In the 1800s, Tombstone was a rowdy silver-mining camp and the scene of a famous gunfight that enhanced its wicked reputation. When the rich silver mines were tapped out, Tombstone managed to survive and lived up to its motto, "The Town Too Tough to Die." The movie industry enhanced this wild reputation by portraying legendary gunfights at the O.K. Corral--which never actually took place at that location. For many years, the town has used its history to attract visitors by giving them a sense of life in the Old West. This volume includes many of the postcards tourists mailed home depicting romanticized and legendary views of Tombstone.

A full colour map, based on a digitised OS map of Cambridge published in 1927, with its medieval, Georgian, Victorian and Edwardian past overlain and important buildings picked out. Cambridge is one of England’s two ancient university towns. It was an important trading centre for the Romans and then the Anglo-Saxons. The town was the location for a castle built on rising ground above the flood plain of the River Cam, by William I in about 1068. In about 1209 the first students of what was to become the University arrived from Oxford, and the first college (Peterhouse) was founded in 1284. The city (it became a city only in 1951) is home to some of the best-known and most familiar university buildings in the country including King’s College Chapel, the University Church and the Senate House, Trinity College’s Wren Library and the Victorian chapel of St John’s College. From the 16th century, many of the colleges created extensive grounds along both sides of the river, resulting in the famous Cambridge ‘Backs’ of today. But the town was also the county town of Cambridgeshire with a Shire Hall, and it developed its own identity and status as a town through various charters, with a guildhall to serve its local government. It transformed from a service economy supporting the university, with a substantial publishing presence, when, in the 19th century, it developed an industrial base (milling, malting, brewing, iron-founding, brick-making and cement manufacture); it also became a major railway centre. As a result, its suburbs expanded, especially to the east of the town centre. The historical map shows the sites of the town’s major buildings, both existing in 1927 and lost by then, its vanished medieval buildings, the site of the castle and shire hall. The map’s cover has a short introduction to the town’s history, and on the reverse an illustrated and comprehensive gazetteer of Cambridge’s main sites of historical interest.

A MAIL ON SUNDAY AND WASHINGTON POST BOOK OF THE YEAR. The little-known true story of the woman who headed the largest spy network in Vichy France during World War II. In 1941, a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of Alliance, a vast Resistance organisation - the only woman to hold such a role. Brave, independent, and a lifelong rebel against her country's conservative, patriarchal society, Marie-Madeleine Fourcade was temperamentally made for the job. No other French spy network lasted as long or supplied as much crucial intelligence as Alliance - and as a result, the Gestapo pursued its members relentlessly, capturing, torturing, and executing hundreds of its three thousand agents, including Fourcade's own lover and many of her key spies. Fourcade herself lived on the run and was captured twice by the Nazis. Both times she managed to escape. Though so many of her agents died defending their country, Fourcade survived the occupation to become active in post-war French politics. Now, in a dramatic account of the war that split France in two and forced its people to live side by side with their hated German occupiers, Lynne Olson tells the fascinating story of a woman who stood up for her nation, her fellow citizens, and herself.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

Through reconstruction of oral testimony, folk stories and poetry, the true history of Hausa women and their reception of Islam's vision of Muslim in Western Africa have been uncovered. Mary Wren Bivins is the first author to locate and examine the oral texts of the 19th century Hausa women and challenge the written documentation of the Sokoto Caliphate. The personal narratives and folk stories reveal the importance of illiterate, non-elite women to the history of jihad and the assimilation of normative Islam in rural Hausaland. The captivating lives of the Hausa are captured, shedding light on their ordinary existence as wives, mothers, and providers for their family on the eve of European colonial conquest. From European observations to stories of marriage, each entry provides a personal account of the Hausa women's encounters with Islamic reform to the center of an emerging Muslim Hausa identity. Each entry focuses on: BLFemale historiography BLThe importance of oral history BLNew methodoligical approaches to the oral culture of popular Islam BLThe raw voice of Hausa women. The comprehensive history is easy to read and touches on an era that no other scholar has dissected.

After a century that has been described as the most violent in the history of humanity, Professor Richard Bessel has written an intelligent and fascinating book on the history of our violent world and how we have become obsessed about violence. He critiques the great themes of modern history from revolutionary upheavals around the globe, to the two world wars and the murder of the European Jews, to the great purges and, more recently, terrorism. Violence, it seems, is on everyone's mind. It constantly is in the news; it has given rise to an enormous historical, sociological, and philosophical literature; it occupies a prominent place in popular entertainment; and it is regarded as one of the fundamental problems affecting social, political and interpersonal relations. Bessel sheds light on this phenomenon and how our sensitivity towards violence has grown and has affected the ways in which we understand the world around us - in terms of religious faith, politics, military confrontation, the role of the state, as well as of interpersonal and intimate relations. He critiques our modern day relationship with violence and how despite its continuing and inevitable nature, we have become more committed to limiting and suppressing it. Both historically questioning and intensely evocative of the most vicious and brutal violence enacted by mankind, this book shows how the place of violence in the modern world presents a number of paradoxes and how it is an inescapable theme in human history.

South Carolina's Indian-American governor Nikki Haley recently dismissed one of her principal advisors when his membership to the ultra-conservative Council of Conservative Citizens (CCC) came to light. Among the CCC's many concerns is intermarriage and race mixing. According to the Southern Poverty Law Center, in 2001 the CCC website included a message that read "God is the one who divided mankind into different races.... Mixing the races is rebelliousness against God. " Beyond the irony of a CCC member working for an Indian-American, the episode reveals America's continuing struggle with race, racial integration, and race mixing. The Color Factor shows that the emergent twenty-first-century recognition of race mixing and the relative advantages of light-skinned, mixed-race people represents a "back to the future " moment--a re-emergence of one salient feature of race in America that dates to its founding. Each chapter addresses from a historical perspective a topic in the current literature on mixed-race and color. The approach is economic and empirical, but the text is accessible to social scientists more generally. The historical evidence concludes that we will not really understand race until we understand how American attitudes toward race were shaped by race mixing.

Andre Laurendeau was the most widely respected French-Canadian nationalist of his generation. The story of his life is to a striking degree also the story of French-Canadian nationalism from the 1930s to the 1960s, that period of massive societal change when Quebec evolved from a traditional to a modern society. The most insightful intellectual voice of the nationalist movement, he was at the tumultuous centre of events as a young separatist in the 1930s; an anti-conscription activist and reform-minded provincial politician in the 1940s; and an influential journalist, editor of the Montreal daily Le Devoir, in the 1950s. At the same time he played an important role in Quebec's cultural life both as a novelist and playwright and as a well-known radio and television personality. In tracing his life story, this biography sheds indispensable light not only on the development of Laurendeau's own nationalist thought, but on his people's continuing struggle to preserve the national values that make them distinct.

Bestselling historian William Dalrymple reinstates India as the great intellectual and philosophical superpower of Ancient Asia, tracing the cultural flow of its religion, science and mathematics.

For most of its modern history, India was fated to be on the receiving end of cultural influence from other civilisations. But this isn’t the complete story. A full millennium earlier, India’s major cultural exports – religion, art, technology, astronomy, mathematics, medicine, language and literature – were shaping civilisations, travelling as far as Afghanistan in the West and Japan in the East.

Out of India came pioneering merchants, astronomers and astrologers, scientists and mathematicians, surgeons and sculptors, as well as holy men, monks and missionaries. In The Golden Road, legendary historian William Dalrymple highlights India’s oft­forgotten position as a crucial economic and civilisational hub at the heart of the ancient and early medieval history of Eurasia.

From Angkor to Ayutthaya, The Golden Road traces the cultural flow of Indian religions, languages, artistic and architectural forms and mathematics throughout the world. In this groundbreaking tome, Dalrymple draws from a lifetime of scholarship to reinstate India as the great intellectual and philosophical superpower of ancient Asia.

The definitive account of the 10/7 attacks through the stories of its victims and the communities they called home.

On October 7, 2023―the Sabbath and the final day of the holiday of Sukkot―the Gaza-based terror group Hamas launched an unprecedented assault on the people of Israel. Crashing through the border, attacking from the sea and air, militants indiscriminately massacred civilians in what became one of the worst terror attacks in modern history, and the most lethal day for the Jewish people since the Holocaust.

A radically passionate work of investigative journalism and political critique by acclaimed Haaretz reporter Lee Yaron, 10/7 chronicles the massacre that ignited a war through the stories of more than 100 civilians. These stories are the products of extensive interviews with survivors, the bereaved, and first responders in Israel and beyond. The victims run the gamut from left-wing kibbutzniks and Burning Man-esque partiers to radical right-wingers, from Bedouins and Israeli Arabs to Thai and Nepalese guest workers, peace activists, elderly Holocaust survivors, refugees from Ukraine and Russia, pregnant women, and babies.

At a time when people are seeking a deeper understanding of the history of the Israeli-Palestinian conflict and how internal political turmoil in Israel has affected it, they predominantly encounter perspectives from the powerful―from politicians and military officers. 10/7 takes a fresh approach, offering answers through the stories of everyday people, those who lived tenuously on the border with Gaza.

Yaron profiles victims from a wide range of communities―depicting the fullness of their lives, not just their final moments―to honor their memories and reveal the way the attack ripped open Israeli society and put the entire Middle East on the precipice of disaster. Each chapter begins with a portrait of a community, interweaving history with broader political analysis of the Israeli-Palestinian conflict to provide context for the narratives that follow. Ultimately, 10/7 shows that the tragedy is much greater than the violence of the attacks, and in fact extends back through the entire Netanyahu era, which propagated a false image of Israel as a technologically advanced, militarily formidable powerhouse so essential to the region that it could continue to ignore and undermine Palestinian statehood indefinitely.

Die grootskaalse verhuising van boere aan die Kaapkolonie se oosgrens, ’n gebeurtenis wat later as die Groot Trek bekend sou word, was teen 1835 reeds in volle swang. Uiteindelik het bykans 10 000 siele huis en haard met ossewaens en veetroppe verlaat met die ideaal: om in die ongetemde Suid-Afrikaanse binneland ’n eie staat en samelewing tot stand te bring. Wie was hierdie Trekkers waarvan die geskiedenis vertel? Hulle was tog mense van vlees en bloed, wat gelag en gehuil, geeet, geslaap en gedroom het. Hoe het hulle die talle struikelblokke op die trekpad oorkom? Was daar tyd vir pret en plesier of was elke dag ’n stryd om oorlewing? Op trek, die resultaat van omvattende kultuurhistoriese navorsing wat met die oog op die 150ste herdenking van die Groot Trek gedoen is, het die eerste keer in 1988 verskyn. Buiten teks, bevat dit foto’s en illustrasies wat ’n nabyblik gee op die daaglikse lewe tydens die Groot Trek – aan die hand van wat beeldende kunstenaars verewig het en persoonlike besittings van die Trekkers wat behoue gebly het, soos dagboeke godsdienstige en ander boeke, wapens, kledingstukke, gebruiksartikels en foto’s.

Finally Fyreback settles into a proper job. Bringing rough justice to all who are oppressed in these troubled times, and the Law such as it is, has no legal jurisdiction. He learns a few extra skills on the way, diplomacy doesna t seem to be one of them, but be sure his Cleaver plays ita s part. Will this be the wind down to a stable married life and family. Again who can say, now possessing a Wife and Child with another to yet be born, peace and quiet will return to the Border with a new Monarch to rule both Scotland and England under one Crown, but that is still a few years ahead.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

In May 2022 Bradford was awarded the honour of being UK City of Culture 2025. Bradford is one of the most fascinating places in the country. This history provides a unique reference of what Bradford has already achieved and how it can now build on that foundation. It grew in the 19th century from a small market town to one of the UK's largest cities. It built its new wealth on factory production of woollen goods, a classic case study of the Industrial Revolution. This book is no conventional narrative of Bradford's history. It celebrates each day in the year with some important story from 1212 to 2020 - the impact of a strong-minded or talented individual, a critical event of success or disaster, or an important moment in the development of the city, its buildings or its institutions. Bradford has experienced good and bad times, periods of growth, decline and regeneration, and several waves of immigration. Often rising above adversity and strife, many individuals have made outstanding contributions to the city and the nation. They feature businessmen such as Sir Titus Salt and Samuel Lister, who made large fortunes through hard work and innovation, and creative giants with international reputations such as JB Priestley and David Hockney. Many mill-owners became very wealthy, but many more workers suffered from poverty and ill-health. Not for nothing did Friedrich Engels describe Bradford as a 'stinking hole' or TS Eliot refer to silk hats on Bradford millionaires in his most famous poem. The stories cover a wide range of topics - industry, commerce, politics, arts, leisure, sport, education, health etc. They include social issues such as the extreme poverty and squalor in the 19th century and women's rights and multi-culturalism in the 20th. The accent, however, is on the positive - the unusual, the brave, the eccentric and the amazing. Never before have such stories about everyday life in and around Bradford across the centuries been brought together in one volume. Martin Greenwood has built a remarkable kaleidoscope of life in his home city from medieval times to the current day.

The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, was partner to a new model of marriage, one in which she and her husband formed a relationship based on greater sexual and psychological equality. In Making Marriage Modern, Christina Simmons narrates the development of this new companionate marriage ideal, which took hold in the early twentieth century and prevailed in American society by the 1940s.
The first challenges to public reticence to discuss sexual relations between husbands and wives came from social hygiene reformers, who advocated for a scientific but conservative sex education to combat prostitution and venereal disease. A more radical group of feminists, anarchists, and bohemians opposed the Victorian model of marriage and even the institution of marriage. Birth control advocates such as Emma Goldman and Margaret Sanger openly championed women's rights to acquire and use effective contraception. The "companionate marriage" emerged from these efforts. This marital ideal was characterized by greater emotional and sexuality intimacy for both men and women, use of birth control to create smaller families, and destigmatization of divorce in cases of failed unions. Simmons examines what she calls the "flapper" marriage, in which free-spirited young wives enjoyed the early years of marriage, postponing children and domesticity. She looks at the feminist marriage in which women imagined greater equality between the sexes in domestic and paid work and sex. And she explores the African American "partnership marriage," which often included wives' employment and drew more heavily on the involvement of the community and extended family. Finally, she traces how these modern ideals of marriage were promoted in sexual advice literature and marriage manuals of the period.
Though male dominance persisted in companionate marriages, Christina Simmons shows how they called for greater independence and satisfaction for women and a new female heterosexuality. By raising women's expectations of marriage, the companionate ideal also contained within it the seeds of second-wave feminists' demands for transforming the institution into one of true equality between the sexes.

Theatre of the Book explores the impact of printing on the European theatre, 1480-1880. Far from being marginal to Renaissance dramatists, the printing press played an essential role in the birth of the modern theatre. Looking at playtexts, engravings, actor portraits, notation systems, and theatrical ephemera as part of the broader history of theatrical ideas, this illustrated book offers both a history of European dramatic publication and an examination of the European theatre's continual refashioning of itself in the world of print.

WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2022 'Exhilaratingly whizzes through billions of years . . . Gee is a marvellously engaging writer, juggling humour, precision, polemic and poetry to enrich his impossibly telescoped account . . . [making] clear sense out of very complex narratives' - The Times 'Henry Gee makes the kaleidoscopically changing canvas of life understandable and exciting. Who will enjoy reading this book? - Everybody!' Jared Diamond, author of Guns, Germs, and Steel For billions of years, Earth was an inhospitably alien place - covered with churning seas, slowly crafting its landscape by way of incessant volcanic eruptions, the atmosphere in a constant state of chemical flux. And yet, despite facing literally every conceivable setback that living organisms could encounter, life has been extinguished and picked itself up to evolve again. Life has learned and adapted and continued through the billions of years that followed. It has weathered fire and ice. Slimes begat sponges, who through billions of years of complex evolution and adaptation grew a backbone, braved the unknown of pitiless shores, and sought an existence beyond the sea. From that first foray to the spread of early hominids who later became Homo sapiens, life has persisted, undaunted. A (Very) Short History of Life is an enlightening story of survival, of persistence, illuminating the delicate balance within which life has always existed, and continues to exist today. It is our planet like you've never seen it before. Life teems through Henry Gee's words - colossal supercontinents drift, collide, and coalesce, fashioning the face of the planet as we know it today. Creatures are engagingly personified, from 'gregarious' bacteria populating the seas to duelling dinosaurs in the Triassic period to magnificent mammals with the future in their (newly evolved) grasp. Those long extinct, almost alien early life forms are resurrected in evocative detail. Life's evolutionary steps - from the development of a digestive system to the awe of creatures taking to the skies in flight - are conveyed with an alluring, up-close intimacy.

America: A Narrative History puts narrative front and centre with David Shi's rich storytelling style, colourful biographical sketches and vivid first-person quotations. The new editions further reflect the state of our history and society by continuing to incorporate diverse voices into the narrative with new coverage of the Latino/a experience as well as enhanced coverage of gender, African American, Native American, immigration and LGBTQ history. With dynamic digital tools, including the InQuizitive adaptive learning tool, and new digital activities focused on primary and secondary sources, America: A Narrative History gives students regular opportunities to engage with the story and build critical history skills.