The preeminent children's book artist of the 20th century, Maurice Sendak and his 60-year career are celebrated in this full-colour catalogue of more than 200 images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by 12 essays from such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grownups throughout the world.

Comprehensive, profusely illustrated archive by two of the world's foremost collectors of pictorial symbols-and devoted flower enthusiasts. Their pictures, rendered from rare illustrations, extend from ancient Chinese lotus buds to a basket of flowers in a nineteenth-century Valentine silhouette. The symbolic meaning of every known species-from absinth to zinnia-is summarized in a table. A visual treat for flower lovers, this essential sourcebook, with its permission-free artwork, will be of value to artists and designers, folklore enthusiasts, as well as botanical and gardening specialists. Over 200 black-and-white designs and illustrations.

Symbolic meanings for:
Acacia Rod of Aaron Bo Tree Mistletoe
Passionflowe Edelweiss Heliotrope Tears of Job
Laurel Olive Tree Black Poplar Apple of Sodom
Barnacle Tree Houseleek Ice Plant Mandrake

. . . and many other botanical varieties.

The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard's analysis shows how these early artists had to work out for themselves-and for readers-what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football's dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.