Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: White : Medium.

The Conté Sanguine Medici Pencil is the darkest of the Conté "Sanguine" pencils. The Medici Pencil and has a the least red oxide of the pencils in the range. It has similar properties to the other "Sanguine" pencils in that with a sharpened lead the drawing is accurate and the colour is transparent but will deepen as pressure is applied with a worn lead.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Light Raw Sanguine : Medium.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Umber.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Black : Medium.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Sanguine.

Brilliant colours and exceptional lightfastness are the hallmarks of fine pastels — these hard pastels feature both in 72 luminous shades. Use on edge for broad, sweeping strokes or on the corners for fine detail. Highly pigmented, water-soluble, oil-free, flawless blending, luxurious colour. Colurs Include: Permanent White Olive Green LightZinc White Olive Green DarkNaples Yellow Green Earth LightCadmium Yellow Green Earth DarkChromium Yellow IvoryPermanent Yellow Dark Tan LightOrange Tan DarkVermilion Light Ochre LightPermanent red Light Ochre DarkVermilion Dark English RedPermanent red Dark Sanguine LightMader Carmine SiennaCarmine Extra Fine Sepia DarkMars Violet Light Sanguine DarkMars Violet Dark Pompeian RedRuby Indian RedReddish Purple Van Dycke BrownRose Madder BistreOld Rose Light Olive BrownOLd Rose Dark Sepia LightBluish Purple UmberIndigo Brown GreyPrussian Blue Smoke GreyUltramarine Yellow GreyDelft Blue Green GreyMountain Blue White GreyGlacier Blue Light GreyLight Blue Cloud GreyBremen Blue Silver GreySmyrna Blue Elephant GreyTurquoise Dark Pearl GreyFrench Green Dark GreyPea Green Payne's GreyMoss Green Dark Blue greyFir Green Black GreyLeaf Green Ivory Black

The Conté Sanguine XVIII Pencil is a deep rust colour. It has similar properties to the other "Sanguine" pencils in that with a sharpened lead the drawing is accurate and the colour is transparent but will deepen as pressure is applied with a worn lead.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Bistre.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Van Dyck Brown.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Faber Castell PITT Monochrome crayons are designed to be used for sketches and figure drawings. They are perfect tools for the traditional discipline of producing figure drawings in a coloured mid-tone (often sanguine) which is then highlighted with white and darkened in shadows. Exercises in draughtsmanship like this were carried out by apprentices across Early Modern Europe.Crayons designed for this kind of exercise are harder than conventional pastel crayons. The lines cannot be blurred completely, though some of the pigment can be moved across the paper. This crayon is of the following colour: Burnt Black : Soft.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.