Sixties British rock and pop changed music history. While American popular music dominated the record industry in the late fifties and early sixties, the Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups soon invaded the world at large and put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews session musicians who recorded anonymously with the Beatles, Hermans Hermits, and the Kinks, professional musicians who toured with British bands promoting records or providing dance music, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. The consequences of World War Two for pop music in the late fifties and early sixties form the backdrop for discussion of recording equipment, musical instruments, and new jet-age transportation, all contributors to the rise of British pop-music alongside the personalities that more famously made entertainment news. And these famous personalities traverse the pages of Please Please Me as well: performing songwriters John Carter and Ken Lewis, Lennon and McCartney, Jagger and Richards, Ray Davies, and Pete Townshend took center stage while the production teams and session musicians created the art of recording behind the doors of Londons studios. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process. Opening up important new historical and musical understandings in a repertoire that is at the core of rock music's history, Please Please Me will appeal to all students, scholars, and fans of popular music.

Iranian history has long been a source of fascination for European and American observers. The country's ancient past preoccupied nineteenth-century historians and archaeologists as they attempted to construct a unified understanding of the ancient world. Iran's medieval history has likewise preoccupied scholars who have long recognized the Iranian plateau as a cultural crossroad of the world's great civilizations. In more recent times, Iran has continued to demand the attention of observers when, for example, the revolution of 1978-79 dramatically burst onto the world stage, or more recently, when the Iranian democracy movement has come to once again challenge the status quo of the clerical regime. Iran's dominance in the Middle East has brought it into conflict with the United States and so it is the subject of almost daily coverage from reporters. Sympathetic observers of Iran-students, scholars, policy makers, journalists, and the educated public-tend to be perplexed and confused by this tangled web of historical development. Iran, as it appears to most observers, is a foreboding, menacing, and far away land with a history that is simply too difficult to fathom.
The Handbook is a guide to Iran's complex history. The book emphasizes the large-scale continuities of Iranian history while also describing the important patterns of transformation that have characterized Iran's past. Each of the chapters focuses on a specific epoch of Iranian history and surveys the general political, social, cultural, and economic issues of that era. The ancient period begins with chapters considering the anthropological evidence of the prehistoric era, through to the early settled civilizations of the Iranian plateau, and continuing to the rise of the ancient Persian empires. The medieval section first considers the Arab-Muslim conquest of the seventh century, and then moves on to discuss the growing Turkish influence filtering in from Central Asia beginning in the tenth and eleventh centuries. The last third of the book covers Iran in the modern era by considering the rise of the Safavid state and its accompanying policy of centralization and the introduction of Shi'ism, followed by essays on the problems of reform and modernization in the Qajar and Pahlavi periods, and finally with a chapter on the revolution of 1978-79 and its aftermath.
The book is a collaborative exercise among scholars specializing in a variety of sub-fields, and across a number of disciplines, including history, art history, classics, literature, politics, and linguistics. Here, readers can find a reliable and accessible narrative that can serve as an introduction to the field of Iranian studies. While the number of monographs published within specialized subfields of Iranian history continues to proliferate, there have been, to date, no books that attempt to produce a comprehensive single-volume history of Iranian civilization.

Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical understanding of topical issues in the present. Including a range of contemporary examples from Brexit to child sexual abuse to the impact of the internet, this is an important and practical introduction for all students of history. Inspiring and empowering, this book provides both students and general readers with a stimulating and practical rationale for the study of history. It is essential reading for all undergraduate students of history who require an engaging introduction to the subject. New to this Edition: - Illustrative examples and case studies are fully updated - Features a postscript on British historians and Brexit - Bibliography is heavily revised

Chapters 22 and 23 of 2 Kings tell the story of the religious reforms of the Judean King Josiah, who systematically destroyed the cult places and installations where his own people worshipped in order to purify Israelite religion and consolidate religious authority in the hands of the Jerusalem temple priests. This violent assertion of Israelite identity is portrayed as a pivotal moment in the development of monotheistic Judaism. Monroe argues that the use of cultic and ritual language in the account of the reform is key to understanding the history of the text's composition, and illuminates the essential, interrelated processes of textual growth and identity construction in ancient Israel. Until now, however, none of the scholarship on 2 Kings 22-23 has explicitly addressed the ritual dimensions of the text. By attending to the specific acts of defilement attributed to Josiah as they resonate within the larger framework of Israelite ritual, Monroe's work illuminates aspects of the text's language and fundamental interests that have their closest parallels in the priestly legal corpus known as the Holiness Code (Leviticus 17-26), as well as in other priestly texts that describe methods of eliminating contamination. She argues that these priestly-holiness elements reflect an early literary substratum that was generated close in time to the reign of Josiah, from within the same priestly circles that produced the Holiness Code. The priestly composition was reshaped in the hands of a post-Josianic, exilic or post-exilic Deuteronomistic historian who transformed his source material to suit his own ideological interests. The account of Josiah's reform is thus imprinted with the cultural and religious attitudes of two different sets of authors. Teasing these apart reveals a dialogue on sacred space, sanctified violence and the nature of Israelite religion that was formative in the development not only of 2 Kings 23, but of the historical books of the Bible more broadly.

Stonehenge is the world's most famous pre-historic monument and, since the middle of the 19th century, probably the most photographed. Using images from English Heritage's unique photgraphic archive (the National Monuments Record), Stonehenge: A History in Photographs charts the last 150 years in the life of this extraordinary and iconic site. These largely unseen images touch on various moments in Stonehenge's history, from the leiusrely tourism in the last years of Victoria's reign to the monument of today, a site visited each year by more than one million people from all over the world. This book is a celebration of Stonehenge, in fascinating and often very human images. The text is written by archaeologist and television presenter Julian Richards, someone with a genuine love of Stonehenge. This is a book for all who share a fascination with this magical monument.

It's time to meet the real Vikings.

A comb, preserved in a bog, engraved with the earliest traces of a new writing system. A pagan shrine deep beneath a lava field. A note from an angry wife to a husband too long at the tavern. Doodles on birch-bark, made by an imaginative child.

From these tiny embers, Eleanor Barraclough blows back to life the vast, rich and complex world of the Vikings. These are not just the stories of kings, raiders and saga heroes. Here are the lives of ordinary people: the merchants, children, artisans, enslaved people, seers, travellers and storytellers who shaped the medieval Nordic world.

Immerse yourself in the day-to-day lives of an extraordinary culture that spanned centuries and spread from its Scandinavian heartlands to the remote fjords of Greenland, the Arctic wastelands, the waterways and steppes of Eurasia, all the way to the Byzantine Empire and Islamic Caliphate.

Voices of Liberation: Archie Mafeje should be understood as an attempt to contextualise Mafeje's work and thinking and adds to gripping intellectual biographies of African intellectuals by African researchers. Mafeje's scholarship can be categorised into three broad areas: a critique of epistemological and methodological issues in the social sciences; the land and agrarian question in sub-Saharan Africa; and revolutionary theory and politics (including questions of development and democracy). Noted for his academic prowess, genius mind, incomparable wit and endless struggle for his nation and greater Africa, Mafeje was also hailed by his daughter, Dana El-Baz, as a 'giant' not only in the intellectual sense but as a human being. Part I discusses Mafeje's intellectual and political influences. Part II consists of seven of Mafeje's original articles and seeks to contextualise his writings. Part III reflects on Mafeje's intellectual legacy.

This is the first full scholarly study of British anticolonialism, an offshoot of a massive global upsurge of sentiment which has dominated much of the history of this century. In this wide-ranging and important book, Stephen Howe surveys the attitudes and activities relating to colonial issues of British critics of Empire during the years of decolonisation. He also evaluates the changing ways in which, arising out of the experience of Empire and decolonisation, more general ideas about imperialism, nationalism, and underdevelopment were developed during these years. His discussion encompasses both the left wing of the Labour Party and groups outside it: in the Communist Party, other independent left-wing groups, and single-issue campaigns. The book has considerable contemporary relevance, for British reactions to more recent events - the Falklands and Gulf Wars, race relations, South African apartheid - cannot fully be understood except in the context of the experience of decolonisation and the legacy of Empire.

This book is the never-before-told story of the dream to set up camp in a vast African wasteland and return it to its former glory as one of the world’s premier wildlands.

Outdoor writer Mike Arnold takes us on an impressionistic journey through Coutada 11, a once again magnificent natural area in Mozambique’s Zambeze Delta. Mike leads us from its poached-out days as a source of bush meat for starving villagers and civil war military troops to the arrival in the early ‘90s of hunting outfitter Mark Haldane and his partners, on their often perilous, sometimes hilarious, travails to take the defiled and uninhabitable place and make it whole again.

Through Mike’s encounters with Haldane and his crew of scientists, guides, and motor-cycle-riding poacher patrols; with local villagers who were an integral part from the beginning; and, of course, with the apex predators, birds, and game animals that 30 years ago no one could have imagined thriving in this locale, this book serves as proof that a small group of dedicated people can make all the difference, and dreams can come true.

At 7:30 a.m. on June 16, 1944, George Junius Stinney Jr. was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became, and today remains, the youngest person executed in the United States during the twentieth century.How was it possible, even in Jim Crow South Carolina, for a child to be convicted, sentenced to death, and executed based on circumstantial evidence in a trial that lasted only a few hours? Through extensive archival research and interviews with Stinney's contemporaries-men and women alive today who still carry distinctive memories of the events that rocked the small town of Alcolu and the entire state-Eli Faber pieces together the chain of events that led to this tragic injustice. The first book to fully explore the events leading to Stinney's death, The Child in the Electric Chair offers a compelling narrative with a meticulously researched analysis of the world in which Stinney lived-the era of lynching, segregation, and racist assumptions about Black Americans. Faber explains how a systemically racist system, paired with the personal ambitions of powerful individuals, turned a blind eye to human decency and one of the basic tenets of the American legal system that individuals are innocent until proven guilty. As society continues to grapple with the legacies of racial injustice, the story of George Stinney remains one that can teach us lessons about our collective past and present. By ably placing the Stinney case into a larger context, Faber reveals how this case is not just a travesty of justice locked in the era of the Jim Crow South but rather one that continues to resonate in our own time. A foreword is provided by Carol Berkin, Presidential Professor of History Emerita at Baruch College at the City University of New York and author of several books including Civil War Wives: The Lives and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant.

This leatherbound collection of classic works traces the founding of America, from the birth of the nation in the late 1760s to the creation of a more perfect union at the end of the early 1800s. It celebrates the pursuit of life, liberty and justice and the freedoms that define America through notable documents as well as significant pieces, writings and speeches by famous figures and the founding fathers commenting on historic events. This volume includes the full texts of "On Civil War" by Benjamin Franklin, "Common Sense" by Thomas Paine, "The Declaration of Independence" and many more. A beautiful addition to any home library, the bonded-leather edition also features a satin-ribbon bookmark, distinctive stained edging, and decorative endpapers.

The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. This collection of seventeen essays by fifteen authors features the emotion of disgust as one cutting edge of the study of Greek and Roman antiquity. Individual contributions explore a wide range of topics. These include the semantics of the emotion both in Greek and Latin literature, its social uses as a means of marginalizing individuals or groups of individuals, such as politicians judged deviant or witches, its role in determining aesthetic judgments, and its potentialities as an elicitor of aesthetic pleasure. The papers also discuss the vocabulary and uses of disgust in life (Galli, actors, witches, homosexuals) and in many literary genres: ancient theater, oratory, satire, poetry, medicine, historiography, Hellenistic didactic and fable, and the Roman novel. The Introduction addresses key methodological issues concerning the nature of the emotion, its cognitive structure, and modern approaches to it. It also outlines the differences between ancient and modern disgust and emphasizes the appropriateness of "projective or second-level disgust" (vilification) as a means of marginalizing unwanted types of behavior and stigmatizing morally condemnable categories of individuals. The volume is addressed first to scholars who work in the field of classics, but, since texts involving disgust also exhibit significant cultural variation, the essays will attract the attention of scholars who work in a wide spectrum of disciplines, including history, social psychology, philosophy, anthropology, comparative literature, and cross-cultural studies.

A full colour map showing London in about 1520 - its many churches, monasteries, legal inns, guild halls, and a large number of substantial private houses, in the context of the streets and alleyways that survived the Great Fire and can still be discovered. Dominating the city are the Tower of London in the east, the old St Paul's Cathedral in the west and London Bridge in the south. The city was largely contained within its medieval walls and ditches but shows signs of spilling out into the great metropolis it was destined to be. This is a second edition of a map first published in 2018, incorporating changes to the map as new information has become available. The map has been the Historic Towns Trust's number one best seller since publication and has been very well received. The new edition has a revised cover and illustrations.