The cult of the dead, centered on Todos Santos, the All Saints Day-All Souls Day celebration, is one of the most important aspects of Mesoamerican Indian and mestizo religion. Focusing on rural Tlaxcala, in Mexico, Hugo Nutini presents a thorough description and analysis of the cult in its syncretic, structural, and expressive dimensions and describes its development from the original confrontation of pre-Hispanic polytheism and Spanish Catholicism, through colonial times, until the disintegration of the system of folk religions that is even now occurring. The discussion of the expressive component of the cult of the dead is a crucial contribution of the study. Professor Nutini shows that symbolism can be an adjunct to expressive studies, but not an end in itself. In addition, he postulates a theory that may serve as a model for studies of the combination and reconciliation of religious beliefs in other contexts. Emphasizing folk theology, teleology, and eschatology, rather than the mechanical and administrative components more frequently studied in works on Mesoamerican Indian and mestizo religions, he concludes that the local system is monolatrous, rather than monotheistic. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Finding Wisdom in East Asian Classics" is an essential, all-access guide to the core texts of East Asian civilization and culture. Essays address frequently read, foundational texts in Chinese, Japanese, Korean, and Vietnamese, as well as early modern fictional classics and nonfiction works of the seventeenth century. Building strong links between these writings and the critical traditions of Confucianism, Buddhism, and Daoism, this volume shows the vital role of the classics in the shaping of Asian history and in the development of the humanities at large.

Wm. Theodore de Bary focuses on texts that have survived for centuries, if not millennia, through avid questioning and contestation. Recognized as perennial reflections on life and society, these works represent diverse historical periods and cultures and include the "Analects of Confucius," "Mencius," "Laozi," "Xunxi," the "Lotus Sutra," Tang poetry, the "Pillow Book," "The Tale of Genji," and the writings of Chikamatsu and Kaibara Ekken. Contributors explain the core and most commonly understood aspects of these works and how they operate within their traditions. They trace their reach and reinvention throughout history and their ongoing relevance in modern life.

With fresh interpretations of familiar readings, these essays inspire renewed appreciation and examination. In the case of some classics open to multiple interpretations, de Bary chooses two complementary essays from different contributors. Expanding on debates concerning the challenges of teaching classics in the twenty-first century, several pieces speak to the value of Asia in the core curriculum. Indispensable for early scholarship on Asia and the evolution of global civilization, "Finding Wisdom in East Asian Classics" helps one master the major texts of human thought.

In China, the debate over the moral status of emotions began around the 4th century BCE, when early philosophers first began to invoke psychological categories such as the mind (xin), human nature (xing), and emotions (qing) to explain the sources of ethical authority and the foundations of our knowledge about the world. Although some thinkers during this period proposed that human emotions and desires were temporary physiological disturbances in the mind caused by the impact of things in the world, this was not the account that would eventually gain currency. The consensus among those thinkers who would come to be recognized as the foundational figures of the Confucian and Daoist philosophical traditions was that the emotions represented the underlying, dispositional constitution of a person, and that they embodied the patterned workings of the cosmos itself. This book sets out to explain why the emotions were such a central preoccupation among early thinkers, and what was at stake in the entire discussion, situating the entire debate within developments in thinking about the self, the cosmos, and the political order. It shows that the mainstream account of emotions as patterned reality emerged as part of a major conceptual shift towards the recognition of natural reality as intelligible, orderly and coherent. And that the idea that all human beings possessed a shared, underlying, dispositional nature, was itself one of the consequences of this idea. The mainstream account of emotions thus played a crucial role in summoning the very idea of the human being as a universal category - an idea that would be of particular interest during the subsequent period of empire - and in establishing the cognitive and practical agency of human beings.

Every year hundreds of thousands of pilgrims from all over the world converge on Mecca and its precincts to perform the rituals associated with the Hajj and have been doing so since the seventh century. In this volume, scholars from a range of fields - including history, religion, anthropology, and literature - together tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. By outlining the parameters of the Hajj from its beginnings to the present day, the contributors have produced a global study that takes in the vast geographies of belief in the world of Islam. This volume pays attention to the diverse aspects of the Hajj, as lived every year by hundreds of millions of Muslims, touching on its rituals, its regional forms, the role of gender, its representation in art, and its organization on a global scale.

"Precious volumes," or "pao-chuan," were produced by popular sects in the Ming and early Qing dynasties. These scriptures were believed to have been divinely revealed to sect leaders and contain teachings and ritual instructions that provide valuable information about a lively and widespread religious tradition outside mainstream Confucianism, Taoism, and Buddhism. Largely neglected until now, they testify to the imagination and devotion of popular religious leaders. This book, the most detailed and comprehensive study of "pao-chuan" in any language, studies 34 early examples of this literature in order to understand the origins and development of this textual tradition. Although the work focuses on content and structure, it also treats the social context of these works as well as their transmission and ritual use.

The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty comparatively studies the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy's global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice. Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism, in addition to Sunzi's Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. The work ameliorates Western philosophy's hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.

Princeton Readings in Religions is a new series of anthologies on the religions of the world, representing the significant advances that have been made in the study of religions in the last thirty years. This volume brings together the introductions to the first five volumes of this acclaimed series: "Religions of India in Practice" (1995), "Buddhism in Practice" (1995), "Religions of China in Practice" (1996), "Religions of Tibet in Practice" (1997), and "Religions of Japan in Practice" (1999). The introductions to these volumes have been widely praised for their accessible, clear and concise overviews of the religions of Asia, providing both historical context and insightful analysis of Hinduism, Jainism, Sikhism, Islam, Buddhism, Confucianism, Taoism, Shinto, and Bon, as well as many local traditions. The authors of the chapters are leading scholars of Asian religions: Richard Davis (India), Stephen Teiser (China), George Tanabe (Japan), and Donald Lopez (Buddhism and Tibet). They bring together the best and most current research on their topics, while series editor Donald Lopez provides an introduction to the volume as a whole. In addition to providing a wealth of detail on the history, doctrine, and practice of the religions of Asia, the five chapters offer an opportunity for sustained discussions of the category of "religion."

Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046-771 BCE) and Spring and Autumn (770-481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook's analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation. The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts.

With over four million copies in print, Parmahansa Yogananda's autobiography has been translated into thirty-three languages, and it still serves as a gateway into yoga and alternative spirituality for countless North American practitioners. This book examines Yogananda's life and work to clarify linkages between the seemingly disparate aspects of modern yoga, and illuminates the intimate connections between yoga and metaphysically-leaning American traditions such as Unitarianism, New Thought, and Theosophy. Instead of treating yoga as a stable practice, Anya P. Foxen proposes that it is the figure of the Yogi that give the practice of his followers both form and meaning. Focusing on Yogis rather than yoga during the period of transnational popularization highlights the continuities in the concept of the Yogi as superhuman even as it illuminates the transformation of the practice itself. Skillfully balancing traditional yogic ritual, metaphysical spirituality, physical culture, and a flair for the stage, Foxen shows, Yogananda taught a proto-modern yoga to his American audiences. His Yogoda program has remained under the radar of yoga scholarship due to its lack of reliance on recognizable postures. However, as a regimen of training for the modern Yogi, Yogananda's method synthesizes the spiritual and superhuman aspirations of Indian traditions with the metaphysical and health-oriented sensibilities of Euro-American progressivism in a way that exactly prefigures present-day transnational yoga culture. Yet, at the heart of it all, Yogananda retains a sense of what it means to be a Yogi: his message is that the natural destiny of the human is the superhuman.

Taking into account the long history and wide range of Confucian Studies, this book introduces Confucianism - initiated in China by Confucius (551 BC–479 BC) - primarily as a philosophical and religious tradition. It pays attention to Confucianism in both the West and the East, focussing on the tradition’s doctrines, schools, rituals, sacred places and terminology, but also stressing the adaptations, transformations and new thinking taking place in modern times. Xinzhong Yao presents Confucianism as a tradition with many dimensions and as an ancient tradition with contemporary appeal. This gives the reader a richer and clearer view of how Confucianism functioned in the past and of what it means in the present. A Chinese scholar based in the West, he draws together the many strands of Confucianism in a style accessible to students, teachers, and general readers interested in one of the world’s major religious traditions.

The Zhuangzi is a deliciously protean text: it is concerned not only with personal realization, but also (albeit incidentally) with social and political order. In many ways the Zhuangzi established a unique literary and philosophical genre of its own, and while clearly the work of many hands, it is one of the finest pieces ofliterature in the classical Chinese corpus. It employs every trope and literary device available to set off rhetorically charged flashes of insight into the most unrestrained way to live one's life, free from oppressive, conventional judgments and values. The essays presented here constitute an attempt by a distinguished community of international scholars to provide a variety of exegeses of one of the Zhuangzi's most frequently rehearsed anecdotes, often referred to as "the Happy Fish debate." The editors have brought together essays from the broadest possible compass of scholarship, offering interpretations that range from formal logic to alternative epistemologies to transcendental mysticism. Many were commissioned by the editors and appear for the first time. Some of them have been available in other languages-Chinese, Japanese, German, Spanish-and were translated especially for this anthology. And several older essays were chosen for the quality and variety of their arguments, formulated over years of engagement by their authors. All, however, demonstrate that the Zhuangzi as a text and as a philosophy is never one thing; indeed, it has always been and continues to be, many different things to many different people.

How can people living in one of the poorest countries in the world be among the most charitable? In this book, Hiroko Kawanami examines the culture of giving in Myanmar, and explores the pivotal role that Buddhist monastic members occupy in creating a platform for civil society. Despite having at one time been listed as one of the poorest countries in the world in GNP terms, Myanmar has topped a global generosity list for the past four years with more than 90 percent of the population engaged in 'giving' activities. This book explores the close relationship that Buddhists share with the monastic community in Myanmar, extending observations of this relationship into an understanding of wider Buddhist cultures. It then examines how deeply the reciprocal transactions of giving and receiving in society - or interdependent living - are implicated in the Buddhist faith. The Culture of Giving in Myanmar fills a gap in research on Buddhist offerings in Myanmar, and is an important contribution to the growing field of Myanmar studies and anthropology of Buddhism.

The fantastical tales of your culture's mythology can shape your world in ways that you don't even realise. Victoria Hoffarth embarks on a journey to seek such myths from the Philippines, explaining the symbolic values as well as the underpinnings of 15 myths, legends, and folktales from the island of Negros, given the collective culture of the Philippines. Through interesting and well written tales, Dr Hoffarth shows how myths are intimately related to history and religion - from Christianity to Islam, from ancient Greece to Hollywood, from pre-Enlightenment Spain to modern, secular Europe. Especially relevant to those interested in commonalities among peoples coming from different cultures, this is a very accessible book with a tone that bridges the gap between academia and popular literature. Entertaining, informative, and insightful, it stimulates our imagination, and encourages us to ask questions. Whether you're intrigued by the folklore of a culture rarely delved into, or in general curious about the origins and meanings of myths, Song of Negros is a go-to book for you.

An architectural and historical study of Singapore's oldest Teochew Temple. At the turn of the nineteenth century, Teochew-speaking gambier and pepper farmers settled in Singapore. Surrounded by the skyscrapers of Singapore's central business district, Wak Hai Cheng Bio temple traces its history back to the earliest days of the colony. While no written sources or inscriptions commemorate the founding of the temple, Yeo Kang Shua's book delves into the history of the temple's foundation, encountering a rich history along the way. Poetic and commemorative, Yeo attends to the testimony of the building itself-the location, materials, ornamentation, and artwork that charge the space with meaning. Divine Custody tells the story of a temple that formed and was formed by its community. Of interest to heritage studies and those seeking to understand the experience of Chinese communities in Southeast Asia, this book is exemplary in the way it uses material culture and architectural history as historical sources.

Listen to Your Body shows how you can promote health and natural well-being by modifying everyday actions to improve the flow of qi (the universal principle of energy). Breathing, eating, drinking, resting, washing, and many other small but vital actions - if carried out in the right way - can result in profound changes in body function. To give readers an understanding of the body's own natural medicine, the authors provide a clear explanation of the foundations of Traditional Chinese Medicine (TCM) with reference to qi and its flow through the body's meridians, the balance of yin and yang, and the body's energy centres. Readers will learn how to ""tune in"" to the signals the body transmits to warn of impending health problems; numerous case histories illustrate how this highly developed information system of the body works. Later chapters address the art of relaxation, bringing together the TCM approach to health with recent scientific studies. Finally the authors describe in detail how to apply the natural medicine of the body to daily life. They discuss illness prevention and provide specific guidance for the management of a range of health disorders. Exercises and simple routines are given, together with the basis for their therapeutic effect.

This third volume of "Princeton Readings in Religions" demonstrates that the "three religions" of China--Confucianism, Daoism, and Buddhism (with a fourth, folk religion, sometimes added)--are not mutually exclusive: they overlap and interact with each other in a rich variety of ways. The volume also illustrates some of the many interactions between Han culture and the cultures designated by the current government as "minorities." Selections from minority cultures here, for instance, are the folktale of Ny Dan the Manchu Shamaness and a funeral chant of the Yi nationality collected by local researchers in the early 1980s. Each of the forty unusual selections, from ancient oracle bones to stirring accounts of mystic visions, is preceded by a substantial introduction. As with the other volumes, most of the selections here have never been translated before.

Stephen Teiser provides a general introduction in which the major themes and categories of the religions of China are analyzed. The book represents an attempt to move from one conception of the "Chinese spirit" to a picture of many spirits, including a Laozi who acquires magical powers and eventually ascends to heaven in broad daylight; the white-robed Guanyin, one of the most beloved Buddhist deities in China; and the burning-mouth hungry ghost. The book concludes with a section on "earthly conduct."

This book draws attention to a striking aspect of contemporary Japanese culture: the prevalence of discussions and representations of "spirits" (tama or tamashii). Ancestor cults have played a central role in Japanese culture and religion for many centuries; in recent decades, however, other phenomena have expanded and diversified the realm of Japanese animism. For example, many manga, anime, TV shows, literature, and art works deal with spirits, ghosts, or with an invisible dimension of reality. International contributors ask to what extent these are cultural forms created by the media for consumption, rather than manifestations of "traditional" ancestral spirituality in their adaptations to contemporary society. Spirits and Animism in Contemporary Japan considers the modes of representations and the possible cultural meanings of spirits, as well as the metaphysical implications of contemporary Japanese ideas about spirits. The chapters offer analyses of specific cases of "animistic attitudes" in which the presence of spirits and spiritual forces is alleged, and attempt to trace cultural genealogies of those attitudes. In particular, they present various modes of representation of spirits (in contemporary art, architecture, visual culture, cinema, literature, diffuse spirituality) while at the same time addressing their underlying intellectual and religious assumptions.