Meet the Indiana Jones of vegetables on his quest to save our heritage produce.

Have you ever wondered how everyday staples such as peas, kale, asparagus, beans, squash and sweetcorn ended up on our plates? Well, so did Adam Alexander. Adam’s passion for heritage vegetables was ignited when he tasted an unusual, sweet and fiery pepper while on a filmmaking project in Ukraine. Smitten by its flavour, he began to seek out local growers of old and near-forgotten varieties in a mission to bring home seeds to grow and share – saving them from being lost forever.

In The Seed Detective, Adam tells of his far flung (and closer to home) seed-hunting adventures and reveals the stories behind many of our everyday vegetable heroes. How the common garden pea was domesticated from three wild species over 8,500 years ago, that the first carrots originated in Afghanistan (and were actually purple or red in colour), how Egyptian priests considered it a crime to look at a fava bean and that the Romans were fanatical about asparagus.

Join The Seed Detective as he takes us on a journey that began when we left the life of hunter-gatherers to become farmers. Sharing storiesof globalisation, political intrigue, colonisation and serendipity, Adam shows us the vital part vegetables have played in our food story – and how they are the key to our future.

This edited collection commemorates the 90th anniversary of the first South African public social research organisation, the National Bureau for Education and Social Research, and the 50th anniversary of its successor, the Human Sciences Research Council. It is a scholarly reflection on the history of statebased social research. Contributions work with the archive of the institution in its several forms, with its research history and, of most interest, with its relationship with the dominant political structures of the day, from the preapartheid segregationist government, to the apartheid order and ultimately the postapartheid government. The book also addresses the topical issue of the role of evidence and scientific knowledge in policymaking.

Formerly colonised people sometimes play roles that sustain the power structure of coloniality. In this book, Professor Morgan Ndlovu asks why and how they can possibly participate in a system that is responsible for their subjugation. The author uses as an example the 'staged' performances of non-Western culture in South Africa, such as traditional healing, and the creation of 'cultural villages', which while seeming to define and keep alive elements of an African culture also serve the business of international and cultural tourism. He compares practices in South Africa with parallels in India, Australia, Canada, other parts of Africa and the Americas. He argues that it is not just brute force that made the survival and continuity of coloniality possible up to the present but also the control of knowledge that justified and naturalised the colonial project. Performing Indigeneity provides an insightful evaluation of what could constitute an 'authentic' indigenous agency and the pitfalls and prospects of decolonial practices.

From Peter Marshall, winner of the Wolfson Prize 2018, a history of Orkney islands that dives deep into island culture, difference and the evolution of folklore, belief and community memory. Peter Marshall was born on Orkney, his ancestors farmers and farm labourers on the northern island of Sanday. In fact, one of them was murdered by a witch there in 1624. In this book, Marshall looks afresh at the small island that has been treated by history as a footnote, remote and peripheral. Through Orkney, we encounter a wild, isolated place where language was different to the mainland, neighbours depended entirely on each other and beliefs were pieced together by communities over generations. We traverse three centuries of religious, political and economic upheaval, a time during which what we think of as modern Scotland, and then modern Britain, was being forged and tested.

This is the updated and substantially expanded second edition of Christopher Ballantine's classic Marabi Nights, which offers a fascinating view of the triumphs and tragedies of South Africa's marabi-jazz tradition. Based on conversations with legendary figures in the world of music - as well as a perceptive reading of music, the socio-political history, and social meanings - this book is one of sensitive and impassioned curatorship. New chapters extend the book's in-depth account of the birth and development of South African urban-black popular music. They include a powerful story about gender relations and music in the context of forced migrant labor in the 1950s, a critical study of the legendary Manhattan Brothers that uniquely positions their music and words in relation to the apartheid system, and an account of the musical, political, and commercial strategies of the local record industry. A new afterword looks critically at the place of jazz and popular music in South Africa since the end of apartheid, and argues for the continued relevance of the robust, questioning spirit of the marabi tradition. The book includes an illustrative CD of historic sound recordings that the author has unearthed and saved from oblivion.

‘In the beginning was the Word,’ says the Gospel of John. This sentence – and the words of all four gospels – is central to the teachings of the Christian church and has shaped Western art, literature and language, and the Western mind. Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered. There were many different Jesuses, among them the aggressive Jesus who scorned his parents and crippled those who opposed him, the Jesus who sold his twin into slavery and the Jesus who had someone crucified in his stead. Moreover, in the early years of the first millennium there were many other saviours, many sons of gods who healed the sick and cured the lame. But as Christianity spread, they were pronounced unacceptable – even heretical – and they faded from view. Now, in Heretic, Catherine Nixey tells their extraordinary story, one of contingency, chance and plurality. It is a story about what might have been.

In 1871 Mississippi Governor James L. Alcorn recommended that the state legislature support the formation of Alcorn University. The campus of Oakland
College, a school founded by the Presbyterian Church in 1830, had been abandoned after the Civil War and was purchased for forty thousand dollars and designated for the education of black youth. The school became Alcorn Agricultural and Mechanical College in 1878, and Alcorn State University in 1974. In this unique pictorial retrospective, over one hundred years of growth and change at Alcorn are explored and celebrated. Included within these pages are vintage photographs of the students and faculty that have shaped the schoolas history. From early classes and sporting events to distinguished alumni and prominent leaders, the images depict a university continually striving to educate, train, and inspire young African Americans. Alcornas picturesque campus, with moss-draped trees and scenic
lakes, provides a setting where, for over a century, students have been given a multitude of opportunities to grow. The first land-grant institution for blacks in the United States, Alcorn is a public university committed to academic
excellence. The challenges faced by its students and faculty in its earliest days brought forth an unyielding determination to succeed, which is still evident today among its diverse student body.

Middle Tennessee State University was founded in 1911 as a two-year training school for teachers and has since evolved through myriad changesain name, in size, in administration, and in academic and athletic resources. Change has also swept through the campus with the ebb and tide of the American climate during some of the twentieth centuryas most turbulent eras, including World Wars I and II, the New Deal period, and the Civil Rights Movement. What has remained steadfast through the years at this revered Tennessee institution is a commitment to excellence, and a faculty, staff, and student body in constant pursuit of the rewards of higher education. Located on a 500-acre campus in Murfreesboro, Middle Tennessee State University boasts a wide array of opportunities for a student population of nearly 20,000. Courses in everything from agriscience to aerospace, from criminal justice to the recording industry offer budding scholars a chance to explore a wide variety of disciplines, while they also enjoy participating in team sports, academic societies, and social organizations. Within
these pages, students, alumni, and friends of the university will travel down memory lane through a unique photographic tribute to the Blue Raiders. Images of dormitories in the 1920s, World War II campus drills, the first Greek organizations, General MacArthuras visit, homecoming floats, band performances, and early sports teams illuminate the schoolas colorful history.

Content covered: Challenges to the Catholic Church The English Civil War Changing ideas: 1660-1789 The Slave Trade The British Empire The Industrial Revolution

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII—in and out of uniform, for theirs is a legacy destined to embolden generations of women to come. The Girls Who Stepped Out of Line are the heroes of the Greatest Generation that you hardly ever hear about. These women who did extraordinary things didn't expect thanks and shied away from medals and recognition. Despite their amazing accomplishments, they've gone mostly unheralded and unrewarded. No longer. These are the women of World War II who served, fought, struggled, and made things happen—in and out of uniform. Liane B. Russell fled Austria with nothing and later became a renowned U.S. scientist whose research on the effects of radiation on embryos made a difference to thousands of lives. Gena Turgel was a prisoner who worked in the hospital at Bergen-Belsen and cared for the young Anne Frank, who was dying of typhus. Gena survived and went on to write a memoir and spent her life educating children about the Holocaust. Ida and Louise Cook were British sisters who repeatedly smuggled out jewelry and furs and served as sponsors for refugees, and they also established temporary housing for immigrant families in London. Retired U.S. Army Major General Mari K. Eder wrote this book because she knew their stories needed to be told—and the sooner the better. For theirs is a legacy destined to embolden generations of women to come.

Following the birth of democracy in South Africa in 1994, Robben Island, once a symbol of pain, injustice, and closed spaces, became a famous world heritage site and a global symbol of a noble commitment to democracy, tolerance, and human dignity. In the words of Nelson Mandela at the official opening of the Robben Island Museum in 1997, it would forever be a reminder that ‘today’s unity is a triumph over yesterday’s division and conflict’. In the years that followed, however, division and conflict marred the high hopes for this cherished 475-hectare location, leaving a bewildered public at the mercy of disinformation and challenging the dream of creativity, inclusivity, hope and a re-imagined future. Robben Island Rainbow Dreams offers the first intimate, behind-the-scenes account of the ongoing saga of the making of democratic South Africa’s first national heritage institution. In doing so, it draws on the perspectives of historians, architects, visiting artists, ex political prisoners, residents of the island and a host of heritage professionals, including perspectives on Mandelarisation and commemorating Mangaliso Robert Sobukwe.

What do three murderers, Karl Marx's daughter and a vegetarian vicar have in common? They all helped create the Oxford English Dictionary. The Oxford English Dictionary has long been associated with elite institutions and Victorian men; its longest-serving editor, James Murray, devoted 36 years to the project, as far as the letter T. But the Dictionary didn't just belong to the experts; it relied on contributions from members of the public. By the time it was finished in 1928 its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from archaeologists and astronomers to murderers, naturists, novelists, pornographers, queer couples, suffragists, vicars and vegetarians. Lexicographer Sarah Ogilvie dives deep into previously untapped archives to tell a people's history of the OED. She traces the lives of thousands of contributors who defined the English language, from the eccentric autodidacts to the family groups who made word-collection their passion. With generosity and brio, Ogilvie reveals, for the first time, the full story of the making of one of the most famous books in the world - and celebrates to sparkling effect the extraordinary efforts of the Dictionary People.

From one of South Africa’s foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela’s relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband ’ s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – turning the course of South African history into a page-turning political biography. Winnie & Nelson is a modern epic in which trauma doesn’t just affect the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Told with power and tender emotional insight, Steinberg reveals how far these forever entwined leaders would go for one another, and also, where they drew the line. For in the end both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.