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Books > Religion & Spirituality > Alternative belief systems > General
"Charms, Charmers, and Charming" brings together the work of many
of today's key scholars in the field of verbal charming. The essays
it contains cover vernacular magical texts and practice from
Malaysia to Madagascar, and from England to Estonia. As the most
comprehensive collection of research on charms, charmers, and
charming available in the English language, it forms an essential
reader on the topic.
There are far fewer publications on the ethnology of Micronesia
than for any other region in the Pacific. This dearth is especially
seen in the traditional religion, folklore, and iconography of the
area. Haynes and Wuerch have located 1,193 relevant titles. For the
first time, these mostly scarce or unpublished materials are now
accessible in this essential research tool. The focus is on
tradition, which became modified after contact with the West--the
adaptation and persistence of these traditions are included in this
bibliography.
Traditional Micronesian iconography is largely religious in
nature, as is the case with most tribal or preliterate societies.
There is also a large corpus of Micronesian myths, legends,
beliefs, and practices that may not fit the Western concept of
religion, but would be classified under folklore. That distinction
cannot be consistently made in Micronesian cultures, nor in most
other preliterate, thus prehistoric, societies. The overlap of
religion and folklore is pervasive, so the scope of subjects
included is broad. The subject matter encompasses magic, sorcery,
ritual, cosmology, mythology, iconography, iconology, oral
traditions, songs, chants, dance, music, traditional medicine, and
many activities of daily life. Only those works that directly treat
these subjects in the context of religion or folklore are included
in this volume.
The second of two volumes on the relationship between popular
religion and the self-help tradition in American culture, this book
continues chronologically where the first left off. As with the
first volume, this work focuses on the intersection of American
history and popular religion and is intended as an introductory
interpretive guide to major self-help figures and movements with
origins in popular religious movements. This volume spans from
Romanticism, the Gilded Age, and the history of Christian Science,
with discussions of Mary Baker Patterson, Phineas Parkhurst Quimby,
and Mary Baker Eddy, through Norman Vincent Peale and Robert
Schuller. Peale and Schuller, with the exception of Evangelist
Billy Graham, constitute the public face of mainstream American
Protestantism and bring this two-volume study to its conclusion in
the second half of the 20th century.
This reference will serve as a valuable research tool for
American religion and popular culture scholars. Together with the
first volume, "Self-Help and Popular Religion in Early American
Culture," these two meticulously researched volumes clearly define
and present the broad scope of the self-help tradition as it
pervades American culture and as it developed and was influenced by
popular religion. An extensive bibliography is included.
Pagan and Native Faith movements have sprung up across Europe in
recent decades, yet little has been published about them compared
with their British and American counterparts. Though all such
movements valorize human relationships with nature and embrace
polytheistic cosmologies, practitioners' beliefs, practices, goals,
and agendas are diverse. Often side by side are groups trying to
reconstruct ancient religions motivated by
ethnonationalism-especially in post-Soviet societies-and others
attracted by imported traditions, such as Wicca, Druidry, Goddess
Spirituality, and Core Shamanism. Drawing on ethnographic cases,
contributors explore the interplay of neo-nationalistic and
neo-colonialist impulses in contemporary Paganism, showing how
these impulses play out, intersect, collide, and transform.
Reflexive Religion: The New Age in Brazil and Beyond examines the
rise of alternative spiritualities in contemporary Brazil.
Masterfully combining late modern theory with multi-site
ethnographies of the New Age, it explains how traditional religion
is being transformed by processes of reflexivity, globalization and
individualism. The book unveils how the New Age has entered Brazil,
was adapted to local Catholic, Spiritist and psychology cultures,
and more recently how the Brazilian Nova Era re-enters
transnational circuits of spiritual practice. It closely examines
Paulo Coelho (spiritualist novels), Projectiology (astral
projection) and Santo Daime (neo-shamanism) to understand the
broader "new agerization" of Christianity and Spiritualism.
Reflexive Religion offers a compelling account of how the religious
field is being updated under late modern conditions.
In its most general sense, the term "Spiritual but Not Religious"
denotes those who, on the one hand, are disillusioned with
traditional institutional religion and, on the other hand, feel
that those same traditions contain deep wisdom about the human
condition. This edited collection speaks to what national surveys
agree is a growing social phenomenon referred to as the "Spiritual
but Not Religious Movement" (SBNRM). Each essay of the volume
engages the past, present and future(s) of the SBNRM. Their
collective contribution is analytic, descriptive, and prescriptive,
taking stock of not only the various analyses of the SBNRM to date
but also the establishment of a new ground upon which the continued
academic discussion can take place. This volume is a watershed in
the growing academic and public interest in the SBNRM. As such, it
will vital reading for any academic involved in Religious Studies,
Spirituality and Sociology.
This book proposes that the drive for religiosity and experiences
of the sacred are far from lost in contemporary western societies.
The contributors' objective is to explore the myriad of ways late
modern shamanism is becoming more vital and personally significant
to people, communities, and economies in Nordic countries.
Originally published in 1929 by the Rosicrucian Press, "Here, for
the first time, is a simple system whereby anyone may determine the
fortunate and unfortunate daily, monthly and yearly periods of his
life, thereby knowing when to do and when not to do anything that
has an important bearing upon the progress of his career or the
attainment of self-mastery. No other reference books, almanacs, or
charts are necessary; there are no complicated mathematical
problems. Here is a fascinating, intriguing, astonishing book that
will be a companion for many years." Contents Include: The Problem
of Mastership - Man a Free Agent - Cosmic Rhythm and the Cycles of
Life - The Periods of Earthly Cycles- The Simple Periods of Human
Life - The Complex Yearly Cycle of Human Life With Description of
Cycle No. 2 - Periods of the Business Cycle With Description of
Cycle No. 3 - How to Use the Periods of the Cycles - The Periods of
the Health Cycle With Description of Cycle No. 4 - The Cycles of
Disease and Sex - The Daily Cycle of Significant Hours - How to use
the Daily Cycle of Seven Periods - Description of Daily Periods -
The Soul Cycle - How to Determine the Periods of the Soul Cycle -
Description of the Periods of the Soul Cycle - The Cycles of
Reincarnation
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Welcome Home
(Hardcover)
Alisha Bourke; Illustrated by Catie Atkinson; Photographs by Hayley Wernicke
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Discovery Miles 5 800
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Ships in 18 - 22 working days
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"This varied collection of essays traces the intertwining of modern
Paganisms with popular music through a wide variety of genres. An
important contribution to our understanding of emergent Pagan
cultures, and a very exciting book." - Sabina Magliocco, California
State University "Pop Pagans: Paganism and Popular Music is a
crucial contribution to the study of spirituality and music. The
wide-ranging coverage and theoretical perspectives presented here
provide an essential baseline for approaching this dynamic
intersection of expressive forms." - Holly Everett, Memorial
University, Canada Paganism is rapidly becoming a religious,
creative, and political force internationally. It has found one of
its most public expressions in popular music, where it is voiced by
singers and musicians across rock, folk, techno, goth, metal,
Celtic, world, and pop music. With essays ranging across the US,
UK, continental Europe, Australia and Asia, Pop Pagans assesses the
histories, genres, performances, and communities of pagan popular
music. Over time, paganism became associated with the counter
culture, satanic and gothic culture, rave and festival culture,
ecological consciousness and spirituality, and new ageism. Paganism
has used music to express a powerful and even transgressive force
in everyday life. Pop Pagans examines the many artists and
movements which have contributed to this growing phenomenon.
"This varied collection of essays traces the intertwining of modern
Paganisms with popular music through a wide variety of genres. An
important contribution to our understanding of emergent Pagan
cultures, and a very exciting book." - Sabina Magliocco, California
State University "Pop Pagans: Paganism and Popular Music is a
crucial contribution to the study of spirituality and music. The
wide-ranging coverage and theoretical perspectives presented here
provide an essential baseline for approaching this dynamic
intersection of expressive forms." - Holly Everett, Memorial
University, Canada Paganism is rapidly becoming a religious,
creative, and political force internationally. It has found one of
its most public expressions in popular music, where it is voiced by
singers and musicians across rock, folk, techno, goth, metal,
Celtic, world, and pop music. With essays ranging across the US,
UK, continental Europe, Australia and Asia, Pop Pagans assesses the
histories, genres, performances, and communities of pagan popular
music. Over time, paganism became associated with the counter
culture, satanic and gothic culture, rave and festival culture,
ecological consciousness and spirituality, and new ageism. Paganism
has used music to express a powerful and even transgressive force
in everyday life. Pop Pagans examines the many artists and
movements which have contributed to this growing phenomenon.
In recent years, stories of religious universities and institutions
grappling with their slave-owning past have made headlines in the
news. People find it shocking that the Church itself could have
been involved in such a sordid business. This timely book, the
result of many years of research, is a study of the origins of this
problem. Mary E. Sommar examines how the church sought to establish
norms for slave ownership on the part of ecclesiastical
institutions and personnel, and for others' behavior towards such
slaves. The story begins in the New Testament era, when the
earliest Christian norms were established, and continues up to
thirteenth-century establishment of a body of canon law that would
persist into the twentieth century. Along with her analysis of the
various policies and statutes, Sommar draws on chronicles, letters,
and other documents from each of the various historical periods to
provide insight into the situations of unfree ecclesiastical
dependents. She finds that unfree dependents of the Church actually
had less chance of achieving freedom than did the slaves of other
masters. The church authorities' duty to preserve the Church's
patrimony for the needs of future generations led them to hold on
tightly to their unfree human resources. This accessibly written
book does not present an apology for the behavior of past Christian
leaders, but attempts to learn what they did and to arrive at some
understanding of why they made those choices.
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