A child's wish melds the soul of a kind-hearted simpleton to a toy BEAR. Secret for three generations the GUARDIAN wakes in time of need. Surviving the sinking of the TITANIC the BEAR passes into the hands of the JEWISH community. Aboard the rescue ship CARPATHIA it travels on...to the gas chambers of AUSCHWITZ. The BEAR brings with it...A HISTORY OF FEAR.

Today, more than 75 years after the Holocaust and World War II, antisemitism remains a poisonous force in European culture and politics, whether cloaked in the garb of reactionary nationalism or manifested in outright physical violence. Nothing New in Europe? provides a sobering look at the persistence of European antisemitism today through fifteen interviews with Jewish Israelis living in Germany, Poland, France, and other countries, supplemented with in-depth scholarly essays. The interviewees draw upon their lived experiences to reflect on anti-Jewish rhetoric, the role of Israel, and the relationship between antisemitism and the persecution of other minorities.

This first verse-by-verse commentary on the Greek text of the Testament of Abraham places the work within the history of both Jewish and Christian literature. It emphasizes the literary artistry and comedic nature of the Testament, brings to the task of interpretation a mass of comparative material, and establishes that, although the Testament goes back to a Jewish tale of the first or second century CE, the Christian elements are much more extensive than has previously been realized. The commentary further highlights the dependence of the Testament upon both Greco-Roman mythology and the Jewish Bible. This should be the standard commentary for years to come.

The disengagement of recent academic biblical study from church and synagogue has been widely noted. Even within the discipline, there are those who suggest it has lost its way. As the discipline now stands, is it mainly concerned with studying and listening to the texts, or with dissecting them in order to examine hypothetical sources or situations or texts that might lie behind them. Christopher Bryan seeks to address scholars and students who do not wish to avoid the challenges of the Enlightenment, but do wish to relate their work to the faith and mission of the people of God. Is such a combination still possible? And if so, how is the task of biblical interpretation to be understood? Bryan traces the history of modern approaches to the Bible, particularly "historical criticism," noting its successes and failures-and notably among its failures, that it has been no more able to protect its practitioners from (in Jowett's phrase) "bringing to the text what they found there" than were the openly faith-based approaches of earlier generations. Basing his work on a wide knowledge of literature and literary critical theory, and drawing on the insights of the greatest literary critics of the last hundred years, notably Erich Auerbach and George Steiner, Bryan asks, what should be the task of the biblical scholar in the 21st century? Setting the question within this wider context enables Bryan to indicate a series of criteria with which biblical interpreters may do their work, and in the light of which there is no reason why that work cannot relate faithfully to the Church. This does not mean that sound biblical interpretation can ignore the specificity of scientific or historical questions, or dragoon its results into conformity with a set of ecclesial propositions. It does mean that in asking those questions, interpreters of the biblical text will not ignore its setting-in-life in the community of faith; and they will concede that although textual interpretation has scientific elements, it is finally an exercise in imagination: an art, and not a science.

Ingrid Hjelm examines the composition of the Books of Kings, using the Hezekiah narratives in 2 Kings 18GCo20 as a focus. She argues that this narrative is taken from that of the book of Isaiah, with which it shares linguistic and thematic elements. In Kings, it is used with the specific purpose of breaking the compositional pattern of curse, which threatens to place Jerusalem on a par with Samaria. Jerusalem traditions are examined against theories of a late Yahwist author and the PentateuchGCOs origin within a Jerusalem cult. While the Pentateuch in its final form became a common work, acceptable to all groups because of its implied ambiguity, the Deuteronomistic HistoryGCOs favoring of David and Jerusalem holds a rejection of competitive groups as its implied argument.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer.
Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

Covenant and the Jewish Conversion Question reevaluates conversion and Jewish identity through the lens of Rabbi Joseph B. Soloveitchik's dual conception of the Covenants of Fate and Destiny. By studying an array of key rabbinic texts through this lens, the book explores the boundaries and interplay between these biblical covenants through apostasy, holiness and the key elements relating to conversion law. This understanding provides a relevant framing device to deal with the conversion and Jewish identity crises faced in the State of Israel and beyond.

The Yudisher Theriak [Jewish Theriac] by Zalman Zvi of Aufhausen, first published in Hanau, in 1615, was a response to an anti-Jewish work titled Judischer abgestreiffter Schlangenbalg [Jewish Shed Snakeskin], written by a Jewish convert to Chistianity, Samuel Friedrich Brenz, and published in Nurnberg and Augsburg in 1614. Brenz's work was part of a genre of anti-Jewish books and pamphlets written in German and addressed to Christians that purported to reveal how Jews mocked and blasphemed against the Christian religion, cursed their Christian neighbors, and engaged in magic and witchcraft in order to inflict damage to their possessions and livelihoods. The name of Zalman Zvi's book is a direct allusion to Brenz's title, but it also hints at a larger purpose. Theriac is a Greek and Latin term that means "the antidote to the bite of a venomous snake." Perhaps Zvi hoped that his book would also serve as a theriac for the scourge of anti-Judaism, which was prevalent in his generation. The Yudisher Theriak presents an interesting picture of how a learned Jew might respond to the many accusations against Jews and Judaism that became standardized and were repeated from author to author. The Yudisher Theriak makes a passing appearance in most scholarly books and many articles written about Christian-Jewish relations. Its existence is acknowledged and occasionally a fact or idea is cited from it, but its arguments and ideas have not been integrated into the scholarly literature on this subject. One reason that it has not received the attention it deserves is its language. It is written in a form of Early Modern Yiddish, more influenced by German and less familiar than its contemporary eastern European variant. In addition, Zalman Zvi was a learned Jew who interspersed Hebrew phrases, rabbinic terminology, and allusions to rabbinic literature in his work. Morris Faierstein's goal in this work is not to respond to all the references and allusions in the scholarly literature that the original text touches on, but rather to make the work available in an annotated translation that can be a useful tool in the study of Jewish-Christian relations in the Early Modern period and, more broadly, for Early Modern Jewish historical and cultural studies. The analysis and clarification of the many issues raised in the Yudisher Theriak await further studies. Faierstein has taken the first step by making the work available to an audience wider than the very narrow band of specialists in Early Modern Yiddish literature. Scholars and students of Jewish-Christian relations and Early Modern Jewish historical and cultural studies will appreciate the availability of this previously inaccessible text.

The contributions in this volume are focused on the historical origins, religious provenance, and social function of ancient Jewish and Christian apocalyptic literature, including so-called 'Gnostic' writings. Although it is disputed whether there was a genre of 'apocalyptic literature,' it is obvious that numerous texts from ancient Judaism, early Christianity, and other religious milieus share a specific view of history and the world to come. Many of these writings are presented in form of a heavenly (divine) revelation, mediated through an otherworldly figure (like an angel) to an elected human being who discloses this revelation to his recipients in written form. In different strands of early Judaism, ancient Christianity as well as in Gnosticism, Manichaeism, and Islam, apocalyptic writings played an important role from early on and were produced also in later centuries. One of the most characteristic features of these texts is their specific interpretation of history, based on the knowledge about the upper, divine realm and the world to come. Against this background the volume deals with a wide range of apocalyptic texts from different periods and various religious backgrounds.

In 1980, Sholom Groesberg changed his life's course. He resigned as dean of engineering at Widener University in order to pursue a career in the rabbinate. Accepted at the Academy for Jewish Religion, he was ordained in 1984. Ten years later Rabbi Groesberg encountered the Jewish Renewal movement Its approach to creating an authentic identity within the context of living as a Jew resonated strongly within him. He became an ardent adherent of the movement.

"Jewish Renewed: A Journey" is a combination academic study and personal memoir written for the educated lay reader. It traces the movement's history, explicates its ideology and practices, and examines the future challenges facing the movement Among others, this book will interest:

History buffs*****Educators*****Spiritual seekers*****Environmentalists Alienated Jews seeking a "home"*****Practitioners in the helping professions

This book will also appeal to those of a philosophical bent searching for answers to questions of Ultimate Concern; answers that invest our lives with meaning
"Why bother to be Jewish?
Can secularism and religiosity be bridged?
Why do new religious movements survive-or fail?
Are the Kabbalah's teachings relevant to contemporary times?
How can a modernist Jew conceptualize the significance of God?

In the sixteenth century, the famous kabbalist Isaac Luria transmitted a secret trove of highly complex mystical practices to a select groups of students. These meditations were designed to capitalize on sleep and death states in order to effectively split one's soul into multiple parts, and which, when properly performed, permitted the adept to free oneself from the cycle of rebirth. Through an in-depth analysis of these contemplative practices within the broader context of Lurianic literature, Zvi Ish-Shalom guides us on a penetrating scholarly journey into a realm of mystical teachings and practices never before available in English, illuminating a radically monistic vision of reality at the heart of Kabbalistic metaphysics and practice.

This first full-scale account of Leviticus by a world renowned anthropologist presents the biblical work as a literary masterpiece. Seen in an anthropological perspective Leviticus has a mystical structure which plots the book into three parts corresponding to the three parts of the desert tabernacle, both corresponding to the parts of Mount Sinai. This completely new reading transforms the interpretation of the purity laws. The pig and other forbidden animals are not abhorrent, they command the same respect due to all God's creatures. Boldly challenging several traditions of Bible criticism, Mary Douglas claims that Leviticus is not the narrow doctrine of a crabbed professional priesthood but a powerful intellectual statement about a modern religion which emphasizes God's justice and compassion.

View the Table of Contents. Read the Introduction.

aMasterfully weaving together stories of adolescent girls based on an analysis of their diaries, personal letters, and memoirs, Klapper illuminates the ways these young women grappled with contradictory feelings about their friends, family, and future...This compelling narrative deeply enriches our understanding of the intertwined roles played by gender, ethnicity, religion, and education in fostering American identity at the turn of the century.a
--"American Historical Review"

aMelissa R. Klapper has succeeded handsomely in surmounting the hurdles of her topic to create a coherent narrative of cultural change. She brings to her subject sensitivity to the stress of adolescence, mastery of her materials, and genuine affection for the experience of growing up female, Jewish, and American.a
--"Journal of American History"

aDrawing on diaries and magazines, historian Klapper recreates the world of Jewish girls in late 19th- and early 20th-century America. . . . This book's charm lies in its innovative and engaging focus on girlhood. Klapper . . . offers grace notes to a familiar narrative about the tensions between assimilation and tradition.a--"Publishers Weekly"

"Provides a revealing glimpse into the lives of adolescent girls at the turn of the century. Klapper's exhaustive search for the diaries of young Jewish women has produced a harvest of insights into their relationships to religion, to education, to domestic lives, and to girl culture."
--Alice Kessler-Harris, author of "In Pursuit of Equity"

"Melissa Klapper's pioneering volume, based on an astonishing wealth of primary sources, uncovers more than wehave ever known about the upbringing and education of Jewish girls in America from the Civil War to World War I. Covering everything from religious education to sex education, it explores what it meant to be a Jewish girl aged 12-20 during one of the most tumultuous eras in American history."
--Jonathan D. Sarna, Joseph H. & Belle R. Braun Professor of American Jewish History, Brandeis University

"Brings to life the lives of the 'ordinary' young women whom we encounter in these pages. By exploring the diaries of Jewish girls who used these private and personal sources to think about their conflicting ideas about identities, families, and futures, Melissa Klapper has shown them to be historical actors, and as such anything but ordinary. By combining intellectual matters of several literatures-the history of education, women's history, American Jewish history, the history of the United States over the course of a crucial six decade period-Klapper has made a substantial contribution to our understanding of the past and those who peopled it."
--Hasia Diner, Paul S. and Sylvia Steinberg Professor of American Jewish History, New York University

"Klapper offers a thoughtful book on subjects too often ignored in both the literature of Jewish-Americans and of American girls."
-- "Journal of the Gilded Age and Progressive Era"

Jewish Girls Coming of Age in America, 1860-1920 draws on a wealth of archival material, much of which has never been published--or even read--to illuminate the ways in which Jewish girls' adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education.

Klapper explores the dual roles girls played as agents ofacculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society.

While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history.

Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

Christian-Jewish relations have had changing fortunes throughout the centuries. Occasionally there has been peace and even mutual understanding, but usually these relations have been ones of tension, often involving recrimination and even violence. This volume addresses a number of the major questions that have been at the heart and the periphery of these tenuous relations through the years. The volume begins with a number of papers discussing relations as Christianity emerged from and defined itself in terms of Judaism. Other papers trace the relations through the intervening years. And a number of papers confront issues that have been at the heart of the troubled twentieth century. In all, these papers address a sensitive yet vital set of issues from a variety of approaches and perspectives, becoming in their own way a part of the ongoing dialogue.>

The concepts of purity and pollution are fundamental to the worldview reflected in the Hebrew Bible yet the ways that biblical texts apply these concepts to sexual relationships remain largely overlooked.
Sexual Pollution in the Hebrew Bible argues that the concept of pollution is rooted in disgust and that pollution language applied to sexual relations expresses a sense of bodily contamination resulting from revulsion.
Most texts in the Hebrew Bible that use pollution language in sexual contexts reflect a conception of women as sexual property susceptible to being "ruined" for particular men through contamination by others. In contrast, the Holiness legislation of the Pentateuch applies pollution language to men who engage in transgressive sexual relations, conveying the idea that male bodily purity is a prerequisite for individual and communal holiness.Sexual transgressions contaminate the male body and ultimately result in exile when the land vomits out its inhabitants.
The Holiness legislation's conception of sexual pollution, which is found in Leviticus 18, had a profound impact on later texts. In the book of Ezekiel, it contributes to a broader conception of pollution resulting from Israel's sins, which led to the Babylonian exile. In the book of Ezra, it figures in a view of the Israelite community as a body of males contaminated by foreign women. Yet the idea of female pollution rooted in a view of women as sexual property persisted alongside the idea of male pollution as an impediment to holiness.
Eva Feinstein illuminates why the idea of pollution adheres to particular domains of experience, including sex, death, and certain types of infirmity. Sexual Pollution in the Hebrew Bible allows for a more thorough understanding of sexual pollution, its particular characteristics, and the role that it plays in biblical literature.

Pairing the two concepts of diaspora and modernism, Allison Schachter formulates a novel approach to modernist studies and diasporic cultural production. Diasporic Modernisms illuminates how the relationships between migrant writers and dispersed readers were registered in the innovative practices of modernist prose fiction. The Jewish writers discussed-including S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, Gabreil Preil, and Kadia Molodowsky--embraced diaspora as a formal literary strategy to reflect on the historical conditions of Jewish language culture. Spanning from 1894 to 1974, the book traces the development of this diasporic aesthetic in the shifting centers of Hebrew and Yiddish literature, including Odessa, Jerusalem, Berlin, Tel Aviv, and New York. Through an analysis of Jewish writing, Schachter theorizes how modernist literary networks operate outside national borders in minor and non-national languages.
Offering the first comparative literary history of Hebrew and Yiddish modernist prose, Diasporic Modernisms argues that these two literary histories can no longer be separated by nationalist and monolingual histories. Instead, the book illuminates how these literary languages continue to animate each other, even after the creation of a Jewish state, with Hebrew as its national language.

This volume remembers Geza Xeravits, a well known scholar of deuterocanonical and Qumran literature. The volume is divided into four sections according to his scholarly work and interest. Contributions in the first part deal with Old Testament and related issues (Thomas Hiecke, Stefan Beyerle, and Matthew Goff). The second section is about the Dead Sea Scrolls (John J, Collins, John Kampen, Peter Porzig, Eibert Tigchelaar, Balazs Tamasi and Reka Esztari). The largest part is the forth on deuterocanonica (Beate Ego, Lucas Brum Teixeira, Fancis Macatangay, Tobias Nicklas, Maria Brutti, Calduch-Benages Nuria, Pancratius Beentjes, Benjamin Wright, Otto Mulder, Angelo Passaro, Friedrich Reiterer, Severino Bussino, Jeremy Corley and JiSeong Kwong). The third section deals with cognate literature (Jozsef Zsengeller and Karin Schoepflin). The last section about the Ancient Synagogue has the paper of Anders Kloostergaard Petersen. Some hot topics are discussed, for example the Two spirits in Qumran, the cathegorization of the Dead Sea Scrolls, the authorship and antropology of Ben Sira, and the angelology of Vitae Prophetarum.