Through reconstruction of oral testimony, folk stories and poetry, the true history of Hausa women and their reception of Islam's vision of Muslim in Western Africa have been uncovered. Mary Wren Bivins is the first author to locate and examine the oral texts of the 19th century Hausa women and challenge the written documentation of the Sokoto Caliphate. The personal narratives and folk stories reveal the importance of illiterate, non-elite women to the history of jihad and the assimilation of normative Islam in rural Hausaland. The captivating lives of the Hausa are captured, shedding light on their ordinary existence as wives, mothers, and providers for their family on the eve of European colonial conquest. From European observations to stories of marriage, each entry provides a personal account of the Hausa women's encounters with Islamic reform to the center of an emerging Muslim Hausa identity. Each entry focuses on: BLFemale historiography BLThe importance of oral history BLNew methodoligical approaches to the oral culture of popular Islam BLThe raw voice of Hausa women. The comprehensive history is easy to read and touches on an era that no other scholar has dissected.

The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, was partner to a new model of marriage, one in which she and her husband formed a relationship based on greater sexual and psychological equality. In Making Marriage Modern, Christina Simmons narrates the development of this new companionate marriage ideal, which took hold in the early twentieth century and prevailed in American society by the 1940s.
The first challenges to public reticence to discuss sexual relations between husbands and wives came from social hygiene reformers, who advocated for a scientific but conservative sex education to combat prostitution and venereal disease. A more radical group of feminists, anarchists, and bohemians opposed the Victorian model of marriage and even the institution of marriage. Birth control advocates such as Emma Goldman and Margaret Sanger openly championed women's rights to acquire and use effective contraception. The "companionate marriage" emerged from these efforts. This marital ideal was characterized by greater emotional and sexuality intimacy for both men and women, use of birth control to create smaller families, and destigmatization of divorce in cases of failed unions. Simmons examines what she calls the "flapper" marriage, in which free-spirited young wives enjoyed the early years of marriage, postponing children and domesticity. She looks at the feminist marriage in which women imagined greater equality between the sexes in domestic and paid work and sex. And she explores the African American "partnership marriage," which often included wives' employment and drew more heavily on the involvement of the community and extended family. Finally, she traces how these modern ideals of marriage were promoted in sexual advice literature and marriage manuals of the period.
Though male dominance persisted in companionate marriages, Christina Simmons shows how they called for greater independence and satisfaction for women and a new female heterosexuality. By raising women's expectations of marriage, the companionate ideal also contained within it the seeds of second-wave feminists' demands for transforming the institution into one of true equality between the sexes.

This book provides new and exciting interpretations of Helen Keller's unparalleled life as "the most famous American woman in the world" during her time, celebrating the 141st anniversary of her birth. Helen Keller: A Life in American History explores Keller's life, career as a lobbyist, and experiences as a deaf-blind woman within the context of her relationship with teacher-guardian-promoter Anne Sullivan Macy and overarching social history. The book tells the dual story of a pair struggling with respective disabilities and financial hardship and the oppressive societal expectations set for women during Keller's lifetime. This narrative is perhaps the most comprehensive study of Helen Keller's role in the development of support services specifically related to the deaf-blind, as delineated as different from the blind. Readers will learn about Keller's challenges and choices as well as how her public image often eclipsed her personal desires to live independently. Keller's deaf-blindness and hard-earned but limited speech did not define her as a human being as she explored the world of ideas and wove those ideas into her writing, lobbying for funds for the American Federation for the Blind and working with disabled activists and supporters to bring about practical help during times of tremendous societal change. Presents well-researched, factual material in an easy-to-understand writing style about a complex, iconic American woman, Helen Keller, who inspired generations of people worldwide because of her lifelong quest for knowledge and her ability to communicate ideas despite being deaf-blind Humanizes and demonstrates the diversity of the deaf-blind community, which has historically been the smallest minority in the United States at less than 1% of the population Positions Keller in the panorama of American history, economics, politics, and popular culture, challenging the existing narrative created by her teacher-guardian-promoter Anne Sullivan Macy Re-envisions Keller within the world of ideas where she experienced and expressed individuality through dialogs constructed from her writings and the work of those who informed her thinking Includes 10 images that provide an intimate look into Keller's personal and public life

Fourteenth-century Japan witnessed a fundamental political and intellectual conflict about the nature of power and society, a conflict that was expressed through the rituals and institutions of two rival courts. Rather than understanding the collapse of Japan's first warrior government (the Kamakura bakufu) and the onset of a chaotic period of civil war as the manipulation of rival courts by powerful warrior factions, this study argues that the crucial ideological and intellectual conflict of the fourteenth century was between the conservative forces of ritual precedent and the ritual determinists steeped in Shingon Buddhism. Members of the monastic nobility who came to dominate the court used the language of Buddhist ritual, including incantations (mantras), gestures (mudras), and "cosmograms" (mandalas projected onto the geography of Japan) to uphold their bids for power. Sacred places that were ritual centers became the targets of military capture precisely because they were ritual centers. Ritual was not simply symbolic; rather, ritual became the orchestration, or actual dynamic, of power in itself. This study undermines the conventional wisdom that Zen ideals linked to the samurai were responsible for the manner in which power was conceptualized in medieval Japan, and instead argues that Shingon ritual specialists prolonged the conflict and enforced the new notion that loyal service trumped the merit of those who simply requested compensation for their acts. Ultimately, Shingon mimetic ideals enhanced warrior power and enabled Shogun Ashikaga Yoshimitsu, rather than the reigning emperor, to assert sovereign authority in Japan.

Boudicca. Infamous warrior, queen of the British Iceni tribe and mastermind of one of history's greatest revolts. Her defeat spelled ruin for her people, yet still her name is enough to strike fear into Roman hearts.

But what of the woman who grew up in her shadow?

The woman who has her mother's looks and cunning but a spirit all of her own?

The woman whose desperate bid for survival will take her from Britain's sacred marshlands to the glittering façades of Nero's Roman Empire…

Born to a legend. Forced to fight. Determined to succeed.

Meet Solina.

Boudicca's Daughter.

a In late 2019 early 2020 word was coming out of Wuhan, China of a highly infectious virus being detected in the population, which sparked concern for what was about to become a global pandemic. Meanwhile in typically British fashion the general public started stockpiling pasta and toilet rollsa |why I have no idea! But it did prompt me to pick up my drawing pencil and sketch the first Corona cartoon of 2 dinosaurs stockpiling loo rolls while the meteorite plummeted to earth! Since that first toon I have drawn (and am still drawing) an account of a |.all the stupidity, heroics, tragedy, political and medical successes and failures, and the ludicrous nature, at times, of the human conditiona |..and a |.era |.Trump and Boris! A diary, a record, a chronicle, if you like, of what we all went through on our continuing quest to defeat the virus and get back to relative normalitya |a |with shelves full of pasta and toilet rolla |. Sometimes brutal sometimes thought provoking but, I hope, always amusing this is a book to keep and look back ona |. and perhaps to let your children and grandchildren read as one persona s view of life in the times of Covid. It was my way of keeping myself sane and as it turned out it helped many of my friends who in turn supported the daily Facebook toons. Read a The Corona Chroniclesa and think of those who surviveda |.and sadly those who didna ta |a |this book and ita s story belongs to all of us and serves as cautionary tale for the futurea

Stefan Zweig's seminal memoir recalls the golden age of pre-war Europe - its seeming permanence, its promise and its devastating fall.

Through the story of his life and his relationships with the leading literary figures of the day, Zweig's fervent, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction.

This translation by the award-winning Anthea Bell captures the passionate fluency of Zweig's writing in arguably his most important work, completed the day before his suicide in 1942 - a unique elegy for a lost world of security and peace.

In 1923, Kansas governor Johnathan Davis traveled to Hutchinson to dedicate Emerson Careyas new rock salt mine whose shaft provided access to an ancient salt bed 650 feet under the earthas surface. The Carey Salt Mine, advertised as athe most modern in the world, a served as a companion to Careyas already-existing evaporation plants. Miners used the newest technology to blast and crush the mineral into gravel and haul it to the surface to provide rock salt for livestock, industries, and roads. Throughout the 20th century, thousands visited Careyas mining operations. Ever since the day Governor Davis presided over the opening ceremony, the Carey Salt Mine has served as a landmark for Hutchinson and helped shape its identity as athe Salt City.a

In this one-of-a-kind collection, Dr. James C. Claypool, professor emeritus at Northern Kentucky University, rolls out the red carpet for thirty-nine of the most fascinating characters with ties to the commonwealth. From intrepid pioneers to noble statesmen, legendary athletes, inventors, entrepreneurs, war heroes and a couple of men named Cassius Clay, this is a comprehensive and highly entertaining volume that no true Kentuckian should be without. Some will make you proud, others may leave you in shame, but good or bad, noble or vile, they are still our fellow Kentuckians.

The Vermont-Quebec Border: Life on the Line is a visual record of life in the villages, towns, and countryside in this unique and special part of the world. In recent years, issues relating to the border have been thrust to the forefront as never before. This is due not only to growing security concerns but also to an increasing scrutiny in the media of border issues and of how heightened security is impacting life in communities all along the border. The border has played an important role in the history and everyday lives of the people living along its length, both in Vermont and Quebec, and it will undoubtedly continue to shape these communities in the years to come.

Following the birth of democracy in South Africa in 1994, Robben Island, once a symbol of pain, injustice, and closed spaces, became a famous world heritage site and a global symbol of a noble commitment to democracy, tolerance, and human dignity. In the words of Nelson Mandela at the official opening of the Robben Island Museum in 1997, it would forever be a reminder that ‘today’s unity is a triumph over yesterday’s division and conflict’. In the years that followed, however, division and conflict marred the high hopes for this cherished 475-hectare location, leaving a bewildered public at the mercy of disinformation and challenging the dream of creativity, inclusivity, hope and a re-imagined future. Robben Island Rainbow Dreams offers the first intimate, behind-the-scenes account of the ongoing saga of the making of democratic South Africa’s first national heritage institution. In doing so, it draws on the perspectives of historians, architects, visiting artists, ex political prisoners, residents of the island and a host of heritage professionals, including perspectives on Mandelarisation and commemorating Mangaliso Robert Sobukwe.

A Times Literary Supplement Book of the Year A riveting account of a forgotten holocaust: the slaughter of over one hundred thousand Ukrainian Jews in the aftermath of the Russian Revolution. In the Midst of Civilized Europe repositions the pogroms as a defining moment of the twentieth century. 'Exhaustive, clearly written, deeply researched' - The Times 'A meticulous, original and deeply affecting historical account' - Philippe Sands, author of East West Street Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms - ethnic riots - dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination. Twenty years later, these dire predictions would come true. Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records, and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers, and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.