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Books > Fiction > Genre fiction > Historical fiction
Italy, 1456. The Renaissance is in glorious bloom. A Carmelite
monk, the great artist Fra Filippo Lippi acts as chaplain to the
nuns of the Convent Santa Margherita. It is here that he encounters
the greatest temptation of his life, beautiful Lucrezia Buti, who
has been driven to holy orders more by poverty than piety. In
Lucrezia's flawless face Lippi sees the inspiration for countless
Madonnas and he brings the young woman to his studio to serve as
his model. But as painter and muse are united in an exhilarating
whirl of artistic discovery, a passionate love develops, one that
threatens to destroy them both even as it fuels some of Lippi's
greatest work.
In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall.
Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, its owners - mother, son and daughter - struggling to keep pace with a changing society. But are the Ayreses haunted by something more sinister than a dying way of life?
Little does Dr Faraday know how closely, and how terrifyingly, their story is about to become entwined with his.
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The Canal
(Hardcover)
A J Freda
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R596
R554
Discovery Miles 5 540
Save R42 (7%)
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Ships in 18 - 22 working days
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A sweeping epic of ancient Rome from the #1 bestselling author of
"The Thorn Birds"
In this breathtaking follow-up to "The October Horse," Colleen
McCullough turns her attention to the legendary romance of Antony
and Cleopatra, and in this timeless tale of love, politics, and
power, proves once again that she is the best historical novelist
of our time.
Caesar is dead, and Rome is, again, divided. Lepidus has retreated
to Africa, while Antony rules the opulent East, and Octavian claims
the West, the heart of Rome, as his domain. Though this tense truce
holds civil war at bay, Rome seems ripe for an emperor -- a true
Julian heir to lay claim to Caesar's legacy. With the bearing of a
hero, and the riches of the East at his disposal, Antony seems
poised to take the prize. Like a true warrior-king, he is a
seasoned general whose lust for power burns alongside a passion for
women, feasts, and Chian wine. His rival, Octavian, seems a less
convincing candidate: the slight, golden-haired boy is as
controlled as Antony is indulgent and as cool-headed and clear-eyed
as Antony is impulsive. Indeed, the two are well matched only in
ambition.
And though politics and war are decidedly the provinces of men in
ancient Rome, women are adept at using their wits and charms to
gain influence outside their traditional sphere. Cleopatra, the
ruthless, golden-eyed queen, welcomes Antony to her court and her
bed but keeps her heart well guarded. A ruler first and a woman
second, Cleopatra has but one desire: to place her child on his
father, Julius Caesar's, vacant throne. Octavian, too, has a strong
woman by his side: his exquisite wife, raven-haired Livia Drusilla,
who learns to wield quiet power to help her husband in his quest
for ascendancy. As the plot races toward its inevitable conclusion
-- with battles on land and sea -- conspiracy and murder, love and
politics become irrevocably entwined.
McCullough's knowledge of Roman history is detailed and extensive.
Her masterful and meticulously researched narrative is filled with
a cast of historical characters whose motives, passions, flaws, and
insecurities are vividly imagined and expertly drawn. The grandeur
of ancient Rome comes to life as a timeless human drama plays out
against the dramatic backdrop of the Republic's final days.
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