Paolo Mancosu presents a series of innovative studies in the history and the philosophy of logic and mathematics in the first half of the twentieth century. The Adventure of Reason is divided into five main sections: history of logic (from Russell to Tarski); foundational issues (Hilbert's program, constructivity, Wittgenstein, Godel); mathematics and phenomenology (Weyl, Becker, Mahnke); nominalism (Quine, Tarski); semantics (Tarski, Carnap, Neurath). Mancosu exploits extensive untapped archival sources to make available a wealth of new material that deepens in significant ways our understanding of these fascinating areas of modern intellectual history. At the same time, the book is a contribution to recent philosophical debates, in particular on the prospects for a successful nominalist reconstruction of mathematics, the nature of finitist intuition, the viability of alternative definitions of logical consequence, and the extent to which phenomenology can hope to account for the exact sciences.

Benjamin's famous "Work of Art" essay sets out his boldest thoughts--on media and on culture in general--in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the "Work of Art" essay--the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays--some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.

This compelling book advances utilitarianism as the basis for a viable public philosophy, effectively rebutting the common charge that, as moral doctrine, utilitarian thought permits cruel acts, justifies unfair distribution of wealth, and demands too much of moral agents.
James Wood Bailey defends utilitarianism through novel use of game theory insights regarding feasible equilibria and evolutionary stability, elaborating a sophisticated account of institutions that real-world utilitarians would want to foster. If utilitarianism seems in principle to dictate that we make each and every choice such that it leads to the best consequences overall, game theory emphasizes that no choice has consequences in isolation, but only in conjunction with many other choices of other agents. Viewing institutions as equilibria in complex games, Bailey negotiates the paradox of individual responsibilities, arguing that if individuals within institutions have specific responsibilities they cannot get from the principle of utility alone, the utility principle nevertheless holds great value in that it allows us to identify morally desirable institutions. Far from recommending cruel acts, utilitarianism, understood this way, actually runs congruent to our basic moral intuitions.
A provocative attempt to support the practical use of utilitarian ethics in a world of conflicting interests and competing moral agents, Bailey's book employs the work of social scientists to tackle problems traditionally given abstract philosophical attention. Vividly illustrating its theory with concrete moral dilemmas and taking seriously our moral common sense, Utilitarianism, Institutions, and Justice is an accessible, groundbreaking work that will richly reward students and scholars of political science, political economy, and philosophy.

The series presents historical and systematic studies on the philosophy of Alexius Meinong and his school, as well as on works influenced by aspects of Meinong's philosophy. Furthermore, the series is open to contributions in the analytic-phenomenological tradition, mirroring the most recent developments in these disciplines.

This is the first book-length examination of the impact Leo Strauss' immigration to the United States had on this thinking. Adi Armon weaves together a close reading of unpublished seminars Strauss taught at the University of Chicago in the 1950s and 1960s with an interpretation of his later works, all of which were of course written against the backdrop of the Cold War. First, the book describes the intellectual environment that shaped the young Strauss' worldview in the Weimar Republic, tracing those aspects of his thought that changed and others that remained consistent up until his immigration to America. Armon then goes on to explore the centrality of Karl Marx to Strauss's intellectual biography. By analyzing an unpublished seminar Strauss taught with Joseph Cropsey at the University of Chicago in 1960, Armon shows how Strauss' fragmentary, partial engagement with Marx in writing obscured the important role that Marxism actually played as an intellectual challenge to his later political thinking. Finally, the book explores the manifestations of Straussian doctrine in postwar America through reading Strauss' The City and Man (1964) as a representative of his political teaching.

Recent years have seen a great revival of interest in Wittgenstein's early masterpiece, the Tractatus Logico-Philosophicus. The Enchantment of Words is a study of that book, offering novel readings of all its major themes and shedding light on issues in metaphysics, ethics and the philosophies of mind, language, and logic.
McManus argues that Wittgenstein's aim in this deeply puzzling work is to show that the 'intelligibility of thought' and the 'meaningfulness of language', which logical truths would delimit and metaphysics and the philosophy of mind and language would explain, are issues constituted by confusions. What is exposed is a mirage of a kind of self-consciousness, a misperception of the ways in which we happen to think, talk and act as reasons why we ought to think, talk and act as we do. The root of that misperception is our confusedly endowing words with a life of their own: we 'enchant', and are 'enchanted by', words, colluding in a confusion that transposes on to them, and the world which we then see them as 'fitting', responsibilities that are actually ours to bear. Such words promise to spare us the trouble, not only of thinking, but of living.
In presenting this view, McManus offers readings of all of the major themes of the Tractatus, including its discussion of logical truth, objects, names, inference, subjectivity, solipsism and the ineffable; McManus offers novel explanations of what is at stake in Wittgenstein's comparison of propositions with pictures, of why Wittgenstein declared the point of the Tractatus to be ethical, of how a bookwhich infamously declares itself to be nonsensical can both clarify our thoughts and require of us that we exercise our capacity to reason in reading it, and of how Wittgenstein later came to re-evaluate the achievement of the Tractatus.

One thing this book attempts to show is that Kant's antinomies open a way towards an overcoming of that nihilism that is a corollary of the understanding of reality that presides over our science and technology. But when Harries is speaking of the antinomy of Being he is not so much thinking of Kant, as of Heidegger. Not that Heidegger speaks of an antinomy of Being. But his thinking of Being leads him and will lead those who follow him on his path of thinking into this antinomy. At bottom, however, the author is neither concerned with Heidegger's nor Kant's thought. He shows that our thinking inevitably leads us into some version of this antinomy whenever it attempts to grasp reality in toto, without loss. All such attempts will fall short of their goal. And that they do so, Harries claims, is not something to be grudgingly accepted, but embraced as a necessary condition of living a meaningful life. That is why the antinomy of Being matters and should concern us all.

With a wealth of anecdote Dorothy Emmet looks back on the philosophers who made a personal impact on her. She brings to life the Oxford of the 1920s, and writes particularly about H.A. Pritchard and R.G. Collingwood. She knew A.N. Whitehead and Samuel Alexander, and remembers philosophers who struggled with political dilemmas when a number of intellectuals were turning to Marxism. Describing the post-war period she recalls R.B. Braithwaite, Michael Polanyi, Alasdair MacIntyre and others. Her personal portraits will interest a wide readership, as well as making essential reading for professional philosophers.

In this first ever monograph on Jacques Derrida's 'Toledo confession' - where he portrayed himself as 'sort of a Marrano of the French Catholic culture' - Agata Bielik-Robson shows Derrida's marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida's Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida's 'universal Marranism' an invitation to think philosophically, politically and - last but not least - metaphysically without rigid categories of identity and belonging. By concentrating on Derrida's deliberate choice of marranismo, Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valery, and throws a new light on his early works, most of all: Of Grammatology, Dissemination and 'Differance'. She also offers a completely new interpretation of many of Derrida's works only seemingly non-related to the Marrano issue, like Glas, Given Time: Counterfeit Money, Death Penalty Seminar, and Specters of Marx. In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida's Marrano 'auto-fable'.

This book is a selective historical and critical study of moral philosophy in the Socratic tradition, with special attention to Aristotelian naturalism. It discusses the main topics of moral philosophy as they have developed historically, including: the human good, human nature, justice, friendship, and morality; the methods of moral inquiry; the virtues and their connexions; will, freedom, and responsibility; reason and emotion; relativism, subjectivism, and realism; the theological aspect of morality. The first volume discusses ancient and mediaeval moral philosophy. The second volume examines early modern moral philosophy from the 16th to the 18th century. This third volume continues the story up to Rawls's Theory of Justice. A comparison between the Kantian and the Aristotelian outlook is one central theme of the third volume. The chapters on Kant compare Kant both with his rationalist and empiricist predecessors and with the Aristotelian naturalist tradition. Reactions to Kant are traced through Hegel, Schopenhauer, Nietzsche, and Kierkegaard. Utilitarian and idealist approaches to Kantian and Aristotelian views are traced through Sidgwick, Bradley, and Green. Mill and Sidgwick provide a link between 18th-century rationalism and sentimentalism and the 20th-century debates in the metaphysics and epistemology of morality. These debates are explored in Moore, Ross, Stevenson, Hare, C.I. Lewis, Heidegger, and in some more recent meta-ethical discussion. This volume concludes with a discussion of Rawls, with special emphasis on a comparison of his position with utilitarianism, intuitionism, Kantianism, naturalism, and idealism. Since this book seeks to be not only descriptive and exegetical, but also philosophical, it discusses the comparative merits of different views, the difficulties that they raise, and how some of the difficulties might be resolved. It presents the leading moral philosophers of the past as participants in a rational discussion in which the contemporary reader can participate.

EDITORS PREFACE TO THE FIRST EDITION THE works by which Professor Green has hitherto been chiefly known to the general public are his Introduction to Messrs. Longmans edition of Humes Philosophical Works, and his articles in the Contemporary Review on some doctrines of Mr. Spencer and Mr. Lewes. When in the year 1 877 Mr. Green became Whytes Pro fessor of Moral Philosophy, his main desire was, both in his teaching and writing, to develope more fully and in a more constructive way the ideas which underlay his previous critical writings and appeared in them. The present trea tise is the first outcome of that desire and doubtless it would have been only the first but for the premature and unexpected death of the author in March, 1882. Even the Prolegomena to Ethics the title is the authors own was left unfinished. The greater part of the book had been used, some of it twice over, in the Professorial lectures and about a quarter of it the first 116 pages was printed in the numbers of Mind for January, April, and July, 1882. But, according to a letter of the author written not long before his death, some twenty or thirty pages remained to be added, and, though with this ex ception the whole was written out nearly ready for print ing no part of it can be considered to have undergone the final revision. At his death Mr. Green left the charge of the manuscript to me and I have now only to explain the course I have followed in preparing it for publication. The manuscript was written in paragraphs, but other wise was continuous and I may add that it was com posed without regard to arrangement in Books and EDITORS PREFACE IX Chapters. For that arrangement I am responsible, and also for thenumbering and occasional re-division of the sections, and for the frequent division of a section into two or more paragraphs. I have also made the few cor rections in expression which seemed to be necessary, and in one case I have ventured, for the sake of clearness, to transfer a passage from one place to another. References have been verified and supplied translations of Greek quotations have been given, where their meaning was not obvious from the text and a few notes have been added by way of explanation or qualification, for the most part only where a mark in the authors manuscript showed that he intended to reconsider the passage. The Editors notes, except where they give merely a reference or translation, are enclosed in square brackets. My desire throughout has been to make no changes except in passages which I felt sure Mr. Green would have altered had his attention been called to them. With the further object of rendering the work as intelligible as possible to the general reader I have ventured to print an analysis. Mr. Green would probably have followed the plan he adopted in the Introduction to Hume, and have placed a short abstract on the margins of the pages. I have thought it better to print my analysis as a Table of Contents, as that arrangement clearly separates my work from the authors, and will also probably be the most useful to those who care to read an analysis at all. Perhaps I may further suggest to any reader who is unaccustomed to metaphysical and psychological discussions that much of the authors ethical views, though not their scientific basis, may be gathered from the Third and Fourth Books alone. It has been already explained that the book was leftunfinished. But on the whole I thought it best to make no attempt to add anything, especially as the comparison x EDITORS PREFACE which occupies the last chapter seems to have reached a natural conclusion. The reader will also find in the text indications of subjects which were to have been dis cussed. In particular the author at any rate at one time intended to introduce a criticism of Kants ethical views see page 177. But I think this intention must have been abandoned during the composition of the book, and, as it is hoped that before long Mr...

Is the world around us truly as it appears or are we inert bodies in tanks, our brains subjected to electronic stimulation creating a make-believe world of hallucination? The Keanu Reeves cult sci-fi movie, The Matrix, vividly conveyed the excitement and the horror of a fake world made of nothing but perceptions, substituting for a real world of grim despair. Since The Matrix is probably the most overtly philosophical movie ever to have come out of Hollywood it has popularised issues on which philosophers have a lot to say. The Matrix and Philosophy is from the same team of cool, capable, young philosophers who created The Simpsons and Philosophy, which redefined the market for a work by serious philosophers. It has 20 new, thoughtful essays on philosophical problems raised by The Matrix, many of which focus on the issues "Can we be sure the world is really there, and if not, what should we do about it?" The book also explores other philosophical puzzles including ethical ones like Cypher's decision to choose a pleasurable fake world over a wretched real one.

In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics--an aesthetics of affect--and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts--the virtual, the minor, the fold, etc.--and the work of artists that position their work outside of the gallery or "outside" of representation--Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these "possible worlds" to work back on philosophy.

Videogames are a unique artistic form, and to analyse and understand them an equally unique language is required. Cremin turns to Deleuze and Guattari's non-representational philosophy to develop a conceptual toolkit for thinking anew about videogames and our relationship to them. Rather than approach videogames through a language suited to other media forms, Cremin invites us to think in terms of a videogame plane and the compositions of developers and players who bring them to life. According to Cremin, we are not simply playing videogames, we are creating them. We exceed our own bodily limitations by assembling forces with the elements they are made up of. The book develops a critical methodology that can explain what every videogame, irrespective of genre or technology, has in common and proceeds on this basis to analyse their differences. Drawing from a wide range of examples spanning the history of the medium, Cremin discerns the qualities inherent to those regarded as classics and what those qualities enable the player to do. Exploring Videogames with Deleuze and Guattari analyses different aspects of the medium, including the social and cultural context in which videogames are played, to develop a nuanced perspective on gendered narratives, caricatures and glorifications of war. It considers the processes and relationships that have given rise to industrial giants, the spiralling costs of making videogames and the pressure this places developers under to produce standard variations of winning formulas. The book invites the reader to embark on a molecular journey through worlds neither 'virtual' nor 'real' exceeding image, analogy and metaphor. With clear explanations and detailed analysis, Cremin demonstrates the value of a Deleuzian approach to the study of videogames, making it an accessible and valuable resource for students, scholars, developers and enthusiasts.

In this comprehensive study of Wittgenstein's modal theorizing, Raymond Bradley offers a radical reinterpretation of Wittgenstein's early thought. He presents both an interpretive and a philosophical thesis. His interpretive thesis is that Wittgenstein's Tractatus presents a view of the world in which possibilities are given an important ontological status. Contrary to most interpreters, Bradley contends that Wittgenstein's ontology is central to his enterprise, and not simply a by-product of certain of his views on language. On Bradley's reading, the Tractatus offers a version of modal realism. He further demonstrates the unexpected existence of deep differences both in content and aims between the logical atomism of Wittgenstein and that of Russell. A unique feature of Bradley's argument here is his reliance on Wittgenstein's Notebooks, which he believes offer indispensable guidance to the interpretation of difficult passages in the Tractatus. Bradley then goes on to argue that Wittgenstein's account of modality - and the related notion of possible worlds - is in fact superior to any of the currently popular theories in this area. In this context, he examines and critiques the work of such figures as Adams, Carnap, Hintikka, Lewis, Rescher, and Stalnaker.

This book presents a series of case studies and reflections on the historiographical assumptions, methods, and approaches that shape the way in which philosophers construct their own past. The chapters in the volume advance discussion of the methods of historians of philosophy, while at the same time illustrating the various ways in which philosophical canons come into existence, debunking the myth of analytical philosophy's ahistoricism, and providing a deeper understanding of the roles historiographical devices play in philosophical thought. More importantly, the contributors attempt to understand history of philosophy in connection with other historical and historiographical approaches: contributors engage classical history of science, sociology of knowledge, history of psychology and historiography, in dialogue with historiographical practices in philosophy more narrowly construed. Additionally, select chapters adopt a more diverse perspective, by making place for non-Western approaches and for efforts to construe new philosophical narratives that do justice to the voice of women across the centuries. Historiography and the Formation of Philosophical Canons will be of interest to researchers and advanced students working in history of philosophy, meta-philosophy, philosophy of history, historiography, intellectual history, and sociology of knowledge.

This book explores how language constructs the meaning and praxis of security in the 21st century. Combining the latest critical theories in poststructuralist and political philosophy with discourse analysis techniques, it uses corpus tools to investigate four collections of documents harvested from national and international security organisations. This interdisciplinary approach provides insights into the ways in which discourse has been mobilised to construct a strategic response to major terrorist attacks and geo-political events. The authors identify the way in which it is used to realize tactics of governmentality and form security as a discipline. This at once constructs a state of exception while also adhering to the principles of liberalism. This insightful study will be of particular interest to students and scholars of subjects such as applied linguistics, political science, security studies and international relations, with additional relevance to other areas including law, criminology, sociology and economics.

This work illustrates China's values and how they are practiced. After introducing readers to the theories, systematical structure, historical status, and influence of traditional Chinese values, it points out major developmental trends in connection with modernization. Further, it explores the significance of the contemporary reconstruction of Chinese values and argues that these values can be divided into three layers: values-based goals of national development, Chinese values concepts, and norms of values in a civil society. On this basis, it subsequently interprets the core socialist values "Prosperity, Democracy, Civility and Harmony," the value concepts "Freedom, Equality, Justice and Rule of Law" and values-based norms "Patriotism, Dedication, Integrity and Friendship."

This book argues that the primary function of human thinking in language is to make judgments, which are logical-normative connections of concepts. Robert Abele points out that this presupposes cognitive conditions that cannot be accounted for by empirical-linguistic analyses of language content or social conditions alone. Judgments rather assume both reason and a unified subject, and this requires recognition of a Kantian-type of transcendental dimension to them. Judgments are related to perception in that both are syntheses, defined as the unity of representations according to a rule/form. Perceptual syntheses are simultaneously pre-linguistic and proto-rational, and the understanding (Kant's Verstand) makes these syntheses conceptually and thus self-consciously explicit. Abele concludes with a transcendental critique of postmodernism and what its deflationary view of ontological categories-such as the unified and reasoning subject-has done to political thinking. He presents an alternative that calls for a return to normativity and a recognition of reason, objectivity, and the universality of principles.

Engaging with several emerging and interconnected approaches in the social sciences, including pragmatism, system theory, processual thinking and relational thinking, this book leverages John Dewey and Arthur Bentley's often misunderstood concept of trans-action to revisit and redefine our perceptions of social relations and social life. The contributors gathered here use trans-action in a more specific sense, showing why and how social scientists and philosophers might use the concept to better understand our social life and social problems. As the first collective sociological attempt to apply the concept of trans-action to contemporary social issues, this volume is a key reference for the growing audience of relational and processual thinkers in the social sciences and beyond.

New Essays on Tarski and Philosophy aims to show the way to a proper understanding of the philosophical legacy of the great logician, mathematician, and philosopher Alfred Tarski (1902-1983). The contributors are an international group of scholars, some expert in the historical background and context of Tarski's work, others specializing in aspects of his philosophical development, others more interested in understanding Tarski in the light of contemporary thought.
The essays can be seen as addressing Tarski's seminal treatment of four basic questions about logical consequence. (1) How are we to understand truth, one of the notions in terms of which logical consequence is explained? What is it that is preserved in valid inference, or that such inference allows us to discover new claims to have on the basis of old? (2) Among what kinds of things does the relation of logical consequence hold? (3) Given answers to the first two questions, what is involved in the consequence relationship itself? What is the preservation at work in "truth preservation?" (4) Finally, what do truth and consequence so construed have to do with meaning?

In this novel re-examination of the archetype construct, philosopher Jon Mills and psychiatrist Erik Goodwyn engage in spirited dialogue on the origins, nature, and scope of what archetypes actually constitute, their relation to the greater questions of psyche and worldhood, and their relevance for Jungian studies and analytical psychology today. Arguably the most definitive feature of Jung's metapsychology is his theory of archetypes. It is the fulcrum on which his analytical depth psychology rests. With recent trends in post-Jungian and neo-Jungian perspectives that have embraced developmental, relational, social justice, and postmodern paradigms, classical archetype theory has largely become a drowning genre. Despite the archetypal school of James Hillman and his contemporaries and the archetype debates that captured our attention over two decades ago, contemporary Jungians are preoccupied with the lived reality of the existential subject and the personal unconscious over the collective transpersonal forces derived from archaic ontology. Archetypal Ontology will be of interest to psychoanalysts, philosophers, transpersonal psychologists, cultural theorists, anthropologists, religious scholars, and many disciplines in the arts and humanities, analytical psychology, and post-Jungian studies.