In what ways do Buddhists recognize, define, and sort waste from non-waste? What happens to Buddhist-related waste? How do new practices of Buddhist consumption result in new forms of waste and consequently new ways of dealing with waste? This book explores these questions in a close examination of a religion that is often portrayed as anti-materialist and non-economic. It provides insight into the complexity of Buddhist consumption, conceptions of waste, and waste care. Examples include scripture that has been torn and cannot be read, or an amulet that has disintegrated, as well as garbage left behind on a pilgrimage, or the offerings of food and prayer scarves that create ecological contamination. Chapters cover mass-production and over-consumption, the wastefulness of consumerism, the by-products of Buddhist practices like rituals and festivals, and the impact of increased Buddhist consumption on religious practices and social relations. The book also looks at waste in terms of what is discarded, exploring issues of when and why particular objects and practices are sorted and handled as sacred and disposable. Contributors address how sacred materiality is destined to wear and decay, as well as ideas about redistribution, regeneration or recycling, and the idea of waste as afterlife.

The history of the Palestine War does not only concern military history. It also involves social, humanitarian and religious history, as in the case of the Roman Catholic Diocese of Jerusalem. A Liminal Church offers a complex narrative of the Latin patriarchal diocese, commonly portrayed as monolithically aligned with anti-Zionist and anti-Muslim positions during the "long" year of 1948. Making use of largely unpublished archives in the Middle East, Europe and the United States, including the recently released Pius XII papers, Maria Chiara Rioli depicts a church engaged in multiple and sometimes contradictory pastoral initiatives, amid harsh battles, relief missions for Palestinian refugees, theological reflections on Jewish converts to Catholicism, political relations with the Israeli and Jordanian authorities, and liturgical responses to a fluid and uncertain scenario. The pieces of this history include the Jerusalem grand mufti's appeal to Pius XII to support the Arab cause, the Catholic liturgies for peace and international mobilization during the Palestine War and Suez crisis, refugees petitioning the patriarch for aid, and Jewish converts establishing Christian kibbutzim. New archival collections and records reveal hidden aspects of the lives of women, children and other silenced actors, faith communities and religious institutions during and after 1948, connecting narratives that have been marginalized by a dominant historiography more focused on military campaigns or confessional conflicts. A Liminal Church weaves diocesan history with global history. In the momentous decade from 1946 to 1956, the study of the transnational Jerusalem Latin diocese, as split between Israel, Jordan, Egypt and Cyprus, with ties to diaspora and religious international networks and comprising clergy from all over the world, attests to the possibilities of contrapuntal narratives, reintroducing complexity to a deeply and painfully polarized debate, exposing false assumptions and situating changes and ruptures in a long-term perspective.

Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World discusses Jewish cultural and artistic migration from Eastern Europe to German lands in the first half of the eighteenth century. Focusing on Eliezer-Zusman of Brody, who painted synagogues in the Franconia area, hitherto neglected biographical aspects and work methods of religious artisans in Eastern and Central Europe during the early modern period are revealed. What begins as a study of synagogue paintings in Franconia presents an unexpectedly intensive glimpse into the lives and sacred products of painters at the periphery of Jewish Ashkenazi existence.