This is a book about curses. It is not about curses as insults or offensive language but curses as petitions to the divine world to render judgment and execute harm on identified, hostile forces. In the ancient world, curses functioned in a way markedly different from our own, and it is into the world of the ancient Near East that we must go in order to appreciate the scope of their influence. For the ancient Near Easterners, curses had authentic meaning. Curses were part of their life and religion. They were not inherently magic or features of superstitions, nor were they mere curiosities or trifling antidotes. They were real and effective. They were employed proactively and reactively to manage life’s many vicissitudes and maintain social harmony. They were principally protective, but they were also the cause of misfortune, illness, depression, and anything else that undermined a comfortable, well-balanced life. Every member of society used them, from slave to king, from young to old, from men and women to the deities themselves. They crossed cultural lines and required little or no explanation, for curses were the source of great evil. In other words, curses were universal. Because curses were woven into the very fabric of every known ancient Near Eastern society, they emerge frequently and in a wide variety of venues. They appear on public and private display objects, on tomb stelae, tomb lintels, and sarcophagi, on ancient kudurrus and narûs. They are used in political, administrative, social, religious, and familial contexts. They are the subject of incantations. They are tools that exorcise demons and dispel disease; they ban, protect, and heal. This is the phenomenology of cursing in the ancient Near East, and this is what the present work explores.

The book developed from my gradual realization that spirituality was a normal characteristic in the human race, but that in recent millennia it had regressed in the everyday awareness of most people, especially those belonging to what they regarded as a cultural society. Only so-called primitive peoples retained a spiritual outlook. My book describes how this has come about, especially the negative influence of organized religions on individual spirituality, and the resulting deterioration in most human societies. Finally I suggest how mankind can become again spiritual during their Earth lives. Michael Higgins

Helena Blavatsky's translations of three fragments of ancient Buddhist wisdom, sourced from texts such as The Book of Golden Precepts, are contained in this thought-provoking volume. A valiantly sought collection of sage advice and spiritual instruction, The Voice of the Silence offers readers advice on inner growth. Principally the text echoes the principles of Buddhism, advising readers to put aside personal desires and focus upon fostering the inner wealth of the soul to achieve a life of contentment. Blavatsky's book was published as part of her personal investigations into ancient wisdom pertaining to the human soul and reality. Her hunt turned up the formerly obscure fragments which she painstakingly translated. Although existing scholars generally poured cold water upon her efforts, which they considered a haphazard grouping of ancient precepts and mysticism, the reception was warmer among readers discovering the theosophist principles of spiritualism for the first time.

A precious treasure of lost Lemurian wisdom is found in the forest. It is a book, clad in worn white deerskin, and within on pages of bark is inscribed a mysterious and glowing script. It is written in the language of the Elven Ones, who so long ago vanished from our world. SILVER WHEEL is an exquisite mandala of wisdom teachings from the Elven realms of Lemuria, that declares the Golden Dawn of a New Earth. It announces the return of the Shining Ones, and guides us into their ancient knowledge, their harmony with the earth and stars. ELEN ELENNA received these teachings during her years of shamanic training in the forests of Wales. These beautiful teachings offer navigational tools for the New Earth. They activate our own otherworldly gifts and memories, and our intuitive grace of connection to the elemental and star realms.

Black Jack Herman

Eva turns 109 as seen on the Today Show 4/9/08.

Quote of the day: "When you've been buried alive, you're not looking forward to the real thing "

The premiere African-American magician of the twentieth century, he was an ardent freedom fighter speaking out against the scourge of Jim Crow-ism and conducting Algonquin style roundtables in his Harlem abode circa 1920's. Intriguingly, he warned people against banks and stocks before the advent of the Great Depression. He continued to entertain and enlighten throughout the crisis that followed. That is, until his mysterious death on stage in April 1934.

Steeped in details of its early twentieth-century setting, the manuscript offers a richly detailed look at the showmanship so popular during that era. In addition, it effectively conveys the mentality of the time, with prohibition, big-name gangsters, and the threat of national economic collapse looming always in the background. Ultimately, "Black Jack: A Drama of Magic, Mystery, and Legerdermain" also serves as a testament to the power of the human spirit, as readers may be struck not only by what Eva endures, but by how she endures it.