It was once common consensus that there was no significant Jewish community in ancient and medieval Armenia. The discovery and excavation (1997-2002) of a Jewish cemetery of the thirteenth-fourteenth centuries in southern Armenia substantially changed this picture. In this volume, Stone and Topchyan assemble evidence about the Jews of Armenia from earliest times to the fourteenth century. Based on research of the Greco-Roman period, the authors are able to draw new conclusions about the transfer of Jews-including the High Priest Hyrcanus-from the north of Palestine and other countries to Armenia by King Tigran the Great in the first century BCE. The fact that descendants of King Herod ruled in Armenia in Roman times and that some noble Armenian families may have had Jewish origin is discussed. The much-debated identification of the "Mountains of Ararat" of Noah's Ark fame as well as ancient biblical and other references to Ararat and the Caucasus are re-assessed, and new evidence is adduced that challenges the scientific consensus. The role of Jews during the Seljuk, Mongol, and later times is also presented, from surviving sources in Armenian, Arabic, Hebrew, and others. The volume also includes studies of medieval Jewish sources on Armenia and the Armenians and of communication between Armenia and the Holy Land. Documents from the Cairo Geniza, newly uncovered inscriptions, medieval itineraria, and diplomatica also throw light on Armenia in the context of the Turkic Khazar kingdom, which converted to Judaism in the latter part of the first century CE. It responds both to new archeological discoveries in Armenia and to the growing interest in the history of the region that extends north from the Euphrates and into the Caucasus.

The authors of this volume elucidate the remarkable role played by religion in the shaping and reshaping of narrative forms in antiquity and late antiquity in a variety of ways. This is particularly evident in ancient Jewish and Christian narrative, which is in the focus of most of the contributions, but also in some "pagan" novels such as that of Heliodorus, which is dealt with as well in the third part of the volume, both in an illuminating comparison with Christian novels and in an inspiring rethinking of Heliodorus's relation to Neoplatonism. All of these essays, from different perspectives, illuminate the interplay between narrative and religion, and show how religious concerns and agendas shaped narrative forms in Judaism and early Christianity. A series of compelling and innovative articles, all based on fresh and often groundbreaking research by eminent specialists, is divided into three large sections: part one deals with ancient Jewish narrative, and part two with ancient Christian narrative, in particular gospels, acts, biographies, and martyrdoms, while part three offers a comparison with "pagan" narrative, and especially the religious novel of Heliodorus, both in terms of social perspectives and in terms of philosophical and religious agendas. Like the essays collected by Marilia Futre Pinheiro, Judith Perkins, and Richard Pervo in 2013, which investigate the core role played by narratives in Christian and Jewish self-fashioning in the Roman Empire, the present volume fruitfully bridges the disciplinary gap between classical studies and ancient Jewish and Christian studies, offers new insights, and hopefully opens up new paths of inquiry.

Ethnic values changed as Imperial Rome expanded, challenging ethnocentric values in Rome itself, as well as in Greece and Judea. Rhetorically, Roman, Greek, and Judean writers who eulogized their cities all claimed they would receive foreigners. Further, Greco-Roman narratives of urban tensions between rich and poor, proud and humble, promoted reconciliation and fellowship between social classes. Luke wrote Acts in this ethnic, economic, political context, narrating Jesus as a founder who changed laws to encourage receiving foreigners, which promoted civic, missionary growth and legitimated interests of the poor and humble. David L. Balch relates Roman art to early Christianity and introduces famous, pre-Roman Corinthian artists. He shows women visually represented as priests, compares Dionysian and Corinthian charismatic speech and argues that larger assemblies of the earliest, Pauline believers "sat" (1 Cor 14.30) in taverns. Also, the author demonstrates that the image of a pregnant woman in Revelation 12 subverts imperial claims to the divine origin of the emperor, before finally suggesting that visual representations by Roman domestic artists of "a category of women who upset expected forms of conduct" (Bergmann) encouraged early Christian women like Thecla, Perpetua and Felicitas to move beyond gender stereotypes of being victims. Balch concludes with two book reviews, one of Nicolas Wiater's book on the Greek biographer and historian Dionysius, who was a model for both Josephus and Luke-Acts, the second of a book by Frederick Brenk on Hellenistic philosophy and mystery religion in relation to earliest Christianity.