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Books > Humanities > History
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwinas personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwinas geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themesathe Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalismato bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
In 1864, six hundred Confederate prisoners of war, all officers, were taken out of a prison camp in Delaware and transported to South Carolina, where most were confined in a Union stockade prison on Morris Island. They were placed in front of two Union forts as "human shields" during the siege of Charleston and exposed to a fearful barrage of artillery fire from Confederate forts. Many of these men would suffer an even worse ordeal at Union-held Fort Pulaski near Savannah, Georgia, where they were subjected to severe food rationing as retaliatory policy. Author and historian Karen Stokes uses the prisoners' writings to relive the courage, fraternity and struggle of the "Immortal 600."
The diary of Antera Duke is one of the earliest and most extensive surviving documents written by an African residing in coastal West Africa predating the arrival of British missionaries and officials in the mid-19th century. Antera Duke (ca.1735-ca.1809) was a leader and merchant in late eighteenth-century Old Calabar, a cluster of Efik-speaking communities in the Cross River region. He resided in Duke Town, forty miles from the Atlantic Ocean in modern-day southeast Nigeria. His diary, written in trade English from 18 January 1785 to 31 January 1788, is a candid account of daily life in an African community during a period of great historical interest. Written by a major African merchant at the height of Calabar's overseas commerce, it provides valuable information on Old Calabar's economic activity both with other African businessmen and with European ship captains who arrived to trade for slaves, produce and provisions. It is also unique in chronicling the day-to-day social and cultural life of a vibrant African community. Antera Duke's diary is much more than a historical curiosity; it is the voice of a leading African-Atlantic merchant who lived during an age of expanding cross-cultural trade. The book reproduces the original diary of Antera Duke, as transcribed by a Scottish missionary, Arthur W. Wilkie, ca. 1907 and published by OUP in 1956. A new rendering of the diary into standard English appears on facing pages, and the editors have advanced the annotation completed by anthropologist Donald Simmons in 1954 by editing 71 and adding 158 footnotes. The updated reference information incorporates new primary and secondary source material on Old Calabar, and notes where their editorial decisions differ from those made by Wilkie and Simmons. Chapters 1 and 2 detail the eighteenth-century Calabar slave and produce trades, emphasizing how personal relationships between British and Efik merchants formed the nexus of trade at Old Calabar. To build a picture of Old Calabar's regional trading networks, Chapter 3 draws upon information contained in Antera Duke's diary, other contemporary sources, and shipping records from the 1820s. Chapter 4 places information in Antera Duke's diary in the context of eighteenth-century Old Calabar political, social and religious history, charting how Duke Town eclipsed Old Town and Creek Town through military power, lineage strength and commercial acumen.
Future History traces the ways that English and American writers oriented themselves along an East-West axis to fantasize their place in the world. The book builds on new transoceanic scholarship and recent calls to approach early American studies from a global perspective. Such scholarship has largely focused on the early national period; Bross's work begins earlier and considers the intertwined identities of America, other English colonial sites and metropolitan England during a period before nation-state identities were hardened into the forms we know them today, when an English empire was nascent, not realized, and when a global perspective such as we might recognize it was just coming into focus for early modern Europeans. The author examines works that imagine England on a global stage in the Americas and East Indies just as-and in some cases even before-England occupied such spaces in force. Future History considers works written from the 1620s to the 1670s, but the center of gravity of Future History is writing at the mid-century, that is, writings coincident with the Interregnum, a time when England plotted and launched ambitious, often violent schemes to conquer, colonize or otherwise appropriate other lands, driven by both mercantile and religious desires.
Ibn Saud grew to manhood first through living the harsh traditional life of the desert nomad, a life that had changed little since the days of Abraham, and then, through a careful study during his adolescence in Kuwait, of the ways of the great imperial powers such as Great Britain and the Ottoman Empire. Thus equipped, and endowed with immense physical courage, between 1902 and 1930 he fought and won, often with weapons and tactics not unlike those employed by the ancient Assyrians, a series of astonishing military victories over a succession of enemies much more powerful than himself. Over the same period, he transformed himself from a minor sheikh into a revered king and elder statesman, courted by world leaders such as Churchill and Roosevelt.
The Other Civil War offers historian and activist Howard Zinn's view of the social and civil background of the American Civil War--a view that is rarely provided in standard historical texts. Drawn from his New York Times bestseller A People's History of the United States, this set of essays recounts the history of American labor, free and not free, in the years leading up to and during the Civil War. He offers an alternative yet necessary account of that terrible nation-defining epoch.
In a plot taken from today's headlines, the U.S. economy is sliding into another Great Recession, a resurgent Russia plans to manipulate the oil market, and NSA is listening to everyone. With his re-election in peril, the President agrees with advisors; release the anger of Jacqueline Desjardin. Suicidal, suffering from PTSD, the beautiful French photojournalist seeks revenge for tragic losses suffered as a child. Manipulated by forces an ocean away, Desjardin becomes a pawn in a macabre plan devised by a secret Pentagon hit squad. The K Street Boys takes you inside the White House, NSA, the Pentagon, and into the minds of military bureaucrats and politicians protecting their power at any cost. Les Kinney's storytelling will enchant you with engaging characters and spell binding action. Get ready for the best read of the year.
In the 1830s, a small community known as El Fronton de Santa
In 1923, with its currency effectively worthless (the exchange rate in December of that year was one dollar to 4,200,000,000,000 marks), the Weimar Republic was all but reduced to a barter economy. Expensive cigars, artworks and jewels were routine...
‘How can there be only one dedicated hospital in the country for our children?’ When Madiba asked this question, he sowed the seeds of a challenge that would grow into a legacy. A seed may be small but its size is disproportionate to what it can become over time. The Nelson Mandela Children’s Hospital was a project that seemed impossible when it was just an idea that started with ten people seated around a dinner table. As they discussed the state of healthcare in the country and shared their experiences, they realised that it was the children of Southern Africa who were the most disadvantaged by the lack of dedicated paediatric facilities. At the end of the evening a statement by the late Dr Nthato Motlana took hold and became the catalyst for a remarkable journey: ‘I will speak to Nelson,’ he said. With South Africa’s first democratically elected president Nelson Mandela’s backing, the board of the Children’s Fund was inspired to take up the challenge to address this vital need. After years of global research and advice from experts in numerous different fields a Trust was formed to oversee the project and, critically, to set about raising the one billion rand it would take to build, equip and staff a state-of-the-art children’s hospital. The stories behind the planning for, fundraising and building of the Nelson Mandela Children’s Hospital are inspiring, personal, and sometimes heart-breaking. It was a long and arduous journey, beset with difficulties, but the dedicated team’s commitment and courage prevailed to create a living legacy that will truly impact the lives of children for generations to come. Today, the Nelson Mandela Children’s Hospital in Johannesburg is a proud testimony to a uniquely African story which honours the memory of a great statesman and celebrates the children for whom he cared so deeply.
When Louisiana seceded from the Union on January 26, 1861, no one doubted that a battle to control the Mississippi River was imminent. Throughout the war, the Federals pushed their way up the river. Every port and city seemed to fall against the force of the Union Navy. The capitol was forced to retreat from Baton Rouge to Shreveport. Many of the smaller towns, like Bayou Sara and Donaldsonville, were nearly shelled completely off the map. It was not until the Union reached Port Hudson that the Confederates had a fighting chance to keep control of the mighty Mississippi. They fought long and hard, under supplied and under manned, but ultimately the Union prevailed.
The United Africa Company (UAC), formed in 1929 by the fusion of the Niger Company and the African and Eastern Corporation, was by far the largest single commercial organization in West and Equatorial Africa, and thus central to modern African economic history. This is the first detailed account to be published and one which fills a serious gap in the literature. It was not commissioned by the company (now reabsorbed into Unilever) but the author had full access to all confidential material in the UAC and Unilever archives and complete freedom in what he wrote. The book is not intended to be primarily a company history but uses the UAC as a focal point for detailed study of how the role of foreign merchant capital changed in response to economic and political developments in Black Africa during this critical half century.
Sixties British rock and pop changed music history. While American popular music dominated the record industry in the late fifties and early sixties, the Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups soon invaded the world at large and put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews session musicians who recorded anonymously with the Beatles, Hermans Hermits, and the Kinks, professional musicians who toured with British bands promoting records or providing dance music, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. The consequences of World War Two for pop music in the late fifties and early sixties form the backdrop for discussion of recording equipment, musical instruments, and new jet-age transportation, all contributors to the rise of British pop-music alongside the personalities that more famously made entertainment news. And these famous personalities traverse the pages of Please Please Me as well: performing songwriters John Carter and Ken Lewis, Lennon and McCartney, Jagger and Richards, Ray Davies, and Pete Townshend took center stage while the production teams and session musicians created the art of recording behind the doors of Londons studios. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process. Opening up important new historical and musical understandings in a repertoire that is at the core of rock music's history, Please Please Me will appeal to all students, scholars, and fans of popular music.
On April 30, 1980, six heavily armed gunmen burst into the Iranian
embassy on Princes Gate, overlooking Hyde Park in London. There they
took 26 hostages, including embassy staff, visitors, and three British
citizens.
Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical understanding of topical issues in the present. Including a range of contemporary examples from Brexit to child sexual abuse to the impact of the internet, this is an important and practical introduction for all students of history. Inspiring and empowering, this book provides both students and general readers with a stimulating and practical rationale for the study of history. It is essential reading for all undergraduate students of history who require an engaging introduction to the subject. New to this Edition: - Illustrative examples and case studies are fully updated - Features a postscript on British historians and Brexit - Bibliography is heavily revised
Chapters 22 and 23 of 2 Kings tell the story of the religious reforms of the Judean King Josiah, who systematically destroyed the cult places and installations where his own people worshipped in order to purify Israelite religion and consolidate religious authority in the hands of the Jerusalem temple priests. This violent assertion of Israelite identity is portrayed as a pivotal moment in the development of monotheistic Judaism. Monroe argues that the use of cultic and ritual language in the account of the reform is key to understanding the history of the text's composition, and illuminates the essential, interrelated processes of textual growth and identity construction in ancient Israel. Until now, however, none of the scholarship on 2 Kings 22-23 has explicitly addressed the ritual dimensions of the text. By attending to the specific acts of defilement attributed to Josiah as they resonate within the larger framework of Israelite ritual, Monroe's work illuminates aspects of the text's language and fundamental interests that have their closest parallels in the priestly legal corpus known as the Holiness Code (Leviticus 17-26), as well as in other priestly texts that describe methods of eliminating contamination. She argues that these priestly-holiness elements reflect an early literary substratum that was generated close in time to the reign of Josiah, from within the same priestly circles that produced the Holiness Code. The priestly composition was reshaped in the hands of a post-Josianic, exilic or post-exilic Deuteronomistic historian who transformed his source material to suit his own ideological interests. The account of Josiah's reform is thus imprinted with the cultural and religious attitudes of two different sets of authors. Teasing these apart reveals a dialogue on sacred space, sanctified violence and the nature of Israelite religion that was formative in the development not only of 2 Kings 23, but of the historical books of the Bible more broadly.
Iranian history has long been a source of fascination for European
and American observers. The country's ancient past preoccupied
nineteenth-century historians and archaeologists as they attempted
to construct a unified understanding of the ancient world. Iran's
medieval history has likewise preoccupied scholars who have long
recognized the Iranian plateau as a cultural crossroad of the
world's great civilizations. In more recent times, Iran has
continued to demand the attention of observers when, for example,
the revolution of 1978-79 dramatically burst onto the world stage,
or more recently, when the Iranian democracy movement has come to
once again challenge the status quo of the clerical regime. Iran's
dominance in the Middle East has brought it into conflict with the
United States and so it is the subject of almost daily coverage
from reporters. Sympathetic observers of Iran-students, scholars,
policy makers, journalists, and the educated public-tend to be
perplexed and confused by this tangled web of historical
development. Iran, as it appears to most observers, is a
foreboding, menacing, and far away land with a history that is
simply too difficult to fathom.
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