This work offers a fresh reading of Paul's appropriation of Abraham in Gal 3:6-29 against the background of Jewish data, especially drawn from the writings of Philo of Alexandria. Philo's negotiation on Abraham as the model proselyte and the founder of the Jewish nation based on his trust in God's promise relative to the Law of Moses provides a Jewish context for a corresponding debate reflected in Galatians, and suggests that there were Jewish antecedents that came close to Paul's reasoning in his own time. This volume incorporates a number of new arguments in the context of scholarly discussion of both Galatian 3 and some of the Philonic texts, and demonstrates how the works of Philo can be applied responsibly in New Testament scholarship.

This monograph explores the nature of the Elijah traditions in rabbinic literature and their connection to the wisdom tradition. By examining the diverse Elijah traditions in connection to the wisdom and apocalyptic traditions, Alouf-Aboody sheds new light on the manner in which Elijah's role developed in rabbinic literature.

When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. Some take on as much as they can as quickly as they can, going beyond the norms of those raised in the community. Others maintain aspects of their pre-Orthodox selves, yielding unique combinations, like Matisyahu's reggae music or Hebrew words and sing-song intonation used with American slang, as in "mamish (really) keepin' it real." Sarah Bunin Benor brings insight into the phenomenon of adopting a new identity based on ethnographic and sociolinguistic research among men and women in an American Orthodox community. Her analysis is applicable to other situations of adult language socialization, such as students learning medical jargon or Canadians moving to Australia. Becoming Frum offers a scholarly and accessible look at the linguistic and cultural process of "becoming."

Bring Jewish values to life with an engaging blend of mitzvot middot and timeless Jewish wisdom.

Two major interpretations of Mendelssohn's achievements have attained prominence in recent works. One interpretation, defended most recently by David Sorkin and Edward Breuer, casts Mendelssohn as a Jewish traditionalist who uses the language of enlightened German philosophy to bolster his pre-modern religious beliefs. The other interpretation, defended by Allan Arkush, casts Mendelssohn as a radical Deist who defends Judaism exoterically in order to avoid arousing opposition from his co-religionists while facilitating their social integration into enlightened European society. In Faith and Freedom, Michah Gottlieb stakes out a middle position. He argues that Mendelssohn defends pre-modern Jewish religious concepts sincerely, but in so doing, unconsciously gives them a humanistic valence appropriate to life in a diverse, enlightened society. Gottlieb sees the Pantheism Controversy as part of a broader assessment of Mendelssohn's theological-political philosophy, framed in terms of Mendelssohn's relation to his two greatest Jewish philosophical predecessors, Moses Maimonides (1138-1204) and Baruch Spinoza (1632-1677). While Mendelssohn's relation to Maimonides and Spinoza has been discussed sporadically, Faith and Freedom is the first book-length treatment of this subject. The connection is particularly instructive as both Maimonides and Spinoza wrote major theological-political treatises and exercised profound influences on Mendelssohn. Not surprisingly, Mendelssohn is deeply ambivalent about both of these figures. He reveres Maimonides for what he sees as his synthesis of Judaism with secular knowledge, while seeming deeply disturbed by Maimonides's elitism, his equivocation regarding many of the tenets of theism, his espousing religious coercion, and his intolerant view of Gentiles. As for Spinoza, Mendelssohn respects him as a model for how a Jew can fruitfully contribute to science and philosophy and be a model of ethical rectitude. But Mendelssohn objects to Spinoza's atheism, advocacy of state religion, debunking of Jewish chosenness, and rejection of Jewish law. For Mendelssohn, reason best preserves human dignity and freedom by upholding the individual's right to arrive at truth on their own and determine their own beliefs independently of all authority. As such, reason demands that the state respect diversity of thought and religious expression. Mendelssohn interprets faith in the Jewish sense as trust in God's providential goodness, arguing that reason affirms this as well. But he recognizes the difficulty of establishing metaphysical truth rationally and so in his final works adumbrates a form of religious pragmatism. The faith-reason debate rages again today. Gottlieb explores Mendelssohn's theological-political thought with an eye to axiological and political dimensions of the debate.

No matter what we would make of Jesus, says Schalom Ben-Chorin, he was first a Jewish man in a Jewish land. Brother Jesus leads us through the twists and turns of history to reveal the figure who extends a "brotherly hand" to the author as a fellow Jew. Ben-Chorin's reach is astounding as he moves easily between literature, law, etymology, psychology, and theology to recover "Jesus' picture from the Christian overpainting." A commanding scholar of the historical Jesus who also devoted his life to widening Jewish-Christian dialogue, Ben-Chorin ranges across such events as the wedding at Cana, the Last Supper, and the crucifixion to reveal, in contemporary Christianity, traces of the Jewish codes and customs in which Jesus was immersed. Not only do we see how and why these events also resonate with Jews, but we are brought closer to Christianity in its primitive state: radical, directionless, even pagan. Early in his book, Ben-Chorin writes, "the belief of Jesus unifies us, but the belief in Jesus divides us." It is the kind of paradox from which arise endless questions or, as Ben-Chorin would have it, endless opportunities for Jews and Christians to come together for meaningful, mutual discovery.

A Muslim curator and archivist who preserves in his native Timbuktu the memory of its rabbi. An evangelical Kenyan who is amazed to meet a living ""Israelite."" Indian Ocean islanders who maintain the Jewish cemetery of escapees from Nazi Germany. These are just a few of the encounters the author shares from his sojourns and fieldwork. An engaging read in which the author combines the rigors of academic research with a ""you are there"" delivery. Conveys thirty-five years of social science fieldwork and reverential travel in Sub-Saharan Africa. A great choice for the ecumenical-minded traveller.

Judaic reasoning is discussed from the standpoint of modern logic. Andrew Schumann defines Judaic logic, traces Aristotelian influence on developing Jewish studies in Judaic reasoning, and shows the non-Aristotelian core of fundamentals of Judaic logic. Further, Schumann proposes some modern approaches to understanding and formalizing Judaic reasoning, including Judaic semantics and (non-Aristotelian) syllogistics.

The Koren Sacks Siddur is the first new Orthodox Hebrew/English siddur in a generation. The Siddur marks the culmination of years of rabbinic scholarship, exemplifies Koren's tradition of textual accuracy and intuitive graphic design, and offers an illuminating translation, introduction and commentary by one of the world's leading Jewish thinkers, Rabbi Sir Jonathan Sacks. Halakhic guides to daily, Shabbat, and holiday prayers supplement the traditional text. Prayers for the State of Israel, its soldiers, and national holidays, for the American government, upon the birth of a daughter and more reinforce the Siddur's contemporary relevance. A special Canadian Edition is the first to include prayers for the Canadian government within the body of the text.

Jewish thought is, in many ways, a paradox. Is it theology or is it philosophy? Does it use universal methods to articulate Judaism's particularity or does it justify Judaism's particularity with appeals to illuminating the universal? These two sets of claims are difficult if not impossible to reconcile, and their tension reverberates throughout the length and breadth of Jewish philosophical writing, from Saadya Gaon in the ninth century to Emmanuel Levinas in the twentieth. Rather than assume, as most scholars of Jewish philosophy do, that the terms "philosophy" and "Judaism" simply belong together, Hughes explores the juxtaposition and the creative tension that ensues from their cohabitation, examining adroitly the historical, cultural, intellectual, and religious filiations between Judaism and philosophy. Breaking with received opinion, this book seeks to challenge the exclusionary, particularist, and essentialist nature that is inherent to the practice of something problematically referred to as "Jewish philosophy." Hughes begins with the premise that Jewish philosophy is impossible and begins the process of offering a sophisticated and constructive rethinking of the discipline that avoids the traditional extremes of universalism and particularism.

The widespread assumption that Jewish religious tradition is mediated through words, not pictures, has left Jewish art with no significant role to play in Jewish theology and ethics. "Judaism and the Visual Image" argues for a Jewish theology of image that, among other things, helps us re-read the creation story in Genesis 1 and to question why images of Jewish women as religious subjects appear to be doubly suppressed by the Second Commandment, when images of observant male Jews have become legitimate, even iconic, representations of Jewish holiness. Raphael further suggests that 'devout beholding' of images of the Holocaust is a corrective to post-Holocaust theologies of divine absence from suffering that are infused by a sub-theological aesthetic of the sublime. Raphael concludes by proposing that the relationship between God and Israel composes itself into a unitary dance or moving image by which each generation participates in a processive revelation that is itself the ultimate work of Jewish art.