Paul Foster Case was an American occultist of the early 20th century and author of numerous books on occult tarot and Qabalah. Perhaps his greatest contributions to the field of occultism were the lessons he wrote for associate members of Builders of the Adytum. The Knowledge Lectures given to initiated members of the Chapters of the B.O.T.A. were equally profound, although the limited distribution has made them less well known. Case was early on attracted to the occult. While still a child he reported experiences that today are called lucid dreaming. He corresponded about these experiences with Rudyard Kipling who encouraged him as to the validity of his paranormal pursuits. In the year 1900, Case met the occultist Claude Bragdon while both were performing at a charity performance. Bragdon asked Case what he thought the origin of playing cards was. After pursuing the question in his father's library, Case discovered a link to tarot, called 'The Game of Man, ' thus began what would become Case's lifelong study of the tarot, and leading to the creation of the B.O.T.A. tarot deck, a "corrected" version of the Rider-Waite cards. Between 1905 and 1908 (aged 20-24), Case began practicing yoga, and in particular pranayama, from what published sources were available. His early experiences appear to have caused him some mental and emotional difficulties and left him with a lifelong concern that so called "occult" practice be done with proper guidance and training.

The Art of Darkness is a visually rich sourcebook featuring eclectic artworks that have been inspired and informed by the morbid, melancholic and macabre. Throughout history, artists have been obsessed with darkness - creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile. Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre. From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters - this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century. But, while these themes might scare us - can't they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist's influences and inspirations, asking what comfort can be found in facing our demons? Why are we tempted by fear and the grotesque? And what does this tell us about the human mind? Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows - from the safety of our armchairs. Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dali, as well as scores more. With over 200 carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

Fresh from his latest escapade, the benevolent spirit known as Bean is back in a new endeavor. But this time he is faced with what could be the end of humanity as we know it ...After his successful intervention in the life and family of an autistic child, Bean meets up with an acquaintance from the past. Called Leader, this acquaintance is the entity-in-charge for billions of blood-sucking creatures. He's also on the verge of changing his lifestyle, leaving his plasmaholic followers in need of management. Leader turns to Bean for help. But in their quest, Leader and Bean meet the epitome of evil in the cradle of Western civilization: Lili-It, and her henchman, Whoever. This duo wants nothing less than the complete annihilation of civilization in preparation for the rebirth of immorality. It falls upon Bean and Leader to thwart those insidious plans. Together, with a cadre of determined allies, both human and spirit, Bean and Leader prepare to meet Lili-It in a final conflict, where a fusion of physical and spiritual forces join in a place called Armageddon. And in this battle, there can be only one winner ...P AX expands the boundaries of human imagination and creates an intriguing and altogether fascinating alternate world.

In her book she ties to share psychic truths in simple stories about a group of kids in the Karma Klub. She presents the experiences she's had and read about in an interesting group of books; book one gives the reader a cast of characters who's lives intertwine through history and experiences together, that weave a story of friendship, suspense, love and psychic truths that stand the tests of time.

The Heart is the meeting place of the individual and the divine, the inner ground of morality, authenticity, and integrity. The process of coming to the Heart and of realizing the person we were meant to be is what Carl Jung called 'Individuation'. This path is full of moral challenges for anyone with the courage to take it. Using Jung's premise that the main causes of psychological problems are conflicts of conscience, Christina Becker takes the reader through the philosophical and spiritual aspects of the ethical dimensions of this individual journey toward wholeness. This book is a long overdue and unique contribution to the link between individuation and ethics. Christina Becker, M.B.A. is a Zurich-trained Jungian Analyst in private practice in Toronto, Ontario Canada.

The Witness of the Stars stands as one of the best explanations of the constellations in the context of Biblical wisdom. This edition includes all of E. W. Bullinger's original charts and illustrations of the heavens above. To compose this book, E. W. Bullinger used his Biblical scholarship alongside research of the origins of the astronomical constellations. He demonstrates, through a close reading of the Old and New Testaments, how each of the star signs relates to the Bible's stories. Gradually, it is revealed how God makes himself known to us through the Bible's astronomy. The symbolism of the star signs are shown as important in the Bible. Their presence in verse relates not simply to their appearances, such as Libra's scales or Aries as a ram, but also the way in which Biblical figures behave after looking at the heavens for guidance. The Book of Job is highlighted by Bullinger for being significantly influenced by the stars.