus Luttrell. But the SEALs' popularity blinded the public to what was also happening within the armed forces. When Gallagher was accused of killing an unarmed enemy combatant, it created a scandal that reached the White House and millions around the world.

Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise.

From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In "Women as Weapons of War," Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to "bare" arms is a sign of freedom and progress.

Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.

The inside story of today's Dambusters, 617 Squadron RAF, at war in Afghanistan. In May 1943, 617 Squadron RAF executed one of the most daring operations in military history as bombers mounted a raid against hydro-electric dams in Germany. 617 Squadron became a Second World War legend. Nearly 70 years later, in April 2011, a new generation of elite flyers, now flying supersonic Tornado GR4 bombers, was deployed to Afghanistan - their mission: to provide close air support to troops on the ground. Tim Bouquet was given unprecedented access to 617's pre-deployment training and blistering tour in Afghanistan. From dramatic air strikes to the life-and-death search for IEDs and low-flying shows of force designed to drive insurgents from civilian cover, he tracked every mission - and the skill, resilience, banter and exceptional airmanship that saw 617 through.

The Korean War of 1950-1953 ended in a frustrating stalemate, the echoes of which reverberate to this day. It was the only conflict of the Cold War in which forces of major nations of the two opposing systems - capitalism and communism - confronted each other on the battlefield. And yet, in the sixty years since it was fought it has been strangely neglected, perhaps because no one was able to claim the victor's spoils. The War That Never Ended details the origins, battles, politics and personalities of the Korean War - a war that has never ended, and for which no peace treaty was ever signed.

The Taliban are synonymous with the war in Afghanistan. Doughty, uncompromising fighters, they plant IEDs, deploy suicide bombers and wage guerrilla warfare. While much has been written about their military tactics, media strategy and harsh treatment of women, the cultural and sometimes less overtly political representation of their identity, the Taliban's other face, is often overlooked. Most Taliban fighters are Pashtuns, a people who cherish their vibrant poetic tradition, closely associated with that of song. The poems in this collection are meant to be recited and sung; and this is the manner in which they are enjoyed by the wider Pashtun public today. From audiotapes traded in secret in the bazaars of Kandahar, to mp3s exchanged via bluetooth in Kabul, to video files downloaded in Dubai and London, Taliban poetry has an appeal that transcends the insurgency. For the Taliban today, these poems, or ghazals, have a resonance back to the 1980s war against the Soviets, when similar rhetorical styles, poetic formulae and tricks with metre inspired mujahideen combatants and non-combatants alike. The poetry presented here includes 'classics' of the genre from the 1980s and 1990s as well as a selection from the odes and ghazals of today's conflict . Veering from nationalist paeans to dirges replete with religious symbolism, the poems are organised under four headings - - War, Pastoral, Religious and Love - - and cover many themes and styles. The political is intertwined with the aesthetic, the celebratory cry is never far from the funeral dirge and praise of martyrs lost. Two prefatory essays introduce the cultural and historical context of the poetry. The editors discuss its importance to the Pashtuns and highlight how poetic themes correspond to the past thirty years of war in Afghanistan. Faisal Devji comments on what the poetry reveals of the Taliban's emotional and ethical hinterland.

Beyond the Legend is the authorised biography of William (Bill) Speakman,who was awarded one of only four Victoria Crosses for action in the Korean War. It covers his sometimes controversial life, from his childhood in Altrincham, Cheshire, to his later life in South Africa - about which little has been known previously. Authors Derek Hunt and John Mulholland also explore the myth of the 'beer bottle VC' (in which Speakman was said to have fended off the Chinese Communist Army by throwing empty beer bottles at them after they ran out of grenades), bringing to light what really happened on United Hill in November 1951. Speakman held the attacking Chinese army at bay for over four hours and led a final charge that allowed his company to withdraw from the hill. After Korea, he saw active service in Malaya, Borneo and Aden before retiring from the army, with the rank of sergeant, in 1968. Bill Speakman is one of only two surviving VC holders of the British Army and a true British hero.

When the tyrannical Saddam Hussein was captured in 2003, the war in Iraq was in a precarious position. A provisional government had been assembled, but the Iraqi government was not yet recognized as sovereign. They were now expected to put their most infamous citizen on trial for war crimes. Called into duty at this moment was Rear Admiral Greg Slavonic, who was tasked with facilitating U.S. media presence at the arraignment which would establish the judicial framework for future tribunals. Admiral Slavonic was party to the historic US-Iraqi Transfer of Sovereignty and then as the senior military officer in the Iraqi courtroom where he was one of fifteen individuals to witness the historic event. As the senior military officer in the room with fifteen other observers, he managed a challenging pool of media jockeying for access for this once in a career story and plus served as advisor to the Iraqi judge on various media issues. Slavonic's first-hand narrative of a unique moment in military history features never-before-seen transcripts of Saddam Hussein's trial. For the first time, readers can read how Saddam responded to his charges, along with eleven of Hussein's closest advisors and cabinet members who were arraigned that day, and several charged with war "crimes against humanity". This would be the last time all twelve men would be together again who were responsible for the deaths of over several million fellow Iraqi citizens. This book expands our examination of difficult wars and chronicles the legal reckoning and downfall of a tyrant.