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Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Heavy metal & progressive
Elaborating on themes of resilience, memory, critique and metal
beyond metal, this volume highlights how the development and future
of metal music scholarship is predicated on the engagement with
other forms of popular culture such as comics, documentaries, and
popular music. Drawing from a range of theoretical perspectives and
methodological approaches, Heavy Metal Studies and Popular
Culture's transnational approach and rootedness in metal
scholarship provides the collection with a breadth and depth that
makes it a critical resource for academics and students interested
in the theories and trends shaping the future of Metal Music
Studies.
In Ten Year Run, Todd Baker unabashedly shared his journey from
couch potato to Olympic torchbearer and marathon finisher. Now, he
confesses his love for the world's scariest and loudest music:
Heavy Metal. Baker wears a tie by day and a Slayer t-shirt by night
and has been a dedicated metal head for 35 years. And he's a really
nice - and funny - guy. In Metal Fatigue, Baker humorously
describes his apprenticeship in the heavy metal trade to explain
how such a decent person can fall in love with such wicked music.
From listening to Black Sabbath for the first time to interviewing
intergalactic warlords as a college radio DJ to failing to properly
execute a stage dive, Baker shares stories of his life in metal
music and how he survived it (mostly) unscathed. Metal Fatigue is a
wry and witty memoir that will charm metal heads and those who just
don't get it. And he offers encouragement for any confused parent
of a kid who loves heavy metal.
The Book, Photos, Stories, Flyers & Lyrics
From their beginnings playing music that could have seen them
arrested, through three decades of success, struggle and strife and
including new details about members leaving, Relentless uncovers
the story of one of the world's most influential Metal acts.
Written with the support of the band, it is illustrated with over
70 photos, many from the band's personal archives, and most
previously unseen. -- .
Christian metal has always defined itself in contrast to its
non-Christian, secular counterpart, yet it stands out from nearly
all other forms of contemporary Christian music through its
unreserved use of metal's main musical, visual, and aesthetic
traits. Christian metal is a rare example of a direct combination
between evangelical Christianity and an aggressive and highly
controversial form of popular music and its culture."Christian
Metal: History, Ideology, Scene" is the first full exploration of
the phenomenon of Christian metal music, its history, main
characteristics, development, diversification, and key ideological
traits from its formative years in the early 1980s to the present
day. Marcus Moberg situates it in a wider international evangelical
cultural environment, accounts for its diffusion on a transnational
scale, and explores what religious meanings and functions Christian
metal holds for its own musicians and followers. Engaging with
wider debates on religion, media and popular culture, "Christian
Metal: History, Ideology and Scene" is a much-needed resource in
the study of religion and popular music.
Christian metal has always defined itself in contrast to its
non-Christian, secular counterpart, yet it stands out from nearly
all other forms of contemporary Christian music through its
unreserved use of metal's main musical, visual, and aesthetic
traits. Christian metal is a rare example of a direct combination
between evangelical Christianity and an aggressive and highly
controversial form of popular music and its culture."Christian
Metal: History, Ideology, Scene" is the first full exploration of
the phenomenon of Christian metal music, its history, main
characteristics, development, diversification, and key ideological
traits from its formative years in the early 1980s to the present
day. Marcus Moberg situates it in a wider international evangelical
cultural environment, accounts for its diffusion on a transnational
scale, and explores what religious meanings and functions Christian
metal holds for its own musicians and followers. Engaging with
wider debates on religion, media and popular culture, "Christian
Metal: History, Ideology and Scene" is a much-needed resource in
the study of religion and popular music.
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