Featuring never-before-seen photographs of U2 on their first US Tour, Bad Brains, Black Flag, Danzig, The Descendants, Fugazi, The Damned, The U.K. Subs, and many, many more Since 1981, Chris Barrows has taken pictures of bands at their concerts, backstage, and behind the scenes. From U2 during their first tour in 1982 to Captain Sensible of The Damned on his knees in an alley licking a dominatrix's thigh high vinyl boots, or Lee Ving standing on railroad tracks at night, Barrows' intimate and stirring portraits of bands stripped down and unguarded will be a wonderful addition to any music fan's collection.

A grinding celebration of the metal gods Judas Priest in all their sumptuous glory. A photo-stuffed coffee table book with the entire fifty plus year history in meticulous timeline order - a rock-hard reference book, with the facts presented mostly soberly and efficiently. This book contains all manner of facts that also takes a detailed look at offshoot bands and side-projects throughout the visually stunning pages.

Over 17 years and eight albums, heavy metal band Machine Head have sold millions of units, earned a Grammy nomination and won personal awards from Metal Hammer and other magazines. The story is a classic rise, fall and rise again scenario -- they exploded onto the metal scene in 1994, enjoyed a successful string of albums and then lost their way in the nu-metal era. Now they are in the middle of one of metal's most acclaimed comebacks. Joel McIver has interviewed all the band-members several times and has a unique insight into their rollercoaster story, which includes alcohol addiction, inter-band brawls and therapy, sackings, near-splits and two decades of the heaviest music known to man, delivered all over the world.

Denim and Leather is 260 pages of biker metal hail after hail, with two four-page photo sections, loads of fresh interview content, all the facts and dates and even some of the hot disputes. As the back cover crows... Stand Up and Be Counted! Now that there's no more Motorhead, it's up to Iron Maiden and Saxon to uphold the fine tradition of the New Wave of British Heavy Metal, something both bands have been doing for over 40 years now. Indeed, 2020 marked the 40th anniversary of Saxon's landmark Wheels of Steel album, a record we celebrate in this book with much reverence and many pints of ale clinked between headbangers clad in both denim and leather. Of course there's more than that but not everything! Indeed, Denim and Leather: Saxon's First Ten Years focuses on the band's golden era, Saxon's prodigious first decade of output. Saxon, Wheels of Steel, Strong Arm of the Law, Denim and Leather, Power & the Glory, Crusader, Innocence Is No Excuse, Rock the Nations and Destiny each are dedicated stand-alone chapters, inside of which Popoff deconstructs every song across both sides of the original vinyl, while not forgetting bonus tracks and B-sides, as well as the live material along the way, including the beloved The Eagle Has Landed album. It's a glory-bound Saxon-fest that is long overdue, and it is the hope of the author that at the end of this sometimes critical examination that the reader returns to these records with new reflections on the NWOBHM and some of the detrimental things that came after for many bands, the heroes of our story included.

This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.

This multi-disciplinary edited collection explores the textual analysis of heavy metal lyrics written in languages other than English, including Yiddish, Latin, Russian, Austrian German, Spanish and Italian. The volume features fascinating chapters on the role of ancient language in heavy metal, the significance of metal in minority-language communities, Slovenian mythology in metal, heavy metal lyrics and politics in the Soviet Union and Taiwan, processing bereavement in Danish black metal, cultural identity in Norwegian-medium metal, and the Kawaii metal scene in Japan, amongst others. Applying a range of methodological approaches - from literary and content analysis to quantitative corpus methods and critical approaches - the book conceptualises various forms of identity via lyrical text and identifies a number of global themes in heavy metal lyrics, including authenticity, parody and the desire to sound extreme, that reoccur across different countries and languages. The book is essential reading for researchers and students of metal music and culture, as well as those with broader interests in cultural studies, musicology, literary studies and popular culture studies.