The family model has been central to patterns of social
organization and cultural articulation throughout Chinese history,
influencing all facets of the content and style of Chinese art.
With contributors drawn from the disciplines of art history,
anthropology, psychiatry, history, and literature, this volume
explores the Chinese concept of family and its impact upon artistic
production. In essays ranging from the depiction of children to
adult portraiture, through literary constructions of gender and the
psychodynamics of cinema, these authors consider the historical
foundations of the family--both real and ideal--in ancient China,
discuss the perpetuation of this model in later Chinese history and
modern times, and analyze how family paradigms informed and
intersected with art and literature.
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