By night, Brian Johnson sings in the biggest rock 'n' roll band on the planet. But by day, AC/DC's frontman drives balls to the wall.

When he was a young boy growing up in a working-class English town, Brian developed what would become a lifelong passion for cars, trolling junkyards and even pretending to drive the family car. From there, he steamed up the windows of his old Mini Cooper as a teenager, spent untold time in hygienically challenged tour buses, was chauffeured in leather-trimmed limos, and raced cars to a checkered flag.

Featuring guest stars Cliff Williams, Malcolm and Angus Young, and many, many others--even Arnold Schwarzenegger--Rockers and Rollers is a tribute to Brian's obsession with four wheels. By turns surprising, poignant, funny, and maybe a little bit bawdy, these are the stories of a man who drives as hard as he rocks.

This is a brilliant study of the creation, impact, and legacy of one of rock's great albums, and a hymn to the nature of teenage fandom. Released in 1979, AC/DC's "Highway To Hell" was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. Officially chalked up to "Death by Misadventure," Scott's demise has forever secured the album's reputation as a partying primer and a bible for lethal behavior, branding the album with the fun chaos of alcoholic excess and its flip side, early death. The best songs on "Highway To Hell" achieve Sonic Platonism, translating rock & roll's transcendent ideals in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum bed, and insanely, recklessly odd but fun vocals. Joe Bonomo strikes a three - chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does "Highway To Hell" matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, "Highway To Hell" dramatizes and celebrates a timeless album that one critic said makes 'disaster sound like the best fun in the world.' 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough - "Rolling Stone". 'A brilliant series...each one a word of real love' - "NME"(UK).

The Tallowmere Annual is a unique collection of words, sound, and ink paintings by musician and artist Keaton Henson. This hardback, special limited edition, mixed-media book tells the fragmented story of a town that never existed, Tallowmere, seemingly empty, showing only outlines of living things, words once spoken, and the sounds of distant mourning. The first of its kind, the book's front cover holds an MP3 pack embedded with an audio jack for headphones and sound controls. Readers can plug in and listen to a recorded score created specially by Keaton as an accompaniment to reading the book and viewing the artwork. Visit www.welcometotallowmere.com for more information. Detailed Specification: Cover: Cased edition with scuff proof matt lamination, 4-colour with spot UV front and back Insides: End papers: black, 140gsm uncoated wood-free paper, 128 pages, 157 gsm matt art paper in sewn sections Original artworks created by Keaton: India ink on paper. Black and white striped head and tail bands Battery pack features: Embedded in cardboard panel on front inside cover, 3x AAA batteries supplied with each pack, removable batteries, On/off switch Audio playback features: Audio chip has play/stop button and volume controls, audio lasts for approx. 20 mins, audio jack to be inserted centrally into the bottom of the cased cover. The Tallowmere Annual was shortlisted for 'The Futurebook of the Year' at The Booksellers Futurebook Live Awards 2018.

A grinding celebration of the metal gods Judas Priest in all their sumptuous glory. A photo-stuffed coffee table book with the entire fifty plus year history in meticulous timeline order - a rock-hard reference book, with the facts presented mostly soberly and efficiently. This book contains all manner of facts that also takes a detailed look at offshoot bands and side-projects throughout the visually stunning pages.

This is Volume 2 of the two-volume Guns N' Roses Complete, which contains over 45 top songs from the albums Appetite for Destruction, GN'R Lies, Use Your Illusion I and Use Your Illusion II. Volume 2 (M-Z) features note-for-note tab transcriptions for 27 songs: Mr. Brownstone * My Michelle * November Rain * One in a Million * Paradise City * Patience * Perfect Crime * Reckless Life * Rocket Queen * So Fine * Sweet Child O' Mine * Used to Love Her * Welcome to the Jungle * Yesterdays * You Could Be Mine * and more! Also available: Volume 1 (02501286).

(Book). Nirvana is one of the most influential bands in rock history, and even now, nearly 20 years after Kurt Cobain's death, the reverence in which they are held is undiminished. Books have been written about Nirvana before, but they tend to concentrate on the band's superstar period and Kurt Cobain's demise, while skating over the early years. In Entertain Us, Gillian Gaar redresses the balance by examining in forensic detail the band's rise to fame, and their first album, Bleach . Drawing on archive material and interviews with many key people in the story, she traces Nirvana's formation, its early recordings and many personnel changes, and the arrival of Dave Grohl to complete the familiar three-piece line up. By critiquing every song the band recorded in this period, tracing influences and unpicking complex relationships between band members, associates and record labels, Gaar gets to the heart of a compelling story.

One of the first books in this new series, this pocket guide features the story of Led Zeppelin: from the first meeting of Jimmy Page and Robert Plant to the untimely death of John Bonham; the music: their fifty best songs unpicked and coverage of their solo careers; and the passengers, collaborators, colleagues, and the cargo: films, places, myths, and memorabilia.

Gene Simmons was born Chaim Witz in 1951 in Haifa, Israel, to a carpenter and a Nazi concentration camp survivor. When he was nine, his mother brought him to New York, opening up his mind to American culture and sowing the seeds for Kiss. Kiss gave people great rock 'n roll music with an awe-inspiring theatrical show. Each member had their own look - Gene's was "The Demon" and his bat-like make-up, on-stage fire-breathing, tongue-waggling and blood-drooling made headlines worldwide. Simmons' life is extraordinary and his personality contradictory. He has witnessed and partaken in the highest level of debauched rock and roll behaviour, but has never touched drugs or alcohol. This uncensored book tells the real story of the man behind the make-up.

There are deep and fascinating links between heavy metal and quantum physics. No, really! While teaching at the University of Nottingham, physicist Philip Moriarty noticed something odd, a surprising number of his students were heavily into metal music. Colleagues, too: a Venn diagram of physicists and metal fans would show a shocking amount of overlap. What's more, it turns out that heavy metal music is uniquely well-suited to explaining quantum principles. In When the Uncertainty Principle Goes to Eleven, Moriarty explains the mysteries of the universe's inner workings via drum beats and feedback: You'll discover how the Heisenberg uncertainty principle comes into play with every chugging guitar riff, what wave interference has to do with Iron Maiden, and why metalheads in mosh pits behave just like molecules in a gas. If you're a metal fan trying to grasp the complexities of quantum physics, a quantum physicist baffled by heavy metal, or just someone who'd like to know how the fundamental science underpinning our world connects to rock music, this book will take you, in the words of Pantera, to "A New Level." For those who think quantum physics is too mind-bendingly complex to grasp, or too focused on the invisibly small to be relevant to our full-sized lives, this funny, fascinating book will show you that physics is all around us . . . and it rocks.

Tab transcriptions for 22 tunes from the original shred master who brought the neo-classical style into the forefront of the metal movement. Songs include: Bedroom Eyes * Black Star * Deja Vu * Dreaming (Tell Me) * Eclipse * Far Beyond the Sun * Heaven Tonight * I'll See the Light Tonight * Icarus Dream Suite Opus 4 * Liar * Marching Out * Rising Force * You Don't Remember I'll Never Forget * more.

One wouldn't usually turn to a veteran of Guns N' Roses for advice on how to live, but Duff McKagan is not a typical rock musician. He got sober at thirty, went back to school, got smart about money, fell in love, became a father, and got his life back on track. Through trial and considerable error, Duff learned to strike the balance between family and work, travel and contentment, financial aptitude and sacrifice.In How to Be a Man , Duff takes the reader into the life of an international rock musician and shares, with disarming candour and humour, the solid life lessons he's learned along the way to success and fulfillment in both his family life and career. From hard-won advice on basics like starting with a strong base and staying humble to techniques on staving depression and transforming darker impulses into something productive, How to Be a Man is the ultimate guide to rocking life- not as a dissolute train-wreck "rock star" but as a man bound for success and longevity.

EKickstart My Heart: A Metley Crde Day-by-DayE is an exciting chronology that celebrates in innovative form a through the use of day-by-day entries and supporting band quotes mostly collected firsthand by the author as well as memorabilia shots and photography a the crazy lives lived by Vince Mick Nikki and Tommy at the booze-drenched apex of the rock-'n'-roll food chain. Augmented with entries that help place the band in a wider rock context Popoff presents a swift-moving action-packed symphony of text and visuals that reprises his collaboration with Backbeat on similarly structured titles about Iron Maiden and Ozzy Osbourne. With very few Metley Crde-related books on the market EKickstart My HeartE will likely serve for years to come as the most complete a and completely party-hardy a celebration of this band now 35 years on and in the midst of completing its final tour ever.

"Decibel "magazine is regarded as the best extreme music magazine around.

"Precious Metal" gathers pieces from "Decibel"'s most popular feature, the monthly "Hall of Fame" which documents the making of landmark metal albums via candid, hilarious, and fascinating interviews with every participating band member.

"Decibel"'s editor-in-chief Albert Mudrian, has selected and expanded the best of these features, creating a definitive collection of stories behind the greatest extreme metal albums of all time.

Black Sabbath's "Heaven and Hell" * Diamond Head's "Lightning to the Nations" * Slayer's "Reign in Blood" * Napalm Death's "Scum" * Repulsion's "Horrifed" * Morbid Angel's "Altars of Madness" * Obituary's "Cause of Death" * Entombed's "Left Hand Path" * Paradise Lost's "Gothic" * Carcass' "Necroticism- Descanting the Insalubrious" * Cannibal Corpse's "Tomb of the Mutilated "* Eyehategod's "Take as Needed for Pain "* Darkthrone's "Transilvanian Hunger "* Kyuss's "Welcome to Sky Valley "* Meshuggah's "Destroy Erase Improve "* Monster Magnet's "Dopes to Infinity "* At the Gates' "Slaughter of the Soul "* Opeth's "Orchid" * Down's "NOLA" * Emperor's "In the Nightside Eclipse "* Sleep's "Jerusalem" * The Dillinger Escape Plan's "Calculating Infinity "* Botch's "We Are the Romans "* Converge's "Jane Doe "

Slipknot and Stone Sour singer Corey Taylor's New York Times bestselling journey into the world of ghosts and the supernatural Corey Taylor has seen a lot of unbelievable things. However, many of his most incredible experiences might just shock you. For much of his life, the Grammy Award-winning singer of Slipknot and Stone Sour has brushed up against the supernatural world. Those close encounters impacted his personal evolution just as much as headlining at Castle Donington in front of 100,000 people at Download Festival or debuting at #1 on the Billboard Top 200. Since growing up in Iowa, his own curiosity drew him into situations that would've sent most people screaming scared and running for the hills. He's ballsy enough to go into the darkness and deal with the consequences, though. As a result, he's seen ghosts up close and personal, whether while combing through an abandoned house in his native Iowa as a child or recording an album in the fabled Houdini Hollywood Hills mansion. He's also got the memories (and scars) to prove it. For some reason, he can't seem to shake these spectral stories, and that brings us to this little tome right here... A Funny Thing Happened on the Way to Heaven compiles Taylor's most intimate, incredible, and insane moments with the supernatural. His memories are as vivid as they are vicious. As he recounts these stories, he questions the validity of religious belief systems and two-thousand-year-old dogma. As always, his rapid-fire writing, razor-sharp sense of humor, unbridled honesty, and cozy anecdotes make quite the case for his point. You might end up believing him or not. That's up to you. Either way, you're in for a hell of a ride.

Updated for paperback with a brand new chapter on Parrot Cay Island. Legendary Iron Maiden guitarist takes you to the final frontier of fishing. Welcome to the world of Adrian Smith, playing onstage to millions of fans - while behind the scenes he explores far-flung rivers, seas and lakes, waterways and weirs, in a fearless quest for fishing nirvana. Hooked on the angling adrenaline rush since first catching perch from East London canals on outings with his father, Adrian grew up to be in one of the most successful rock bands in history. On tour, his gear went with him. The fish got bigger. The adventures more extreme. In Monsters of River and Rock you'll hear about his first sturgeon: a whopping 100-pounder from the roaring rapids of Canada's Fraser River that nearly wiped him out mid-Maiden tour. Then there's the close shave with a shark off the Virgin Islands whilst wading waist-deep for bonefish. Not to mention an enviable list of specimen coarse fish from the UK. Come to the riverbank with Adrian and cast a line on the wild side. 'Outstanding' - Times Radio 'Writes beautifully' - The Sun 'Beautifully written account' - Guardian 'Essential reading' - The Music Radar 'Candid wit and cracking anecdotes' - Classic Rock magazine

Heavy metal is now over 40 years old. It emerged at the tail end of the 1960s in the work of bands including Iron Butterfly, Vanilla Fudge, Jimi Hendrix, Deep Purple, Led Zeppelin and - most importantly - Black Sabbath. In the 1970s and early 1980s, heavy metal crystallised as a genre as bands such as Judas Priest and Iron Maiden removed most of the blues influence on the genre, codifying a set of basic metal characteristics that endure to this day: distorted guitars, aggressive vocals, denim, leather and spikes. In broad terms, wherever it is found and however it is played, metal tends to be dominated by a distinctive commitment to 'transgressive' themes and musicality causing it to be frequently seen as controversial music. Controversies surrounding the alleged (and often documented) connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have all made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy. At times, the controversy dies down and the previously transgressive becomes relatively harmless - as in the transformation of Ozzy Osbourne from public enemy to loveable dad. Still, metal remains irrevocably marked by its controversial, transgressive tendencies. Indeed, the various moral panics that metal has been subjected to are not only constitutive, at least in part, of metal scenes, but are encoded in metal's transgression itself. As with hiphop's "ghetto" roots, metal's history of extreme sonic, lyrical and visual messages continue to give it credibility with new generations of fans today. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. It provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed and examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal.

Belzebubs is a "trve kvlt mockumentary" focusing on the everyday challenges of family life: raising kids, running a small business, and making time for worship. Except the kids are named Lilith and Leviathan, the business is a blackmetal band, and the worship... isn't exactly aimed upstairs. In a few short years, what started out as improvised socialmedia doodles has now become a wildly successful webcomic with hundreds of thousands of fans. The irresistible cartooning of JP Ahonen (Sing No Evil) combines relatable sliceoflife humor with overthetop occult antics and references from metal music to Lovecraftian horror, making Belzebubs a devil of a good time. The official Belzebubs tiein music CD comes out January 2019 through Century Media (the world's largest heavy metal record label). Has over 200,000 Facebook fans. For fans of Adult Swim's Metalocalypse and other lighthearted spoofs of heavy metal & the occult (which includes pretty much everyone in those subcultures)

Get your backstage pass to the world-famous Rockfield Recording Studios in Monmouth, Wales. Featuring frank and funny interviews with the artists who recorded there and studio staff, Rock Legends at Rockfield reveals the fascinating stories behind some of the world's best-known and loved rock albums and records, including Oasis's What's the Story (Morning Glory), a number of Queen songs including Killer Queen and Bohemian Rhapsody, and Motoerhead's first recordings. This new edition will be fully revised and updated with new chapters on the artists who have recorded at Rockfield since 2007, including new interviews with bands such as Thunder, The Dirty Youth, Gun and YES; the Studios' recent appearances in film and television such as the Oscar-winning Bohemian Rhapsody film and the Rockfield: the Studio on the Farm documentary; and a section on Rockfield's neighbouring rehearsal studio, Monnow Valley, which later became a recording studio in its own right and has hosted bands such as Black Sabbath. A must-read for anyone interested in rock music and music history.

In his iconic musical travelogue Heavy Metal Islam, Mark LeVine first brought the views and experiences of a still-young generation to the world. In We'll Play till We Die, he joins with this generation's leading voices to write a definitive history of the era, closing with a cowritten epilogue that explores the meanings and futures of youth music from North Africa to Southeast Asia. We'll Play till We Die dives into the revolutionary music cultures of the Middle East and larger Muslim world before, during, and beyond the waves of resistance that shook the region from Morocco to Pakistan. This sequel to Mark LeVine's celebrated Heavy Metal Islam shows how some of the world's most extreme music not only helped inspire and define region-wide protests, but also exemplifies the beauty and diversity of youth cultures throughout the Muslim world. Two years after Heavy Metal Islam was published in 2008, uprisings and revolutions spread like wildfire. The young people organizing and protesting on the streets-in dozens of cities from Casablanca to Karachi-included the very musicians and fans LeVine spotlighted in that book. We'll Play till We Die revisits the groundbreaking stories he originally explored, sharing what has happened to these musicians, their music, their politics, and their societies since then. The book covers a stunning array of developments, not just in metal and hip hop scenes, but with emo in Baghdad, mahraganat in Egypt, techno in Beirut, and more. LeVine also reveals how artists have used global platforms like YouTube and SoundCloud to achieve unprecedented circulation of their music outside corporate or government control. The first collective ethnography and biography of the post-2010 generation, We'll Play till We Die explains and amplifies the radical possibilities of music as a revolutionary force for change.