Around 1900 the small Ethiopian community in Jerusalem found itself in a desperate struggle with the Copts over the Dayr al-Sultan monastery located on the roof of the Holy Sepulchre. Based on a profoundly researched, impassioned and multifaceted exploration of a forgotten manuscript, this book abandons the standard majority discourse and approaches the history of Jerusalem through the lens of a community typically considered marginal. It illuminates the political, religious and diplomatic affairs that exercised the city, and guides the reader on a fascinating journey from the Ethiopian highlands to the Holy Sepulchre, passing through the Ottoman palaces in Istanbul. Have a look inside the book

The chapters in Emerging Horizons: 21st Century Approaches to the Study of Midrash pertain to an intriguing midrash that appears in a Masoretic context, the Qur'anic narrative of the red cow, midrashic narratives that rabbinise enemies of Israel, the death of Moses, emotions in rabbinic literature, and yelammedenu units in midrashic works.

Why does religion inspire hatred? Why do people in one religion sometimes hate people of another religion, and also why do some religions inspire hatred from others? This book shows how scholarly studies of prejudice, identity formation, and genocide studies can shed light on global examples of religious hatred. The book is divided into four parts, focusing respectively on: theories of prejudice and violence; historical developments of antisemitism, Islamophobia, and race; contemporary Western antisemitism and Islamophobia; and, prejudices beyond the West in the Islamic, Buddhist, and Hindu traditions. Each part ends with a special focus section. Key features include: - A compelling synthesis of theories of prejudice, identity, and hatred to explain Islamophobia and antisemitism. - An innovative theory of human violence and genocide which explains the link to prejudice. - Case studies of both Western antisemitism and Islamophobia in history and today, alongside global studies of Islamic antisemitism and Hindu and Buddhist Islamophobia - Integrates discussion of race and racialisation as aspects of Islamophobic and antisemitic prejudice in relation to their framing in religious discourses. - Accessible for general readers and students, it can be employed as a textbook for students or read with benefit by scholars for its novel synthesis and theories. The book focuses on antisemitism and Islamophobia, both in the West and beyond, including examples of prejudices and hatred in the Islamic, Hindu, and Buddhist traditions. Drawing on examples from Europe, North America, MENA, South and Southeast Asia, and Africa, Paul Hedges points to common patterns, while identifying the specifics of local context. Religious Hatred is an essential guide for understanding the historical origins of religious hatred, the manifestations of this hatred across diverse religious and cultural contexts, and the strategies employed by activists and peacemakers to overcome this hatred.

This book offers a new and inclusive approach to Western exegesis up to 1100. For too long, modern scholars have examined Jewish and Christian exegesis apart from each other. This is not surprising, given how religious, social, and linguistic borders separated Jews and Christians. But they worked to a great extent on the same texts. Christians were keenly aware that they relied on translation. The contributions to this volume reveal how both sides worked on parallel tracks, posing similar questions and employing more or less the same techniques, and in some rare instances, interdependently.

Although recently more studies have been devoted to the representations of Biblical heroines in modern European art, less is known about the contribution to the portrayals of Biblical women by modern Jewish artists. This monograph explores why and how heroines of the Scripture: Judith, Esther and the Shulamite received a particular meaning for acculturated Jewish artists originating from the Polish lands in the last decades of the nineteenth century and the first two decades of the twentieth century. It convincingly proves that artworks by Maurycy Gottlieb, Wilhem Wachtel, Ephraim Moses Lilien, Maurycy Minkowski, Samuel Hirszenberg and Boris Schatz significantly differed from renderings of contemporary non-Jewish artists, adopting a "Jewish perspective", creating complex and psychological portrayals of the heroines inspired by Jewish literature and as well as by historical and cultural phenomena of Jewish revival and the cultural Zionism movement.

According to Raul Gonzalez Salinero, the plurality of religious expressions within Judaism prior to the predominance of the rabbinical current disproves the assumption according to which some Jewish customs and precepts (especially the Sabbath) prevented Jews from joining the Roman army without renouncing their ancestral culture. The military exemption occasionally granted to the Jews by the Roman authorities was compatible with their voluntary enlistment (as it was in the Hellenistic armies) in order to obtain Roman citizenship. As the sources attest, Judaism did not pose any insurmountable obstacle to integration of the Jews into the Roman world. They achieved a noteworthy presence in the Roman army by the fourth century CE, at which time the Church's influence over imperial power led to their exclusion from the militia armata.

As inheritors of Platonic traditions, many Jews and Christians today do not believe that God has a body. God is instead invisible and incorporeal, and even though Christians believe that God can be seen in Jesus, God otherwise remains veiled from human sight. In this ground-breaking work, Brittany E. Wilson challenges this prevalent view by arguing that early Jews and Christians often envisioned God as having a visible form. Within the New Testament, Luke-Acts in particular emerges as an important example of a text that portrays God in visually tangible ways. According to Luke, God is a perceptible, concrete being who can take on a variety of different forms, as well as a being who is intimately intertwined with human fleshliness in the form of Jesus. In this way, the God of Israel does not adhere to the incorporeal deity of Platonic philosophy, especially as read through post-Enlightenment eyes. Given the corporeal connections between God and Jesus, Luke's depiction of Jesus's body also points ahead to future controversies concerning his divinity and humanity in the early church. Indeed, questions concerning God's body are inextricably linked with Christology and shed light on how we are to understand Jesus's own visible embodiment in relation to God. In The Embodied God, Wilson reframes approaches to early Christology within New Testament scholarship and calls for a new way of thinking about divine-and human-bodies and embodied experience.

In The Hebrew Bible: A Millennium, scholars from different fields and dealing with different material sources are trying to consider the Hebrew Bible as a whole. The development of new databases and other technological tools have an increasing impact on research practices. By inviting doctoral students, young researchers, and established scholars to contribute, this interdisciplinary book showcases methods and perspectives which can support future scientific collaborations in the field of the Hebrew Bible. This edited volume gathers relevant research from Dead Sea Scrolls Studies, Cairo Genizah Studies, European Genizah Studies, and from Late Medieval Biblical Manuscript Studies.

This Festschrift in honor of Professor Lawrence H. Schiffman, a leading authority on the Dead Sea Scrolls and Rabbinic Judaism, includes contributions by twenty of his disciples, each of whom is a scholar in their own right. The many subjects covered display a wide range of interdisciplinary approaches and will be of interest to students and scholars alike.