Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Liquid Leaf is a remarkable gilding paint that contains its own red primer and film of lustrous gold, pre-mixed into a single liquid. This is the most effective finish you can use on carved and ornamental furniture, frames, mouldings, decorative ceilings, lamps, figurines and objects.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

The leaves in this booklet are worked for ten hours in five phases to transform them from a copper ingot form to leaves tenths of microns thick.

This leaf booklet contains 25 copper leaves measuring 80x80mm.

One book of copper will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the copper content of a leaf the more durable it will be. For outdoor work it is advisable to only gild using leaf that 23ct or higher to avoid tarnishing.

The copper leaves that are contained in the transfer booklet are held on tissue paper and are laid out in pages. This product is especially suited for gilding ceilings or outdoor surfaces.

A gilding cushion covered in genuine leather with a parchment wind shield to protect the gold or silver leaf from draughts while cutting it.

Each book of gold leaf contains 25 leaves that measure 80mm x 80mm. 1 book of gold will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the gold content of a leaf the more resistant it will be to tarnishing. Gold Leaf of less than 22 carat should be protected from the atmosphere with a lacquer. Loose leaf gold will disintegrate if touched with a finger so is usually lifted using a gilder's tip (see our brushes section)Please note: Manetti gold may be delivered in Handover card to protect the sheets during transit.

Made from a thin row of pure squirrel hair, these tips are for picking up and applying “loose” gold leaf.

Apply with a finger or cloth and rub to a beautiful metallic shine. A blend of carnuba waxes and metallic powders.Specifications..

Bronze powder is made up of fine particles of metal carefully mixed to produce shades approximating the colours of gold. These powders are often used in restoring gilt finishes; when mixed with a medium such as Gilt Wax Medium, they can be applied to a surface much like a paint.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

This domed mop brush is made from extremely soft mixed natural hair. Also called a "French Polishing Mop" traditionally used for applying french polish and by gilders and craftsmen for various applications.

A versatile brush which is ideal for watercolour washes and experimental techniques. A great alternative to squirrel.

The leaves in this booklet are worked for ten hours in five phases to transform them from a gold ingot form to leaves tenths of microns thick.

This leaf booklet contains 25 gold leaves measuring 80x80mm.

One book of gold will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the gold content of a leaf the more durable it will be. For outdoor work it is advisable to only gild using leaf that 23ct or higher to avoid tarnishing.

The gold leaves that are contained in the transfer booklet are held on tissue paper and are laid out in pages. This product is especially suited for gilding ceilings or outdoor surfaces.

Traditional size for illumination. Made with natural gums. Yellow colour. For gilding or repairing, with gold leaf or bronze powder on frames, paper or glass.  Stir the water gold size gently with the end of a paintbrush. A vigorous shake will introduce air bubbles, which you should avoid. Paint over the area to be gilded with a brush. Allow to dry, which may take between 10 to 20 minutes. While it is still tacky apply the gold. If the gold size dries out too much, then its stickiness can be reactivated by breathing directly over the applied size.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Natural Mica Flakes Opacity/Transparency: N/A Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: - Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: N/A CIE L*a*b* Values: L* a* b* Tint Strength: N/A

The leaves in this booklet are worked for ten hours in five phases to transform them from a silver ingot form to leaves tenths of microns thick.

This leaf booklet contains 25 silver leaves measuring 80x80mm.

One book of silver will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the silver content of a leaf the more durable it will be. For outdoor work it is advisable to only gild using leaf that 23ct or higher to avoid tarnishing.

The silver leaves that are contained in the transfer booklet are held on tissue paper and are laid out in pages. This product is especially suited for gilding ceilings or outdoor surfaces.

Made from a thin row of pure squirrel hair, these tips are for picking up and applying “loose” gold leaf.

Treasure Gold is a metallic wax, which is unexcelled in restoring gold leaf and the finishing touches for antiquing. Blend any of the colours for just the right shade and depth of tone. Apply with fingers and buff lightly with a cloth. The metallic lustre won't fade or tarnish. It is easy to use on furniture, frames, ceramics, glass or virtually any surface.

Each book of gold leaf contains 25 leaves that measure 80mm x 80mm. 1 book of gold will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the gold content of a leaf the more resistant it will be to tarnishing. Gold Leaf of less than 22 carat should be protected from the atmosphere with a lacquer. Loose leaf gold will disintegrate if touched with a finger so is usually lifted using a gilder's tip (see our brushes section)

The leaves in this booklet are worked for ten hours in five phases to transform them from a gold ingot form to leaves tenths of microns thick.

This leaf booklet contains 25 standard wight gold leaves measuring 80x80mm.

One book of gold will cover an area of 0.16m² without waste or overlap. (The amount of waste can be determined by the gilder’s own level of expertise and will depend on the complexity of the surface being gilded.) The higher the gold content of a leaf the more durable it will be. For outdoor work it is advisable to only gild using leaf that 23ct or higher to avoid tarnishing.

The gold leaves that are contained in the transfer booklet are held on tissue paper and are laid out in pages. This product is especially suited for gilding ceilings or outdoor surfaces.

Book of 25 Leaves