Born in the timber colony of New Brunswick, Maine, in 1848, Andrew Benoni Hammond got off to an inauspicious start as a teenage lumberjack. By his death in 1934, Hammond had built an empire of wood that stretched from Puget Sound to Arizona-and in the process had reshaped the American West and the nation's way of doing business. When Money Grew on Trees follows Hammond from the rough-and-tumble world of mid-nineteenth-century New Brunswick to frontier Montana and the forests of Northern California-from lowly lumberjack to unrivaled timber baron. Although he began his career as a pioneer entrepreneur, Hammond, unlike many of his associates, successfully negotiated the transition to corporate businessman. Against the backdrop of western expansion and nation-building, his life dramatically demonstrates how individuals-more than the impersonal forces of political economy-shaped capitalism in this country, and in doing so, transformed the forests of the West from functioning natural ecosystems into industrial landscapes. In revealing Hammond's instrumental role in converting the nation's public domain into private wealth, historian Greg Gordon also shows how the struggle over natural resources gave rise to the two most pervasive forces in modern American life: the federal government and the modern corporation. Combining environmental, labor, and business history with biography, When Money Grew on Trees challenges the conventional view that the development and exploitation of the western United States was dictated from the East Coast. The West, Gordon suggests, was perfectly capable of exploiting itself, and in his book we see how Hammond and other regional entrepreneurs dammed rivers, logged forests, and leveled mountains in just a few decades. Hammond and his like also built cities, towns, and a vast transportation network of steamships and railroads to export natural resources and import manufactured goods. In short, they established much of the modern American state and economy.

"Paradoxes of Social Capital" critically examines the robustness of social capital theory as an analytical tool in explaining the various 'integration' patterns amongst Moroccans in London. The book also considers how structural factors impact on the ways in which Moroccans - across generations - sustain, access and use social capital at the levels of family, ethnic community, migrant associations and schools. Furthermore, this research elaborates on how social capital serves as an identity (re)source that is continuously negotiated and redefined through (in)active group (family, ethnic, religious and national) memberships. An original model of studying the second-generation processes of adaptation - viewed as 'transversal adaptation'- is also introduced, shifting the focus from predetermined 'integration' patterns to a circular and a longitudinal approach to 'integration', where new opportunities and constraints emerge, structured by the temporal flow of life trajectories.

"Louisiana Creole Literature" is a broad-ranging critical reading of belles lettres--in both French and English--connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term "Creole" had broad and contested cultural reference in Louisiana.

The study consists in part of literary history and biography. When available and appropriate, each discussion--arranged chronologically--provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Sejour. "Louisiana Creole Literature" examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally."

As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entree to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed.

The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by "proper ladies." The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues.

After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today."

Laure Humbert explores how humanitarian aid in occupied Germany was influenced by French politics of national recovery and Cold War rivalries. She examines the everyday encounters between French officials, members of new international organizations, relief workers, defeated Germans and Displaced Persons, who remained in the territory of the French zone prior to their repatriation or emigration. By rendering relief workers and Displaced Persons visible, she sheds lights on their role in shaping relief practices and addresses the neglected issue of the gendering of rehabilitation. In doing so, Humbert highlights different cultures of rehabilitation, in part rooted in pre-war ideas about 'overcoming' poverty and war-induced injuries and, crucially, she unearths the active and bottom-up nature of the restoration of France's prestige. Not only were relief workers concerned about the image of France circulating in DP camps, but they also drew DP artists into the orbit of French cultural diplomacy in Germany.

Using cultural theory, author R. Bruce Brasell investigates issues surrounding the discursive presentation of the American South as biracial and explores its manifestation in documentary films, including such works as Tell about the South, bro*ken/ground, and Family Name. After considering the emergence of the region's biraciality through a consideration of the concepts of racial citizenry and racial performativity, Brasell examines two problems associated with this framework. First, the framework assumes racial purity, and, second, it assumes that two races exist. In other words, biraciality enacts two denials, first, the existence of miscegenation in the region and, second, the existence of other races and ethnicities. Brasell considers bodily miscegenation, discussing the racial closet and the southeastern expatriate road film. Then he examines cultural miscegenation through the lens of racial poaching and 1970s southeastern documentaries that use redemptive ethnography. In the subsequent chapters, using specific documentary films, he considers the racial in-betweenness of Spanish-speaking ethnicities (Mosquitoes and High Water, Living in America, Nuestra Communidad), probes issues related to the process of racial negotiation experienced by Asian Americans as they seek a racial position beyond the black and white binary (Mississippi Triangle), and engages the problem of racial legitimacy confronted by federally non-recognized Native groups as they attempt the same feat (Real Indian).

From one of China's most highly regarded writers, winner of the Franz Kafka Prize and twice finalist for the International Booker Prize, Three Brothers is a beautiful and heartwrenching memoir of the author's childhood and family life during the Cultural Revolution In this heartfelt, intimate memoir, Yan Lianke brings the reader into his childhood home in Song County in Henan Province, painting a vivid portrait of rural China in the 1960s and '70s. Three Brothers is a literary testament to the great humanity and small joys that exist even in times of darkness. With lyricism and deep emotion, Yan chronicles the extraordinary lives of his father and uncles, as well as his own. Living in a remote village, Yan's parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. He is ultimately delivered from the drudgery and danger of manual labor by a career in the Army, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A philosophical portrait of grief, death, home, and fate that gleams with Yan's quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances.

This book explores the environment and cultural context of Colombian political novels published between 1951 and 1987. Challenging the label of "novelas de la violencia", the author analyses them as products of their own historical time and takes into account their broader implications, such as their representation of the society they narrate. These novels are shown to be the product of political and ideological issues: the real preoccupations of the writers were the balance of power, social dysfunctionality and the need for reform in a society transitioning from rural to urban. These issues are traced in a close reading of representative novels, in which feature letrados and intellectuals and their role in the evolution of society, culture, literature and power in twentieth-century Colombia. With its critical-theoretical approach, this book constitutes a significant and innovative contribution to the debate on Latin American culture and literature.

In 1959, Fidel Castro assumed power in Cuba after overthrowing the government of Fulgencio Batista. In response, thousands of Cubans fled the island, mostly to the United States. This book tells the stories of these Cubans in exile, all of whom overcame great obstacles to escape the brutal Castro regime. Neither a history of Cuba nor of Castro, this book illuminates the underrepresented legacy of the Cuban Exile Community and celebrates their continued thriving in a new country.

This book explores the issue of love and its place in the reproduction of gender asymmetry in Nicaragua. The theme is discussed in the context of specific religious and work practices, living arrangements, gender values and norms, and the gender practices and legislation of the Sandinista revolution. The study uses lifeworld phenomenology as its theoretical approach, placing people's own experience center stage. Therefore, a case study of the Esperanza sewing cooperative is presented, built on life stories, interview materials and participant observation with the cooperative women and their husbands. The material and discursive practices and emotional experiences of men and women are examined in this particular socio-cultural setting. How do we account for the highly unequal bargains the women strike with their husbands, accepting large material responsibilities and «time-share love even if they experience this as emotionally hurtful? The study testifies to women's autonomy in family maintenance and religious practices, an autonomy which seems to falter in the fields oflove and sexuality; some of the men and women, however, negotiate subtle changes in gender norms and values.

In this expansive history, Robert J. Steinfeld offers a thorough re-interpretation of the origins of American judicial review and the central role it quickly came to play in the American constitutional system. Beginning with Privy Council review of American colonial legislation, the book goes on to provide detailed descriptions of the character of the first American constitutions, showing that they drew heavily on traditional Anglo/American constitutional assumptions, which treated legislatures as the primary interpreters of constitutions. Steinfeld then expertly analyses the central role lawyers and judges played in transforming these assumptions, creating the practice and doctrine of American judicial review in a half dozen state cases during the 1780s. The book concludes by showing that the ideas formulated during those years shaped critical decisions taken by the Constitutional Convention of 1787, which turned the novel practice into a permanent, if still deeply controversial, feature of the American constitutional system.

A journey - both historical and contemporary - among the fantastical landscapes, beguiling creatures and isolated tribes of the world's fourth island: Madagascar. An improbable world beckons. We think we know Madagascar but it's too big, too eccentric, and too impenetrable to be truly understood. If it was stretched out across Europe, the islands would reach from London to Algiers, and yet its road network is barely bigger than tiny Jamaica's. There is no evidence of any human life until about 10,000 years ago, and, when eventually people settled, it was migrants from Borneo - 3,700 miles away - who came out on top. As well as visiting every corner of Madagascar, John Gimlette journeys deep into its past in order to better understand how Madagascar became what it is today. Along the way, he meets politicians, sorcerors, gem prospectors, militiamen, rioters, lepers and the descendants of seventeenth-century pirates.

In the 1920s Prohibition was the law, but ignoring it was the norm, especially in New Orleans. While popular writers such as F. Scott Fitzgerald invented partygoers who danced from one cocktail to the next, real denizens of the French Quarter imbibed their way across the city. Bringing to life the fiction of flappers with tastes beyond bathtub gin, Shaking Up Prohibition in New Orleans: Authentic Vintage Cocktails from A to Z serves up recipes from the era of the speakeasy. Originally assembled by Olive Leonhardt and Hilda Phelps Hammond around 1929, this delightful compendium applauds the city's irrepressible love for cocktails in the format of a classic alphabet book. Leonhardt, a noted artist, illustrated each letter of the alphabet, while Hammond provided cocktail recipes alongside tongue-in-cheek poems that jab at the dubious scenario of a ""dry"" New Orleans. A cultural snapshot of the Crescent City's resistance to Prohibition, this satirical, richly illustrated book brings to life the spirit and spirits of a jazz city in the Jazz Age. With an introduction on Prohibition-era New Orleans by historian John Magill and biographical profiles of Leonhardt and Hammond by editor Gay Leonhardt, readers can fully appreciate the setting and the personalities behind this vintage cocktail guide with a Big Easy bent. A perfect gift for lovers (and makers) of craft cocktails, arbiters of style, and celebrants of the Crescent City, Shaking Up Prohibition in New Orleans captures the essence of the Roaring Twenties.

This unique volume examines how and to what extent former victims of Stalinist terror from across the Soviet Union and Eastern Europe were received, reintegrated and rehabilitated following the mass releases from prisons and labour camps which came in the wake of Stalin's death in 1953 and Khrushchev's reforms in the subsequent decade.

In 1834, a young Chinese woman named Afong Moy arrived in America, her bound feet stepping ashore in New York City. She was both a prized guest and advertisement for a merchant firm-a promotional curiosity used to peddle exotic wares from the East. Over the next few years, she would shape Americans' impressions of China even as she assisted her merchant sponsors in selling the largest quantities of Chinese goods yet imported for the burgeoning American market. Americans views of the exotic Far East in this early period before Chinese immigration were less critical than they would later become. Afong Moy became a subject of poetry, a trendsetter for hair styles and new fashions, and a lucky name for winning racehorses. She met Americans face to face in cities and towns across the country, appearing on local stages to sell and to entertain. Yet she also moved in high society, and was the first Chinese guest to be welcomed to the White House. However, this success was not to last. As her novelty wore off, Afong Moy was cast aside by her managers. Though concerned public citizens rallied in support, her fame dwindled and she spent several years in a New Jersey almshouse. In the late 1840s, P.T. Barnum offered Afong Moy several years of promising renewal as the compatriot of Tom Thumb, yet this stint too was short-lived. In this first biography, Nancy E. Davis sheds light on the mystery of Afong Moy's life as a Chinese woman living in a foreign land.

New Guinea describes in archival photographs with accompanying detailed captions and chapter narratives the conflict between the Australian-American forces under General MacArthur in combating the tenacious Japanese first in Papua in 1942-43 and then along the entire northern coast of the world's second largest island in 1943-44 to both isolate the Japanese bastion at Rabaul and pave the way for the American invasion of the Philippine Islands in 1944-45.

Edward Davoll was a respected New Bedford whaling captain in an industry at its peak in the 1850s. But mid-career, disillusioned with whaling, desperately lonely at sea, and experiencing financial problems, he turned to the slave trade, with disastrous results. Why would a man of good reputation, in a city known for its racial tolerance and Quaker-inspired abolitionism, risk engagement with this morally repugnant industry? In this riveting biography, Anthony J. Connors explores this question by detailing not only the troubled, adventurous life of this man but also the turbulent times in which he lived. Set in an era of social and political fragmentation and impending civil war, when changes in maritime law and the economics of whaling emboldened slaving agents to target captains and their vessels for the illicit trade, Davoll's story reveals the deadly combination of greed and racial antipathy that encouraged otherwise principled Americans to participate in the African slave trade.

American hero and explorer Admiral Richard E. Byrd, Jr. tells the story of his first journey through Antarctica and the founding of a series of camps and bases referred to as "Little America." Over the years, many similar areas were developed as camps and research areas on Byrd's Antarctic missions, but the founding of "Little America" required great courage and leadership. In awe of the unforgiving landscape, he eagerly met its treacherous challenges. Byrd outlines the blueprint for his first mission to Antarctica and provides a glimpse into the obstacles he and his team overcame at the world's end. Reissued for today's readers, Admiral Byrd's classic explorations by land, air, and sea transport us to the farthest reaches of the globe. As companions on Byrd's journeys, modern audiences experience the polar landscape through Byrd's own struggles, doubts, revelations, and triumphs and share the excitement of these timeless adventures.

Vladimir Putin has dominated Russian politics since Boris Yeltsin relinquished the presidency in his favour in May 2000. He served two terms as president, before himself relinquishing the post to his prime minister, Dimitri Medvedev, only to return to presidential power for a third time in 2012.

Putin’s rule, whether as president or prime minister, has been marked by a steady increase in domestic repression and international assertiveness. Despite this, there have been signs of liberal growth and Putin – and Russia – now faces a far from certain future.

In Kremlin Winter, Robert Service, acclaimed biographer of Lenin, Stalin and Trotsky and one of our finest historians of modern Russia, brings his deep understanding of that country to bear on the man who leads it. He reveals a premier who cannot take his supremacy for granted, yet is determined to impose his will not only on his closest associates but on society at large. It is a riveting insight into power politics as Russia faces a blizzard of difficulties both at home and abroad.

New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called 'core' of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying 'the giants,' about whom there is so much more to say, as well as adding hitherto marginalized writers - and a few visual artists - to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called 'modernism,' but perhaps could be further delineated as 'Great War modernism,' a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.

For the last century, the Western world has regarded Turkey as a pivotal case of the 'clash of civilisations' between Islam and the West. Why Turkey is Authoritarian offers a radical challenge to this conventional narrative. Halil Karaveli highlights the danger in viewing events in Turkey as a war between a 'westernising' state and the popular masses defending their culture and religion, arguing instead for a class analysis that is largely ignored in the Turkish context. This book goes beyond cultural categories that overshadow more complex realities when thinking about the 'Muslim world', while highlighting the ways in which these cultural prejudices have informed ideological positions. Karaveli argues that Turkey's culture and identity have disabled the Left, which has largely been unable to transcend these divisions. This book asks the crucial question: why does democracy continue to elude Turkey? Ultimately, Karaveli argues that Turkish history is instructive for a left that faces the global challenge of a rising populist right, which succeeds in mobilising culture and identity to its own purposes. Published in partnership with the Left Book Club.

What happens when fossil fuels run out? How do communities and cultures survive? Central Appalachia and South Wales were built to extract coal, and faced with coal's decline, both regions have experienced economic depression, labor unrest, and out-migration. After Coal focuses on coalfield residents who chose not to leave, but instead remained in their communities and worked to build a diverse and sustainable economy. It tells the story of four decades of exchange between two mining communities on opposite sides of the Atlantic, and profiles individuals and organizations that are undertaking the critical work of regeneration. The stories in this book are told through interviews and photographs collected during the making of After Coal, a documentary film produced by the Center for Appalachian Studies at Appalachian State University and directed by Tom Hansell. Considering resonances between Appalachia and Wales in the realms of labor, environment, and movements for social justice, the book approaches the transition from coal as an opportunity for marginalized people around the world to work toward safer and more egalitarian futures.