First published in 1954, Human Society in Ethics and Politics is Bertrand Russell's last full account of his ethical and political positions relating to both politics and religion. Ethics, he argues, are necessary to man because of the conflict between intelligence and impulse - if one were without the other, there would be no place for ethics. Man's impulses and desires are equally social and solitary. Politics and ethics are the means by which we as a society and as individuals become socially purposeful and moral codes inculcate our rules of action.

Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger's philosophy for art history and visual culture in the twenty-first century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger's work in order to foster compelling new accounts of works of art and their historicity. This collected book of essays also shows how studies in the history and theory of the visual enrich our understanding of Heidegger's philosophy. In addition to examining the philosopher's lively collaborations with art historians, and how his longstanding engagement with the visual arts influenced his conceptualization of history, the essays in this volume consider the ontological and ethical implications of our encounters with works of art, the visual techniques that form worlds, how to think about 'things' beyond human-centred relationships, the moods, dispositions, and politics of art's history, and the terms by which we might rethink aesthetic judgment and the interpretation of the visible world, from the early modern period to the present day.

Utilizing Lacan's psychoanalytic theory and Zizek's philosophical adaption of it, this book brings into dialogue a series of modernist and postmodernist literary works, films, and critical theory that are concerned with defining America. Ahmed Elbeshlawy demonstrates that how America is perceived in certain texts reveals not only the idealization or condemnation of it, but an imago, or constructed image of the perceiver as well. In turn, texts which particularly focus on demonstrating how other texts about America communicate an untrustworthy message themselves communicate an unreliable message, inventing and reinventing a series of imagos of America. These imagos refer to both idealized and deformed images of America constructed by the perceivers of America. The first part of this book is concerned with modernist perceptions of America, and includes discussion of Adorno, Benjamin, Kafka, D. H. Lawrence, as well as Emerson and Seymour Martin Lipset. The second part is dedicated to postmodernist representations of America, focusing on texts by Edward Said, Ihab Hassan, Susan Sontag, David Shambaugh and Charles W. Brooks, and films including Lars von Trier's Dogville and D.W. Griffith's Birth of a Nation.

Jean Baudrillard arouses strong opinions. In this collection of his most important interviews the reader gains a unique and accessible overview of Baudrillard's key ideas. The collection includes many interviews that appear in English for the first time, as well as a fascinating interview and heencounter between the editor and Baudrillard in Paris.

"Baudrillard Live" collects together many interviews which have been published in very different lopcations and publications into a coherent work, which with new interviews and an introduciton makes available the conversational thought of one of the leading French intellectuals associated with postmodernism. The scope of the interviews is enormous, from the experience of visiting the cinema and on film and photography through to the Gulf War and the new world order. Baudrillard is well known for his critique of modernity. This work is an essential complement to this body of writing and and reveals Baudrillard thinking on his feet. It provides a supplement to his often difficult writing and it illuminates many points of contention in his work, particularly those relating to postmodernism. But the book is far more than a supplement. It is critique of modern society, and it raises many disturbing issues and problems. The collection is edited by a leading authority on Baudrillard's work. It should appeal not only to those interested in French intellectual life but also to those interested in the debate on modernity.

Hermeneutics continues to be an area of interest to many, yet recent discussions in hermeneutic theory have turned toward fringe areas - whether found in realms of post-structuralism or radical orthodoxy - that have resulted in a 'forgetfulness' of one of hermeneutics' key thinkers, Immanuel Kant. This book seeks to reaffirm Kant's place as a central thinker for hermeneutics and to challenge and support prevailing criticisms. It has been argued that Kant merely offers a theory of the subjective universality of a rational aesthetic judgement where only reason connects us to the transcendent and sensation is only a subjective and confusing factor that distracts and distorts reason. This position is challenged as well as supported by the contributors to this book, scholars who bring key issues in hermeneutics to light from American, British, and continental perspectives, grounded in questions and concerns germane to today's culture. The discussion of hermeneutics is framed as being deliberately an interdisciplinary, cross-cultural affair. The Sacred and the Profane provides a welcome addition to contemporary discussions on hermeneutic theory through its assertion that there is still a need to support a critical approach to hermeneutics after Kant.

Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.

Baudrillard is widely recognised as a powerful new force in cultural and social criticism, and is often referred to as the 'High Priest of Postmodernism'. This study presents a detached assessment of his social thought and his reputation, challenging the way his work has been received in postmodernism and proposing a new reading of his contribution to social theory. Using many sources currently available only in French, Mike Gane provides the keys to understanding Baudrillard's project and reveals the extent and scope of Baudrillard's challenge to modern social theory and cultural criticism. He looks at the sources of Baudrillard's ideas, analysing how Baudrillard has turned these sources against themselves. He describes Baudrillard's dramatic encounter with critical Marxist theory and psychoanalysis, showing how Baudrillard's post-Marxist writings define, through the exploration of fatal theory, a new episode in cultural history: a period of cultural implosion. This balanced account of Baudrillard's social theory emphasises the originality of his work and argues that his significance can only be understood by grasping the paradoxes of his project - Baudrillard's work is poetic, yet, at the same time, critical and fatal.

Bertrand Russell is considered to be one of the most significant educational innovators of his time. In this influential and controversial work, Russell calls for an education that would liberate the child from unthinking obedience to parental and religious authority. He argues that if the basis of all education is knowledge wielded by love then society can be transformed. One of Bertrand Russell's most definitive works, the remarkable ideas and arguments in On Education are just as insightful and applicable today as they were on first publication in 1926.

Also published under the title of Principals of Social Reconstruction, and written in response to the devastation of World War I, Why Men Fight lays out Bertrand Russell's ideas on war, pacifism, reason, impulse, and personal liberty. He argues that the individualistic approach of traditional liberalism has reached its limits and that when individuals live passionately, they will have no desire for war or killing. Conversely, excessive restraint or reason causes us to live unnaturally and with hostility toward those who are unlike ourselves. This formidable work greatly contributed to Russell's fame as a formidable social critic and anti-war activist.

Michel Foucault has had an extraordinary impact on writers in the human sciences since his first book "Madness and Civilization" appeared in English. When it appeared in Britain in 1967 it was read as part of the anti-psychiatry movement of the time. Only retrospectively has it been seen as the start of a profoundly original and influential theory on the nature of knowledge and power. "Rewriting the History of Madness" is a collection of essays centred around a provocative paper by Colin Gordon, which claims that major critics have failed to take note of the depth of Foucault's researches because of their excessive dependence on the English translation of the abridged 1965 edition. The collection takes Gordon's essay as a starting point, but ranges widely in drawing out the significance of Foucault's writings for modern thought in a variety of disciplines.

This book summarizes and evaluates the contribution of Martin Buber as a theorist of myth. It offers a coherent and unified study focusing on Buber's approach to myth as part of his entire system of philosophy. The book analyzes whether Buber's use of myth contributes to modern appreciation of myth.

Make sure your Catholic school's LGBT students are getting the support they need Creating Safe Environments for LGBT Students is a comprehensive training guidebook for educators who are committed to diversity and the full inclusion of LGBT students in every aspect of the Catholic high school experience. Based on five years of pilot testing in Catholic schools, this unique book emphasizes safe-staff training in integrating the Church's pastoral, social, and moral dimensions with the special needs of LGBT students. The book presents strategies and resources for building safer schools, helpful materials for communicating with parents, and general guidelines for developing and maintaining professional helping relationships with LGBT students. Based on a training the trainer model, Creating Safe Environments for LGBT Students encourages the development of grassroots leadership within the school. This unique book promotes a positive framework for navigating the challenging landscape of the Catholic tradition and the LGBT experience as it helps to establish anti-harassment and anti-bullying protocols for school environments and models for developing LGBT student support groups and gay/straight student alliances. The book promotes role-play by students, alumni, teachers, and parentsa hallmark of the ministry work and training methods of the Catholic Pastoral Committee on Sexual Minoritiesand is flexible enough to allow each school's individual climate and culture to be respected. Creating Safe Environments for LGBT Students includes: * first-hand stories from students and teachers * realistic, dynamic, and creative role-play scenarios that explore various relationships between students, teachers, parents, administrators, and the school board * opening prayer and meditation rituals * a special foreword by Bishop Thomas J. Gumbleton, one of the few Catholic bishops to publicly affirm LGBT persons * an extensive bibliography and glossary regarding the experiences, language, culture, and spirituality of LGBT youth * the latest research findings on at-risk behaviors of LGBT teenagers * training handouts that are easy to duplicate and use as transparencies * a manual log that can be used as a training diary * and much more!Creating Safe Environments for LGBT Students is an essential resource for faculty and staff members at Catholic high schools, particularly school administrators, chaplains, campus ministers, psychologists, social workers, and counselors.

The most important intellectual in the Federal Republic of Germany for the past three decades, Habermas has been a seminal contributor to fields ranging from sociology and political science to philosophy and cultural studies. Although he has stood at the centre of concern in his native land, he has been less readily accepted outside Germany, particularly in the humanities. His theoretical work postulates the centrality of communication and understanding, and as such his strategy of debate is marked by a politically informed unity of theory and practice. Holub's book is the first detailed account of the major debates in which Habermas has engaged since the early sixties. It stems from the conviction that his critics have not understood the political strategy behind his various interventions, or the consistency that informs his intellectual activities. Habermas is viewed in dialogue with important philosophical, sociological and political currents in West Germany. Holub demonstrates how Habermas pursues a course that incorporates various aspects of his opponents' positions, while simultaneously defending perceived threats to democracy and open discussion.

Existential semiotics is a new paradigm which combines classical semiotics with continental philosophy. It does not mean a return to existentialism, albeit philosophers from Hegel and Kierkegaard to Heidegger, Jaspers and Sartre are its sources of inspiration. It introduces completely new sign categories and concepts to the field, recasting the whole of semiotics, communication and signification as integral to a transcendental art. The volume contains essays on music, the voice, silence, calligraphy, metaphysics, myth, aesthetics, entropy, cultural heritage, film, the Bible, among other subjects.

Since its inception in the 1970 s, critical realism has grown to address a broad range of subjects, including economics, philosophy, science, and religion. It has also gone through a number of key evolutions that have changed its direction, and seen it develop into a complex and mature branch of philosophy.

Critical Realism: A Brief Introduction, is the first book to look back over the entire field of critical realism in one concise and accessible volume. As the originator and chief exponent of CR, Roy Bhaskar draws from his experience of countless introductory lectures, seminars, workshops and courses to give a definitive and compelling account of this increasingly influential, international and multi-disciplinary approach.

Its eight chapters examine the following topics:

• Transcendental Realism and the Philosophy of Science

• Critical Naturalism and the Philosophy of Social Science

• Explanatory Critique and Ethics

• Language and Critical Discourse Analysis

• The Development of Critical Realism

• Interdisciplinarity and Applied Critical Realism

• Modernity, Theories of Science and Metacritique

• The Advantages of Critical Realism

Everything from the definition of CR and its applicability to the social sciences, to explanations of dialectical critical realism and the philosophy of meta-reality are addressed in detail, making this the essential introduction for students of CR at all levels.

In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation, that it is no longer through art that Spirit principally comes to knowledge of itself. He argues, however, that Hegel by no means proclaimed the "death of art" (as many still imagine) but proclaimed rather the indefinite continuation of art in what Hegel called a "self-annulling" mode.
With astonishing breadth and originality, the author probes the meaning, aesthetics, and historical consequences of that self-annulment. In essence, he argues that the birth of modern aesthetics is the result of a series of schisms--between artist and spectator, genius and taste, and form and matter, for example--that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony.
Through this concept of self-annulment, the author offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger, and he opens up original perspectives on such phenomena as the rise of the modern museum, the link between art and terror, the natural affinity between "good taste" and its perversion, and kitsch as the inevitable destiny of art in the modern era. The final chapter offers a dazzling interpretation of Durer's "Melancholia" in the terms that the book has articulated as its own.
"The Man Without Content" will naturally interest those who already prize Agamben's work, but it will also make his name relevant to a whole new audience--those involved with art, art history, the history of aesthetics, and popular culture.

From Ancient Greek philosophy to the French Revolution to the modern welfare state, in Authority and the Individual Bertrand Russell tackles the perennial questions about the balance between authority and human freedom. With characteristic clarity and deep understanding, he explores the formation and purpose of society, education, moral evolution and social, economical and intellectual progress. First of the famous BBC Reith lectures, this wonderful collection delivers Russell at his intellectual best.

Although there is a vast amount of secondary literature on the "Philosophical Investigations", very little exists which considers the exegesis of this text. The apparently disjointed structure of the book has often been taken as a licence for interpreting passages out of context. This collection aims to show how important it is to consider the arguments which specify or authorize particular readings of certain passages. The essays are by Wittgenstein scholars. All approach the "Investigations" with the conviction that prior to pronouncements of the relevance or tenability of certain remarks one must always carefully consider Wittgenstein's text itself and locate the puzzling passages in their (immediate or original) contexts. Diverse exegetical approaches are represented; while some believe that the "Investigations" can be read as an independent text, others find it essential to look at the context of a particular remark, or of variations on it, in Wittgenstein's other texts. A debate emerges as authors differ in their assessment of the philosophical value of their material. This book should be of interest to advanced students and teachers of philosophy.

Mike Gane provides an introduction to Baudrillard's cultural theory: the conception of modernity and the complex process of simulation. He examines Baudrillard's literary essays: his confrontation with Calvino, Styron, Ballard and Borges. Gane offers a coherent account of Baudrillard's theory of cultural ambience, and the culture of consumer society. It provides an introduction to Baudrillard's fiction theory, and the analysis of transpolitical figures. The book also includes an interesting and provocative comparison of Baudrillard's powerful essay against the modernist Pompidou Centre in Paris and Frederic Jameson's analysis of the Bonaventure Hotel in Los Angeles. An interpretation of this encounter leads to the presentation of a very different Baudrillard from that which figures in contemporary debates on postmodernism. This book should be of interest to students of sociology and cultural studies.

The key to human nature that Marx found in wealth and Freud in sex, Bertrand Russell finds in power. Power, he argues, is man's ultimate goal, and is, in its many guises, the single most important element in the development of any society. Writting in the late 1930s when Europe was being torn apart by extremist ideologies and the world was on the brink of war, Russell set out to found a 'new science' to make sense of the traumatic events of the day and explain those that would follow. The result was Power, a remarkable book that Russell regarded as one of the most important of his long career. Countering the totalitarian desire to dominate, Russell shows how political enlightenment and human understanding can lead to peace - his book is a passionate call for independence of mind and a celebration of the instinctive joy of human life.

Arguing that a Foucauldian feminism is possible, Sawicki rejects the view that the power of the phallocentric is total. Instead, like Foucault, she sees discouse as ambiguous and a source of conflict.

Series Information:
Critics of the Twentieth Century

A recent trend in contemporary western political theory is to criticize it for implicitly trying to "conquer," "displace" or "moralize" politics. James Wiley's book takes the "next step," from criticizing contemporary political theory, to showing what a more "politics-centered" political theory would look like by exploring the meaning and value of politics in the writings of Max Weber, Carl Schmitt, Paul Ricoeur, Hannah Arendt, Sheldon Wolin, Claude Lefort, and Ernesto Laclau and Chantal Mouffe. These political theorists all use the concept of "the political" to explain the value of politics and defend it from its detractors. They represent state-centered, republic-centered and society-centered conceptions of politics, as well as realist, authoritarian, idealist, republican, populist and radical democratic traditions of political thought. This book compares these theorists and traditions of "the political" in order to defend politics from its critics and to contribute to the development of a politics-centered political theory. Politics and the Concept of the Political will be a useful resource to general audiences as well as to specialists in political theory.

In this book, Sean Homer addresses Slavoj Zizek's work in a specific political conjuncture, his political interventions in the Balkans. The charge of inconsistency and contradiction is frequently levelled at Zizek's politics, a charge he openly embraces in the name of "pragmatism." Homer argues that his interventions in the Balkans expose the dangers of this pragmatism for the renewal of the Leftist politics that he calls for. The book assesses Zizek's political interventions in so far as they advance his self-proclaimed "ruthlessly radical" aims about changing the world. Homer argues the Balkans can be seen as Zizek's symptom, that element which does not fit into the system, but speaks its truth and reveals what the system cannot acknowledge about itself. In Part II Homer explores Zizek's radicalism through his critique of Alain Badiou, arguing that Badiou's "affirmationism" provides a firmer grounding for the renewal of the left than Zizek's negative gesture analyzed in Part I. What distinguishes Zizek from the majority of the contemporary Left today is his valorization of violence; Homer tackles this issue head-on in relation to political violence in Greece. Finally, Homer defends the utopian impulse on the radical left against its Lacanian critics.