In the last twenty years or so, numerous mainstream movies have drawn from the ideas and images of ancient thought to address the collapse of appearance and reality. These films have consistently featured the Gnostic currents that emerged from Plato: not only Gnosticism itself but also Cabbala and alchemy. Despite important differences, these traditions have provided filmmakers with ready-made ruminations on the relationship between surface and depth as well as with engaging plot lines and striking scenes. In films like "The Matrix" (1999) and "The Truman Show" (1998), Gnostic myths have offered speculations on the real as well as conspiracy theories. The Cabbalistic motif of golem-making has provided such movies as "A.I." (2001) and "Blade Runner" (1982) with mediations on the human and with parables of machines yearning for life. Pictures like "Dead Man" (1996) and "Altered States" (1980) have drawn on alchemical symbols to explore the possibilities of transmutation and to feature stories of the dead rising to life. Recent commercial Gnostic films are meditations on the conundrums of the post-modern age and the timeless soul. These pictures constitute archetypal sites for sacred contemplation. They create spaces akin to the caves of Eleusis or Lascaux, chambers where habits are annihilated and the ego is shattered. Maybe this spiritual attraction is the secret reason behind the recent abundance of Gnostic films. If so, then the dream factory is betraying its purpose. It is negating its deceptions and sales in the name of a bewildering reality that cannot be found. "Secret Cinema" explores these possibilities through engaging in three related activities. One, the book establishes the theoretical foundations and implications of the genre of Gnostic cinema. It develops these theoretical elements in the contexts of Gnosticism and the esoteric traditions emerging from it, Cabbala and alchemy. Two, in undertaking this work, Wilson considers several collateral issues. The book discusses the functions of genre, the relationships between cinema and psychology, the connections between the moving image and sacred power, the role of the cinematographic apparatus, and the romance of film. Three, the book is a broad meditation on the seductions of cinema. It is attuned to material attractions of the movies, those gorgeous lights and lurid shadows, but also the film's spiritual invitations, the gaps between the pictures, the empty spaces at the heart of life.

The Codex Brucianus is a translation of an ancient Gnostic work from the sixth century and was brought to England from Upper Egypt and donated to the Bodleian Library in Oxford. Gnosis is the power of receiving and understanding direct revelation of God and the transformation of the whole man into a spiritual being by contact with Him. This book is a very beautiful Gnostic work and should be read by anyone interested in experiencing the divine Gnosis of God.

Peter Wilberg presents a political history of the subversive 'gnostic' theologies of the first century, and with it, a theo-political critique of the ruling god-concepts of the 21st century. 'From New Age to New Gnosis' is spiritual Marxism and a powerful spearhead aimed at the 'New World Order' of economic 'liberalism', neo-conservatism and military imperialism. It challenges all four faces of its famous dollar pyramid - the 'i-dollartry' of new technologies, the reduction of the human being to a genetic machine, the politically illiterate platitudes of New Age 'spirituality' - and the spiritual illiterate 'literalism' of Christian biblical fundamentalism and racist Zionazism - which now see their own zealotry mirrored and confronted by militant Islam. What Peter Wilberg's recognises is that what our divided world now calls for is not a revival of fundamentalisms of any sort but a New Gnostic spirituality that understands the "wordless knowledge within the word" (Seth).

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

1861. The growing power of the infant Gnosticism acting with inspiration upon the quick warm nature of the Jordan Nazarenes laid the seed which, nourished by the accumulated wisdom of the illustrious teachers of the Pharisees, ultimately ripened into the New Testament - the priceless pearl of the Jewish conception. The earliest Gnosticism in Irenaeus extends a hand to the Gnosticism of the Kaball. Irenaeus's Gnostica, the Codex Basareus, the oldest parts of the Kabbala, the first three chapters of Genesis, the New Testament theology, Hippolytus, and some extracts from the Rabbins, are all brought together. See other works by this author available from Kessinger Publishing.

Early Christian mystical groups were called Gnostics, meaning those who know, because of their spiritual knowledge. Their teachers were persecuted and most documents destroyed because the Church desired a uniform set of beliefs to operate under. "Pistis Sophis" was the most important Gnostic work until the discovery and publication of "The Nag Hammadi Library." It remains an important milestone in Gnostic research and should be part of any serious study. It is the story of how we, as spiritual beings, have fallen into the physical world. The soul is asleep, unaware of its true nature, but the purpose of this gospel is to help awaken us.

An endeavor to systematize and elucidate the Corpus Hermeticum. This volume emphasizes the more primary and fundamental truths of the Pymander so the reader may gain a comprehensive survey of the entire field it covers.

The Message of the Alien God and the Beginnings of Christianity

If Jesus Christ is not God, of the same essence with God the Father and God the Holy Spirit, having all the attributes of the Trinity while on earth as well as while He reigned in Heaven, then we, of all men, are most miserable. And how do we know that He is, and always has been, God from eternity? It is written in the Holy Scriptures.

But what if the version of the Bible we read is ambivalent, in one place saying He is co-equal with God, and in another place denying Him one or more of the attributes that are essential to God? Read this book and you will see that all but three of the new versions are guilty of denying Christ's goodness, sinlessness, omnipresence, omniscience, omnipotence, and a dozen more of the attributes of God. You will see it written in black and white, with exact quotations from eight of the new versions.

This important challenge to the trend so evident in the new versions (the despising of the words God-breathed out through the prophets and apostles, and the mixing in of the corrupt wisdom of men), ought to be supported by every one of you who love God and His Word as HB wrote it.

The Naming of St. John Baptist; The Parables in St. Matthew; The Mathematical Symbolism of the Gnosis; Words of Power used with the Miracles; Vision of St. Peter and the Geometrical Symbol of the Church; Epistle of Apollos to the Hebrews; Examples from the Holy Scriptures; Gematria of the Greek Scriptures; plus more!