This provocative study breaks new ground. It argues that, in a period dominated by the white Australia ideal, the nation's political leaders were content to allow disease and malnutrition, as well as punitive police raids, to ravage the Aboriginal population of the Northern Territory, and that for decades there was a failure to provide funding to implement publicly announced policies. Written for a general readership, "Governing Savages" explains how such a state of affairs could arise and be tolerated in a professedly humane society. The result of almost a decade of research by one of the leading scholars in the field of Australian race relations, the book analyzes the attitudes of pastoralists, missionaries, administrators, judges and politicians and of those - including Aboriginal leaders - seeking to awaken the conscience of Australians and bring to an end generations of brutality and callous indifference. Andrew Markus is the editor of journals on Aboriginal history, intercultural studies and labour history, and was a consultant to the Fitzgerald Committee on Australia's immigration policies. The author of "Blood from a Stone", he is currently Senior Lecturer in History at Monash University, Melbourne. This book is intended for general readers, and students and researchers in Australian and Aboriginal studies.

The concept of `economic planning' was a central theme of the popular economic policy debate in the 1930s. Dr Ritschel traces the many interpretations of planning, and examines the process of idealogical construction and dissemination of the new economic ideas. He finishes with an explanation of the planners' retreat, later in the decade, from the economics of planning towards the far less ambitious (but also less contentious) alternative - the `middle way' of Keynesian economics.

The emergence of the book was not merely an event of world historical importance, but the dawn of modernity. In this much praised work, Lucien Febvre and Henri-Jean Martin mesh together economic and technological history, sociology and anthropology, with the study of consciousness itself to root the development of printing in the changing social relations and ideological struggles of Western Europe. Now that the printed page may become a thing of the past, "The Coming of the Book" is more pertinent than ever.
The Verso World History Series This series provides attractive new editions of classic works of history, making landmark texts available to a new generation of readers. Covering a time-span stretching from Ancient Greece and Rome to the twentieth century, and with a global geographical range, the series will also include thematic volumes providing insights into such topics as the spread of print cultures and the history of money.

Migration is the most imprecise and difficult of all aspects of pre-industrial population to measure. It was a major element in economic and social change in early modern Britain, yet, despite a wealth of detailed research in recent years, there has been no systematic survey of its importance. This book reviews a wide range of aspects of population migration, and their impacts on British society, from Tudor times to the main phase of the Industrial Revolution.

One of the most fascinating figures of seventeenth-century music, composer and singer Antonia Padoani Bembo (c.1640 - c.1720) was active in both Venice and Paris. Her work provides a unique cross-cultural window into the rich musical cultures of these cities, yet owing to her clandestine existence in France, for almost three centuries Bembo's life was shrouded in mystery. In this first-ever biography, Clare Fontijn unveils the enthralling and surprising story of a remarkable woman who moved in the musical, literary, and artistic circles of these European cultural centers. Rebuffed in the attempt to divorce her abusive husband, Bembo fled to Paris, leaving her children in Venice. Joining ranks with composers glorifying Louis XIV, her song charmed the Sun King and won over his court's sympathy to the cause of women. She obtained his sponsorship to live in a semi-cloistered community in Paris, where she wrote music for the spiritual and worldly needs of the royal family. Offering fine examples of sacred and secular vocal repertory for chamber settings and large ensembles, Bembo's oeuvre reveals her preoccupation with female agency through dynamic portrayals of such powerful figures as the Virgin Mary and the Duchess of Burgundy. The genres in which she worked-love song, opera, motet, cantata, trio sonata, and air-testify to the magic of her voice and to her place alongside Strozzi, Jacquet de La Guerre, and other major women composers of her time. Expertly engaging with musicology, history, and gender studies, Claire Fontijn tells the story of a brave and daring woman while providing a valuable key to a long-hidden treasure trove of music. A groundbreaking biography, Desperate Measures details the compelling life and music of a woman with courage, determination, and talent who thrived within the dictates of society and culture.

In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain.

The World We Want compares the future world that Enlightenment intellectuals had hoped for with our own world at present. In what respects do the two worlds differ, and why are they so different? To what extent is and isn't our world the world they wanted, and to what extent do we today still want their world? Unlike previous philosophical critiques and defenses of the Enlightenment, the present study focuses extensively on the relevant historical and empirical record first, by examining carefully what kind of future Enlightenment intellectuals actually hoped for; second, by tracking the different legacies of their central ideals over the past two centuries.
But in addition to documenting the significant gap that still exists between Enlightenment ideals and current realities, the author also attempts to show why the ideals of the Enlightenment still elude us. What does our own experience tell us about the appropriateness of these ideals? Which Enlightenment ideals do not fit with human nature? Why is meaningful support for these ideals, particularly within the US, so weak at present? Which of the means that Enlightenment intellectuals advocated for realizing their ideals are inefficacious? Which of their ideals have devolved into distorted versions of themselves when attempts have been made to realize them? How and why, after more than two centuries, have we still failed to realize the most significant Enlightenment ideals? In short, what is dead and what is living in these ideals?

This book is based on the first edition titled Historical Dictionary of Mozambique - with new entries, updating of information, some reorganisation, and the correction of a few minor errors of fact and interpretation in the earlier work; it is aimed primarily at a South African readership.

The purpose of bringing out this revised edition is to make information on Mozambique more easily available and affordable for students and others in southern Africa who are interested in the history of one of South Africa's closest neighbours. Over several centuries, relations between the two emerging territories have been complex and sometimes troubled, and despite the fact that the economies of the two countries have more recently become historically interdependent, the simple fact that Mozambique is officially – at least, a Portuguese-speaking country has perhaps functioned as a barrier to understanding.

The emphasis in focus is on contemporary history from the middle of the twentieth century onwards, with perhaps one-third of all entries dealing with topics and personalities from that period. However, the dictionary includes many entries covering both the period before the arrival of the Portuguese in the late fifteenth century, as well as on the five centuries of their presence – often precarious – in Mozambique.

The History of the Church of Abingdon is one of the most valuable local histories produced in the twelfth century. It provides a wealth of information about, and great insight into, the legal, economic, and ecclesiastical affairs of a major monastery. Charters and narrative combine to provide a vital resource for historians. The present edition, unlike its Victorian predecessor, is based on the earliest manuscript of the text. A modern English translation is provided on facing pages, together with extensive introductory material and historical notes.
This volume covers the period from the reputed foundation of the abbey and its estates to c.1071. Volume II, already published, covers from c.1071- c.1164.

Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures, including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins, Arlo Guthrie, Ry Cooder, and Holly Near. Together they tell the stories of such musical groups as the Composers' Collective, the Almanac Singers, People's Songs, the Weavers, the New Lost City Ramblers, and the Freedom Singers. Folklorists, musicians, musicologists, writers, activists, and aficionados reveal not only what happened during the folk revivals, but what it meant to those personally and passionately involved. For everyone who ever picked up a guitar, fiddle, or banjo, this will be a book to give and cherish. Extensive notes, bibliography, and discography, plus a photo section.

One of the few books about photography to come out of the continent and where the majority of contributors are African and work on the continent.

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography – and with visibility more generally – in ways that engage and disrupt the easy categories and genres that have characterised the field to date.

Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.

This first scholarly account of the Royal Navy in the Pacific War is a companion volume to Arthur Marder's Old Friends, New Enemies: Strategic Illusions, 1936-1941 (0-19-822604-7, OP). Picking up the story at the nadir of British naval fortunes - `everywhere weak and naked', in Churchill's phrase - it examines the Royal Navy's role in events from 1942 to the Japanese surrender in August 1945. Drawing on both British and Japanese sources and personal accounts by participants, the authors vividly retell the story of the collapse of Allied defences in the Dutch East Indies, culminating in the Battle of the Java Sea. They recount the attempts of the `fighting admiral', Sir James Somerville, to train his motley fleet of cast-offs into an efficient fighting force in spite of the reluctance of Churchill, who resisted the formation of a full-scale British Pacific Fleet until the 1945 assault on the Ryukyu Islands immediately south of Japan. Meticulously researched and fully referenced, this unique and absorbing account provides a controversial analysis of the key personalities who shaped events in these momentous years, and makes fascinating reading for anyone interested in the Pacific War. This book also appears in the Oxford General Books catalogue for Autumn 1990.

One of the longest and seemingly most intractable civil wars in Latin America was brought to an end by the signing of the Peace Accords between the Guatemalan government and the Unidad Revolucionaria Nacional Guatemalteca (URNG) in December 1996. The essays in this volume evaluate progress made in the implementation of the peace agreements and signal some of the key challenges for future political and institutional reform. The volume opens with a chapter by Gustavo Porras, the government's main negotiator in the peace process. The first section then examines the issue of demilitarization. This is followed by aspects of indigenous rights in the peace process, including conceptual frameworks for rights advancement, the harmonization of state law and customary law, and the challenges of nation-state and citizenship construction. The next section examines issues of truth, justice, and reconciliation, and assesses prospects for the Truth Commission. The volume closes with an analysis of different aspects of political reform in Guatemala and includes comments made on the chapters and developed in the debate which took place at the conference on which it is based. The contributors are Marta Altolaguirre*, Marta Elena Casa?s*, Demetrio Cojt?*, Edgar Guti?rrez*, Frank La Rue, Roger Plant, Gustavo Porras*, Alfonso Portillo*, Jennifer Schirmer, Rachel Sieder, David Stoll, Rosalina Tuyuc*, Anna Vinegrad, Richard Wilson (* chapters in Spanish).

During the Great War, voluntary medical assistance to British Forces was organised by the British Red Cross and the Order of St John. As the conflict escalated there was a shortage of medical assistance and ancillary services. The solution came with the creation of the General Service Voluntary Aid Detachment (VAD) which enabled those with little or no medical training to undertake more routine jobs - cooks, laundry maids, wardmaids, dispensers, drivers etc. This book is a reprint of the final, and largest, British Red Cross list giving information of over 18,000 women and men who were involved. It provides individual detail (name, rank, unit, destination) together with lists of Headquarters Staff, Commissioners and Representatives, and also a Roll of Honour

Paul Revere's midnight ride looms as an almost mythical event in American history--yet it has been largely ignored by scholars and left to patriotic writers and debunkers. Now one of the foremost American historians offers the first serious look at the events of the night of April 18, 1775--what led up to it, what really happened, and what followed--uncovering a truth far more remarkable than the myths of tradition.

In Paul Revere's Ride, David Hackett Fischer fashions an exciting narrative that offers deep insight into the outbreak of revolution and the emergence of the American republic. Beginning in the years before the eruption of war, Fischer illuminates the figure of Paul Revere, a man far more complex than the simple artisan and messenger of tradition. Revere ranged widely through the complex world of Boston's revolutionary movement--from organizing local mechanics to mingling with the likes of John Hancock and Samuel Adams. When the fateful night arrived, more than sixty men and women joined him on his task of alarm--an operation Revere himself helped to organize and set in motion. Fischer recreates Revere's capture that night, showing how it had an important impact on the events that followed. He had an uncanny gift for being at the center of events, and the author follows him to Lexington Green--setting the stage for a fresh interpretation of the battle that began the war. Drawing on intensive new research, Fischer reveals a clash very different from both patriotic and iconoclastic myths. The local militia were elaborately organized and intelligently led, in a manner that had deep roots in New England. On the morning of April 19, they fought in fixed positions and close formation, twice breaking the British regulars. In the afternoon, the American officers switched tactics, forging a ring of fire around the retreating enemy which they maintained for several hours--an extraordinary feat of combat leadership. In the days that followed, Paul Revere led a new battle-- for public opinion--which proved even more decisive than the fighting itself.

When the alarm-riders of April 18 took to the streets, they did not cry, "the British are coming," for most of them still believed they were British. Within a day, many began to think differently. For George Washington, Thomas Jefferson, John Adams, and Thomas Paine, the news of Lexington was their revolutionary Rubicon. Paul Revere's Ride returns Paul Revere to center stage in these critical events, capturing both the drama and the underlying developments in a triumphant return to narrative history at its finest.

What was the role of mousike, the realm of the Muses, in Greek life? More wide-ranging in its implications than the English 'music', mousike lay at the heart of Greek culture, and was often indeed synonymous with culture. In its commonest form, it represented for the Greeks a seamless complex of music, poetic word, and physical movement, encompassing a vast array of performances - from small-scale entertainment in the private home to elaborate performances involving the entire community. Yet the history of the field, particularly in anglophone scholarship, has been hitherto narrowly conceived, and the broader cultural significance of mousike largely ignored. Focusing mainly on classical Athens these new and specially commissioned essays analyse the theory and practice of musical performance in a variety of social contexts and demonstrate the centrality of mousike to the values and ideology of the polis. The so-called 'new musical revolution' in late fifth-century Athens receives serious treatment in this volume for the first time. A major theme of the book is the musical and mousike dimension of Greek religion, rarely analysed in its own right. The ethical and philosophical aspects of Athenian mousike are another central concern, with the figure of the dancing philosopher as an emblem of music's role in intellectual life. The book as a whole provides an integrated cultural analysis of central aspects of Greek mousike, which will be of interest to classical scholars, to cultural historians, and to anyone concerned with understanding the power of music as a cultural phenomenon.

Coral and Concrete, Greg Dvorak's cross-cultural history of Kwajalein Atoll, Marshall Islands, explores intersections of environment, identity, empire, and memory in the largest inhabited coral atoll on earth. Approaching the multiple "atollscapes" of Kwajalein's past and present as Marshallese ancestral land, Japanese colonial outpost, Pacific War battlefield, American weapons-testing base, and an enduring home for many, Dvorak delves into personal narratives and collective mythologies from contradictory vantage points. He navigates the tensions between "little stories" of ordinary human actors and "big stories" of global politics-drawing upon the "little" metaphor of the coral organisms that colonize and build atolls, and the "big" metaphor of the all-encompassing concrete that buries and co-opts the past. Building upon the growing body of literature about militarism and decolonization in Oceania, this book advocates a layered, nuanced approach that emphasizes the multiplicity and contradictions of Pacific Islands histories as an antidote to American hegemony and globalization within and beyond the region. It also brings Japanese, Korean, Okinawan, and American perspectives into conversation with Micronesians' recollections of colonialism and war. This transnational history-built upon a combination of reflective personal narrative, ethnography, cultural studies, and postcolonial studies-thus resituates Kwajalein Atoll as a pivotal site where Islanders have not only thrived for thousands of years, but also mediated between East and West, shaping crucial world events. Based on multi-sited ethnographic and archival research, as well as Dvorak's own experiences growing up between Kwajalein, the United States, and Japan, Coral and Concrete integrates narrative and imagery with semiotic analysis of photographs, maps, films, and music, traversing colonial tropical fantasies, tales of victory and defeat, missile testing, fisheries, war-bereavement rituals, and landowner resistance movements, from the twentieth century through the present day. Representing history as a perennial struggle between coral and concrete, the book offers an Oceanian paradigm for decolonization, resistance, solidarity, and optimism that should appeal to all readers far beyond the Marshall Islands.

Although much has been written about Lyon during the Great Terror of 1793-1794, this is the first detailed, integrated study of the four turbulent years which left France's second city marked out for savage repression by the Jacobin Republic. Taking account of recent research, the author emphasizes the interaction of social tensions with political rivalries in the succession of crises which set Lyon on a collision course with the national government. Deep social divisions had a close bearing on the two most notable features of the city's revolutionary history: the precocious emergence of a popular democratic movement, and the violent radicalism of the Lyonnais Jacobins. Through close study of these factors, the book contributes to the history of Jacobinism and political participation during the first European democratic revolution. It also throws light on Lyon's part in the `federalist' revolt against Jacobinism in 1793 and on the causes of the Great Terror. A postscript surveys the impact of the Terror on the defeated city.

Part of the Pop Goes the Decade series, this book looks at one of the most memorable decades of the 20th century, highlighting pop culture areas such as film, television, sports, technology, advertising, fashion, and art. All in the Family. Barry Manilow, Donna Summer, and Olivia Newton-John; Styx, Led Zeppelin, and The Jackson Five. Jaws, Rocky, The Exorcist, and The Rocky Horror Picture Show. Pop Goes the Decade: The Seventies takes a sweeping look at all of the cultural events and developments that made the 1970s a highly memorable era of change and new thinking. This book explores the cultural and social framework of the 1970s, focusing on pop culture areas that include film, television, sports, technological innovations, clothing, and art. A timeline highlights significant cultural moments, and a "controversies in pop culture" section explores the pop culture items and moments of the 1970s that shocked the public and challenged underlying social mores. The book also includes a "Game Changers" section that identifies the public figures and celebrities who had the largest influence during the decade, a technology section that explains how media, news, and culture were shared, and a "Legacy" section that identifies concepts and events from the 1970s that still affect Americans today.

This book provides the first comprehensive legal analysis of the twelve war crimes trials held in the American zone of occupation between 1946 and 1949, collectively known as the Nuremberg Military Tribunals (NMTs). The judgments the NMTs produced have played a critical role in the development of international criminal law, particularly in terms of how courts currently understand war crimes, crimes against humanity, and the crime of aggression. The trials are also of tremendous historical importance, because they provide a far more comprehensive picture of Nazi atrocities than their more famous predecessor, the International Military Tribunal at Nuremberg (IMT). The IMT focused exclusively on the 'major war criminals'-the Goerings, the Hesses, the Speers. The NMTs, by contrast, prosecuted doctors, lawyers, judges, industrialists, bankers-the private citizens and lower-level functionaries whose willingness to take part in the destruction of millions of innocents manifested what Hannah Arendt famously called 'the banality of evil'.
The book is divided into five sections. The first section traces the evolution of the twelve NMT trials. The second section discusses the law, procedure, and rules of evidence applied by the tribunals, with a focus on the important differences between Law No. 10 and the Nuremberg Charter. The third section, the heart of the book, provides a systematic analysis of the tribunals' jurisprudence. It covers Law No. 10's core crimes-crimes against peace, war crimes, and crimes against humanity-as well as the crimes of conspiracy and membership in a criminal organization. The fourth section then examines the modes of participation and defenses that the tribunals recognized. The final section deals with sentencing, the aftermath of the trials, and their historical legacy.

The gentrification of Brooklyn has been one of the most striking developments in recent urban history. Considered one of the city's most notorious industrial slums in the 1940s and 1950s, Brownstone Brooklyn by the 1980s had become a post-industrial landscape of hip bars, yoga studios, and beautifully renovated, wildly expensive townhouses. In The Invention of Brownstone Brooklyn, Suleiman Osman offers a groundbreaking history of this unexpected transformation. Challenging the conventional wisdom that New York City's renaissance started in the 1990s, Osman locates the origins of gentrification in Brooklyn in the cultural upheavals of the 1960s and 1970s. Gentrification began as a grassroots movement led by young and idealistic white college graduates searching for "authenticity" and life outside the burgeoning suburbs. Where postwar city leaders championed slum clearance and modern architecture, "brownstoners" (as they called themselves) fought for a new romantic urban ideal that celebrated historic buildings, industrial lofts and traditional ethnic neighborhoods as a refuge from an increasingly technocratic society. Osman examines the emergence of a "slow-growth" progressive coalition as brownstoners joined with poorer residents to battle city planners and local machine politicians. But as brownstoners migrated into poorer areas, race and class tensions emerged, and by the 1980s, as newspapers parodied yuppies and anti-gentrification activists marched through increasingly expensive neighborhoods, brownstoners debated whether their search for authenticity had been a success or failure. The Invention of Brownstone Brooklyn deftly mixes architectural, cultural and political history in this eye-opening perspective on the post-industrial city.

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to 'Cultures and Power', opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.