Bringing together both contemporary and historical just war concepts, Peter Lee shows that Blair's illusion of morality evaporated quickly and irretrievably after the 2003 Iraqinvasion because the ideas Blair relied upon were taken out of their historical context and applied in a global political system where they no longer hold sway.

It was supposed to be quick and easy. The Bush Administration even promised that it wouldn't cost American taxpayers a thing - Iraqi oil revenues would pay for it all. But billions and billions of dollars and thousands of lives later, the Iraqi reconstruction is an undeniable failure. Iraq pumps out less oil now than it did under Saddam. At best, Iraqis average all of twelve hours a day of electricity. American soldiers lack body armour and adequate protection for their motor vehicles. Increasingly worse off, Iraqis turn against us. Increasingly worse off, our troops are killed by a strengthening insurgency. As T. Christian Miller reveals in this searing and timely book, the Bush Administration has fatally undermined the war effort and our soldiers by handing out mountains of cash not to the best companies for the reconstruction effort, but to buddies, cronies, relatives and political hacks - some of whom have simply taken the money and run with it.

In Gulf War Reparations and the UN Compensation Commission: Environmental Liability, experts who held leadership positions and worked directly with the UNCC draw on their experience with the institution and provide a comprehensive view of the United Nations Compensation Comission and its work in the aftermath of the Gulf War.
In this volume, the first of two on the UNCC's work, the authors explain that the United Nations Security Council established the ad hoc compensation commission to address reparations as a component of the ceasefire following Iraq's 1990-91 invasion and occupation of Kuwait. The authors also describe how the work of the United Nations Compensation Commission addressed important questions of state responsibility, environmental liability, mass claims processing, international law, and dispute settlement institutions in the post-armed conflict context. Readers will also learn that the scope and the scale of the UNCC was extraordinary, since almost 2.7 million claims from 80-plus countries were submitted to the Commission (which awarded in excess of $55 billion and has paid out more than half of that total), and that this led to the development of innovative procedural, institutional and managerial approaches in handling mass, environmental, and corporate claims at a scale that is unparalleled. Additionally, the books note that the Commission also contributed to the evolution of international jurisprudence in these areas.

In the run-up to, during and after the invasion of Iraq a large number of literary texts addressing that context were produced, circulated and viewed as taking a position for or against the invasion, or contributing political insights. This book provides an in-depth survey of such texts to examine what they reveal about the condition of literature.

The war story that needs to be told: a Washington Post reporter follows five courageous National Guard soldiers as they deploy to Iraq, survive combat, and come home to pick up the pieces The Iraq War radically transformed the typical "one weekend a month, two weeks a year" commitment of many National Guard soldiers around the country into lengthy, grueling tours of duty in Iraq. Little has been written about the tens of thousands of guardsmen and women sent to Iraq and the unique challenges these citizen-soldiers have faced in serving their country--and then coming home to the civilian world. Washington Post reporter Christian Davenport was embedded with the Virginia National Guard's 2-224th Aviation Regiment and witnessed the hardship and heroism of its members firsthand, from their sudden call-up, through their return from overseas, to new battles faced on the home front as they struggle to rebuild their lives after the war. He tells the story of five of these remarkable soldiers--a teacher, a 50-something Vietnam vet, a sorority-girl-turned-door-gunner, a born leader, and a young woman unable to find her place in the world. By continuing to follow these soldiers, and their families, for more than a year after their tour, Davenport chronicles the difficulties they face returning home: lost jobs, financial woes, and the inability to relate to a society that has never been so divorced from the war its country was fighting. Depicting these soldiers as heroes, not victims, As You Were reveals a hidden dimension of the war, and provides an intimate look at the patriotism and courage that inspire those who have fought in it--and the rest of us as well. Christian Davenport (Washington, DC) is a reporter for the Washington Post. He was embedded with the Virginia National Guard's 2-224th Regiment, and his work covering the military helped uncover some of the iconic photographs of the Abu Ghraib prison scandal.

No foreign policy decision in recent history has had greater repercussions than President George W. Bush's decision to invade and occupy Iraq. It launched a new doctrine of preemptive war, mired the American military in an intractable armed conflict, disrupted world petroleum supplies, cost the United States hundreds of billions of dollars, and damaged or ended the lives of hundreds of thousands of Americans and Iraqis. Its impact on international politics and America's standing in the world remains incalculable.
The Iraq Papers offers a compelling documentary narrative and interpretation of this momentous conflict. With keen editing and incisive commentary, the book weaves together original documents that range from presidential addresses to redacted memos, carrying us from the ideology behind the invasion to negotiations for withdrawal. These papers trace the rise of the neoconservatives and reveal the role of strategic thinking about oil supplies. In moving to the planning for the war itself, the authors not only provide Congressional resolutions and speeches by President Bush, but internal security papers, Pentagon planning documents, the report of the Future of Iraq Project, and eloquent opposition statements by Senator Robert Byrd, other world governments, the Non-Aligned Movement, and the World Council of Churches. This collection addresses every aspect of the conflict, from the military's evolving counterinsurgency strategy to declarations by Iraqi resisters and political figures-from Coalition Provisional Authority orders to Donald Rumsfeld's dismissal of the insurgents as "dead-enders" and Iraqi discussions of state- and nationbuilding under the shadow of occupation. The economics of petroleum, the legal and ethical questions surrounding terrorism and torture, international agreements, the theory of the "unitary presidency," and the Bush administration's use of presidential signing statements all receive in-depth coverage.
The Iraq War has reshaped the domestic and international landscape. The Iraq Papers offers the authoritative one-volume source for understanding the conflict and its many repercussions.

After graduating from Princeton, Donovan Campbell joined the service, realising that becoming a Marine officer would allow him to give back to his country, engage in the world, and learn to lead. In this immediate, thrilling, and inspiring memoir, Campbell recounts a timeless and transcendent tale of brotherhood, courage, and sacrifice. As commander of a forty-man infantry platoon called"Joker One", Campbell had just months to train and transform a ragtag group of brand-new Marines into a first-rate cohesive fighting unit, men who would become his family: Sergeant Leza, the house intellectual who read Che Guevara; Sergeant Mariano Noriel, the "Filipino ball of fire" who would become Campbell's closest confidant and friend; Lance Corporal William Feldmeir, a narcoleptic who fell asleep during battle; and a lieutenant known simply as "the Ox," whose stubborn aggressiveness would be more curse than blessing. Campbell and his men were assigned to Ramadi, that capital of the Sunni-dominated Anbar province that was an explosion just waiting to happen. And when it did happen-with the chilling cries of"Jihad, Jihad, Jihad!" echoing from minaret to minaret-Campbell and company were there to protect the innocent, battle the insurgents, and pick up the pieces. After seven months of day-to-day, house-to-house combat, nearly half of Campbell's platoon had been wounded, a casualty rate that went beyond that of any Marine or Army unit since Vietnam. Yet unlike Fallujah, Ramadi never fell to the enemy. Told by the man who led the unit of hard-pressed Marines, Joker One is a gripping tale of a leadership, loyalty, faith, and camaraderie throughout the best and worst of times.

When thirty-three-year-old Mohammed Odeh al-Rehaief made the decision to risk his life and his family to save Private First Class Jessica Lynch -- an American soldier he did not know -- it was more than the everyday reckoning with death that permeates wartime. It was the culmination of a life spent at odds with the repressive regime that held his country.

Mohammed's story is a coming of age tale in a society where violence and betrayal were everyday events, where one in five adult males worked for the state's security apparatus, where a president-for-life demanded absolute loyalty and adulation. Yet even as he navigates a culture tarnished by brutality and corruption, Mohammed reveals unexpected sides of Iraq -- scenes of surprising tenderness and stubborn generosity -- and emerges as an unlikely hero whose values transcend ideology: honor, compassion, and an unshakable belief in the sanctity of human life.

Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to "high concept" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events."

This reference work provides information on all known military operations carried out under United Nations command as part of the Korean War, from June 1950 through 22 July 1954.

Following an introductory history of the Korean War and a precise chronology of all Korean War operations, entries are arranged by operation name in five sections: primarily ground operations, primarily air operations, primarily sea operations, specialized operations, and covert and clandestine operations.

For each operation, information includes dates, objectives, units involved, place within the greater strategy of the war, and outcome.

Exploring the key historical, political, and social underpinnings, James DeFronzo analyzes the impact of this defining war in the Middle East. "The Iraq War" explains the compelling and interrelated sociological and political forces that led to war, accounting for important aspects of the occupation, the development of the resistance, and the conflict's influence on other nations. Beyond a systematic study of the invasion, occupation, and the future of the U.S.-Iraq relationship, DeFronzo also covers the early history of Iraq, the British mandate, the antimonarchy revolution, and the influence of the Saddam Hussein regime and its wars--the Iran-Iraq War, the invasion of Kuwait, and the Persian Gulf War. "The Iraq War "provides a probing analysis of the underlying factors that devastated Iraq, shook the American political system, and helped shape political developments around the world.

Featuring the testimony of close to seventy Iraqis from all walks of life, "Voices from Iraq" builds a riveting chronological history unmatched for its insight and revelations. Here is a history of the war in Iraq as told entirely by Iraqis living through the U.S. invasion and occupation.

Beginning in 2003, this intimate narrative includes the experiential accounts of civilians, politicians, former dissidents, insurgents, and militiamen. Iraqis offering firsthand stories range from onetime Prime Minister Ayad Allawi to resistance fighters speaking on the condition of anonymity. Divided into five parts, these interviews recount the 2003 invasion; Iraq's gradual slide into chaos from 2004 to 2005; the start of a new order in 2006; the rise of open sectarian violence over the next two years; and the effort since 2008 to reconstruct a society from relative calm. Each section includes interviews grouped into themes, with brief epilogues for the participants. Not since Studs Terkel's "The Good War" has a book captured so acutely the human consequences of a conflict we are still struggling to understand. "Voices from Iraq" makes utterly vivid the meaning and legacy of America's campaign in Iraq.

This volume examines the role played by notions of transcendence in the formation of social and political systems. A primary goal of the work to expand transcendence beyond its religious definition and to promote it as a means of referring to social and political discourses and practices that rely on constructions of the ideal or unattainable."

The Korean Conflict (as it is sometimes known) dramatically changed the way that Americans viewed war. The lack of a clear-cut victory inspired filmmakers to try to make sense of fighting another country's civil war and risking American lives for a largely unpopular cause. More than 50 movies about the Korean War appeared in the 15 years after it ended, and dozens more have appeared since then.This filmography details more than 90 English - language films that chronicle or depict the Korean War and its consequences. Each film entry includes complete cast and credit listings, a plot synopsis, evaluation, review snippets, and notice of video availability. This book places each Korean War film in its historical context, assesses the essential truthfulness and relevance of each film, evaluates each film's entertainment value, and discusses how - and why - Korean War films differ from other Hollywood war genres.The book also provides information on themes and subjects that appear in the films and an outline of the war and those films which portray historical events. The first four appendices list the films by chronology, production company and studio, level of historical accuracy and subject and theme. The following appendices provide a listing of films with superficial or incidental references to the Korean War, a film listing of documentaries on the Korean War and a film listing of South Korean films about the Korean War. Also included are photographs from each film and its marketing campaign, a bibliography, and an index.

Brothers Forever tells the intimate and personal story of how two Naval academy roommates- US Marine Travis Manion and US Navy SEAL Brendan Looney- defined a generation's sacrifice after 9/11, and how their loved ones overcame heartbreak to carry on in their memory. It is a remarkable story of friendship, family, and war.

Following his prizewinning studies of the Vietnam War, renowned anthropologist Heonik Kwon presents this ground-breaking study of the Korean War's enduring legacies seen through the realm of intimate human experience. Kwon boldly reclaims kinship as a vital category in historical and political enquiry and probes the grey zone between the modern and the traditional (and between the civil and the social) in the lived reality of Korea's civil war and the Cold War more broadly. With captivating historical detail and innovative conceptual frames, Kwon's moving, creative analysis provides fresh insights into the Korean conflict, civil war and reconciliation, history and memory and critical political theory.

The Horse Soldiers is the true, dramatic account of a small band of Special Forces soldiers who entered Afghanistan immediately following September 11, 2001 and, riding to war on horses, defeated the Taliban. Heavily outnumbered, they nonetheless succeed in capturing the strategic Afghan city of Mazar-e Sharif, where they are welcomed as liberators as they ride on horseback into the city, the streets thronged with Afghans overjoyed that the Taliban have been kicked out. The soldiers rest easy, as they feel they have accomplished their mission. Then the action takes a wholly unexpected turn. During a surrender of Taliban troops, the Horse Soldiers are ambushed by the would-be P.O.W.s and, still dangerously outnumbered, they must fight for their lives in the city's ancient fortress known as Qala-I Janghi, or the House of War...

'My fingers close around the trigger. I pause for a split second to think about the bullets I am about to spray across the ground. After today, I'll no longer be the new girl.' Captain Charlotte Madison is blonde, beautiful and flies Apache helicopters for a living. She has completed two tours of duty in Afghanistan and is currently fighting on the frontline in her third. DRESSED TO KILL shows us what life is like for a girl in a resolutely male-dominated environment. But she isn't just a woman in a man's world, she's a woman women aspire to be - glamorous as well as brave, and beating the men at their own game. Only a tiny percentage of people can multi-task to the extreme level the aircraft demands, and most airmen who try to qualify as an Apache pilot fail. Full of the exciting, adrenaline-filled action that has made other military memoirs so successful, DRESSED TO KILL is also unique. A highly intelligent and brilliant young woman, Charlotte is Britain's first female Apache pilot, and the first British female pilot to kill in an Apache. We have, quite simply, never seen the landscape of 21st-century frontline conflict from a perspective like hers. DRESSED TO KILL will appeal to anyone interested in current affairs, but it will also speak to a whole generation of young women who will relate to 27-year-old Charlotte in a way they never imagined possible.

Colonel Stuart Tootal is the first senior commander to provide an account of the fighting in Afghanistan. A gritty portrayal of unforgiving conflict, Danger Close captures the essence of combat, the risks involved and the aftermath. 3 PARA was the first unit into Helmand in 2006. Sent on a peace mission, it became engaged in a level of combat that has not been experienced by the British Army since the end of the Korean War. Undermanned and suffering from equipment shortages, 3 PARA fought doggedly to win the break in battle. Numerous gallantry decorations were awarded, but they were not without cost. On returning from Afghanistan, Tootal fought to get proper treatment for his wounded and feeling frustrated with the Government's treatment of its soldiers, he resigned from the Army. This is a dramatic, and often moving insight into the leadership of soldiers and the sharp end of war.

As long as there have been wars, victors have written the prevailing histories of the world's conflicts. An army that loses -- and especially one that is destroyed or disbanded -- is often forgotten. Nevertheless, the experiences of defeated forces can provide important insights, lessons, and perspectives not always apparent to the winning side. In Wars of Modern Babylon, Pesach Malovany provides a comprehensive and detailed history of the Iraqi military from its formation in 1921 to its collapse in 2003. Malovany analyzes Iraqi participation in the 1948, 1967, and 1973 Arab wars against Israel as well as Iraq's wars with the Kurds during the twentieth century. His primary focus, however, is the era of Saddam Hussein (1979--2003), who implemented rapid and significant military growth and fought three major wars: against Iran from 1980 to 1988, and against coalition forces led by the United States in 1991 and 2003. He examines the Iraqi military at the strategic, operative, and tactical levels; explains its forces and branches; and investigates its use of both conventional and unconventional weapons. The first study to offer a portrait of an Arab army from its own point of view, Wars of Modern Babylon features interviews with and personal accounts from officers at various levels, as well as press accounts covering the politics and conflicts of the period. Malovany also analyzes books written by key figures in the Iraqi government and the army high command. His definitive chronicle offers English speakers new and overlooked perspectives on critical developments in twentieth-century history. The book won the Israel Yitzhak Sade Award for Military Literature in 2010.

Ground-breaking, thrilling and revealing, The Reaper is the astonishing memoir of Special Operations Direct Action Sniper Nicholas Irving, the 3rd Ranger Battalion's deadliest sniper with 33 confirmed kills, though his remarkable career total, including probable, is unknown. In the bestselling tradition of American Sniper and Shooter, Irving shares the true story of his extraordinary career, including his deployment to Afghanistan in the summer of 2009, when he set another record, this time for enemy kills on a single deployment. His teammates and chain of command labelled him "The Reaper," and his actions on the battlefield became the stuff of legend, culminating in an extraordinary face-off against an enemy sniper known simply as The Chechnian. Irving's astonishing first-person account of his development into an expert assassin offers a fascinating and extremely rare View of special operations combat missions through the eyes of a Ranger sniper during the Global War on Terrorism. From the brotherhood and sacrifice of teammates in battle to the cold reality of taking a life to protect another, no other book dives so deep inside the life of a sniper on point.