The "counterpoint" to The Art of War--an inspiring collection of sayings and teachings on the peaceful resolution of conflict. Unlike other popular Eastern philosophies which accept the inevitability of violence as a means to victory--such as Musashi's Book of Five Rings--Aikido fosters fearlessness, wisdom, and compassion and is based on the universal principles of harmony and love of life.

This text provides a careful examination of "mizuko kuyo", a Japanese religious ritual for aborted foetuses. Popularized during the 1970s, when religious entrepreneurs published frightening accounts of foetal wrath and spirit attacks, mizuko kuyo offers ritual attonement for women who, sometimes decades previously, chose to have abortions.;In its exploration of the complex issues that surround this practice, the text takes into account the history of Japanese attitudes towards abortion, the development of abortion rituals, the marketing of religion and the nature of power relations in intercourse, contraception and abortion. Although abortion in Japan is accepted and legal and was commonly used as birth control in the early postwar period, entrepreneurs used images from foetal photography to mount a surprisingly successful tabloid campaign to promote mizuko kuyo. Adopted by some religionists as an economic strategy, it was rejected by others on doctrinal, humanistic and feminist grounds.

The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty comparatively studies the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy's global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice. Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism, in addition to Sunzi's Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. The work ameliorates Western philosophy's hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.

The Qianlong emperor, who dominated the religious and political life of 18th-century China, was in turn ruled by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and above all how he performed the yearly Grand Sacrifices. In this study, Angela Zito offers an analysis of the way ritualizing power was produced jointly by the throne and the official literati who dictated these prescriptions. Forging a critical cultural historical method that challenges traditional categories of Chinese studies, Zito shows that in their "performance", the ritual texts literally embodied the metaphysics upon which imperial power rested. By combining rule through the brush (the production of ritual texts), with rule through the body (mandated performance), the throne both exhibited its power and attempted to control resistance to it. Encompassing Chinese history, anthropology, religion, and performance and cultural studies, this book seeks to bring a new perspective to the human sciences.

How can people living in one of the poorest countries in the world be among the most charitable? In this book, Hiroko Kawanami examines the culture of giving in Myanmar, and explores the pivotal role that Buddhist monastic members occupy in creating a platform for civil society. Despite having at one time been listed as one of the poorest countries in the world in GNP terms, Myanmar has topped a global generosity list for the past four years with more than 90 percent of the population engaged in 'giving' activities. This book explores the close relationship that Buddhists share with the monastic community in Myanmar, extending observations of this relationship into an understanding of wider Buddhist cultures. It then examines how deeply the reciprocal transactions of giving and receiving in society - or interdependent living - are implicated in the Buddhist faith. The Culture of Giving in Myanmar fills a gap in research on Buddhist offerings in Myanmar, and is an important contribution to the growing field of Myanmar studies and anthropology of Buddhism.

Throughout its history, Buddhism has developed alongside other traditions of religious belief and practice. Forms of Buddhism have in every era, region, and culture been confronted by rival systems that challenged its teachings about the world, how to behave in it, and liberation from it. This volume collects studies of Buddhist literature and art that represent the religious other to their audiences. Contributing authors examine how Buddhists in India, China, and elsewhere across Asia have understood their place in shared religious landscapes, and how they have responded to the presence and influence in the world of traditions other to their own. The studies in this volume consider a variety of 'others' that Buddhists of different times and situations have encountered, and the variety of mechanisms that Buddhists have employed to make sense of them. Chapters of this volume explore the range of attitudes that Buddhists have expressed with respect to other religions, how they have either accommodated the other within their worldview, or pronounced the redundancy of their ideas and activities. These chapters illuminate how over the centuries Buddhists have used and reused stories, symbols, and other strategies to explain religious others and their value, in which every representation of the other is always also a comment on the character and status of Buddhism itself.

Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an "Eastern Approach" into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.

This book draws attention to a striking aspect of contemporary Japanese culture: the prevalence of discussions and representations of "spirits" (tama or tamashii). Ancestor cults have played a central role in Japanese culture and religion for many centuries; in recent decades, however, other phenomena have expanded and diversified the realm of Japanese animism. For example, many manga, anime, TV shows, literature, and art works deal with spirits, ghosts, or with an invisible dimension of reality. International contributors ask to what extent these are cultural forms created by the media for consumption, rather than manifestations of "traditional" ancestral spirituality in their adaptations to contemporary society. Spirits and Animism in Contemporary Japan considers the modes of representations and the possible cultural meanings of spirits, as well as the metaphysical implications of contemporary Japanese ideas about spirits. The chapters offer analyses of specific cases of "animistic attitudes" in which the presence of spirits and spiritual forces is alleged, and attempt to trace cultural genealogies of those attitudes. In particular, they present various modes of representation of spirits (in contemporary art, architecture, visual culture, cinema, literature, diffuse spirituality) while at the same time addressing their underlying intellectual and religious assumptions.

The most common Buddhist practice in Asia is bowing, yet Buddhist and Christian Responses to the Kowtow Problem is the first study of Buddhist obeisance in China. In Confucian ritual, everyone is supposed to kowtow, or bow, to the Chinese emperor. But Buddhists claimed exemption from bowing to any layperson, even to their own parents or the emperor. This tension erupted in an imperial debate in 662. This study first asks how and why Buddhists should bow (to the Buddha, and to monks), and then explores the arguments over their refusing to bow to the emperor. These arguments take us into the core ideas of Buddhism and imperial power: How can one achieve nirvana by bowing? What is a Buddha image? Who is it that bows? Is there any ritual that can exempt a subject of the emperor? What are the limits of the state's power over human bodies? Centuries later, Christians had a new set of problems with bowing in China, to the emperor and to "idols." Buddhist and Christian Responses to the Kowtow problem compares these cases of refusing to bow, discusses modern theories of obeisance, and finally moves to examine some contemporary analogies such as refusing to salute the American flag. Contributing greatly to the study of the body and power, ritual, religion and material culture, this volume is of interest to scholars and students of religious studies, Buddhism, Chinese history and material culture.

This book is intended to give the seeker of Truth a devotional practice that is designed to aid in the ultimate goal of union with God or the Divine. The Sai Krishna Premopasana assists the seeker to become aware of the divinity that is inherent within us all. When the act of love, the lover, and the object of love all become one, the individual disappears into Pure Being-into that which is eternal. The Sri Sai Krishna Mandalam-the Yantra of Sw ta Dweepam (Golokam)-was specifically prepared to help those interested in Sai Krishna Premopasana. This approach has seven steps and each step has its own mantra and tantra. The seventh step is the ultimate step representing the seat of Consciousness. Religions are many but the goal is one, and the language of love is the universal way to this realization.

Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness? Is the aching urgency of your haste the sole reason why your tangled tresses break into stormy riot and pearls of fire roll along your path as from a broken necklace? Your fleeting steps kiss the dust of this world into sweetness, sweeping aside all waste; the storm centred with your dancing limbs shakes the sacred shower of death over life and freshens her growth.