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Books > Religion & Spirituality > Non-Christian religions > Judaism
Michael Rand's The Evolution of al-Harizi's Tahkemoni investigates
the stages whereby the text of al-Harizi's maqama collection as we
currently know it, on the basis of manuscripts (and the editio
princeps), came into being during al-Harizi's travels in the East
over the course of approximately the last ten years of his life.
The discussion is based on a close examination of the textual
evidence, the investigation of a number of relevant literary
motifs, and a comparison to al-Harizi's model, the Maqamat of
al-Hariri. The book includes a catalogue of fragments of the
Tahkemoni in the Genizah and Firkovitch IIA collections, and some
previously unpublished material that can reasonably be claimed to
belong to a heretofore unattested version of the Tahkemoni.
Interchange between anthropology and biblical scholarship began
because of perceived similarities between "simpler" societies and
practices appearing in the Hebrew Bible. After some disengagement
when anthropologists turned mainly to ethnographic fieldwork, new
cross-disciplinary possibilities opened up when structuralism
emerged in anthropology. Ritual and mythology were major topics
receiving attention, and some biblical scholars partially adopted
structuralist methods. In addition, anthropological research
extended to complex societies and also had an impact upon
historical studies. Modes of interpretation developed that
reflected holistic perspectives along with a sensibility to
ethnographic detail. This essay illustrates these trends in regard
to rituals and to notions of purity in the Hebrew Bible, as well as
to the place of literacy in Israelite society and culture. After
discussing these themes, three examples of structuralist-inspired
analysis are presented which in different ways take into account
historical and literacy-based facets of the Bible.
From the end of the 15th century until the 18th, Spanish Jews
carried on Jewish practices in the shadow of the Inquisition. Those
caught were forced to recant or be burnt at the stake. Drawing on
their confessions and trial documents, this book tells their story.
"By the rivers of Babylon, there we sat down, yea, we wept, when we
remembered Zion." The line that begins Psalm 137 is one of the most
lyrical of the Hebrew Bible, and has been used since its genesis to
evoke the grief and protest of exiled, displaced, or marginalized
communities. The psalm is most directly a product of the Babylonian
exile-the roughly fifty-year period after Jerusalem was destroyed
by Nebuchadnezzar's army and many of its leading Judeans taken
northeast into captivity. Despite the psalm's popularity, little
has been written about its reception during the more than 2,500
years since that period. In Babylon Revisited David Stowe addresses
this gap using a wide-ranging, interdisciplinary approach that
includes textual analysis, historical overview, and a study of the
psalm's place in popular culture. Stowe locates its use in the
American Revolution and the Civil Rights movement, and
internationally by anti-colonial Jamaican Rastafari and immigrants
from Ireland, Korea, and Cuba. He studies musical references
ranging from the Melodians Rivers of Babylon to the score in Kazakh
film Tulpan. Based on numerous interviews with musicians,
theologians, and writers, Stowe reconstructs the rich and varied
reception history of this widely used, yet mysterious text. The
book is broken up into three parts that closely examine each of the
psalm's stanzas. Stowe concludes by exploring the often ignored
final words: "Happy shall he be, that taketh and dasheth thy little
ones against the stones." Usually excised from liturgy and
forgotten by scholars, Stowe finds these words echoed in modern
occurrences of genocide or ethnic cleansing, and more generally in
the culture of vengeance that has existed in North America from the
earliest conflicts with Native Americans. Exploring the presence
and absence of these words in modern culture is the culmination of
Stowe's study as he weaves together the fascinating story of how
Psalm 137 has both shaped and been shaped by our understanding of
violence, pain, oppression, and justice.
This volume focuses on today's kibbutz and the metamorphosis which
it has undergone. Starting with theoretical considerations and
clarifications, it discusses the far-reaching changes recently
experienced by this setting. It investigates how those changes
re-shaped it from a setting widely viewed as synonymous to utopia,
but which has gone in recent years through a genuine
transformation. This work questions the stability of that "renewing
kibbutz". It consists of a collective effort of a group of
specialized researchers who met for a one-year seminar prolonged by
research and writing work. These scholars benefitted from resource
field-people who shared with them their knowledge in major aspects
of the kibbutz' transformation. This volume throws a new light on
developmental communalism and the transformation of
gemeinschaft-like communities to more gesellschaft-like
associations. Contributors are: Havatselet Ariel, Eliezer
Ben-Rafael, Miriam Ben-Rafael, Sigal Ben-Rafael Galanti, Yechezkel
Dar, Orit Degani Dinisman, Yuval Dror, Sylvie Fogiel-Bijaoui, Alon
Gal, Rinat Galily, Shlomo Gans, Sybil Heilbrunn, Michal Hisherik,
Meirav Niv, Michal Palgi, Alon Pauker, Abigail Paz-Yeshayahu, Yona
Prital, Moshe Schwartz, Orna Shemer, Michael Sofer, Menahem Topel,
and Ury Weber.
Exodus in the Jewish Experience: Echoes and Reverberations
investigates how the Exodus has been, and continues to be, a
crucial source of identity for both Jews and Judaism. It explores
how the Exodus has functioned as the primary model from which Jews
have created theological meaning and historical self-understanding.
It probes how and why the Exodus has continued to be vital to Jews
throughout the unfolding of the Jewish experience. As an
interdisciplinary work, it incorporates contributions from a range
of Jewish Studies scholars in order to explore the Exodus from a
variety of vantage points. It addresses such topics as: the Jewish
reception of the biblical text of Exodus; the progressive unfolding
of the Exodus in the Jewish interpretive tradition; the religious
expression of the Exodus as ritual in Judaism; and the Exodus as an
ongoing lens of self-understanding for both the State of Israel and
contemporary Judaism. The essays are guided by a common goal: to
render comprehensible how the re-envisioning of Exodus throughout
the unfolding of the Jewish experience has enabled it to function
for thousands of years as the central motif for the Jewish people.
Ma?berot Immanuel is a collection of twenty-eight chapters in
Hebrew of rhymed prose and poetry written by the poet and amateur
philosopher Immanuel of Rome during an era of rapid political
change in late medieval Italy. The final chapter, Mah?beret
Ha-Tofet Ve-ha-'Eden (A Tale of Heaven and Hell), like Dante's
Commedia, depicts Immanuel's visits to hell and heaven. Bridging
Worlds focuses on the interrelation of Immanuel's belletristic work
and biblical exegesis to advance a comprehensive and original
reading of this final chapter. By reading Immanuel's philosophical
commentaries and literary works together, Dana Fishkin demonstrates
that Immanuel's narrative made complex philosophical ideas about
the soul's quest for immortality accessible to an educated
populace. Throughout this work, she explains the many ways
Mah?beret Ha-Tofet Ve-ha-'Eden serves as a site of cultural
negotiation and translation. Bridging Worlds broadens our
understanding of the tensions inherent in the world of late
medieval Jewish people who were deeply enmeshed in Italian culture
and literature, negotiating two cultures whose values may have
overlapped but also sometimes clashed. Fishkin puts forth a
valuable and refreshing perspective alongside previously unknown
sources to breathe new life into this extremely rich and culturally
valuable medieval work.
The discovery of the Dead Sea Scrolls revealed a world of early
Jewish writing larger than the Bible, from multiple versions of
biblical texts to "revealed" books not found in our canon. Despite
this diversity, the way we read Second Temple Jewish literature
remains constrained by two anachronistic categories: a theological
one, "Bible," and a bibliographic one, "book." The Literary
Imagination in Jewish Antiquity suggests ways of thinking about how
Jews understood their own literature before these categories had
emerged. Using familiar sources such as the Psalms, Ben Sira, and
Jubilees, Mroczek tells an unfamiliar story about sacred writing
not bound in a Bible. In many texts, we see an awareness of a vast
tradition of divine writing found in multiple locations only
partially revealed in available scribal collections. Ancient heroes
like David are not simply imagined as scriptural authors, but
multi-dimensional characters who come to be known as great writers
and honored as founders of growing textual traditions. Scribes
recognize the divine origin of texts like the Enoch literature and
other writings revealed to ancient patriarchs, which present
themselves not as derivative of material we now call biblical, but
prior to it. Sacred writing stretches back to the dawn of time, yet
new discoveries are always around the corner. While listening to
the way ancient writers describe their own literature-their own
metaphors and narratives about writing-this book also argues for
greater suppleness in our own scholarly imagination, no longer
bound by modern canonical and bibliographic assumptions.
In Ordinary Jerusalem, Angelos Dalachanis, Vincent Lemire and
thirty-five scholars depict the ordinary history of an
extraordinary global city in the late Ottoman and Mandate periods.
Utilizing largely unknown archives, they revisit the holy city of
three religions, which has often been defined solely as an eternal
battlefield and studied exclusively through the prism of
geopolitics and religion. At the core of their analysis are topics
and issues developed by the European Research Council-funded
project "Opening Jerusalem Archives: For a Connected History of
Citadinite in the Holy City, 1840-1940." Drawn from the French
vocabulary of geography and urban sociology, the concept of
citadinite describes the dynamic identity relationship a city's
inhabitants develop with each other and with their urban
environment.
The Festschrift Darkhei Noam: The Jews of Arab Lands presented to
Norman (Noam) Stillman offers a coherent and thought-provoking
discussion by eminent scholars in the field of both the history and
culture of the Jews in the Islamic World from pre-modern to modern
times. Based on primary sources the book speaks to the resilience,
flexibility, and creativity of Jewish culture in Arab lands. The
volume clearly addresses the areas of research Norman Stillman
himself has considerably contributed to. Research foci of the book
are on the flexibility of Jewish law in real life, Jewish cultural
life particularly on material and musical culture, the role of
women in these different societies, antisemitism and Jewish
responses to hatred against the Jews, and antisemitism from ancient
martyrdom to modern political Zionism.
This volume assembles multidisciplinary research on the
Judaeo-Islamic tradition in medieval and modern contexts. The
introduction discusses the nature of this tradition and proposes
the more fluid and inclusive designation of "Jewish-Muslim
Relations." Contributions highlight diverse aspects of
Jewish-Muslim relations in medieval and modern contexts, including
the academic study of Jewish history, the Qur'anic notion of the
"upright community" referring to the "People of the Book," Jews in
medieval fatwas, use of Arabic and Hebrew script, Jewish prayer in
Christian Europe and the Islamic world, the permissibility of
Arabic music in modern Jewish thought, Jewish and Muslim feminist
exegesis, modern Sephardic and Morisco identity, popular Tunisian
song, Jewish-Muslim relations in cinema and A.S. Yehuda's study of
an 11th-century Jewish mystic.
Analysis of the scroll fragments of the Qumran Aramaic scrolls has
been plentiful to date. Their shared characteristics of being
written in Aramaic, the common language of the region, not focused
on the Qumran Community, and dating from the 3rd century BCE to the
1st century CE have enabled the creation of a shared identity,
distinguishing them from other fragments found in the same place at
the same time. This classification, however, could yet be too
simplistic as here, for the first time, John Starr applies
sophisticated statistical analyses to newly available electronic
versions of these fragments. In so doing, Starr presents a
potential new classification which comprises six different text
types which bear distinctive textual features, and thus is able to
narrow down the classification both temporally and geographically.
Starr's re-visited classification presents fresh insights into the
Aramaic texts at Qumran, with important implications for our
understanding of the many strands that made up Judaism in the
period leading to the writing of the New Testament.
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