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Books > Humanities > History > Asian / Middle Eastern history > From 1900 > Postwar, from 1945 > General
A groundbreaking look at how the interrogation rooms of the Korean War set the stage for a new kind of battle-not over land but over human subjects Traditional histories of the Korean War have long focused on violations of the thirty-eighth parallel, the line drawn by American and Soviet officials in 1945 dividing the Korean peninsula. But The Interrogation Rooms of the Korean War presents an entirely new narrative, shifting the perspective from the boundaries of the battlefield to inside the interrogation room. Upending conventional notions of what we think of as geographies of military conflict, Monica Kim demonstrates how the Korean War evolved from a fight over territory to one over human interiority and the individual human subject, forging the template for the US wars of intervention that would predominate during the latter half of the twentieth century and beyond. Kim looks at how, during the armistice negotiations, the United States and their allies proposed a new kind of interrogation room: one in which POWs could exercise their "free will" and choose which country they would go to after the ceasefire. The global controversy that erupted exposed how interrogation rooms had become a flashpoint for the struggles between the ambitions of empire and the demands for decolonization, as the aim of interrogation was to produce subjects who attested to a nation's right to govern. The complex web of interrogators and prisoners-Japanese-American interrogators, Indian military personnel, Korean POWs and interrogators, and American POWs-that Kim uncovers contradicts the simple story in US popular memory of "brainwashing" during the Korean War. Bringing together a vast range of sources that track two generations of people moving between three continents, The Interrogation Rooms of the Korean War delves into an essential yet overlooked aspect of modern warfare in the twentieth century.
What were the causes of the Iraq War? Who were the main players?
How was the war sold to the decision makers? Despite all that has
been written on the Iraq war the myriad scholarly, journalistic and
polemical works the answers to these questions remain shrouded in
an ideological mist. TheRoad to Iraq is an empirical investigation
that dispels this fog.
After World War II, the escalating tensions of the Cold War shaped the international system. Fearing the Worst explains how the Korean War fundamentally changed postwar competition between the United States and the Soviet Union into a militarized confrontation that would last decades. Samuel F. Wells Jr. examines how military and political events interacted to escalate the conflict. Decisions made by the Truman administration in the first six months of the Korean War drove both superpowers to intensify their defense buildup. American leaders feared the worst-case scenario-that Stalin was prepared to start World War III-and raced to build up strategic arms, resulting in a struggle they did not seek out or intend. Their decisions stemmed from incomplete interpretations of Soviet and Chinese goals, especially the belief that China was a Kremlin puppet. Yet Stalin, Mao, and Kim Il-sung all had their own agendas, about which the United States lacked reliable intelligence. Drawing on newly available documents and memoirs-including previously restricted archives in Russia, China, and North Korea-Wells analyzes the key decision points that changed the course of the war. He also provides vivid profiles of the central actors as well as important but lesser known figures. Bringing together studies of military policy and diplomacy with the roles of technology, intelligence, and domestic politics in each of the principal nations, Fearing the Worst offers a new account of the Korean War and its lasting legacy.
Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to "high concept" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events."
Through their dramatic stories, Gopal shows that the Afghan war, so often regarded as a hopeless quagmire, could in fact have gone very differently. Top Taliban leaders actually tried to surrender within months of the US invasion, renouncing all political activity and submitting to the new government. Effectively, the Taliban ceased to exist - yet the Americans were unwilling to accept such a turnaround. Instead, driven by false intelligence from their allies and an unyielding mandate to fight terrorism, American forces continued to press the conflict, resurrecting the insurgency that persists to this day. With its intimate accounts of life in war-torn Afghanistan, Gopal's thoroughly original reporting lays bare the workings of America's longest war and the truth behind its prolonged agony.
In 2010, the Army created Cultural Support Teams, a secret pilot program to insert women alongside Special Operations soldiers battling in Afghanistan. The Army reasoned that women could play a unique role on Special Ops teams: accompanying their male colleagues on raids and, while those soldiers were searching for insurgents, questioning the mothers, sisters, daughters and wives living at the compound. Their presence had a calming effect on enemy households, but more importantly, the CSTs were able to search adult women for weapons and gather crucial intelligence. They could build relationships-woman to woman-in ways that male soldiers in an Islamic country never could. In Ashley's War, Gayle Tzemach Lemmon uses on-the-ground reporting and a finely tuned understanding of the complexities of war to tell the story of CST-2, a unit of women hand-picked from the Army to serve in this highly specialized and challenging role. The pioneers of CST-2 proved for the first time, at least to some grizzled Special Operations soldiers, that women might be physically and mentally tough enough to become one of them. The price of this professional acceptance came in personal loss and social isolation: the only people who really understand the women of CST-2 are each other. At the center of this story is a friendship cemented by "Glee," video games, and the shared perils and seductive powers of up-close combat. At the heart of the team is the tale of a beloved and effective soldier, Ashley White. Much as she did in her bestselling The Dressmaker of Khair Khana, Lemmon transports readers to a world they previously had no idea existed: a community of women called to fulfill the military's mission to "win hearts and minds" and bound together by danger, valor, and determination. Ashley's War is a gripping combat narrative and a moving story of friendship-a book that will change the way readers think about war and the meaning of service.
In Gulf War Reparations and the UN Compensation Commission:
Environmental Liability, experts who held leadership positions and
worked directly with the UNCC draw on their experience with the
institution and provide a comprehensive view of the United Nations
Compensation Comission and its work in the aftermath of the Gulf
War.
Sergeant Andy McNab recounts the story of the top secret mission that would reveal the secrets of the SAS to the world for the first time. Their location: Iraq Their mission: to sever a vital enemy underground communication link, to find and destroy mobile Scud launchers Their call sign: Bravo Two Zero When eight members of the elite SAS regiment embark on a highly covert operation, they are each laden with 15 stones of equipment, needing to tab 20km across the desert to reach their objective. But within days, their location is compromised. They engage in a fierce battle. They escape on foot to the Syrian border. Three men die. One escapes. But four men are captured. For them, the worst is yet to come. Delivered to Baghdad, they are tortured with a savagery for which not even their intensive SAS training has prepared them... This is a story of superhuman courage, strength, endurance and dark humour in the face of overwhelming odds. It shows just how much it takes to be a member of the SAS. _____________________________________________ 'The best account yet of the SAS in action' Sunday Times 'One of the best books to emerge from the first Gulf War ... Magnificent' Independent on Sunday
No foreign policy decision in recent history has had greater
repercussions than President George W. Bush's decision to invade
and occupy Iraq. It launched a new doctrine of preemptive war,
mired the American military in an intractable armed conflict,
disrupted world petroleum supplies, cost the United States hundreds
of billions of dollars, and damaged or ended the lives of hundreds
of thousands of Americans and Iraqis. Its impact on international
politics and America's standing in the world remains incalculable.
By every principle of war, every shred of military logic, logistics support to Canada's Task Force Orion in Afghanistan should have collapsed in July 2006. There are few countries that offer a greater challenge to logistics than Afghanistan, and yet Canadian soldiers lived through an enormous test on this deadly international stage - a monumental accomplishment. Canadian combat operations were widespread across southern Afghanistan in 2006, and logistics soldiers worked in quiet desperation to keep the battle group moving. Only now is it appreciated how precarious the logistics operations of Task Force Orion in Kandahar really were. What the Thunder Said is an honest, raw recollection of incidents and impressions of Canadian warfighting from a logistics perspective. It offers solid insight into the history of military logistics in Canada and explores in some detail the dramatic erosion of a once-proud corner of the army from the perspective of a battalion commander.
How does the US Army mold a video-game generation with its thumbs on the joystick into a proud fighting force with its fingers on the trigger-and lives on the line-in America's War on Terror? Michael J. MacLeod, already an accomplished professional photographer and journalist, decided to find out the hard way: by enlisting in the armed forces at age forty-one. What he observed and experienced as an embedded reporter and a serving soldier makes for an unflinching and inspiring portrait of endurance, sacrifice, discipline, and courage. From the trials of basic training on the home front to the ranks of the legendary 82nd Airborne Division to taking fire in the hot zones of Iraq and Afghanistan, MacLeod chronicles the soldier's evolution as only one who's been in those boots can. Candid, wise, and powerful, his memoir takes readers on an unforgettable journey through war and allows them to witness bravery firsthand.
"There is no reason why America's withdrawal from Iraq should be as dishonest as its intervention has been judged to be."--Brendan O'Leary, from the PrefaceBoth the American people and Arab Iraqis have voiced their overwhelming desire to see U.S. troops removed from the country. "How to Get Out of Iraq with Integrity" argues that the U.S. military intervention in Iraq must come to an end. But it must come to an end in a judicious, pragmatic, and orderly fashion. In this book, Brendan O'Leary spells out why that withdrawal can begin to occur now, why it is in the best interests of the United States and the Iraqis that withdrawal occur, and why Iraq can function as a federation once the U.S. military has left the country."How to Get Out of Iraq with Integrity" provides an in-depth analysis of the new Iraqi constitution, an evaluation of the political goals and powers of the major ethnic and religious groups that will constitute the new Iraqi state, and an assessment of the regional realities of a Saddam-less Iraq. With a viable constitution and other institutional structures already in place, Iraq is poised for a future as a sovereign state. If U.S. leaders facilitate the remaking of Iraq as a federation with four or more regions instead of a recentralized state, the United States can begin successfully to remove its forces.Propelled by this incisive and bold argument, "How to Get Out of Iraq with Integrity" provides the foundation for the incoming presidential administration to do just that, without betraying U.S. commitments to Arabs, Kurds, or democracy. To make his case, O'Leary draws on his extensive background as constitutional advisor to the Kurdistan Regional Government, the European Union, and the United Nations, along with expertise in constitutional design and ethnic reconciliation in Northern Ireland and South Africa.
Ever since Eve tempted Adam with her apple, women have been regarded as a corrupting and destructive force. The very idea that women can be used as interrogation tools, as evidenced in the infamous Abu Ghraib torture photos, plays on age-old fears of women as sexually threatening weapons, and therefore the literal explosion of women onto the war scene should come as no surprise. From the female soldiers involved in Abu Ghraib to Palestinian women suicide bombers, women and their bodies have become powerful weapons in the Afghanistan and Iraq wars. In "Women as Weapons of War," Kelly Oliver reveals how the media and the administration frequently use metaphors of weaponry to describe women and female sexuality and forge a deliberate link between notions of vulnerability and images of violence. Focusing specifically on the U.S. campaigns in Afghanistan and Iraq, Oliver analyzes contemporary discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. For example, the administration's call to liberate "women of cover," suggesting a woman's right to "bare" arms is a sign of freedom and progress. Oliver also considers what forms of cultural meaning, or lack of meaning, could cause both the guiltlessness demonstrated by female soldiers at Abu Ghraib and the profound commitment to death made by suicide bombers. She examines the pleasure taken in violence and the passion for death exhibited by these women and what kind of contexts created them. In conclusion, Oliver diagnoses our cultural fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection. This process, she argues, further compromises the borders between fantasy and reality, fueling a kind of paranoid patriotism that results in extreme forms of violence.
All of Which I Saw captures the United States Marine Corps during some of the most dramatic and important moments of the Iraq War. The book takes the viewer across the Pacific aboard ship, into the Battle of Najaf and Second Battle of Fallujah-where Read took his now-iconic photograph of a wounded Sergeant Major Bradley Kasal-and beyond into the bloody streets of Ramadi and the darkness of the Haditha massacre . . . only to return to the light of homecoming. During the Iraq War, no other photojournalist spent more time with the Marines, and this is a singular, stunning, and indispensable record of the conflict and the Marine Corps at war. Throughout, the book also contains Read's own contemporaneous accounts that tell the stories behind the photos and capture the grim truths about the war in all its violence, tragedy, heroism, and sacrifice.
'Gripping ... A terrific action narrative' Max Hastings 'Reads like a Tom Clancy thriller, yet every word is true ... This is modern warfare close-up and raw' Andrew Roberts Bestselling and Orwell Prize-winning author Toby Harnden tells the gripping and incredible story of the six-day battle that began the War in Afghanistan and how it set the scene for twenty years of conflict. The West is in shock. Al-Qaeda has struck the US on 9/11 and thousands are dead. Within weeks, UK Special Forces enter the fray in Afghanistan alongside the CIA's Team Alpha and US troops. Victory is swift, but fragile. Hundreds of jihadists surrender and two operatives from Team Alpha enter Qala-i Jangi - the 'Fort of War' - to interrogate them. The prisoners revolt, one CIA man falls, and the other is trapped inside the fort. Seven members of the SBS - elite British Special Forces - volunteer for the rescue force and race into danger and the unknown. The six-day battle that follows proves to be one of the bloodiest of the Afghanistan war as the SBS and their American comrades face an enemy determined to die in the mud citadel. Superbly researched, First Casualty is based on unprecedented access to the CIA, SBS, and US Special Forces. Orwell Prize-winning author Toby Harnden recounts the gripping story of that first battle in Afghanistan and how the haunting foretelling it contained - unreliable allies, ethnic rivalries, suicide attacks, and errant bombs - was ignored, fueling the twenty-year conflict to come.
The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- . |
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