A Nation of Change and Novelty (1990) ranges broadly over the political and literary terrain of the seventeenth century, examining the importance of the English Revolution as a decisive event in English and European history. It emphasises the historical significance of the English Revolution, exploring not only its causes but also its long term consequences, basing both in a broad social context and viewing it as a necessary condition of England's having nurtured the first Industrial Revolution.

Reflections on the Puritan Revolution (1986) examines the damage done by the Puritans during the English Civil War, and the enormous artistic losses England suffered from their activities. The Puritans smashed stained glass, monuments, sculpture, brasses in cathedrals and churches; they destroyed organs, dispersed the choirs and the music. They sold the King's art collections, pictures, statues, plate, gems and jewels abroad, and broke up the Coronation regalia. They closed down the theatres and ended Caroline poetry. The greatest composer and most promising scientist of the age were among the many lives lost; and this all besides the ruin of palaces, castles and mansions.

Cromwell and Communism (1930) examines the English revolution against the absolute monarchy of Charles I. It looks at the economic and social conditions prevailing at the time, the first beginnings of dissent and the religious and political aims of the Parliamentarian side in the revolution and subsequent civil war. The various sects are examined, including the Levellers and their democratic, atheistic and communistic ideals.

Allegiance in Church and State (1928) examines the evolution of ideas and ideals, their relation to political and economic events, and their influence on friends and foes in seventeenth-century England - which witnessed the beginning of both the constitutional and the intellectual transition from the old order to the new. It takes a careful look at the religious and particularly political ideas of the Nonjurors, a sect that argued for the moral foundations of a State and the sacredness of moral obligations in public life.

An essential introduction to Irish politics, Radicals and Realists expertly analyses the political parties that have influenced the history of pre- and post-partition Ireland. Lila Haines' rigorously researched guide provides concise histories of the island's 12 most significant political parties, revealing their ideals and deals, clashes and collaborations, and splinters and mergers. Dispassionate and insightful, Radicals and Realists discusses the achievements, trends and milestones of the contemporary two-jurisdiction island. It also demolishes popular myths and reveals the inconvenient truths about political ineptitude, corruption, authoritarianism or tolerance of terrorism that some parties may prefer to forget or rewrite. Radicals and Realists is an indispensable companion for all who wish to understand how political parties in Ireland have evolved, and how their electoral fortunes are shaping the future of the island they share.

Before Diana Mitford's disgrace as a social pariah, she was a celebrated member of the Bright Young Things, moving at the centre of 1920s and '30s London high society. She was a muse to many: Helleu painted her, James Lees-Milne worshipped her, Evelyn Waugh dedicated a book to her and Winston Churchill nicknamed her 'Dina-mite'. As the young wife of Bryan Guinness, heir to the Guinness brewing empire, she lived a gilded life until fascist leader Sir Oswald Mosley turned her head. Unpublished letters, diaries and archives bring an unknown Diana to life, creating a portrait of a beautiful woman whose charm and personality enthralled all who met her, but the discourse of her life would ultimately act as a cautionary tale. This groundbreaking biography reveals the woman behind the myth.

This volume of primary sources examine British architectural history from 1760 to 1830. It contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings and will be of great interest to students of Art History and Architecture.

This volume of primary sources examine British architectural history from 1830-1914. The collection contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.

A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture-and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history-one with profound implications for global culture in the present day.

In this ground-breaking study of the medieval parliament, Roland Tanner gives the Scottish Parliament a human face by examining the actions and motives of those who attended. In the past, the Scottish Parliament was seen as a weak and ineffective institution - damned because of its failure to be more like its English counterpart. But Roland Tanner shows that the old picture of weakness is far from accurate. In its very different way, the Scottish Parliament was every bit as powerful as the English institution. The 'Three Estates' (the clergy, nobility and burgh representatives who attended Parliament) were able to wield a surprising degree of control over the Crown during the fifteenth century. For instance, they threatened to lock James I's taxation in a box to which he, the king, would have no access, made James II swear not to alter acts of Parliament, and prevented him from using his own lands and wealth as patronage for his supporters, and forbade James III to leave the country. Roland Tanner has avoided a dry constitutional approach. Instead he has sought to bring Parliament to life through the people who attended, the reasons why they attended, and the complex interactions which occurred when all the most wealthy, powerful and ambitious people in the kingdom gathered in one place.

The fifteen-year period between 1645 and 1660 was one of the most dynamic in British history, during which the republican Commonwealth and Cromwellian Protectorate attempted to create a new type of 'Godly' state after the execution of Charles I. Drawing on the latest research and established sources, as well as the works and diaries of contemporaries such as John Evelyn, Lucy Hutchinson and Samuel Pepys, A Sword for Christ offers a new and stimulating perspective on these extraordinary years. Key personalities such as Sir Thomas Fairfax, the Marquis of Argyll, Charles II and, of course, Oliver Cromwell himself - one of the most contentious figures in history - are re-appraised and brought vividly to life. In addition to exploring the religious and political debates which shaped the era and the military culture which defined it, the book also considers how society was profoundly affected by the upheaval caused by the civil wars; the relations between what was essentially an English republic and its Irish and Scottish neighbours; and the ethos of the New Model Army and the navy.

How much do you know about Scottish history? We all know bits of it. This book by the authors of Scottish History: Strange but True sets out to show how these 'bits' fit together - how the characters and events of Scottish history made the country of Scotland. We do not ponder 'WHY?' we demand 'HOW?' How was Scotland founded by refugees? How did the Vikings make Scotland happen? How did King David save Scotland AND give it away? How did Robert the Bruce forget Scottish history? How did a King of Scots declare war on Scotland? How did the Jacobites win every round, yet get smashed in the final - twice? How did Scotland embrace kilts and tartan after it banned them?

Ten years after her death, Princess Diana remains a mystery. Was she "the people's princess," who electrified the world with her beauty and humanitarian missions? Or was she a manipulative, media-savvy neurotic who nearly brought down the monarchy? Only Tina Brown, former editor-in-chief of "Tatler," England's glossiest gossip magazine; "Vanity Fair"; and "The New Yorker" could possibly give us the truth.

A History of Political Thought in the English Revolution (1954) examines the large range of political doctrines which played their part in the English revolution - a period when modern democratic ideas began. The political literature of the period between 1645, when the Levellers first seized upon the revolution's wider implications, and 1660, when Charles II restored the monarchy to power, is here studied in detail.

Behind the celebrated code-breaking at Bletchley Park lies another secret...The men and women of the ' Y' (for Wireless' ) Service were sent out across the world to run listening stations from Gibraltar to Cairo, intercepting the German military's encrypted messages for decoding back at the now-famous Bletchley Park mansion. Such wartime postings were life-changing adventures - travel out by flying boat or Indian railways, snakes in filing cabinets and heat so intense the perspiration ran into your shoes - but many of the secret listeners found lifelong romance in their far-flung corner of the world. Now, drawing on dozens of interviews with surviving veterans, Sinclair McKay tells their remarkable story at last.

From its vantage point overlooking Loch Ness, Urquhart Castle dominated the region for centuries. The probable site of a Pictish hill-fort, it may have been the scene for St Columba's reported encounter with a Pictish chief in the 6th century. Around 1230, the Durward family was granted the lordship of Urquhart, and soon built the first castle. Over the next three centuries it was repeatedly remodelled, soon becoming a royal residence. But its strategic position meant it was frequently under attack. Both Edward I of England and Robert the Bruce ravaged it during the Wars of Independence; the MacDonald Islesmen were frequent raiders in the 1400s and 1500s; and the Jacobites laid siege during the Rising of 1689-90. It stands today as a gaunt but handsome ruin in the heart of the Highlands.

In a Reformation kingdom ill-used to queens, Elizabeth I needed a very particular image to hold her divided country together. The 'Cult of Gloriana' would elevate the queen to the status of a virgin goddess, aided by authors, musicians, and artists such as Spenser, Shakespeare, Hilliard, Tallis and Byrd. Her image was widely owned and distributed, thanks to the expansion of printing, and the English came to surpass their European counterparts in miniature painting, allowing courtiers to carry a likeness of their sovereign close to their hearts. Sumptuously illustrated, Gloriana: Elizabeth I and the Art of Queenship tells the story of Elizabethan art as a powerful device for royal magnificence and propaganda, illuminating several key artworks of Elizabeth's reign to create a portrait of the Tudor monarch as she has never been seen before.

This atlas covers the history of the British Isles from earliest times to the present day.The first hunter-gatherers,who crossed into what would become our familiar islands by the land-bridge, and later followed by more familiar peoples the Celts,Angles, Saxons,Vikings and Normans,who together would create our islands unique history. Each contributed ideas which shaped our lands, languages and thoughts that are at the core of our identities to this day. This story is illustrated with 150 full-colour maps and plans that range across many topics, such as agricultural, political and industrial revolutions. The expansion of our islands peoples across the oceans and the lasting legacy that movement left on the world and on our home islands. We show the fluctuating fortunes of the states we now identify ourselves by, from an Anglo-Scottish imperium to devolved power, independence and the often painful process by which the modern map of our islands evolved.The forces of history and religion divided the islands peoples but our DNA unites us much more that most would realise the islands have gone on to embrace new cultures that have come to seek refuge, opportunity and equalitry this is a peoples history.

Opens up a hidden aspect of women's history, imperial history and social history Includes contemporary illustrations, vividly bringing the subject to life Based on important new archival research

This book, first published in 1971, is a close analysis of some of the typical peasant uprisings of the seventeenth century. The goal of the movements in France and China was a return to an older and more traditional society, rather than a profound transformation of the social structure. In Russia, however, the peasants attempted to overturn the rigid order of a two-class structure and replace it with a more democratic society.

This book, first published in 1969, examines the achievement of Montgomery and the 21st Army Group in the campaign in Northwest Europe in 1944-45. The author observed the campaign first-hand, and has spent twenty years poring over war diaries and regimental papers to provide an in-depth analysis of Montgomery's generalship, personality, complex relations with his American allies, and his own subordinates. Looking at Montgomery's performance as a morale builder both for troops and civilians, this books also examines his difficulties with the diplomatic niceties of coalition warfare.

This book, first published in 1974, examines the diverse nature of popular protest in Britain. Movements varied immensely from one another in their objectives, their social composition, their tactics and the geographical milieu.

In a comparative study drawing on material from the United States and Britain, this book, first published in 1992, examines how various types of industrial, political, urban and sectarian disorder occur. In the early 1990s public disorder returned to the top of the political agenda, and yet was consistently met with confusion and misunderstanding. Public discussion was superficial and emotive, contributing little helpful enlightenment and creating no prospect of sensible policy change. This book presents the 'flashpoints' model, to explain that public disorder is most likely to occur where a group perceives that its rights are being violated or denied. The model is demonstrated in a selection of vivid case studies which are both international and historical in scope, covering British and American inner-city riots, sports spectator violence, and the Troubles in Northern Ireland. In particular it traces the growth of police powers and assesses how effective democratic control over police behaviour actually is. It also considers the assertion that media coverage can have an inflammatory effect on public disorder.

This book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare's plays and to the understanding of ethical concerns about acting and spectating-then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare's responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare's view of these claims over the course of his career: from light-hearted parody in A Midsummer Night's Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.