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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art
Ashley Longshore delivers exactly what her fans are clamoring for:
a look at Ashley s big life, her audacious aphorisms, and of course
her sumptuous, glittering art in sublime detail. Ashley Longshore s
pop-art paintings are always daring; her art makes noise. On any
given day, you may catch her in her New Orleans gallery painting
with Blake Lively, talking art and fashion with Dapper Dan in New
York, or on a remote island in Hawaii painting. A prolific artist,
she has been compared to Andy Warhol for her passion with
pop-culture figures; but it s her infectious personality and
humorous real talk that has captured the hearts of and inspired her
devoted fans. Ashley s story also peeks at her major blingy
collaborations with brands such as Rolex; luxury cosmetics brand
Cle de Peau; Veuve Clicquot; Chloe; Mark Cross; and Judith Leiber,
to name only a few. Ashley Longshore: I Do Not Cook, I Do Not
Clean, I Do Not Fly Commercial tells the stories of the
self-proclaimed urban hippie in glorious color and detail and
features her works, collaborations, and her singular and authentic
personality.
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Barbequeer March 2020
(Paperback)
Zakar Brothers; Contributions by Cheyenne Parker, Alexander Jamall
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R712
R641
Discovery Miles 6 410
Save R71 (10%)
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Ships in 18 - 22 working days
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The world is becoming a busy noisy place and it is good to find a
pastime that creates a different space, another dimension. Our
paintings mean a lot to us because they remind us of lovely places
we have visited and enable us to remember them in detail. It takes
time to study the colours and contours of a scene. It may be that
the drawing is an inadequate representation of the three
dimensional scene spread out before us, how can it be anything
else, but the process of trying to represent it on the two
dimensions of the blank page is intellectually rewarding. The
emerging picture is not just about the scene before you but also
about your response to it at the time.
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