The interplay between nature, science, and art in antiquity and the early modern period differs significantly from late modern expectations. In this book scholars from ancient studies as well as early modern studies, art history, literary criticism, philosophy, and the history of science, explore that interplay in several influential ancient texts and their reception in the Renaissance. The Natural History of Pliny, De Architectura of Vitruvius, De Rerum Natura of Lucretius, Automata of Hero, and Timaios of Plato among other texts reveal how fields of inquiry now considered distinct were originally understood as closely interrelated. In our choice of texts, we focus on materialistic theories of nature, knowledge, and art that remain underappreciated in ancient and early modern studies even today.

This volume is a collection of essays written by colleagues and friends in honor of Michael W. Blastic, O.F.M., on the occasion of his 70th birthday. The contributing scholars endeavored to address significant issues within the academic areas in which Fr. Blastic has taught and published. Three essays are devoted to the Writings of Saint Francis; seven are dedicated to particular issues in Franciscan history, hagiography, spirituality and several texts; five deal specifically with women during the Middle Ages; and three final essays explore aspects of Franciscan theology and philosophy. Fr. Michael Blastic has taught at the Washington Theological Union, the Franciscan Institute at St. Bonaventure University and Siena College and served as a widely-respected retreat master. Contributors are Maria Pia Alberzoni, Luciano Bertazzo, O.F.M. Conv., Joshua C. Benson, Aaron Canty, Joseph Chinnici, O.F.M., Michael F. Cusato, O.F.M., Jay M. Hammond, J.A. Wayne Hellmann, O.F.M. Conv., Timothy J. Johnson, Lezlie Knox, Pietro Maranesi, Steven J. McMichael, O.F.M. Conv., Benedikt Mertens, O.F.M., Catherine M. Mooney, Luigi Pellegrini, Michael Robson, and William J. Short, O.F.M.

This collection of essays presents new insights into what shaped and constituted the Renaissance and early modern views of fate and fortune. It argues that these ideas were emblematic of a more fundamental argument about the self, society, and the universe and shows that their influence was more widespread, both geographically and thematically, than hitherto assumed.

The instant Sunday Times bestseller A Times, New Statesman and Spectator Book of the Year 'Simply the best popular history of the Middle Ages there is' Sunday Times 'A great achievement, pulling together many strands with aplomb' Peter Frankopan, Spectator, Books of the Year 'It's so delightful to encounter a skilled historian of such enormous energy who's never afraid of being entertaining' The Times, Books of the Year 'An amazing masterly gripping panorama' Simon Sebag Montefiore 'A badass history writer... to put it mildly' Duff McKagan 'A triumph' Charles Spencer Dan Jones's epic new history tells nothing less than the story of how the world we know today came to be built. It is a thousand-year adventure that moves from the ruins of the once-mighty city of Rome, sacked by barbarians in AD 410, to the first contacts between the old and new worlds in the sixteenth century. It shows how, from a state of crisis and collapse, the West was rebuilt and came to dominate the entire globe. The book identifies three key themes that underpinned the success of the West: commerce, conquest and Christianity. Across 16 chapters, blending Dan Jones's trademark gripping narrative style with authoritative analysis, Powers and Thrones shows how, at each stage in this story, successive western powers thrived by attracting - or stealing - the most valuable resources, ideas and people from the rest of the world. It casts new light on iconic locations - Rome, Paris, Venice, Constantinople - and it features some of history's most famous and notorious men and women. This is a book written about - and for - an age of profound change, and it asks the biggest questions about the West both then and now. Where did we come from? What made us? Where do we go from here? Also available in audio, read by the author.

In this classic work, Frederick C. Copleston, S.J., outlines the development of philosophical reflection in Christian, Islamic, and Jewish thought from the ancient world to the late medieval period. A History of Medieval Philosophy is an invaluable general introduction that also includes longer treatments of such leading thinkers as Aquinas, Scotus, and Ockham.

In Before Enlightenment: Play and Illusion in Renaissance Humanism, Timothy Kircher argues for new ways of appreciating Renaissance humanist philosophy. Literary qualities - tone, voice, persona, style, imagery - composed a core of their philosophizing, so that play and illusion, as well as rational certainty, formed pre-Enlightenment ideas about knowledge, ethics, and metaphysics. Before Enlightenment takes issue with the long-standing view of humanism's philosophical mediocrity. It shows new features of Renaissance culture that help explain the origins not only of Enlightenment rationalists, but also of early modern novelists and essayists. If humanist writings promoted objective knowledge based on reason's supremacy over emotion, they also showed awareness of one's place and play in the world. The animal rationale is also the homo ludens.

The new Companion to Erasmus in the Renaissance Society of America’s Texts and Studies Series draws on the insights of an international team of distinguished experts whose contributions are arrayed in eleven chapters followed by a detailed chronological catalogue of Erasmus’ works and an up-to-date bibliography of secondary sources. The ambition of this companion is to illuminate every aspect of Erasmus’ life, work, and legacy while providing an expert synthesis of the most inspiring research in the field. This volume will be of invaluable assistance to students and teachers working in any of the numerous disciplines to which Erasmus devoted his tireless efforts, including philosophy, religion, history, rhetoric, education, and the history of the book.

The History and Philosophy of Science: A Reader brings together seminal texts from antiquity to the end of the nineteenth century and makes them accessible in one volume for the first time. With readings from Aristotle, Aquinas, Copernicus, Galileo, Descartes, Newton, Lavoisier, Linnaeus, Darwin, Faraday, and Maxwell, it analyses and discusses major classical, medieval and modern texts and figures from the natural sciences. Grouped by topic to clarify the development of methods and disciplines and the unification of theories, each section includes an introduction, suggestions for further reading and end-of-section discussion questions, allowing students to develop the skills needed to: read, interpret, and critically engage with central problems and ideas from the history and philosophy of science understand and evaluate scientific material found in a wide variety of professional and popular settings appreciate the social and cultural context in which scientific ideas emerge identify the roles that mathematics plays in scientific inquiry Featuring primary sources in all the core scientific fields - astronomy, physics, chemistry, and the life sciences - The History and Philosophy of Science: A Reader is ideal for students looking to better understand the origins of natural science and the questions asked throughout its history. By taking a thematic approach to introduce influential assumptions, methods and answers, this reader illustrates the implications of an impressive range of values and ideas across the history and philosophy of Western science.

The work of Lorenzo Valla (1406-57) has enjoyed renewed attention in recent years, as have new critical editions of his texts. One of the most interesting interpreters of Valla, Salvatore I. Camporeale, O.P., had a following among scholars who read Italian, but very little of his work saw the light in English before his death in 2002. This book presents two of Camporeale's studies on Valla in English, which examine in detail two of Valla's works: his treatise on the Donation of Constantine (undoubtedly the work for which Valla is best known) and his Encomium of Saint Thomas Aquinas, delivered publicly in the last year of Valla's life and, in Camporeale's reading, summing up Valla's multi-faceted thought.

This volume is devoted to the natural philosopher Bernardino Telesio (1509-1588) and his place in the scientific debates of the Renaissance. Telesio's thought is emblematic of Renaissance culture in its aspiration towards universality; the volume deals with the roots and reception of his vistas from an interdisciplinary perspective ranging from the history of philosophy to that of physics, astronomy, meteorology, medicine, and psychology. The editor, Pietro Daniel Omodeo and leading specialists of intellectual history introduce Telesio's conceptions to English-speaking historians of science through a series of studies, which aim to foster our understanding of a crucial early modern author, his world, achievement, networks, and influence. Contributors are Roberto Bondi, Arianna Borrelli, Rodolfo Garau, Giulia Giannini, Miguel Angel Granada, Hiro Hirai, Martin Mulsow, Elio Nenci, Pietro Daniel Omodeo, Nuccio Ordine, Alessandro Ottaviani, Jurgen Renn, Riccarda Suitner, and Oreste Trabucco.

The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Luneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jurgen Barsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.