This is a collection of sources in Chinese religion, and is the only currently available text of its kind. Selections are arranged chronologically by dynasty rather than thematically, and there

are substantial introductions to each section. It includes major texts from antiquity to the modern era.

The Hwa Yen school of Mahāyāna Buddhism bloomed in China in the 7th and 8th centuries A.D. Today many scholars regard its doctrines of Emptiness, Totality, and Mind-Only as the crown of Buddhist thought and as a useful and unique philosophical system and explanation of man, world, and life as intuitively experienced in Zen practice.

For the first time in any Western language Garma Chang explains and exemplifies these doctrines with references to both oriental masters and Western philosophers. The Buddha's mystical experience of infinity and totality provides the framework for this objective revelation of the three pervasive and interlocking concepts upon which any study of Mahāyāna philosophy must depend.

Following an introductory section describing the essential differences between Judeo-Christian and Buddhist philosophy, Professor Chang provides an extensive, expertly developed section on the philosophical foundations of Hwa Yen Buddhism dealing with the core concept of True Voidness, the philosophy of Totality, and the doctrine of Mind-Only. A concluding section includes selections of Hwa Yen readings and biographies of the patriarchs, as well as a glossary and list of Chinese terms.

Tracing Japan's religions from the Hein Period through the middle ages and into modernity, this book explores the unique establishment of Shinto, Buddhism, and Confucianism in Japan, as well as the later influence of Roman Catholicism, and the problem of Restoration--both spiritual and material--following World War II.

In a society that has seen epochal change over a few generations, what remains to hold people together and offer them a sense of continuity and meaning? In Songs for Dead Parents, Erik Mueggler shows how in contemporary China death and the practices surrounding it have become central to maintaining a connection with the world of ancestors, ghosts, and spirits that socialism explicitly disavowed. Drawing on more than twenty years of fieldwork in a mountain community in Yunnan Province, Songs for Dead Parents shows how people view the dead as both material and immaterial, as effigies replace corpses, tombstones replace effigies, and texts eventually replace tombstones in a long process of disentangling the dead from the shared world of matter and memory. It is through these processes that people envision the cosmological underpinnings of the world and assess the social relations that make up their community. Thus, state interventions aimed at reforming death practices have been deeply consequential, and Mueggler traces the transformations they have wrought and their lasting effects.

"This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. This book examines the trajectory and development of the Japanese religious movement Agonshu and its charismatic founder Kiriyama Seiyu. Based on field research spanning 30 years, it examines Agonshu from when it first captured attention in the 1980s with its spectacular rituals and use of media technologies, through its period of stagnation to its response to the death of its founder in 2016. The authors discuss the significance of charismatic leadership, the 'democratisation' of practice and the demands made by movements such as Agonshu on members, while examining how the movement became increasingly focused on revisionist nationalism and issues of Japanese identity. In examining the dilemma that religions commonly face on the deaths of charismatic founders, Erica Baffelli and Ian Reader look at Agonshu's response to Kiriyama's death, looking at how and why it has transformed a human founder into a figure of worship. By examining Agonshu in the wider context, the authors critically examine the concept of 'new religions'. They draw attention to the importance of understanding the trajectories of 'new' religions and how they can become 'old' even within their first generation.

Divination was an important and distinctive aspect of religion in both ancient China and ancient Greece, and this book will provide the first systematic account and analysis of the two side by side. Who practised divination in these cultures and who consulted it? What kind of questions did they ask, and what methods were used to answer those questions? As well as these practical aspects, Lisa Raphals also examines divination as a subject of rhetorical and political narratives, and its role in the development of systematic philosophical and scientific inquiry. She explores too the important similarities, differences and synergies between Greek and Chinese divinatory systems, providing important comparative evidence to reassess Greek oracular divination.

"Chinese Religion" is a new introduction to the field of Chinese religion and culture. It seeks to guide readers through some of the primary source material and to introduce them to continuing, contemporary debates and interpretations of religious ideas, concepts and practices in China and beyond. Religious beliefs are never pursued and held in a vacuum; they are an integral part of a particular culture, interwoven and interactive with other elements of the culture and tradition. Chinese religion in this sense can be said to be part of Chinese culture and history. In this clear account, Xinzhong Yao and Yanxia Zhao move away from the traditional and outmoded definition of Chinese religion, the three institutional doctrines: Confucianism, Daoism and Buddhism, towards a multi-layered hermeneutic of the syncretic nature and functions of religions in China. Additional features include questions for reflection and discussion and suggestions for further reading at the end of each chapter.

This book argues that Dylan actually embraces two radically distinct world views at alternating periods. Throughout his various stages, Dylan's work reveals an affinity with the Zen world view, where enlightenment can be attained through meditation, self-contemplation and intuition rather than through faith and devotion. Forgoing Christianity and Western Views for Zen and Buddhism, "Bargainin' for Salvation" will capture your attention and direct it toward the East. One of the mysteries of Bob Dylan's incredible corpus is why he seems to veer and zigzag so drastically and dramatically from one extreme standpoint to another. Throughout his career, rapid, radical transitions in musical style and public persona have either inspired or shocked different sectors of his fans. Is Dylan's work complex and contradictory, or is there an underlying consistency and continuity? Steven Heine, Director of the Institute for Asian Studies at Florida International University, argues that Dylan actually embraces two radically distinct world views at alternating periods. One is prevalent in his Protest (early '60s), Country (late '60s), and Gospel (late '70s) phases; it finds Dylan expressing moral outrage in endorsing a single higher truth based on a right-versus-wrong philosophy. The second view appears during periods of Dylan's disillusionment in the mid '60s ("Desolation Row"), mid '70s ("Tangled Up in Blue"), and mid '80s ("Jokerman"), finding him disenchanted with one-sided proclamations of truth and wandering, seemingly aimless amid a relativistic world of masks and disguises where nothing is ever what it claims to be. Throughout his various stages, Dylan's work reveals an affinity with the Zen world view, where enlightenment can be attained through meditation, self-contemplation and intuition rather than through faith and devotion. Whatever his current beliefs are, though, one can go into reading this book knowing that there are no others like it. Forgoing Christianity and Western views for Zen and Buddhism, "Bargainin' for Salvation" will capture your attention and direct it toward the East.

Wars in the Persian Gulf and Yugoslavia have given new impetus to the ongoing debate in Japan concerning its postwar constitution and related issues of national security and world order. Although often overlooked in this debate, Japanese religious groups--especially some of the New Religions--have promoted peace as a major theme of their doctrine and activities, often explicitly supporting a pacifist position. This study, undertaken in the wake of the Persian Gulf War, looks at a representative group of New Religions and explores their concepts and practices of peace. Many of the Japanese New Religions draw on a tradition that emphasizes individual moral cultivation and use of prewar terms to describe their mission. One expression, hakko ichiu (literally, "the whole world under one roof") conveys the ideal of world unity under Japanese direction, leading to the establishment of peace. In this way it is a prime example of the prewar idea of establishing peace through the spread of Japanese civilization. The author cites evidence pointing to the prevalence of a mistaken notion of the implications of the pacifist position, a situation that both reflects and contributes to the confusion surrounding popular debates on pacifism in Japan. Prophets of Peace is an attempt to correct that misperception by providing a critical study of the social ethic of the Japanese New Religions--a topic that has been largely ignored in research on new religious movements worldwide. Professor Kisala draws on the literature that presents their doctrine and surveys their believers to describe their approach to the question of peace. The results of this fieldwork are placed within the dual framework of Western peace studies and the modern Japanese intellectual tradition, highlighting the issues of pacifism and the cultural approach to peace in Japan. In his analysis of these results, he offers some observations on the role of religion in contemporary Japanese society and advocates a more positive engagement in the debate on Japan's role in international security arrangements. By offering a representative sample of New Religion groups and focusing on their doctrines, Prophets of Peace provides a different perspective for those whose primary interest is the Japanese New Religions. Although students and scholars of Japanese religion will be the book's first audience, its accessibility and thematic approach also recommend it to readers with a broader interest in contemporary Japanese society, peace studies, and the role of religious groups in modern society.

The first detailed account of the Ainu, the little-known aboriginal people of Japan, Neil Gordon Munro's classic work was based on decades of research in the first half of this century. Munro, a medical doctor who lived and worked in Japan for almost fifty years, studied the Ainu for years before finally going to live among them for the last twelve years of his life.

Munro's object in writing "Ainu Creed and Cult" was not only to give an account of his close observation of this mysterious people and their customs, but also to demonstrate to the world at large and to the Japanese in particular that the Ainu had an independent culture worthy of respect and preservation.

The author's unique insider's position among the Ainu enabled him to accurately describe their religious beliefs, homes, ceremonies, social organizations, arts, festivities, and funerary practices. "Ainu Creed and Culture" establishes the intricacy of the group's spiritual beliefs and ritual practices, a dominant force in their daily lives.

Munro's work stands today as a fine example of the anthropological method, as a historical record of those decades at the beginning of the century when the old Ainu ways were still followed, and as an eloquent and timeless plea for the dignity and survival of a minority cultural group.

"This book marks a new milestone in the study of Chinese religious history. Only a scholar as intelligent and dedicated as Campany would dare tackle and so eloquently translate one of the most important and difficult works of early Chinese religious history."--Paul Katz, author of "Images of the Immortal: The Cult of Lu Dongbin at the Palace of Eternal Joy

"This is a pathbreaking work of lasting significance to the field of Chinese religious history. The scholarship is solid and current, drawing upon the best research from America, Europe, China, and Japan. The translation is accurate, clear, and elegant, based upon an innovative analysis of surviving sources."--Terry Kleeman, author of "Great Perfection: Religion and Ethnicity in a Chinese Millennial Kingdom

"A competent translation of Ge Hong's hagiographies, with close attention paid to sources and editions, would already have constituted a major contribution to the field of Taoist studies. But Campany provides as well a survey of religious practices in Ge Hong's writings and a reading of the hagiographies which enables us to see the social practices that lie behind them. Together, these two works-in-one constitute the best available portrait of religion and society in early fourth-century China."--John Lagerwey, author of "Taoist Ritual in Chinese Society and History

"Campany's annotated translation of Ge Hong's (283-343) classic, the first in English, admirably captures the book's rich evocation of the religious culture of Southern China in the fourth century. Ge Hong here offers a series of case studies of what he regarded as the historical and exemplary evidence for the existence of immortals. This translation ofTraditions of Divine Transcendents conveys a lively and multifaceted vision of the Taoist conception of physical immortality. The book's emphasis on practices related to the cult of the immortals and the hope for transcendence squarely places its subject in the religious life of traditional Chinese society."--Franciscus Verellen, co-editor of "The Taoist Canon: A Historical Guide

Die religiose Erziehung durchlief bei den Hui, den chinesischen Muslimen, vom 17. bis 19. Jahrhundert eine besondere Entwicklung und wird als Jingtang Jiaoyu, Bucherhallen Erziehung, bezeichnet. Es wurden eigenstandige Schriften zum Islam in chinesischer Sprache verfasst. Geistliche und Gelehrte versuchten die islamische Lehre in ihre konfuzianisch gepragte Umwelt zu transferieren und schriftlich zu fixieren. Auch die Verwaltung von Schule und Gemeinde erhielt ihre eigene Form. Diese Arbeit stellt die verschiedenen fur die Ausbildung relevanten Aspekte dar. Die Aussagen basieren auf den Inhalten islamischer Steleninschriften, den religiosen Werken bedeutender Gelehrter sowie den Studien von Forschern und Muslimen im heutigen China.

This study deals with examples of Buddhist and Sivaite dvarapalas or temple-guardians from mainland Southeast Asia, compared to examples from Indonesia which are still in situ, that is to say on their original location, within the architectural layout of Buddhist and Sivsite sanctuaries. Two issues are dealt with. Firstly, that foreign frameworks (notably from southern India, southern Vietnam and Cambodia) iconographically and stylistically founded the dvarapala in Indonesia. Secondly, that the dvarapala in this latter area is the outcome of a distinct acculturation process of adoption and reinterpretation, based on local developments. This book contributes to knowledge of the dvaralapa, and as well as the text, provides a collection of 100 black-and-white plates of dvarapala statues. It is suitable for archaeologists, and those interested in Asian iconography and cultural history.