In 1927, Paul Morand -- a French diplomat and noted European author -- made two extended trips to the Caribbean, Latin America and the American South. Published in 1929, his travel account begins as a diary about his experience of Venezuela, Curacao, Guadeloupe, Martinique, Haiti, Trinidad, Jamaica and Cuba and ends with a lengthy essay on Mexico. Morand was already a prolific, cosmopolitan writer but he had not yet acquired his controversial post-war reputation. The stylish writing of 'Caribbean Winter' fizzes with an acute intelligence and a rich -- though sometimes elliptical -- allusiveness (which is why this translation includes explanatory notes). It maps not just Morand's vivid impressions but also his main preoccupations, particularly with the shifting place of Europe in the new world order. Although he avoids all direct mention of the ethnocidal clearing of the 'New World' or the African American slave-trade, he is obsessed by the perceived threats posed to Europe's own future by mass migration and miscegenation. Morand was, above all, an uber-European and his work betrays the pseudo-scientific racialism of his time and background. Yet despite this blindness he was, at least, glimpsing the right questions to ask about the future of his world. And he knew that the Caribbean held most of the answers. He seems to have even intuited some of those answers and so parts of his commentary are startlingly modern and prescient. Much of Morand's pre-war non-fiction seems to have warranted about seven decades of political quarantine. But the twenty-first century is gradually re-discovering its significance, both in French and in translation. Interestingly, while almost all of his work has by now made its way into English, this is the first translation -- into any language -- of 'Hiver Caraibe'.

Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-called 'anatomical votives'. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.

In 1836, an enslaved six-year-old girl Named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of MassachuSetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to MassachuSetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In this book, Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislavery history by situating her story in the context of other writings on slavery, childhood, and the law.

Praise for the author's A Brief Guide to the Greek Myths: 'Eminently sane, highly informative' PAUL CARTLEDGE, BBC History magazine In 2022 it will be 2,500 years since the final defeat of the invasion of Greece by the Persian King Xerxes. This astonishing clash between East and West still has resonances in modern history, and has left us with tales of heroic resistance in the face of seemingly hopeless odds. Kershaw makes use of recent archaeological and geological discoveries in this thrilling and timely retelling of the story, originally told by Herodotus, the Father of History. The protagonists are, in Europe, the Greeks, led on land by militaristic, oligarchic Sparta, and on sea by the newly democratic Athens; in Asia, the mighty Persian Empire - powerful, rich, cultured, ethnically diverse, ruled by mighty kings, and encompassing modern Iran, Iraq, Turkey, Syria and Egypt. When the rich, sophisticated, Greek communities of Ionia on the western coast of modern Turkey, rebel from their Persian overlord Darius I, Athens sends ships to help them. Darius crushes the Greeks in a huge sea battle near Miletus, and then invades Greece. Standing alone against the powerful Persian army, the soldiers of Athens' newly democratic state - a system which they have invented - unexpectedly repel Darius's forces at Marathon. After their victory, the Athenians strike a rich vein of silver in their state-owned mining district, and decide to spend the windfall on building a fleet of state-of-the-art warships. Persia wants revenge. The next king, Xerxes, assembles a vast multinational force, constructs a bridge of boats across the Hellespont, digs a canal through the Mount Athos peninsula, and bears down on Greece. Trusting in their 'wooden walls', the Athenians station their ships at Artemisium, where they and the weather prevent the Persians landing forces in the rear of the land forces under the Spartan King Leonidas at the nearby pass of Thermopylae. Xerxes's assault is a disastrous failure, until a traitor shows him a mountain track that leads behind the Greeks. Leonidas dismisses the Greek troops, but remains in the pass with his 300 Spartan warriors where they are overwhelmed in an heroic last stand. Athens is sacked by the Persians. Democracy is hanging by a thread. But the Athenians convince the Greek allies to fight on in the narrow waters by the island of Salamis (underwater archaeology has revealed the Greek base), where they can exploit local weather conditions to negate their numerical disadvantage. Despite the heroism of the Persian female commander Artemisia, the Persian fleet is destroyed. Xerxes returns to Asia Minor, but still leaves some forces in Greece. In 479 BCE, the Spartans lead a combined Greek army out against the Persians. In a close-run battle near the town of Plataea, the discipline, fighting ability and weaponry of the Greeks prevail. The Persian threat to the Greek mainland is over. Athens forms a successful anti-Persian coalition to drive the Persians from Greek territory, seek reparations, and create security in the future. But this 'alliance' is gradually converted into an Athenian Empire. The democracy becomes increasingly radical. In this context we see the astonishing flowering of fifth-century BCE Athenian culture - in architecture, drama and philosophy - but also a disastrous war, and defeat, at the hands of Sparta by the end of the century. The book concludes by exploring the ideas that the decisive battles of Thermopylae and Salamis mark the beginnings of Western civilization itself and that Greece remains the bulwark of the West , representing the values of generous and unselfish peace, freedom and democracy in a neighbourhood ravaged by instability and war.

The image of western ranchers making a stand for their "rights"-against developers, the government, "illegal" immigrants-may be commonplace today, but the political power of the cowboy was a long time in the making. In a book steeped in the culture, traditions, and history of western range ranching, Michelle K. Berry takes readers into the Cold War world of cattle ranchers in the American West to show how that power, with its implications for the lands and resources of the mountain states, was built, shaped, and shored up between 1945 and 1965. After long days working the ranch, battling human and nonhuman threats, and wrestling with nature, ranchers got down to business of another sort, which Berry calls "cow talk." Discussing the best new machinery; sharing stories of drought, blizzards, and bugs; talking money and management and strategy: these ranchers were building a community specific to their time, place, and work and creating a language that embodied their culture. Cow Talk explores how this language and its iconography evolved and how it came to provide both a context and a vehicle for political power. Using ranchers' personal papers, publications, and cattle growers association records, the book provides an inside view of how range cattle ranchers in Arizona, New Mexico, Colorado, Wyoming, and Montana created a culture and a shared identity that would frame and inform their relationship with their environment and with society at large in an increasingly challenging, modernizing world. A multifaceted analysis of postwar ranch life, labor, and culture, this innovative work offers unprecedented insight into the cohesive political and cultural power of western ranchers in our day.

Continually Working tells the stories of Black working women who resisted employment inequality in Milwaukee, Wisconsin, from the 1940s to the 1970s. The book explores the job-related activism of Black Midwestern working women and uncovers the political and intellectual strategies they used to critique and resist employment discrimination, dismantle unjust structures, and transform their lives and the lives of those in their community. Moten emphasizes the ways in which Black women transformed the urban landscape by simultaneously occupying spaces from which they had been historically excluded and creating their own spaces. Black women refused to be marginalized within the historically white and middle-class Milwaukee Young Women's Christian Association (MYWCA), an association whose mission centered on supporting women in urban areas. Black women forged interracial relationships within this organization and made it, not without much conflict and struggle, one of the most socially progressive organizations in the city. When Black women could not integrate historically white institutions, they created their own. They established financial and educational institutions, such as Pressley School of Beauty Culture, which beautician Mattie Pressley Dewese opened in 1946 as a result of segregation in the beauty training industry. This school served economic, educational and community development purposes as well as created economic opportunities for Black women. Historically and contemporarily, Milwaukee has been and is still known as one of the most segregated cities in the nation. Black women have always contested urban segregation, by making space for themselves and others on the margins. In so doing, they have transformed both the urban landscape and urban history.

Born in the timber colony of New Brunswick, Maine, in 1848, Andrew Benoni Hammond got off to an inauspicious start as a teenage lumberjack. By his death in 1934, Hammond had built an empire of wood that stretched from Puget Sound to Arizona-and in the process had reshaped the American West and the nation's way of doing business. When Money Grew on Trees follows Hammond from the rough-and-tumble world of mid-nineteenth-century New Brunswick to frontier Montana and the forests of Northern California-from lowly lumberjack to unrivaled timber baron. Although he began his career as a pioneer entrepreneur, Hammond, unlike many of his associates, successfully negotiated the transition to corporate businessman. Against the backdrop of western expansion and nation-building, his life dramatically demonstrates how individuals-more than the impersonal forces of political economy-shaped capitalism in this country, and in doing so, transformed the forests of the West from functioning natural ecosystems into industrial landscapes. In revealing Hammond's instrumental role in converting the nation's public domain into private wealth, historian Greg Gordon also shows how the struggle over natural resources gave rise to the two most pervasive forces in modern American life: the federal government and the modern corporation. Combining environmental, labor, and business history with biography, When Money Grew on Trees challenges the conventional view that the development and exploitation of the western United States was dictated from the East Coast. The West, Gordon suggests, was perfectly capable of exploiting itself, and in his book we see how Hammond and other regional entrepreneurs dammed rivers, logged forests, and leveled mountains in just a few decades. Hammond and his like also built cities, towns, and a vast transportation network of steamships and railroads to export natural resources and import manufactured goods. In short, they established much of the modern American state and economy.

This history of Ukrainian immigrants in Michigan and their American descendants examines both the choices people made and the social forces that impelled their decisions to migrate and to make new homes in the state. Michigan's Ukrainians came in four waves, each unique in time and character, beginning in the late nineteenth century and continuing in the twenty-first. Detroit attracted many of them with the opportunities it offered in its booming automobile industry. Yet others put down roots in cities and towns across the state. Wherever they settled, they established churches and community centers and continued to practice the customs of their homeland. Many Ukrainian Americans have made significant contributions to Michigan and the United States, including those who are showcased in this book. This comprehensive text also highlights cultural practices and traditional foods cherished by community members.

A newly minted second lieutenant fresh from West Point, Hugh Lenox Scott arrived on the northern Great Plains in the wake of the Little Bighorn debacle. The Seventh Cavalry was seeking to subdue the Plains tribes and confine them to reservations, and Scott adopted the role of negotiator and advocate for the Indian "adversaries." He thus embarked on a career unique in the history of the U.S. military and the western frontier. Hugh Lenox Scott, 1853-1934: Reluctant Warrior is the first book to tell the full story of this unlikely, self-avowed "soldier of peace," whose career, stretching from Little Bighorn until after World War I, reflected profound historical changes. The taste for adventure that drew Scott to the military also piqued his interest in the tenacity of Native cultures in an environment rife with danger and uncertainty. Armand S. La Potin describes how Scott embraced the lifeways of the Northern Plains peoples, making a study of their cultures, their symbols, and most notably, their use of an intertribal sign language to facilitate trade. Negotiating with dissident bands of Indians whose lands were threatened by Anglo settlers and commercial interests, he increasingly found himself advocating federal responsibility for tribal welfare and assuming the role of "Indian reformer." La Potin makes clear that "reform" was understood within the context of Scott's own culture, which scaled "civilization" to the so-called Anglo race. Accordingly, Scott promoted the "civilization" of Native Americans through assimilation into Anglo-American society-an approach he continued in his later interactions with the Moro Muslims of the southern Philippines, where he served as a military governor. Although he eventually rose to the rank of army chief of staff, over time Scott the peacemaker and Indian reformer saw his career stall as Native tribes ceased to be seen as a military threat and military merit was increasingly defined by battlefield experience. From these pages the picture emerges of an uncommon figure in American military history, at once at odds with and defined by his times.

The Story of Israel is an illuminating book that explores the nation's history. Seventy years after Israel declared independence on 14 May 1948, the dramatic events before and since this point form an extraordinary period of history. From Theodor Herzl's efforts to establish a sovereign Jewish nation in Palestine to the 21st-century roadmap for peace and beyond, The Story of Israel brings the period to life as never before. Sir Martin Gilbert's authoritative text is supplemented by more than 150 photographs and maps, as well as rare documents, including pages from Herzl's diary, identification papers of an Exodus refugee and Ben-Gurion's copy of his Declaration of Independence speech - all of which shed light on fascinating history of the country. This is the ultimate guide to the turbulent history of a proud and powerful nation.

Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks--and, for that matter, people throughout the South--buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions. These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

From Delicate Arch to the Zion Narrows, Utah's five national parks and eight national monuments are home to some of America's most amazing scenic treasures, created over long expanses of geologic time. In Wonders of Sand and Stone, Frederick H. Swanson traces the recent human story behind the creation of these places as part of a protected mini-empire of public lands. Drawing on extensive historical research, Swanson presents little-known accounts of people who saw in these sculptured landscapes something worth protecting. Readers are introduced to the region's early explorers, scientists, artists, and travelers as well as the local residents and tourism promoters who worked with the National Park Service to build the system of parks and monuments we know today, when Utah's national parks and monuments face multiple challenges from increased human use and from development outside their borders. As scientists continue to uncover the astonishing diversity of life in these desert and mountain landscapes, and archaeologists and Native Americans document their rich cultural resources, the management of these federal lands remains critically important. Swanson provides us with a detailed and timely background to advance and inform discussions about what form that management should take.

Illustrator Jules Scheele teams up with Dr Laura Locker in this comic-book introduction to the political history of the Land of Opportunity.

How did a political outsider like Trump win the 2016 presidential election? Why do some Americans feel so strongly about gun rights? Is there a role for more than two political parties in the system?

Politics isn’t something that just occurs in the West Wing or the gleaming Capitol building – it comes from the interaction between state and society, the American people living their daily lives. In this unique graphic guide, we follow modern citizens as they explore everything from the United States’ political culture, the Constitution and the balance of power, to social movements, the role of the media, and tensions over race, immigration, and LGBT rights.

Step right up, and see what lies beneath the pageantry and headlines of this great nation.

In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age.

Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists.

The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class.

A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.

A luminous exploration of exile - the people who have experienced it, and the places they inhabit - from the award-winning travel writer and author of The Immeasurable World and The Moor. 'Breathtakingly good . . . Exiles is completely sui generis.' EDMUND DE WAAL 'Atkins spins a marvellous tapestry of colourful tales, beautifully weaving history and travel accounts.' ANDREA WULF, author of The Invention of Nature 'A volume for our times.' SARA WHEELER, THE SPECTATOR This is the story of three unheralded nineteenth-century dissidents, whose lives were profoundly shaped by the winds of empire, nationalism and autocracy that continue to blow strongly today: Louise Michel, a leader of the radical socialist government known as the Paris Commune; Dinuzulu kaCetshwayo, an enemy of British colonialism in Zululand; and Lev Shternberg, a militant campaigner against Russian tsarism. In Exiles, William Atkins travels to their islands of banishment - Michel's New Caledonia in the South Pacific, Dinuzulu's St Helena in the South Atlantic, and Shternberg's Sakhalin off the Siberian coast - in a bid to understand how exile shaped them and the people among whom they were exiled. In doing so he illuminates the solidarities that emerged between the exiled subject, on the one hand, and the colonised subject, on the other. Rendering these figures and the places they were forced to occupy in shimmering detail, Atkins reveals deeply human truths about displacement, colonialism and what it means to have and to lose a home. Occupying the fertile zone where history, biography and travel writing meet, Exiles is a masterpiece of imaginative empathy. 'A fascinating study of exile and its effects.' OBSERVER '[Atkins] is humane, humble, and empathetic . . . beautiful and moving.' ILYA KAMINSKY, author of Deaf Republic and Dancing in Odessa 'An incredible, brilliant act of retrieval.' PHILIP HOARE, author of Albert & the Whale 'Thrilling.' FINANCIAL TIMES 'A finely crafted and lyrical meditation.' TLS 'Gracefully written . . . Brilliant.' THE ECONOMIST 'Rarely has a book been more timely.' HISTORY TODAY *** Read The Moor and The Immeasureable World for more award-winning writing from William Atkins

Heartsick and Astonished features twenty-seven divorce cases from mid-nineteenth century America. More than dry legal documents, these cases provide a captivating window into marital life—and strife—in the border South during the tumultuous years before, during, and after the Civil War. Allison Dorothy Fredette has brought these primary documents to light, revealing the inner thoughts, legal hardships, and day-to-day struggles of these average citizens. In Wheeling, West Virginia, the seat of Ohio County, courtrooms bore witness to men and women from various ethnic, racial, and class backgrounds who shared shockingly intimate details of their lives and relationships. Some tried desperately to defend their masculinity or femininity; others hoped to restore their reputations to the legal system and to their community. In an era of uncertainty—when the country was torn in two, when the Wheeling community became the capital of a new state, and when activists across the country began to push for women’s rights in the household and family—the divorce cases of ordinary couples reveal changing attitudes toward marriage, gender, and legal separation in a booming border city perched on the edge of the South.

Along with Confederate flags, the men and women who recently gathered before the Virginia Museum of Fine Arts carried signs proclaiming "Heritage Not Hate." Theirs, they said, was an "open and visible protest against those who attacked us, ours flags, our ancestors, or our Heritage." How, Nicole Maurantonio wondered, did "not hate" square with a "heritage" grounded in slavery? How do so-called neo-Confederates distance themselves from the actions and beliefs of white supremacists while clinging to the very symbols and narratives that tether the Confederacy to the history of racism and oppression in America? The answer, Maurantonio discovers, is bound up in the myth of Confederate exceptionalism-a myth whose components, proponents, and meaning this timely and provocative book exploresThe narrative of Confederate exceptionalism, in this analysis, updates two uniquely American mythologies-the Lost Cause and American exceptionalism-blending their elements with discourses of racial neoliberalism to create a seeming separation between the Confederacy and racist systems. Incorporating several methods and drawing from a range of sources-including ethnographic observations, interviews, and archival documents-Maurantonio examines the various people, objects, and rituals that contribute to this cultural balancing act. Her investigation takes in "official" modes of remembering the Confederacy, such as the monuments and building names that drive the discussion today, but it also pays attention to the more mundane and often subtle ways in which the Confederacy is recalled. Linking the different modes of commemoration, her work bridges the distance that believers in Confederate exceptionalism maintain; while situated in history from the Civil War through the civil rights era, the book brings much-needed clarity to the constitution, persistence, and significance of this divisive myth in the context of our time.

This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping in its chronology, and fearless in its analysis, this is a landmark contribution to Jewish, Russian, European, and American history.

Davida Malo's Mo'olelo Hawai'i is the single most important description of pre-Christian Hawaiian culture. Malo, born in 1795, twenty-five years before the coming of Christianity to Hawai'i, wrote about everything from traditional cosmology and accounts of ancestral chiefs to religion and government to traditional amusements. The heart of this two-volume work is a new, critically edited text of Malo's original Hawaiian, including the manuscript known as the "Carter copy," handwritten by him and two helpers in the decade before his death in 1853. Volume 1 provides images of the original text, side by side with the new edited text. Volume 2 presents the edited Hawaiian text side by side with a new annotated English translation. Malo's text has been edited at two levels. First, the Hawaiian has been edited through a careful comparison of all the extant manuscripts, attempting to restore Malo's original text, with explanations of the editing choices given in the footnotes. Second, the orthography of the Hawaiian text has been modernized to help today's readers of Hawaiian by adding diacritical marks ('okina and kahako, or glottal stop and macron, respectively) and the punctuation has been revised to signal the end of clauses and sentences. The new English translation attempts to remain faithful to the edited Hawaiian text while avoiding awkwardness in the English. Both volumes contain substantial introductions. The introduction to Volume 1 (in Hawaiian) discusses the manuscripts of Malo's text and their history. The introduction to Volume 2 contains two essays that provide context to help the reader understand Malo's Moolelo Hawaii. "Understanding Malo's Moolelo Hawaii" describes the nature of Malo's work, showing that it is the result of his dual Hawaiian and Western education. "The Writing of the Moolelo Hawaii" discusses how the Carter copy was written and preserved, its relationship to other versions of the text, and Malo's plan for the work as a whole. The introduction is followed by a new biography of Malo by Kanaka Maoli historian Noelani Arista, "Davida Malo, a Hawaiian Life," describing his life as a chiefly counselor and Hawaiian intellectual.

Bureaucratic Archaeology is a multi-faceted ethnography of quotidian practices of archaeology, bureaucracy and science in postcolonial India, concentrating on the workings of Archaeological Survey of India (ASI). This book uncovers an endemic link between micro-practice of archaeology in the trenches of the ASI to the manufacture of archaeological knowledge, wielded in the making of political and religious identity and summoned as indelible evidence in the juridical adjudication in the highest courts of India. This book is a rare ethnography of the daily practice of a postcolonial bureaucracy from within rather than from the outside. It meticulously uncovers the social, cultural, political and epistemological ecology of ASI archaeologists to show how postcolonial state assembles and produces knowledge. This is the first book length monograph on the workings of archaeology in a non-western world, which meticulously shows how theory of archaeological practice deviates, transforms and generates knowledge outside the Euro-American epistemological tradition.